TEASER

"That which has been is what will be, that which is done is

what will be done, and there is nothing new under the sun. Is
there anything of which it may be said, “See, this is new”?
It has already been in ancient times before us." King Solomon
CUT TO:

EXT. JUNGLE. DAY

Two large jeep convoys roar into the thick jungle. When the
two jeeps finally come pass and get further away in the
distance, the camera PANS out into a LONG SHOT of the jungle
landscape.
Penang, Malaysia October 1982
The jeeps continue for what seems like a good while until
they stop.
Out of the jeeps from the back, comes out a 7 man team of
young soldiers. They rush out carrying machine guns and many
other weapons and all sorts of apparatus. Lastly comes out a
woman at a young boy's side.
The boy has neatly trimmed brown hair, with hazel eyes and an
innocent face. He is 5 years old.
The woman wears a formal officer uniform and has a blank
expression like a robot. She has wild long brown hair, blue
eyes and marble white skin.
The woman looks down at the young boy carrying a small gun.
He looks out of place.
WOMAN
(serious and stern.
Irish/Yorkshire accent)
This mission is a prefect way to
test you. Do not distract yourself.
Everyone is counting on you.
The boys looks up silently with a face of slight confusion
and nervousness. The boy remains silent and focused.
They begin to follow the troops into thick jungle that the
jeeps cannot access.
They continue to follow the troops for a while. The location
is beautiful with noises of birds and wildlife. But the
soldiers don't care and are focused on their mission. They
stride through the greenery.
 2.

A few hours have passed and the captain of the soldiers puts
his hand up for attention.
CAPTAIN
Stop here! Break!
The young soldiers settle down for a break. We see that they
have stopped into a clearing (a crossroads of a slight path
going left and right, in a shape of a Y.)
Some soldiers sit down in groups to have a drink and some
start to put up a small camouflage tent with a laptop inside.
The women leads the boy into the tent to the laptop computer.
On the screen we see a map/grid and a strange, deep,
animistic growling sound was playing on loop in the
background.
The boy stares at the screen and closes his eyes as this
sound is played.
WOMAN
Focus... Remember your training.
She slowly and gently touches his shoulders as the boy begins
to twitch his nose. He sniffs as if trying pick something up.
The woman lets the boy go. With his eyes closed, the boy
begins to walk around as if trying to sense something with
his other senses.

We see all the soldiers stop talking and become more quite.
Some pick up their weapons as they look at the boy.
The boy continues doing this. He then goes on all fours like
an dog and begins to crawl. Sniffing the ground and the air.
A SERIES OF TRANCE-LIKE DUTCH TILTS
-In his head, the freaky sound of the low growl repeats. It
soon begins to become hypnotising.
-As that happens, the focus blurs as the boy begins to lose
balance and physical awareness and orientation.
-CLOSE UP of the boy with the overlapping looping sound of
the growl getting louder and louder.
-A series of unclear and disorientating shots as it fades in
when the boy crashes down on a nearby log. When that happens,
the now unbearable growling sound abruptly stops.
 3.

The boy holds his head like he has a migraine. He moans in

pain and sits back up to recover. Everything is silent. Even
the wind stopped. It is eerie and not normal. Even the
soldiers nearby have stopped talking and moving around.
After a few seconds, the boy suddenly begins to get very
fidgety. He is not sure why.
He begins to spazz unnaturally. Twitching his head, hunching
his shoulders ect. and begins freaking out. He makes a few
worried murmurs.
Over the boy's shoulder, something rushes. He stops and his
facial expression tell us something is watching him from
behind. He flares his nostrils as he deeply sniffs. His eyes
lighten up as if he spotted something.
PANNING TOWARDS THE BOY IN LOW ANGLE SHOT. The boy stands up
and turns around at the same time. What he sees behind
transforms his face into shock, fear and trepidation. He
begins hyperventilate.
We see what he is staring at. A large black hairy mass in a
tree stares eye to eye at him. The thing is hidden and looks
like it was watching the group the whole time. It's in a
crouching position and has a humanoid black hairy body but
has a face with a long snout like a timber wolf. Its eyes are
piercing yellow and can make you paralysed.
Immediately, the boy yells and points at the creature.
BOY
He's up there!
Knowing its position is compromised, the dog-man's ears shoot
up. It jumps upright,to a height of 7 and half feet. It wears
a strange brown robe like a druid, tied together by a strange
futuristic belt.
In a second, it pulls out a metallic cone-shaped weapon, with
a strange pine-cone design on it. The gun glows as the
monster pulls the trigger at the boy.
Time seems to slow down. The air swishes and rotates
powerfully towards the boy. The beam is invisible, making a
bizarre noise.
Suddenly, a clear opaque force field encloses around the boy,
saving him from the blast. This happens so fast, the boy
doesn't get time to flinch.
He turns around quickly, and sees a soldier through the
rippling enclosure. He has his hand out, somehow projecting
the shield around the boy.
 4.

It's impossible for the soldier to react in only one second,

run up to his aid and project the shield on him just as he
said "He's up there!" Yet, he still did it.
Quickly, another soldier dashes literally with the speed of a
cheetah. He begins scaling up the thick trunk of the tree
like a cat with his rifle strapped to his back.
The dog-man immediately leaps gracefully into another tree as
if he teleported. As this happens, the cat-soldier perches,
like bird onto the original branch, facing the creature.
The werewolf emits a quick hissing growl at the soldier.
The soldier stares with a face with no expression.
FROM BEHIND as suddenly, his upper body inflates. His
shoulders, chest and back inflates. His back muscles popped
out and bulged outwards, as a result of this.
The solider launches himself off the branch with animal
reflexes and shoots towards the dog-man.
But the dog-man again phases away and appears onto another
tree further away. The chase is on.
The solider and the creature begin to leap and chase each
other though the trees like wild monkeys. Soon they are out
of sight.
OPERATOR
QUICK! On the laptop! Go, go, go,
go!
The boy and the soldiers all run to the tent and to look at
the laptop. A few gunshots echo in the background off in the
distance.
OPERATOR (CONT’D)
Michael, transmit it!
WOMAN
Quick! They're getting away!
Poor Michael forced himself to shut his eyes. All the
background noise begins to fade away.
FLASH TO:
The boy's mind's eye. We see an EM grid and a fast moving red
dot on this grid.
 5.

Around the red dot and closing in fast, are 4 green dots
chasing the red one. One green dot is right on the red dot's
tail and the other three are more behind.
In the background we hear the boy's fearful breathing.

CUT TO:
To the cross roads where the other 4 soldiers with their guns
run where the creature had fled.
SOLDIER
GO, MOVE IT, MOVE IT!
CUT TO:
The boy's mind's eye. On the EM grid with the 5 dots,
suddenly a beeping sound rings as a big red dot suddenly
comes into frame.
CUT TO:
The boy gasps and wakes up with eyes filled with alarm. He
turns to the operator.
BOY
He's calling his ship!
With no time to waste, the operator gets onto the radio.
OPERATOR
Code 381! Calling in air support!
Location coordinates!
CUT TO:
The boy's mind's eye extends and the larger red dot comes
beeping towards the smaller one.
FLASH TO:
The boy falls on his knees. Everything is silent expect for
the few gunshots echoing in the background.
Soon after the boy recovers, the ground begins to rumble.
Trees sway and leaves fly like a great wind has picked up.
Suddenly, close to the ground, two gigantic black triangular
shaped air craft, fly over the character's heads. On each of
the points of these crafts, are circular white lights glowing
through the treetops.
 6.

They are so loud as they hover above, that when the boy looks
up at them, he slightly grins to cover his overwhelmed state.
His eyes look watery.
The two crafts continue to fly towards where the creature had
went over the trees. The low sounds begin to fade.
Suddenly, there are noise in the background of a fire fight,
explosions and gunfire, missiles and unusual blasting sounds.
As the massive explosions hidden from sight happen, the
ground shakes beneath the characters' feet.
Animals make noises and birds start to fly away from the
sounds.
Suddenly, a bizarre blue beam shoots up and lights up the
sky. A white orb zips inside it and disappears as soon as it
appeared. It was all silent.
As that strange phenomena happened, the battle stopped.
The boy looks back at the woman.
BOY
Did we win?
The lady doesn't look back at him. Her face is full of
concern. She doesn't rely. Only her eyes lock onto him. They
are very cold, harsh and Gothic. Her eyeliner makes her
almost look like a young whorish wicked witch.
Soon, the 3 soldiers return from the brush. They return
silently with faces of disappointment. Some shake their
heads. One is carrying another solider. Ha is groaning in
pain, every once a while thrashing like he is possessed,
making sharp hissing sounds. He is a black kid with long
hair.
The woman's face loosens with despair.
WOMAN
Failed... So, what then? We are all
in danger. All of us!
She turns to the boy.
WOMAN (CONT’D)
(Her voice is very high
and soothing. But it is
very sinister.)
(MORE)
 7.
WOMAN (CONT’D)
It's not going to happen until one
of you disposes of him - men, i
very hope you are all in for it
now. A very hard time. An
unbearable time it will be for Dan!
She leaves the boy and walks off with the operator.
The boy looks back with a blank face. One of the soldiers
that projected the shield, puts his hand on his shoulder.
We find that this person is around 13 to 19 years old.
NATE COGGINS
You did well. Kid.
The boy looks up at him. The soldier gives him a friendly
smile and walks off to speak to his comrades.
The boy picks up his basket with his gun inside.
EXTREME CLOSE UP of the gun, we see a symbol or a hieroglyph
of a snake curled up like a baby in a womb. Its a stylised
Tet.
CLOSE UP of the boy's face. He looks perplexed .
EXTREME CLOSE UP as the boy touches the letter with his
finger.
The boy remains. FULL SHOT of him alone in the crossroads
where once something super-normal had happened has now
returned as if nothing had ever happened.
The theme intro music begins to play in the background.
DISSOLVE TO:
ERA OF 303 OPENING SEQUENCE - ENDING WITH THE EPISODE TITLE:
ERA OF 303
AGENT BURIED ALIVE
END OF TEASER
 8.

ACT 1

EXT. LUIS MUNOZ MARIN AIRPORT. DAY

San Juan, Puerto Rico December 20th 2002
Ben DePaula (32) Spanish and Italian man with a strong build
from the military. American accent, bold and has short cut
brown facial-beard and chocolate brown eyes. Very friendly
and light hearted, with has a smile that can light up Vegas.
Wears an orange t-shirt and denim pants. Causal. Cannot tell
he is part of Special Forces, besides his body shape. Looks
like a young Sylvester Stallone.
He is walking from the parking lot and into the arrivals
terminal.

INT. LUIS MUNOZ MARIN AIRPORT. DAY

Ben is waiting among the many people for his friend who has
just arrived from England.
James Casbolt (25) English man. Short black hair and is in
good shape. Wearing a dark green and white striped shirt.
Measured, collected and has some tattoos on his right bicep.
He is pulling a four wheeled suitcase behind him.
Ben notices him in the hustle of many people with suitcases
and waves to him, smiling. Casbolt spots him and the friends
met.
BEN
Hey! James!
CASBOLT
Hi! Great you see you Ben.
They hug.
BEN
Good to see you too man. Well,
welcome to Puerto Rico!
CASBOLT
I'm welcomed. I am just very glad I
got here in one piece.
BEN
Man, I know how that feels... So
this-
 9.

CASBOLT
Oh, this is Carl my body guard.
Carl (40s) wears a formal black suit with dark glasses. He
has a short grey beard and seems emotionless. Broad body and
serious face. Taller than the others and is intimidating.
BEN
Carl.
Ben puts his hand out to shake.
CARL
Commander Benjamin DePaula, I am
very well.
They shake.
BEN
It's a honour to meet you sir.
The group start walking outside.
BEN (CONT’D)
Well James -
CASBOLT
Yeah, DePaula, I've been going
through very painful and a
confusing, you know, phases these
past few years.
BEN
Right... You're hanging in their.
You'll make it out just fine, and I
know this as truth.
CASBOLT
Mh-yeah...
BEN
James, I wonder what are these
groups are using you for? It wasn't
too clear on your reply to Julian's
email. I didn't get to read all.
Just a glimpse. And also, you said
that you are constantly starting to
regain your memories again?
James looks at Carl uneasily and his walking pace gradually
slows.
 10.

CASBOLT
(prudent)
That's right. Ben... They use me
for such things, as vessel to
communicate telepathically, to
remote view into this
CUT TO BEN'S BEWILDERED FACE for the rest of Casbolt's
speech.
CASBOLT (CONT’D)
dimension and out. Use me as a
living computer and, uh,
CUT BACK TO Casbolt.

CASBOLT (CONT’D)
as a drug runner. This is what I
was trained for since childhood.
Awkward silence. It takes a few seconds for Ben to take it
all in. His eyebrows rise as he looks at Casbolt with an
unconvinced face.
CASBOLT (CONT’D)
Well, I did warn yah. My testimony
is heavy stuff. We can talk more
about that later.
BEN
Yeah. Well. Of course. Now, okay I
guess we must get going. To
Julian's. The guy's stressed out of
his mind for the last year.
CASBOLT
Cannot cope with rising two
daughters yet?
BEN
Well, he's certainly isn't the
world's best mom.
CASBOLT
Ha, yeah of course not. He clearly
told me in his email, they
"literally came out of the blue."
No memory of ever promising to have
them with his spouse.
BEN
He could just be going mad at that
part.
(MORE)
 11.
BEN (CONT’D)
Besides, the stress to raise them
without a mother, well, honestly,
it really killed the guy. You know
what i mean? Well, my wife who is
Irish, lives with my daughter
because of, you know, military
business, takes up all your time. I
haven't seen her in ages. I cannot
EVER imagine myself raising her.
Never bet a million bucks on that
one. Never!
The two laugh.
BEN (CONT’D)
I'll be dead. I mean, these big
guns here
Ben flexes his right arm, showing huge muscles.
BEN (CONT’D)
will loss their purpose. Made for
combat. Well, anyway, Julz got it
hard man. He doesn't even know
where his girls came from. Maybe
someone left them there by
accident?
CASBOLT
Well, what's his last name again?
BEN
Oh, Ramírez-Arellano.
CASBOLT
Yes, I know that name. One of the
42 families selected to raise
special children. Yes, I know
exactly why this has happened to
Julian and why the girls were made
for.
BEN
(confused and shocked)
Wait, made for?
Carl steps in, putting his hand on James' shoulder.
CARL
Public ear is very common here.
Shut it James.
BEN
You mean born.
 12.

CASBOLT
Sorry Carl.
CARL
We must get moving boys.
BEN
Right, my car is just parked in the
lot. Just there. Any of you like to
stop by somewhere for a coffee or a
snack before we get to the house?
CASBOLT
We're fine thanks. We had some food
and drink on the plane.
BEN
Done! Lets get moving folks.
As they get in the car and leave, the camera PANS OUT at the
entrance of the airport, that looks like a flying saucer.

INT. JULIAN'S CAR

Ben is driving and Casbolt is next to him. Carl sits in the
middle in the back seat, minding his own business.
BEN
Man, Casbolt, you could really do
Julian a favour here. He'll owe you
a big one. And I am sure he'll be
glad to meet you.
CASBOLT
Well, I am glad to hear it. I'll do
whatever I can to satisfy his
needs. As a good friend you are
Ben, I reckon you're doing him the
favour, not me.
BEN
Nah. Okay, thanks then Cas.
There is silence in the car. Nick Ashron|The Vortex plays in
background up to 00:39. Fade off.
CLOSE UP of James Casbolt's face as he looks out the window.
EXTREME CLOSE UP of his left eye as it focuses in and out
like a camera lens.
 13.

We look to see what he is looking at and P.O.V from James

shows a telephone tower radiating microwave pulses all around
it, like ripples in a clam pond. It looks unnatural, and very
dangerous.
LONG SHOT of the roads of San Juan.
FADE TO:

EXT. RAMÍREZ-ARELLANO'S HOUSE (CALLE SAN JOSE STREET)

INT. RAMÍREZ-ARELLANO'S HOUSE

The main room has opaque skylights glowing on the 20 foot
ceiling. Contains oak, steel and white leather furniture.
Both sides of the room are overhung with terraces. A 5 foot
tall, snow covered, Christmas tree sits in the corner with a
few presents under it. The place looked like an old house
that was just painted white with impersonal looking
furniture.
Julian Ramírez-Arellano. Richard Rahl look alike from Legend
of the Seeker. He has short brown hair, and is disciplined
and handsome. Known for his sideburns, he is healthy in
appearance from severing the U.S military, but not mentally.
He has bags under his eyes, he has a short beard growing.
(late 20s)
Julian is battling to get his daughters to be sensible when
Casbolt comes.
Hylla Ramírez-Arellano (10). Introvert. Long black hair and
dark eyes. She is complaining for her dad to help her with
her school work.
Reyna Ramírez-Arellano (4). Looks identical to Hylla.
Piercing black eyes and glossy black hair worn in a single
braid. Likes wearing her purple sports clothes.
JULIAN
FOR HEAVENS SAKE, HYLLA, JUST DO IT
LATER! Okay? Far out...
Julian turns to Reyna.
JULIAN (CONT’D)
Rey,ven aca!
REYNA
(looking down and still
drawing. Shakes her head.)
NO!
 14.

Julian has a hard time holding in his anger. He tries his

best to not be so mean. He simply power walks over to Reyna.
Show Reyna's drawing of a solider fighting a titanic bird
with three heads and 12 wings with with ten horns on its
head. A girl in red is on the monster's back is blasting
magic at him.
Suddenly, Julian snatches the pages from Reyna.
REYNA (CONT’D)
(Screams and whines)
Speaks Spanish. English subtitles.
JULIAN
What did i say about not
listening!? Stop trying to be on
top! You'll never win with that
attitude!
REYNA
GIMME!
JULIAN
Ah, ah.
(moves they pages away
from Reyna's grasp. Speaks
English.)
No. We have people coming over. And
this meeting, will be VERY
important. Yes. For you two and I.
ME OYES HYLLA!?
Cut to Hylla on the kitchen bench with he head down in her
hands.
HYLLA
(groans)
Lo sé...
Cut back to Julian as he takes Reyna by the hand. She
continues to whine and resist. He dumps the pages on the
kitchen table and slaps Hylla in the back of the head to get
her attention. She flings her fist at him and misses. She
grunts and holds her head. Her black hair is a mess. In this
conversation, they speak Spanish. English subtitles.
JULIAN
Girls... Listen please. Okay.
Reyna sits down next to Hylla, looking disappointed.
Julian sighs and clenches his fists.
 15.

JULIAN (CONT’D)
Today, James Casbolt is coming with
uncle Ben, okay. James is coming
too help us. He'll be staying with
us for a few days-
HYLLA
Why? What did-
JULIAN
He will be clarifying things a bit.
He will...
There is a long pause.
REYNA
What?
JULIAN
(sighs)
James Casbolt will be telling us,
the truth, of why you are
different.
Hylla flinches.
HYLLA
But -
JULIAN
Casbolt is here to tell us your
origin and your purpose... Argh,
girls, I am just worried about
you... That the outside world
cannot accept-. Or... no...
He rudely gets up and leaves the girls there. He quickly
walks into his room.
We see large set of many crystals on a table. They are
arranged in a complex pattern and the larger ones are
connected to radio. We glimpse at his military medals, his
weapons (including an old golden sword relic hanging on the
wall in a glass case).
A book shelf with history books, many on Wars. We see a old
dusty book called the Book of Wars Of the Lord, history books
on Greek and Roman history, World Wars, and a KJV Holy Bible
in which the camera focuses on.
We see a huge framed painting of a woman with curly brown
hair in medieval battle armour. She holds a shield with
Medusa's face on it.
 16.

HIGH ANGEL SHOT. Julian looks ups at her, memorised until the
door bell rings.
CLOSE UP of the back of Julian's head. He turns his head and
looks nervous. He closes his eyes and mumbles something in
Spanish.
Julian takes the door. Ben greets him first.
BEN
Hola, Juliano!
JULIAN
Hola Benjamin. I see you've
improved your Spanish?
BEN
No mucho. Sup. Came all the way to
see you.
They laugh and hug.
BEN (CONT’D)
So good to see ya all. And Reyna,
Hylla!
Ben opens his arms as Reyna happy runs into them. Hylla just
smiles and stands there awkwardly.
BEN (CONT’D)
Oh, little kiddies! How, are you
all!? Good?
REYNA
(smiling)
Neah.
BEN
Excelente! Woah, Hylla look at you!
Growing too fast!
Ben compares Hylla's height to his and shoots a smile and
hugs her tight.
BEN (CONT’D)
You have to stop growing! You'll
start to make me feel old!
(a short laugh)
Ben hugs Hylla and kisses her on the head.
Cut to Julian as he meets Casbolt and Carl. The commotion of
Ben and the girls is lowered down in the background sounds.
 17.

There is tension in this moment. Julian just stares as

Casbolt smiles and puts out his hand.
CASBOLT
Sergeant Julian. I am here at your
service.
JULIAN
No words can explain my
appreciation right now.
They shake hands firmly. They shake for a while until they
hug.
CASBOLT
Ah, well I'd never envision
travelling the world, being a
harbinger of truth and helping
people like you. How are you going
right now?
JULIAN
(closed by seems genuine.)
Right now? Oh, very well thanks.
CASBOLT
That's good. Good to hear soldier.
The wait is over and the time has
come.
James meets Hylla. He seems relaxed and very glad.
CASBOLT (CONT’D)
(friendly as if speaking
to a pet)
Hullo. What's your name?
HYLLA
Hylla.
CASBOLT
Wow. Hylla... Never heard that name
before. Sounds beautiful. I'm
James. I Assume you'd already knew
that.
Hylla gives a weak smile, she looks down. She sways a bit.
James walks slowly, looking around as he observes the house.
He sees a fireplace, which is quite odd since Puretco is
always quite warm. There was no fire, but unusually, there is
a trapdoor where the fire wood should be.
 18.

CASBOLT (CONT’D)
(Confused)
Where does this door go?
Julian puts his hand out
JULIAN
Oh, yeah, sorry. That door goes
nowhere. Just, you know, was there
when my family moved in.
CASBOLT
(Amused)
Hm. Pointless, then.
Reyna and Hylla exchange sneaky looks.
CARL
No. We can't have you interviewed
here in this living room, James.
Too many terraces.
CASBOLT
Right.
CARL
We can't put ourselves in danger
that easily. We have children here
with very sensitive information.
They'll be watching us now. The
Cabal... Julian-
JULIAN
My room?
CARL
No windows?
JULIAN
(hesitates for a second
and speaks in a higher
awkward tone.)
Oh...I'll lock it. It's for extra
security... Ye-
CARL
Fine. I'll hang in here for a while
then.
Julian showing tense body language as he looks down slightly.
He clenches his fists and slightly bounces on his toes
nervously. Facial expression shows cringe. He whispers cruses
to himself.
 19.

CARL (O.C.) (CONT’D)
Make sure the front door is locked
as well please.
Julian nods and listens.
Carl gazes outside.
Hylla looks at her dad as he dose this. She is quite nervous.
She stays quite.
James Casbolt greets Reyna, kneels down and holds her on the
shoulders. He stares in her eyes, at her purple clothes
and...
FLASH TO
JUMP CUT TO A SERIES OF SHOTS.
- DUTCH TILT CLOSE UP A large wild Alsatian dog barking like
crazy.
- The Yorkshire woman with long curly brown hair and pale
skin, demonic raging gaping eyes with eyeliner looking right
at us, holds up a glowing purple ribbon. Barking continues in
back ground.
- A little girl bawls and screams.
- The dog jumps at the camera, showing its mouth of teeth.
CUT TO
James' face gradually contorts with emotion. His head makes
sharp movements and spazzes for a second. He hugs Reyna and
pats her. He exhales with a deep, worn out breath.
CASBOLT
Reyna? Okay - I found you... I
found you... It's going of be
okay...
James slowly lets go and rubs her head. He gets up and
strolls towards Julian's room. Hylla watches Cabsolt as if he
grew a second head.
HYLLA
Little sis, he is weird...
REYNA
(cute smile)
He good.
 20.

Hylla drags herself over to her dad's room and Reyna follows
as well.
James touches Julian's shoulder.
CASBOLT
I want you for a minute please.
Julian looks a bit surprised.
JULIAN
James? What is it?
James puts a figure to his mouth.
CASBOLT
(whispering)
Follow me.
James takes Julian to the bathroom and closes the door.
CLOSE UP as James locks it.
JULIAN
Uh. Is there, something wrong?
Commander?
James bows his head and stares at the floor. He hesitates for
a moment.
CASBOLT
(worried)
I want to warn you, Julian. I have
had constant death threats, and
even intelligence people die in
very suspicious circumstances,
hours before arranged meetings with
them...

Show Julian's reaction. Silence

JULIAN
No...
(voice breaks and swallows
hard)
I suspected this. But, my-
CASBOLT
-girls. Yeah. They're fine. BUT!
JULIAN
They mustn't be exposed to this
then!
 21.

CASBOLT
Julian, once i'm with them, i'll-
JULIAN
James, you are going to be putting
them at risk!
CASBOLT
Hold on man. Without proper
training, the girls will not be
able to defend themselves. Whether
you like it or not, someday, the
truth will be stumbled upon, and it
shall set them free.
Julian puts his hands on his face in frustration.
JULIAN
FOR GOODNESS SAKE! WHY TELL ME
NOW!? Why didn't you inform me
beforehand in the letter?
CASBOLT
My mission is to get highly
classified information to the
public and exposing the
perpetuating horrors of the ruling
class. I need time to find and save
the 42 and their families! They're
in as much danger as we are now in!
JULIAN
No, this can't be happening...
CASBOLT
You have to stop being
overprotective of your children at
times! Honestly, that's why you're
not good at parenting!
Julian is about to react, but he stops because he realises
this is true.
CASBOLT (CONT’D)
Julian, there's no turning back
from this. You know very well
something is perverted, in the
realm of earth. I'm here soldier,
and so are my enemies. I try
desperately to escape my handlers.
They don't tolerate it. I forbid
that any of you suffer because of
me. That's why Carl is here, he is
more experienced than you know.
(MORE)
 22.
CASBOLT (CONT’D)
And. I have more associates if that
doesn't satisfy you enough.
JULIAN
Okay. I am sorry for reacting like
that. It's just-
Julian exhales forcefully.
JULIAN (CONT’D)
I wish to know these other people
that you mentioned, now that
they're, um, who ever they are, are
coming.
CABSOLT
You are in good hands. Remember
that. This mission I'm on is much
bigger than me and must be made
public. It's in my blood to
complete tasks bigger than I. Do
not fear. I may not get to see all
the 42, but I pray to God that they
don't live a naive life.
There's a knock on the door. Ben's voice.
BEN
Hey, guys, what's taking so long?
What are you two doing?
James gives an eye to Julian and he collects himself.
They open the door.
BEN (CONT’D)
What were you talking about guys?
CASBOLT
Commander, i want you to sign me
and my associates up for your
mission to Afghanistan. Once we're
done here, you'd wish you did.

INT. JULIAN'S ROOM

The room has a sofa chair that Julian has set up from James.
Reyna holds her teddy bear as she touches the crystals with
awe.
 23.

CASBOLT
O-kay, i'll sit here. And you can
sit-
JULIAN
Yes, please get comfortable. I'll
use my office chair.
He moves his chair in a positions it to face Casbolt from his
(Casbolt's) right.
Ben helps himself and sits on Julian's right, facing
Cabsolt's left.
JULIAN (CONT’D)
REY, REYNA, NO!
He grabs her.
JULIAN (CONT’D)
What did i say?
REYNA
(groans)
You said, no touch keystools...
JULIAN
Yeah, the key stools.
Ben starts laughing.
BEN
(laughs)
Key stools?!
JULIAN
Well, just play with Pip. She wants
your cuddles.
Turns to Ben and James
JULIAN (CONT’D)
You see? At least she gets the
message.
James studies the strange crystal formation. A huge amethyst
geode is in the centre of it. It is surrounded by smaller
crystals in webbed shapes and patterns. He strokes his chin,
concerned.
CASBOLT
Message... N... An oscillator?
Julian's face goes red.
 24.

JULIAN
Oh, now. This. Well, just gives
good vibes.
CASBOLT
How'd you build it? Why?
JULIAN
Well, from my parents. They used to
use crystals to heal people. Yeah,
and i like studying geology...
Yep...
His face slightly turns to cringe. We know he is lying. He
looks up at the framed picture of the women warrior above
Casbolt's head.
JULIAN (CONT’D)
Woah... Cabsolt, are you ready to
tell us your story bro? From the
beginning please.
Julian sits back down and listens up. James sits back, and
thinks for a while. Anticipation. He rest his arm on the
couch in a very comfortable and laid back position. His head
normally slants to the right. Remains like this for the
majority of his story. His tone changes to emotionless and
measured for most of the story he tells.
CASBOLT
(clam and causal)
Hitler.
We CUT to a side shot of Casbolt.
CASBOLT (CONT’D)
One of Hitler's plans is to preform
an act of creation. To play God.
As Casbolt speaks, we see old footage of Naiz soldiers in
formation in their thousands. Scenes of Hitler and him
delivering his powerful speeches.
CASBOLT (CONT’D)
The goal of using artificial
insemination which would result in
the engineering of the gods. It's
basically using an eugenics program
to isolate rare genetic information
and breeding these people with
Aryan genes to bring about the
return of the gods. The pure and
holy white skin, blonde hair and
blue eyes. The Nordic master races.
(MORE)
 25.
CASBOLT (CONT’D)
Ubers. German for supers. They want
to isolate the supernatural genes
by using Lebensborn, which
basically involved the creation of
chosen babies. Hitler, himself
believed to be Hades' child. The
prince of Hell. He wanted a new
generation of ancient Nephilim and
god-men. He believed by wiping out
the pig races, he will inevitably
give a clearance for the rise of
the "kosher" supermen. Hitler you
see, desired for the resurrection
of old pagan gods, which is part of
their spiritual plan. Nazis were
constantly seeking relics,
spiritual places, with rune stones
and magic to do this. Society
today, has being programmed to
expect this, through Marvel and DC
comics.
But really, these stories you hear
about Captain America, Superman and
Spiderman, are more real than you
think... I've met people that are
zoomorphic in nature...
Show reactions of Julian and Ben.
CASBOLT (CONT’D)
Now with the science in our hands,
humanity is now ready to make their
imaginations a living reality. They
imagine the myths of old, and how
true to society they once were. But
what if I told you all these gods
and goddesses, the heroes and men
of renown, were things of forgotten
antiquity?
Julian looks uncomfortable. He knows something. He looks back
up at the warrior women again.
CASBOLT (O.C.) (CONT’D)
What if we all heard at school
about mythology are nothing more
than fact?
Cut to mid-shot of Casbolt.
 26.

CASBOLT (CONT’D)
They want us to believe in their
mythology about evolution and
millions of years, and think that
the ancient world was primitive and
though the earth was flat. But what
is fact? Something that is, well
real. Right? And myths? All myths
comes from some foundation of
truth. That's a fact? Right? But
basically the question is, where
did the giants and monsters come
from? The purely evil beings that
supposedly represent our flawed
ability to control our emotions?
You see, there have been plenty of
giant mound cover ups in the US for
example. The Smithsonian? These
finds were a common thing back in
the day. But, ugh, you need to wrap
your head around is that myths are
universal and are totally ingrained
in our culture.
So, why do you think there is such
an inexhaustible appetite for
stories about fantasy and "make
believe" - but the truth is, it's
not a fantasy. It's a living
nightmare, and we are about to live
it out.
(pause)
Very soon...
BEN
(perplexed)
Hang on. Wait...
(sighs)
You're really saying that Monsters,
magic and gods are real? It through
this was governmental diplomatic-
CASBOLT
Now this is where my story begins.
Ben gives a blank and shocked face for a second.
BEN DEPAULA
Yep. Okay...
Ben sits back in his chair a bit blown away.
 27.

CASBOLT
(emotionless)
I was a MI6 agent that was involved
in black ops and was part of a
genetic-enhancement program, which
sought for humans with prime blood,
to make super spies and super
soldiers. I am neither a good guy
or a bad guy. But I've experienced
both, in some shape of form.
BEN
Man, Julian where did you find this
soldier? He openly admitted he is a
drug runner-
JULIAN
Miles Johnston. Yes. Yes, that's
true... This world doesn't
understand...
BEN
Huh? Uhm, Casbolt? How can I tell
if this is even true?
CASBOLT
(serious)
Speak to Carl, or Miles. They're
more learnt than me. He has the
real documents. Don't believe a
word I say until you do your own
research to test the things I tell
you. You want to seek answers and
hear about my life? I know what i
say is absolute truth and truth is
certainly stranger than fiction. If
you don't believe it. Now. Today.
You will soon...
Ben puts a hand on his forehead, and closes his eyes with a
face of perplexity.
James gives a slight grin. He knows this is a very common
reaction to topics like these.
CASBOLT (CONT’D)
(causal)
I've... seen... nonhuman ...
entities in bases over the years. I
saw strange animal, types of
creatures in cages, I am not...
Well, it's obviously a continuation
of Nazi super soldier projects.
(MORE)
 28.
CASBOLT (CONT’D)
I can tell you now, if you Julian,
or someone in your family has
another child,
Cut to Julian's reaction:
CASBOLT (CONT’D)
there is a good chance they will be
tortured with electro-shock in the
first five minutes of birth.
DISSOLVE TO:

EXT. HOUSE IN WIMBLEDON, UK. AFTERNOON

Wimbledon, UK - Tuesday Dec 18th, 1976
In this establishing shot, we hear from the inside of the
house, panicked yells from a woman.

INT. HOUSE IN WIMBLEDON

Kathleen Prince (early 30s) black hair and blue eyes. She
holds her pregnant tummy has her husband Peter Casbolt,
slowly supports her down onto a couch.
Peter (early 30s) and has short brown hair with hazel eyes.
PETER
Okay! WHAT NOW!?
KATHLEEN PRINCE
(hyperventilating)
I'm, contracting again!
Panicked and drained, Peter exhales with a deep frustrated
shaky breath.
PETER
Oh, garh- again!? Kath, your waters
broke two bloody days ago! I told
you! Why didn't you stay for
goodness sake Kath?!
Kathleen contracts with agony.
KATHLEEN PRINCE
JUST GET ME THERE!
(Screams)
Hurry, his coming this time!
 29.

CLOSE UP of Peter's bewildered face. He is willing to do

anything for his wife, even if it makes him do things we
would never think of doing. He hasn't had a break for three
days.
He quickly helps Kathleen out the door as fast as they can.
PETER
COME ON, KATH, COME ON!
Kathleen falls in agony. Her screams are unimaginable.
PETER (CONT’D)
OH MY FREAKING GAD! KATH!
(hands on his head)
Kathleen's reply cannot be interpreted. She is crying and
yelling like crazy.
She slowly gets up.
KATHLEEN PRINCE
ARGHHHHHH!!! NOOO!! HURTS!!!!
GRRAAHHHH!!!
The door shuts, we can still hear them.
PETER
WE WILL MAKE IT! PROMISE ME!
More groans from Kathleen.
As this happens, the camera slowly pans to the left, to then
focus on a few plastic containers with white powder inside
it, in a glass cupboard. Peter, had forgotten his common dose
of heroin, which he is addicted to.
CUT TO:

EXT. QUEEN MARY'S HOSPITAL, ROEHAMPTON, LONDON

INT. QUEEN MARY'S HOSPITAL.

CLOSE UP of a digital clock showing the time "7.01 AM." In
the background, are the screams and cries of Kathleen as she
gives birth.
PETER
Nearly there babe! Come on, one
more push!!!
 30.

CUT to Kathleen's sweaty, red and distressed face. She gives

one last final push.
Kathleen's screams are mixed in with the screeching of a new
born baby.
From here everything slows down.
POV from Casbolt of a doctor with a blue face mask, as he
pulls out the child.
DOCTOR 1
Oh, goodness gracious ...
We see new born James Casbolt. He is kicking and emitting
agonising screams in the bloody hands of the doctor.
Casbolt's head looks slightly elongated like an alien. He
looks disgusting and slimy and unrecognisable that only a
mother could love.
Slow motion stops.
Cut to the doctors. POV shot.
DOCTOR 1 (CONT’D)
Quick, get it to the other room.
303.
DOCTOR 2
Yes sir!
Doctor 2 and 3 rush off with the screaming James away from
his parents, wrapped up in a clothe. They go out the door.
KATHLEEN PRINCE
(knackered)
Where's the baby? Go with the
baby...
Peter is shocked. He manoeuvres to the Doctor frantically.
He leaves the room into the hallway and follows the doctors.
PETER
Hey! Where are you taking him?
DOCTOR 1
Relax sir, for safety reasons only,
it's required your child must
undergo a special procedure-
PETER
WHAT?! But i am an MI6 operative.
Of course i can come!
 31.

DOCTOR 1
I am terribly sorry sir.
Unfortunately, it's restricted.
PETER
Wanna bet?
DOCTOR 1
We have detected that the baby is
distressed. We need to hook your
child up to life support in order
sustain the child's survival.
PETER
Huh?! Hang on!? You're bloody
saying he's... BUT I'M HIS DAD FOR
FUC-
Peter grabs the Doctor's shoulders.
DOCTOR 4
HEY, HEY, HEY, HEY!
Peter shoves Doctor 1. Doctor 4, looking after Kathleen
breaks it up.
PETER
WHAT ARE THEY DOING WITH HIM!? MY
SON!! DON'T KILL HIM!!!
CUT to Kathleen's face as she tries to slow her breathing.
Her eyes are swollen and red. Her lips are shaking
uncontrollably. Her gaze looks to he left towards the door
where doctors had taken James.
Dutch tilt, POV of the door. Slowly dissolves.
CASBOLT (V.O.)
(emotionless)
They shock you at birth for the
most effective control of the mind.
About 5 minutes later, I was
brought back to my mother, and my
roller coaster life began...
DISSOLVE TO:
Left side close up of James Casbolt's face in Julian's room.
CASBOLT
When I ask her about this now, she
gets a kind of glazed look in her
eyes and cannot remember the events
clearly.
 32.

Cut to a mid-shot of Casbolt.

CASBOLT (CONT’D)
Mum often gets this spaced out look
when i question her about our past.
Moment of silence. Show Ben and Julian's reactions.
BEN
Well, that's... Terrible. What
brought you into this project? Were
you adopted?
CASBOLT
(measured)
I was born into project IBIS
because of rare genetic attributes
that I possess. We have, what they
call blood prime. Which is, well
what they say is Annunaki DNA.
JULIAN (O.C.)
What's blood prime?
CASBOLT
(mumbles)
It's a type of alien DNA. Uh,
human, uh, nephilim... Hybrid...
This has become a type of weapon of
mass destruction...
Show Ben's perplexed reaction.
JULIAN (O.C.)
Is there any, particular RH
negative part of it? Anything like
that?
CASBOLT
Um. Basically. I think, there that
rhesus negative factor in it. I
think, yeah the RH Negative factor.
It's also called velon, and has
been toyed around with since
earth's earliest ages. Um, some
also, have ADHD disorders. Meaning
they have heightened senses and
natural aptitude for battle. I
reckon it's very effective.
Probably too effective... It's the
root to all of this, umm, evil,
really.
 33.

HYLLA
What are you even talking about?
It's fake. Fake you know.
Julian turns around fast.
JULIAN
(whispers in anger in
Spanish)
Hylla, this is important.
She gives her dad a muddled expression with her mouth
dropping.
CASBOLT
Well. I am involved, with
connections with US intelligence
community and Um-
Reyna while Casbolt is speaking and smacks his lips, she
begins to rip up paper in frustration and makes silly noises.
CASBOLT (O.C.) (CONT’D)
A lot of these guys are Freemasons.
Rosicrucians.
REYNA
(whining )
PAPA! I WANNA GO! CATS, CATS PAPA!
NOW-
JULIAN
Rey, espere.
REYNA
Urgh...
HYLLA
Papa, why are we even trapped in
here?
JULIAN
Ah, sorry about that. They easily
get bored.
Hylla crosses her arms in anger.
CASBOLT
No need to worry.
BEN
Okay.
 34.

CASBOLT
Yeah, so these guys hold secret
records-
BEN
(sceptical)
What's the significance of that?
What's makes this, uh, so important
to what you're talking about now?
CASBOLT
Basically the modern day return of
the Nephilim.
(nods)
Yer...
BEN
Who started this?
CASBOLT
Probably by, well I think
reptilians from the Draconis star
system. Semitic tales call them the
Watchers.
Ben holds a laugh.
BEN
Yer, okay... Okay! Aliens. Now, get
to the story, you're killing us
here man.
They laugh, as if it was all a joke.
CASBOLT
Ah well. Anyways. My first memories
go back to 1976 when i was a baby.
IBIS branched off into Project
Mannequin. There is a Nazi
connection with that.
Julian looks at the women again and sits back up straight.
JULIAN
Cas?
CASBOLT
Yeah?
JULIAN
Building from DePaula's question,
what was it like in Project IBIS?
What training did you do?
 35.

CASBOLT
Ah. So they tracked people with
this blood type and brought the new
born babies, me included, ah, they
were all brought to a facility in
Canada in the Sonoma Valley, uh,
underneath a small town called
Nelson. The base was called Q552.
Moment of silence as Casbolt thinks.
CASBOLT (CONT’D)
So we were all taken there, at the
time of birth. Some, some from
America i think... Umm. Some from
South America, obviously some form
the UK. Ahmm. I recall,
Looks up.
CASBOLT (CONT’D)
some of the officers there, as from
after my deprogramming of course,
that they have created files and
documents about the plans of the
creation of 42 children, from
different cultures and countries.
It's, the program was called
ETLADS. Yeh. I forgot what that
stands for but. They would select
approximately 42 other families
with significant bloodlines, to
produce the perfect ubermen as an,
uh... Well basically an Intentional
reaction to help fight the war of
hybrids. Monsters.
JULIAN
So you're saying that Hylla and
Reyna are two of the 42?
CASBOLT
Oh yes. Indeed. Basically I was in
the possession of one of the
documents a few years back. And i
just remembered that unique
surname. You know, ah. Ramez-?
JULIAN (O.C.)
Ramírez-Arellano.
JAMES CASBOLT
Yeah, that's right.
 36.

JULIAN (O.C.)
Tough one. I know.
(laughs)
CASBOLT
Yeah. Okay. So... The mothers of
um, the 42 um.
Julian shifts uncomfortably. His eyes tells us something is
bothering him.
CASBOLT (CONT’D)
Basically, they were selected and,
um the embryos were cloned embryos,
grown in an artificial environment.
Um... Test tube babies.
Hylla is looking at Casbolt with confusion and at Julian with
a face wanting help.
CASBOLT (CONT’D)
I think those, from my
understanding, those embryos were
then implanted into specific
women...
Silence.
CASBOLT (CONT’D)
Who gave birth, and then, at the
time of birth the children were
raised in different lifestyles, and
um. Yeah, living amongst, um,
normal society. Living normal
lives.
Hylla stands up and walks to her dad's side.
HYLLA
Papa, why don't we never see mama?
What even happened to her?
Julian's face is starting to glisten with sweat.
JULIAN
Well, um. Not now. You will not
understand. You're too young.
James and Ben stare at Julian.
CASBOLT
So, you're saying you don't live
with your wife? That i assume is
quite common.
 37.

BEN
Common? Come on dude, she cheated
on him. Cas-
CASBOLT
I am saying it is normal for the
families raising the 42 children.
There will always be one parent
that is not present at home. Which
makes me wonder if the parent, um
absent is even human.
Julian nervously puts his hands together and tapping his
foot, he stares at the crystals.
CASBOLT (O.C.) (CONT’D)
Julian, your wife was probably an
Nephlilm.
JULIAN
(nervous and frantic)
Ehm. No, no absolutely NOT! I
clearly remember her. I still talk
to her you know. She's not. She is
always here...
Julian stops and realises what he said.
JULIAN (CONT’D)
Erm, i'm gonna get some beers.
He gets up and leaves the room.
BEN
Okay, i think you're starting to,
um you know, ruffle some of his
feathers.
CASBOLT
I relate. The understanding of
their births is often quite
complicated.
HYLLA
We have a mum, her name is Karen.
She looks after me and Reyna. Dad
is always acting weird you know.
CASBOLT
But have you?
James gently pulls Hylla over.
 38.

CASBOLT (CONT’D)
Hylla, have you noticed anything
weird in your life? Anything weird
about you compared to others at
school? I suspect Karen is just a
step mother or babysitter. She
lives here?
HYLLA
No.
Hylla takes a while to speak.
HYLLA (CONT’D)
(shy)
I, can do more than-than,
everybody. I always beat everyone
in sport... I also see... i see
things too...
Reyna is chewing on her toy.
REYNA
Halla throwed Joe at school. He was
flying in the air!
(she laughs)
I can try it too! He's a very bad
boy.
(points at Hylla)
Hylla, you got time out at the
offist!
She shoots a sneaky smile.
Hylla gives an annoyed and embarrassed face and covers it
with her hands in shame.
James looks at Ben giving him a face saying, well there you
go.
BEN
Ohahaha. Don't be silly Reyna.
Well, James? What do you think?
Hylla gives an expression of embarrassment at Reyna's
remarks. She closes her eyes.
CASBOLT
Kids say the darndest things eh?
Yea, i believe her. They have no
guile. Though i do hope Joe learnt
his lesson the hard way. I was
bullied too when i was your age you
know. I know your pain Hylla.
(MORE)
 39.
CASBOLT (CONT’D)
I know you and your sister are
super humans. You know that deep
down. You're not alone, even if you
feel like, 41 others including your
sister, are experiencing similar
lives. I can tell you two are going
to grow up to be very strong
leaders.
Julian kicks the door open carrying three golden tin cans. He
comes in as a whole new character.
JULIAN
(excitingly)
Who wants some Medalla Light?!
Ben turns around.
BEN
Medalla? What's its like?
JULIAN
Why don't you wait and see? Or
taste really. Pffh, sorry. Here you
go commander.
Ben takes it.
BEN
Uh, thanks. Sergeant.
Julian offers some to James. He puts his hand out to suggest
he doesn't want it.
CASBOLT
No thank you, i'll have some water
please.
JULIAN
Sure thing. Want ice?
James thinks for a second.
CASBOLT
Yes please. The temperature here is
nothing compared to England.
Julian lives the room again. Reyna sneaks out.
CASBOLT (CONT’D)
Feww, gotta get used to it. Want my
taste of England.
Ben and James laugh.
 40.

CASBOLT (CONT’D)
To feel back at home.
James sits back in the chair.
CASBOLT (CONT’D)
Okay.
Ben flicks open his can.
CASBOLT (CONT’D)
My goal, now, is to find these
children. Locate them and educate
them about what is really going on.
I don't know who the other 42
children are. I have a rough idea.
Now.
BEN (O.C.)
Why 42?
CASBOLT
(shakes head slightly)
I don't know.
BEN (O.C.)
Is it, just that was the sample
was, or is it has a significance in
it?
CASBOLT
(shakes head slightly)
I don't know. I'm sure there's
significance in it somewhere but i
don't have that information.
Julian returns, and pushes Reyna inside. He closes the door
behind him, with Reyna whining.
JULIAN
Agua for you. Extra iced.
He gives an a-okay sign. He gives the glass to James
CASBOLT
Beautiful. Thank you.
Julian sits back down and opens his cans.
JULIAN
To you, Casbolt, to the team and
the girls. May we have a fluke of
good luck in this.
 41.

They clang their drink together and they all drink at once.
Once done, Ben shakes his head as he tastes the beer.
BEN
(satisfied)
Not bad.
JULIAN
Glorious, iconic stuff. Reminds me
of tecate. Spectacular!
BEN
Julzz, man, you should taste
Westvleteren 12. Agh... No words do
justice man. Right from Heaven's
gates.
CASBOLT
Okay, will you like me to continue
from where i left off?
BEN
(excited)
From the top, Cas. I don't care
anymore if it is crazy, just tell
us your story. All i needed was a
refreshing drink.
CASBOLT
Well fasten your seat-beats... It's
about to get weird.
END OF ACT 1
 42.

ACT 2

EXT. VERNON ST. DAY

FULL SHOT slowly panning forward towards a slim man in a dark
green uniform on a footpath with his back to the camera. We
see him facing across a road a strange 6 foot marble
sculpture on the other side on a green patch in the centre of
the road.
Nelson, Canada - 1976
We see a CLOSE UP of the of the sculpture. On the right we
have a small chubby child, hugging one side of what seems
like a phallic symbol. His face is facing away from us and
his hair reaches his jawline. On the left, an identical clone
hugs the other side, but his face is looking right at us.
We pan smoothly to the left side and reveal the slim man
across the road looking at the statue from the other side. We
then rack focus and we finally see the man's frontal
appearance.
A young man is in his twenties, bold with wire-rimmed
glasses. He lacks facial hair and is abnormally albino in
skin colour. He wears a dark green Nazi officer uniform. He
has a badge with is a strange symbol of a bird with an
elongated beak.
A truck blares past. As this happens, we CUT to a zoomed up
shot of his face.
We see something creepy about his eyes. They seem to give off
light like jewellery in the sun shifting colours, like a
kaleidoscope.
His head turns to the left as if he notices someone
approaching.
SLIM MAN
(slight Australian/British
accent)
Scandalous. They cannot see what is
right in front of them... Oh well.
Typical..
We follow his gaze to a large man (50s), 6 foot 6 in a
traditional black suit. Bavarian. Broad shoulders with very
blonde hair transitioning into white from ageing. He is
wearing a black fedora hat. He has piercing blue eyes and has
a scar down the left side of his face. He walks from behind a
tree on this patch of grass in the centre of the road. His
face looks like Dolph Lundgren.
 43.

SLIM MAN (CONT’D)
(from across the road)
Nice to finally meet you, Mr
Forever Young!
DIRECTOR BONNER
(German accent)
Doctor, it's Director Alfred Bonner
thank you very much!
SLIM MAN
Ah, no need to get cross director.
Of course i knew that. I wanted to
subtly remind you of my great
achievements.
Alfred approaches the sculpture. He looks up at the odd
looking bird/phoenix that is perched on top of the phallic
symbol. It has a rolled up scroll in its left claw. It has
its back to the Slim Man, but it head is peaking from behind
its right wing. Its glaring eyes are startled, twisted and
almost life-like.
SLIM MAN (O.C.) (CONT’D)
(in Alfred's head)
Yes, that' right. He's been here
all along. He's protecting us,
guiding all our regimes since the
beginning...
DIRECTOR BONNER
(deep voice)
If only we had more time... All
this discord between us...
The Slim Man grins. It is quite sinister.
Alfred looks at the phoenix's gaze and follows it. We see
that it is looking past the man. We see a small car park in
between the Hume Hotel and a large brick building. Beyond it
is a grey block house, with a single railed entrance to an
elevator shaft inside.
SLIM MAN
Come on through. The veil is
opening...
Alfred hesitates for a second and walks up to the kerb. He
waits until traffic has stopped.
FULL SHOT of the two characters looking at each other across
the street from both sides. Slowly, Alfred makes his way
across wearily towards the Slim Man in front of the Hume
Hotel.
 44.

DIRECTOR BONNER
You've been around for a long time
haven't you Doctor? Samson, IBIS
and Mannequin will be some of the
most monumental enterprises. We
have planned years ahead of
ourselves. Us men are incapable.
All we need is your - genius.
The Slim Man looks ahead at a Gothic mansion across the
street, completely covered with greenery.
SLIM MAN
Oh excellent Director Bonner. The
final stage to our marvellous plan
is almost in full motion. Let me
guess - only 40 warriors of the
Tribe were recovered?
DIRECTOR BONNER
Affirmative.
SLIM MAN
Then i do believe they have just
arrived at the DUMB. Before i go, i
want to leave you with this: Chase
and the Ad Hoc Gang Bolsheviks are
expecting you.
Alfred motions his head as he clearly understands.
SLIM MAN (CONT’D)
Good afternoon. See you around.
The man shoots a rather comical smile and walks off down the
footpath. Alfred remains. He walks down the car park and into
the block house.

EXT. Q552 BASE. DAY

LONG SHOT CRANIAL VIEW of a rural large private area. We see
an aircraft hanger and a runway along with a logging compound
not to far away and a highway the goes through the mountains.
We also see a railroad track. Near Banff National Park.
CASBOLT (V.O.)
They see life on earth as a means
to an end.
A small private jet lands onto a runway of an above ground
base.
Q552 Base
 45.

We see troops of ultra modern SS soldiers in Active Service

Black Oops uniforms with black masks, that look like gas
masks. Chest plates with leather around the arms and a SS
double runes on their lapels.
In between them is an elderly man with grey hair and grey
eyes. He wears glasses and looks about in his 70s and has a
moustache.
CASBOLT (V.O.) (CONT’D)
We were indoctrinated unwillingly
with the Nazi and Germanic Odinist
beliefs of endless warfare.
HIGH ANGLE shot as the plane opens and the SS soldiers in
their confronting masks reach out at us. We hear the screams
and crying of many babies.
We see the soldier escort the babies inside small cradles
from the plane and into the aircraft hanger.
We see the elderly man pull out a notepad and he inspects the
tags on the sides of the cradles being escorted. He writes
something and motions his hand so the solider carrying the
crying baby inside. We see on his lapel is a symbol of a
triple tau inside the red delta below a red spear and sword.
DIRECTOR BONNER (O.S.)
Chase, are the labs clear on what
we must do?
Chase turns around to see Alfred in his dominating stance
right behind him.
CHASE
(slightly startled)
Yes sir, they're all ready now.
We've made sure everything will go
as scheduled.
DIRECTOR BONNER
Good. She will be the best in
intelligence to test who is viable
enough. We must do it now, because
others will want to invade and take
the kids for their own inhuman
means. We need to immediately begin
desensitizing them tonight, and
step up our game.
Chase nods in agreement.
CHASE
Indeed. Understood director.
 46.

DIRECTOR BONNER
You're dismissed after documenting
the chosen ones.
CHASE
Sounds doable sir.
Chase inspects the next baby as Alfred walks inside the base.

INT. Q552 BASE. DAY

JAMES CASBOLT (V.O.)
There are periods of rests - the
thousand year Reich.
Alfred walks inside to meet 4 men. Vladimir Menshikov (40s)
is wearing an all white suit and scarf and sunglasses. He has
a chubby face, a pleasant smile, and curly light brown hair.
Next to him is Zbigniew Brezinski (41) wearing a grey suit.
He has wavy short brown hair.
Next to him is two other men in suits.
Alfred shakes all their hands.
CASBOLT (V.O.)
A thousand years of peace. Then
endless warfare. Then peace.
History revolves around like a
cycle. Repeatedly. Worthlessly.
DISSOLVE TO:

INT. Q552 BASE. NIGHT

We are in a large chamber with rows of cots. Inside we see
babies, most are crying.
We turn and see all the doors and windows are open. A harsh
cold mountain gale, blows inside. SS soldiers are guarding
the entrances with large automatic guns as if they are frozen
too.
Some SS soldiers walk around the cots. Barking commands when
necessary.
SS SOLDIER
SHUT UP! YOU!
 47.

CASBOLT (V.O.)
That was basically how they crafted
us into assassins when we were
older so we can keep functioning.
If we were concerned about the next
crisis, and we had anxiety about
that, we won't be able to carry out
orders. But in our mindset, if we
believed we were designed for
endless warfare, and it would never
stop... We were just, able to
accept that - and be relaxed. Bold.
Soulless... We slept in there, as
part of the trauma. They wanted us
to be exposed to the cold nights
and the elements - just like the
Spartans did.

EXT. Q552 BASE. NIGHT

In the shadows of the night and few miles away in the hilly
landscape, we pull back and see a small buzzing drone
hovering above ground. We can see the base off in the
distance.
We cut to see a CLOSE UP of the camera on the drone and it
focuses. The Q552 base is being spied on.
CUT TO:

INT. Q552, WOLF-HOUSE, UNDERGROUND. DAY

A wolf howls. It runs pass the camera as a whole pack of
wolves come running down the large hallway of the base. From
around that corner appears a man with an elongated face, with
white hair pointed to the sides of his half bald head. He
wears large glasses and another individual follows him.
He wears a white lab coat and has brownish blonde hair and a
long moustache. Looks in his 50s.
HIGH ANGLE TRACKING SHOT as the two walk.
BURRHUS
-she could very well have different
doctrines from us. How will we be
able to fit all our differences
with hers?
Dr. Green slows down, with Burrhus also doing the same. MID
SHOT.
 48.

DR. GREEN
No. Think of the eagle... We and
the west all have our roots to
Rome...
But Rome is under Greece, Greece
under Persia. And Persia under
Babylon. Nothing matters. 4 nations
- still under the one eagle...
He turns his head through a see-through plastic window. We
see inside. A dim large room full of pen sized Skinner boxes
about 30 feet wide. On the other side we see a brood of
creatures that are closed off from the crawling babies on the
other side.
We see Canadian wolves, snakes, scorpions, bob cats, and
other animals around mingling.
CASBOLT (V.O.)
They, were... basically giving us
the attributes of wild animals.
Again, most of this stuff was done
at an early age for when we were
older. This was obviously the early
stages of creating modern day
demigods, before they started
ETLADS which cloned the 42 in labs.
By doing this, basically they are
able to test and develop their
technology with my generation, to
then put these attributes into the
42 in the 1990s without waiting for
them to be born and conduct manual
experiments like this.
We see a wolf about the size of a tiger on its side against
the wall on a raised platform. It has a beautiful chocolate
red fur and eyes as silver as mist. We see three babies
weaning on the she-wolf, drinking milk as a mother breast
feeds.
DR. GREEN (O.C.)
One thing she has in common with
our Lord Hitler is this.
Burrhus looks at Dr.Green with interest.
DR. GREEN (CONT’D)
Lupa is harsh and judgemental
towards the people, mortal and god
alike. She only respects the
strong, as any uberman who she
judges to be weak is devoured by
her and the wolves.
 49.

Burrhus looks at the huge magical wolf with wonder and

respect.
DR. GREEN (O.C.) (CONT’D)
She will raise the Tribe
unbelievably well. She is not to be
reasoned with.
BURRHUS
I am well pleased, Dr. Green. Ah,
you have my well informed approval.
It's truly marvellous how you've
able to revamp my design, at this
quickening rate. I do hope those
children are held in safe hands.
Dr Green smirks.
DR. GREEN
(low and sinister)
I know, Skinner. They'll be fine...
They are fine...
(grins a evil smile)
Green puts a hand to his forehead and continues walking.
CLOSE UP as the wolf looks into the camera. Her eyes are
human like and very soul piercing.
We see one of the pens open and one different animal entered
into each one. The animals were subjecting themselves to
them. The babies had to react.
CASBOLT (V.O.)
We were being um, conditioned
everyday.
BEN (V.O.)
Into what? What function?
CASBOLT (V.O.)
(matter of factually)
Ah, assassins...
We are in one pen with about 5 babies crawling, playing and
crying. A Common garter snake comes through the opening and
slithers among the children.
The babies scream and try crawling away.
QUEEN MOTHER (FILTERED)
Shh... Look here sweethearts! Look,
here. Oh, look! Look!
 50.

We here a sound of a squeaking toy.

Most babies look up. Their faces are filled with panic and
confusion. Tears stream down their eyes.
QUEEN MOTHER (CONT’D)
Well, done little ones!
We see a large screen showing the face of the Queen mother.
Then suddenly, her face flashed and morphed into a fury
wolfish face with ice blue eyes.
CLOSE UP of one of the babies with blue eyes. It's mouth is
hanging open while looking up at the Queen Mother. She
continued speaking while the transformation happened.
Suddenly, the snake raises it head at a female baby. She
beings to get curious and began to obverse the snake's
movements.
Another female baby next to her was crawling and playing with
a blanket.
The first baby tried to take the blanket off the child. She
began to whine and cry.
The first baby in response, took on a snake-like expression
and hissed at the child.
GEORGE BUSH SENIOR (FILTERED)
Excellent job Alara. Heather, there
there now. You will have better
luck next time.
The baby called Heather Cross, begins to scream loudly. On
the other screen, the Queen Mother tries to clam her down.
The two on the screen spoke as if they were speaking to pet
animals.
QUEEN MOTHER (FILTERED)
Oh, it's okay. It's alright. Not
everyone get's their chance at
once.
Another young baby sees Heather's distress. He crawls over to
her while she screams and bawls. The baby comes up to her and
hands over the blanket. The babies look at each other and
Heather slowly clams down. In this affectionate moment, the
male baby tries to speak but baby sounds come out. She
laughs. Despite all the horror, there is still a spark of
humanity.
 51.

CASBOLT (V.O.)
This baby is named Heather Cross, i
met her during all these
conditioning projects.
Besides all the horror, we
instantly had a connection that
never broke. She, being one of us,
was selected early on when she was
3 years old and taken to San
Antonio Texas. Um, to the
underground bases over there, yeah.
But, I have no idea why. It made me
sad, because, she was the only
person there that actually made me
feel, well. Clam, relaxed, and
loved... Before meeting my step-
mother. Ah, it's my belief is that
she had something special going on
about her. Probably her family is
heavily involved with one of the
factions and aristocrats. Well, i
will submit to you, that her family
might have been selected to raise
one or two of the 42. I don't know,
but basically, she is a survivor
like me and is till alive today,
trying her hardest to escape those
dark forces that haunted us and
gnawed at our childhood, until it
became nothing but pure terror. I
am now her commander and i protect
her from these evil powers.
The baby looks back up at one of the screens
GEORGE BUSH SENIOR (FILTERED)
James, no. No you can't do that.
Listen, and watch the snake, right
over there.
CASBOLT (V.O.)
They denied any natural
affectionate activity. Emotions are
setbacks. We were raised as dead
androids without a conscience or
compassion for human kind. They
altered our value system so we may
be able to do anything at will and
forget what our evil handlers
commanded us to do.
 52.

BEN (V.O.)
Wait, hold on man
FLASH TO:

INT. JULIAN'S ROOM

BEN
so you're claiming that the Nazis
survived World War 2? Or a small
raiment i should say? Now they are
making manchurian candidates to
take over the world?
CASBOLT
Um, i'll say that's a fairly
accurate statement. Well this is it
you see! There's a big Nazi element
within the NSA. Because, eh,
officially it's NSA facility at
Q552 at Nelson. The Nazis run MI6.
BEN
Interesting, okay. So, after World
War 2 was won, it was won by the
Nazis?
CASBOLT
I wouldn't say they won, but i
wouldn't say they lost either.
BEN
So it survived?
CASBOLT
(nods)
It survived. Yeah... In an under
ground fashion... Part of the IBIS
program was to look for genetic
mutants whose bone marrow was
effectively indescribable. The
marrow produced the ability to heal
extremely quickly and slow down the
ageing process. This is a trait
that was used for all the 42
demigods.
Cut to Julian. His face becomes contorted and more concerned.
He doesn't like what he is hearing.
 53.

CASBOLT (O.C.) (CONT’D)
Your daughters, Julian, can be
healed and can withstand dangerous
feats that would kill a normal
human. They will likely never age.
Cut back to Casbolt.
CASBOLT (CONT’D)
When they reach their 30's, they
will look in their 20's until they
hit their 70's, if they ever reach
that milestone...
Julian has his hand on his chin with a very inserted face.
His eyes a wide with shock. Hylla sits back embarrassed with
herself.
CASBOLT (CONT’D)
This is the same with the SS
officers at Nelson Base, who still
have not aged a day, since World
War 2.
JULIAN
Wait a minute, are you saying that
my daughters are going to be
soldiers like me?!
CASBOLT
Yes, but stronger, faster and
better in every way.
DISSOLVE TO:

INT. MOUNTAIN ROAD. OVERCAST

Bird's eye view of six conveys driving up together a winding
two laned road. We see there are mountains and forests in the
background at a high altitude with patches of snow on the
sides of the road.
CASBOLT (V.O.)
We get to 1979 now. My early life
is blurred, due to programming and
mind control. We've been raised at
Q552 from 76 to 79. Um, we were all
Tracking shots of SUVs.
CASBOLT (V.O.) (CONT’D)
put in SUVs, to be driven down to
another base: DULCE, New Mexico.
 54.

We see inside about 10 kids huddled up inside. Some were

asleep and most were drowsy.
We see in the driver's seat of the front SUV. We see driving
is Chase.
We cut to the next jeep. They have the radio on playing
loudly in the background. We pan and see the kids all resting
and and huddling in blankest.
ALI SIADATAN (FILTERED)
He will be their shalom, peace when
the Assyrian comes into the land
and treads in our palaces then will
there rise against him 7 shepherds
will rise
The man in the driver's seat turns down the radio. We can
still hear it though. To his partner next to him. He sits
back and has one hand on the wheel.
JEEP DRIVER Out of Israel
ALI SIADATAN
against the
Annndd this is where i'll Assyrian
(FILTERED) (CONT’D)
and the 8
tune out. So.... What can i
say?
PASSENGER PrincipalALI
men.
SIADATAN
And no one
Not much, not much. I'm just really(FILTERED) (CONT’D)
talks about these
glad we have a break.. guys. Who are these 15 men?
JEEP DRIVER They shall
ALI
shepherd
SIADATAN
the land
(amused) of Assyria
(FILTERED) (CONT’D)
with a sword, and
Yeah, once these kids are the land of Nimrod, at its
dropped off, then we can entrances.
relax knowing we've made
it...
POV. We look out the windscreen as Chase turns a windy turn .
We see on the left side is a ledge of a big drop off. We see
a large magnificent mountain and snow filled valley.
All of a sudden, from out of nowhere, an attack helicopter
emerges from the cliff's edge at close range.
Startled, Chase breaks and turns a sharp right.
The conveys all ram into each other.
The children in all the convoys begins to wake up. Some look
around startled and some start to cry.
We see the helicopter fly and hover down in the forested area
not far away from the convoys.
 55.

The side door opens up of the chopper and a squad of special

forces jump out with M4s and 308s. They all yell commands as
they run out through the trees towards the road.
CUT TO:
Back at the road, Chase pulls out a walky talky and speaks
into it.
CHASE
We're caught! Wache die Kinder!
As this happens we cut and see the children in a convoy look
up in curiosity and the black SS soldiers in masks speaks
commands to each other in sharp German.
They load their large automatic weapons and suit up. One of
the soldiers stays sitting down as he loads his gun in fount
of the children.
RACK FOCUS as a young girl stares at the loading gun in
absolute terror, thinking harm will be down to her too.
SS SOLDIER
(German accent. Sounds
cold and hollow.)
Don't move.
CUT TO:
Special Forces men with guns pointing walk and weave behind
the trees.
OVERHEAD SHOT through the trees of the road and a convoy as
the doors swing open.
CUT TO:
HIGH ANGLE SHOT as the SS Black Opps soldiers jump out and
train their guns.
FULL SHOT of the kerb and tree line and the some of Special
Forces hide behind the last trees.
COM-12 SOLDIER 1
This is Com-12 Naval Intelligence
of Majestic! Drop your weapons and
The soldier of the first convoy guarding the few 4 babies
looks at them, gun at the ready. We see Casbolt - the male
baby with blue eyes clutching a blanket.
COM-12 SOLDIER 1 (O.C.) (CONT’D)
hand over the hostages now!
 56.

Chase in the front seat yells into his communication device.

CHASE
FEUER!
A SS Soldier open fires at the Com-12 Unit.
They hide behind the tree as the bullets rip off the bark
sprinkling dust and splinters.
Com-12 Soldier 1 turns around motioning his hand.
COM-12 SOLDIER 1
GO!
The shoot out begin as both sides unleash hell.
The first SS Soldier was hit rapidly with bullets. He falls
dead to the ground with a yell.
The other SS soldiers yell at each other. They weave in
between the conveys, and knelt down to shot form behind them.
Bullets beat against the metal.
Inside the children are crying and some traumatised with
fear.
The Com 12 Unit continue to open fire, smoke and bullets fly
everywhere. Another SS soldier is hit in the head. His mask
erupts in his face, he yells as he falls back on the road
from a knelt position.
COM 12 SOLDIER 2
FORWARD!
COM-12 SOLDIER 3
Let's go, let's go!
The Com 12 Unit charge from their hiding places in the trees
yelling at once, shooting their semi automatics. Some run
onto the road.
We cut and see an SS solider with his back behind the jeep.
Bullets fly and beat against the metal. He unlocks a small
circular device from his belt. He looks to the left.
In side the jeep, kids are rolling on the floor going crazy
and bawling all at once. We see bullets coming through the
window.
Com 12 rush forward mowing down soldiers.
 57.

Suddenly, the SS soldier appears from behind the jeep and

lobs the grenade in the air. It flies into the middle of the
Com 12 group.
COM-12 SOLIDER 3
WATCH OUT!!!
It explodes at the tree line. About 5 Com 12 soldier are
caught in it and some unlucky ones flip backwards in the mid
air from the blast. Bark and debris fly everywhere. Men are
shouting in agony. Some men fly into the tree trunks
dangerously.
Cut to the children in the first convoy as they jump from the
sound of the explosion. A few seconds after that, the convoy
lunges forward. Kids scream.
We see desperately, Chase turning the wheel on the leading
jeep, and presses the accelerator.
The first jeep SUV moves and continues down the winding road.
Back at the fight, Com 12 Soldiers from the ground continue
firing at the SS Soldiers. The fight seems equal but the SS
soldiers seem to have the upper hand due to advances in
technology.
In Convoy 2, the SS Solider sees Com 12 Soldier kill a few
near by SS soldiers and are coming his way.
CLOSE UP on the solider's intimidating mask. With no time to
lose, he turns around and aims at the children. They squirm
and shout.
The Soldier lets loose, killing about 3 innocent children in
the carriage, until suddenly a small bubble appears around a
young boy, protecting him and an another boy from the
bullets.
The shield is weak and the boy puts one hand up to Project
it. After a few seconds it falls, and the Soldier doesn't
stop shooting.
Luckily, a Com 12 soldier flying side kicks the SS in the
ribs with a desperate "NOOOOO!". His aim just misses the
boy's head and shatters the windshield instead.
The SS Soldier falls, knocking his head on the side of the
jeep and falls on the ground. The Com 12 Soldier begins to
swing at the man with his machine gun.
SS Soldier covers his head and kicks back.
 58.

Com 12 only stumbles as the SS Soldier pulls out a knife. The

blade has flaring edges as if it the knife has been heated up
in a furnace.
Com 12 dodges the 9 to 3 o'clock knife swing and shoots at
the SS's arm.
SS howls and drops the knife.
Dropping his gun, Com 12 rushes SS simultaneously and catches
him with his arms out, grappling his body. He pushes him
forward until the SS slams his back into the road rail.
His masked head flings back wards. He looks down at the rocky
cliff.
Com 12 begins to shove and bash SS with his fists until he
flips him over the rail. SS falls howling and screaming to
his rocky and rough demise. He hits a rock and continues
falling.
The Com 12 soldier has his hands leaning on the rail as he
catches his breath.
A Com 12 Soldier kills the last SS Soldier.
COM-12 SOLDIER 4
Road secure commander.
Cut to the two boys (Coggins and Casbolt) huddling together
in paralysed fear.
COM-12 SOLDIER 5
Negative, we still have a rouge
bogey down road! Calling Chopper 48
now!
The Com 12 Soldier that duelled with the SS Soldier gets back
up and turns around and points to his men.
COM-12 SOLDIER 6
Hurry secure the kids!
Cut to Chase driving as fast as he can down the winding and
dangerous road.
The Jeep turns a sharp turn and just side swipes a jutting
rock. The jeep swipes into the side, from the quick wide
turn.
CHASE
(Irritation)
MIST!!
 59.

The jeep's side now damaged continues driving up the road.

Small rocks roll on the road.
Chase continues driving as carefully and as fast as he can.
His face shows extreme tension and exasperation.
We see the 4 children in the back crying and screaming.
Chase takes another turn. His speed brings him far to the
edge. His wheel nearly slips from the edge and just manages.
The rocks make it unstable. The jeeps rocks and the kids
scream, but it makes the turn, flinging rocks off the cliff.
Any further, Chase would've fallen and crashed at the bottom
of the mountain.
We see Chase's elderly face contorted in concentration. We
can see his hands on the wheel shaking. He was luckily to be
alive. He continues driving with the screaming kids in the
backseat, not helping him concentrate.
LOW ANGLE SHOT from inside the front seat next to Chase. We
see the helicopter fly over ahead in front of the jeep with
much speed. Chase looks up at it.
CHASE (CONT’D)
Ah, come on, come on!
We cut and see the helicopter flying ahead of the jeep. It
continues flying for a few more seconds, when the pilot
instead presses the trigger.
Two missiles shoot out from the sides. They hit the road the
the mountain side with a gigantic reverberating bang. The
whole section of the road is completely destroyed as the
massive landslide falls down the cliff.
Chase sees the orange flames from his windscreen in the
distance and panics. He punches the wheel.
CHASE (CONT’D)
NO!
The jeep continues driving till it reaches the destruction.
It cannot go any further. Chase is trapped.
The kids in the jeep are going crazy. Chase turns around in
his chair.
CHASE (CONT’D)
SHUT UP, ALL OF YOU! WE ALL ARE
GONNA DIE!
 60.

In fear and frustration, he breathes heavily as the sounds of

the chopper's blade beat in the air. Chase closes his eyes.
He opens the glove box and pulls out a 30 centimetre tar
black twisted stick, pointed at the end like a wand.
Chase holds it in his hand and clenches it in his fist.
We cut to the hovering helicopter. The gun man opens up the
side door and pulls out a large machine gun. He points down
at the jeep 25 feet down.
TRACKING SHOT FROM INSIDE JEEP as Chase opens the door and
walks out. The camera pans up to a HIGH ANGLE SHOT of the
helicopter.
CLOSE UP of Chase has he courageously stands and stares at
the craft.
FULL SHOT as Chase raises his left hand with the stick at the
helicopter behind us, as if conducting an orchestra.
Suddenly, the gun man fires at will. Bullet shells drop to
the ground as the gun man furiously hoses Chase.
We quickly see Chase flip in the air quickly as the bullets
crusaded down on him. He hits the jeeps side and flops dead
on the ground. The wand flicks out of his hand. We see some
blood as the bullets hit Chase.
EXTREME CLOSE UP of the wand as it hits the road in SLOW
MOTION.
The gun man finishes shooting.
GUN MAN
Pathetic Nazis!
He spits out the door.
We see some of the Com 12 soldiers running down the road
towards Chase's jeep. They open up the doors and free the
children.
ANT EYE VIEW as a soldier approaches looking down at us.
EXTREME CLOSE UP of the black stick.
The soldier picks it up and inspects it.
Suddenly, the soldier yelps as the stick had just burned his
figures. He reacts and tosses the stick away. It falls into
the fire.
 61.

COM-12 SOLDIER 5
Huh...
He rubs his hand, as if nothing happened.
Back at the ambush site, we see the soldiers carrying the
children into the helicopter for safety.
CASBOLT (V.O.)
There were groups that apparently
wanted to rescue us.
From here we were taken to a
building in Toronto...
The scene becomes dreamy. In fades away into a white screen.
END OF ACT 2
 62.

ACT 3

INT. JULIAN'S ROOM

BEN
Okay, let's have a break here. So
we are seeing really that, this,
Nazi control - the Germanic control
is very much in control. Or are
they tolerated within the
organisation?
CASBOLT
Well, there's, there's good and bad
in this faction. I mean there is
this just, whole Germanic faction
which um, fighting against, the
people doing all this evil in all
the -
BEN (O.C.)
Okay, what do we have? What are the
two basic good guys bad guys.
CASBOLT
Okay.
BEN (O.C.)
K, um, who are the bad guys so to
speak and what is their aim and
what is their function?
CASBOLT
I can't simply separate it into two
factions. We don't, um, we run on
survival dynamics. Wat i men by dat
is, it is about the survival of
ourselves versus the survival of
our families. So, we don't believe
in good or bad.
BEN
So the good and bad is essentially
you surviving?
REYNA (O.C.)
Wanna go to Barrachina's...?
CASBOLT
It is not just us surviving, we
work on all survival dynamics.
(MORE)
 63.
CASBOLT (CONT’D)
For example, if um, a person is
abusing children, they are working
against the survival dynamics, so
they are our enemy.
BEN (O.C.)
Right.
CASBOLT
So this is how we can operate. We
have to have lines and boundaries
or else we would, will wouldn't
know whose who. And we'll will not
feel righteous and justified to
take military action.
HYLLA
Papa, we just want to see the stray
cats on the street again.
JULIAN
Okay, girls. Just stay in the
street only. You heard what James
said, they're bad people that could
take you away and brainwash you.
REYNA
But we superheroes!
Reyna flexes as she says this. James and Ben smile and grunt
with affection.
CASBOLT
Oh okay, just make sure Carl is
with you two okay? You're off the
hook!
Julian and the two girls dash out. Reyna jumps up and down
happily and with hands in the air.
Ben turns back around and puts his hands together. He looks
down and sighs.
BEN
Casbolt, you just remind me of my
father...
You're just, in some ways a lot
like him... He is a well know
speaker and teaches all these
fringe topics that you talk about,
like aliens, giants and the
Illuminati and all. But he filters
it through the light of the Bible.
(MORE)
 64.
BEN (CONT’D)
You should meet him some day. His
name is Joseph DePaula...
Ben lowers up again and turns his head away look at the
floor. His feet tap the floor nervously.
Casbolt looks intently at Ben.
CASBOLT
Uh... You alright Ben?
BEN
(serious)
Oh, uh, sorry. Just... Haven't seen
him for a while. You know. My
father is quite an oddball, and a
bit of a freak...
CASBOLT
Hm. I'll consider seeing him. If
you do meet him, i have something
for him. Have my own material and
interviews on Miles Johnston's
Bases series on Youtube as well as
two online books, called The Life
and the Times of James Casbolt and
Agent Buried Alive. I'll think you
father would like that as a
Christmas present.
BEN
(frustration)
Yeah, that's the problem... He
doesn't even celebrate Christmas OR
Easter! He's a bit of a Scrooge! We
can even see him! He isolates
himself man... I mean-
James rises an eyebrow.
CASBOLT
Okay then. I shouldn't judge too
much.
Ben shifts uncomfortably on the chair.
BEN
Man, i know. I want to stay away
from him because of...
(Ben stutters)
Pffah forget it!
(slaps his lap with both
hands)
Okay.
 65.

Ben gets up and stretches. James follows him outside.

We see Carl sitting in the living room with his beer. Julian
and the girls walk up to him.
JULIAN
Carl sir?
Carl looks up.
CARL
Hmmm?
JULIAN
My girls just want to go to the
restaurant down the street here.
I'll be with Casbolt and Ben here.
Just, make sure the girls are safe.
CARL
Sure thing.
He gets up with a sigh.
REYNA
I wanna see kitties!
Carl makes an awkward and rather comical face. He is not used
to having kids around.
CARL
Oh, okay...
Reyna smiles. Hylla grins as well.
Carl and the girls walk outside as Julian walks back down
into his room to join Casbolt and Ben.
We pull back until we see the trap door in the fire place.
The lid slowly and quietly opens up.
CLOSE UP of a hand holding up the door and a pair of brown
eyes hidden in hoodie.
The hoodie has sliver shape on the forehead of what looks
like a crescent moon. Someone is spying on Casbolt.

EXT. CALLE SAN JOSE STREET. AFTERNOON

It is a warm day. We see crumbling pastel houses on the
narrow street and a few dozen cats sleeping under parked
cars. We see young Reyna form afar ducking down under the car
to meet the cats. We see Hylla and Carl strolling behind.
 66.

We cut to see Reyna on her knees with a cheerful face and an

outstretched hand.
REYNA
Dit,dit,dit,dit,dit! Little wid!
Eeeeeeeee. Wids. Hello.
Carl awkwardly dips his head to look and see Reyna. He can't
help but smile.
REYNA (CONT’D)
Come here Mid-wid. This is Mid-wid.
She is part of the cat kingdom! She
and her 4 sisters have fa special
powers! Mid-wid is from fire!
CARL
Oh, that's cool...
HYLLA
Look Carl! This is Simba! He's the
king around here!
Carl turns around and sees Hylla patting a glorious snow
white cat. It looked extremely relaxed. It purred as Hylla
strokes it. The cat was resting with its feet tucked in on a
cobblestone fence under the shade of a banana tree.
CARL
Hm.
He smiles as he stroke the cat as well. The cat sniffs Carl's
hand and nuzzled it.
CARL (CONT’D)
He likes me.
Speak Spanish. English subtitles.
REYNA
You want to go to Barrachina's?
HYLLA
No, papa said we can't.
REYNA
Hylla, we are superheroes!
Remember?! If a baddie come, will
will jack him up. LIKE THIS!
HEEYAAHHHH!
She punches and kicks the air like a maniac. Hylla is not
impressed. She looks up at Carl.
 67.

CARL
We'll only go for a minute okay
girls.
Reyna jumps.
REYNA
Mofongo! YEEEHHHH!
CARL
(smiles)
Fine.
They continue walking down the blue cobblestone street.

EXT. COURTYARD. EVENING

CLOSE UP of a blue parrot in a fern plant.
FULL SHOT of the small courtyard. The restaurant has a
outdoor section surrounded by hot-pink walls where with patio
tables and dark green umbrellas. Second-story balcony house
surround most of the area, with white metal lattice fences
and many with potted azaleas plants inside. A brown fountain
with a pine cone on the top is in the centre of the courtyard
gurgling water.
We see a pink glowing sign of Barrachina in curvy writing. We
pan down and see Carl, Hylla and Reyna walking through the
back door.
WAITER
Holla! Reyna and Hylla! Buenas
tardes! Nice to see you!
HYLLA
Hi. This is Carl.
The waiter looks up at Carl and smiles.
WAITER
Ha, welcome Carl.
CARL
Nice to meet you too.
WAITER
Okay. So, who wants to make
mofongo?!
Reyna and Hylla put their hands up, cheering
 68.

WAITER (CONT’D)
Excellente! Come on, let's make
some for the customers too.
The girls follow the waiter into the kitchen. Carl stays back
and smiles.
He puts his hands in his pockets and walks outside.
Carl walks around for a while casually going about his
business. He sits at a table and has a look at the menu.
CUT TO:
We see two men in clean black suits and ties, and polished
black shoes. They are walking with a stiff and orderly gait.
They both have black fedora hats, black pants and black
sunglasses over their white pale skin. They walk unnoticed
into the restaurant.
CUT TO:
Carl in his seat. He looks uneasy.
CUT TO:
ZOOMED UP SILHOUETTE SHOT of one of the men in black in slow
motion as he walks through into the courtyard. The white
light from outside directly behind, shines around the shadow
like a halo. The second is no where to be seen.
CUT TO:
A strong breeze suddenly blows into the courtyard. Carl looks
up and sees the ferns blowing. The birds screech and fly
away. He traces his gaze it locks into the man walking calmly
towards him. The pale man's face is straight looking ahead
like a robot. He looks menacing and out of place. His lips
are a thin reddish line.
OVER SHOULDER SHOT as Carl's face changes from relaxed to
concerned.
CARL
Uh, what can i do for you sir?
The man's head slightly drops down sharply and looks at Carl
directly in the eyes with his tar black glasses.
 69.

MIB 1
(monotone)
You are occupied with two girls and
a super solider named Micheal
Prince and James Casbolt, Carl
Sanders?
Carl's face droops in fear.
CARL
Y-no sir... But-
MIB 1
What has Mr. Casbolt told you about
the order's forbidden secrets?
Carl tenses.
CARL
He just, simply recounted his early
life story of being subjected to MK
ULTRA and Neo-Nazi training. Why?
MIB 1
Yes.
Carl thinks for a moment.
CARL
He, explained the creation of
hybrid children...
Carl looks around.
CARL (CONT’D)
(deep panicked voice)
Why are you telling me this? How
many of you are there?!
Silence.
The man puts out his ghoulish white hand.
MIB 1
There is a coin in your pocket.
Confused, Carl digs into his pocket. Lone-behold, he pulls
out a dirty sliver coin!
Astounded, Carl places it into the man's palm.
MIB 1 (CONT’D)
Look.
 70.

Carl looks into the man's hand. Everything starts to blur.

The coin changes from gold, to copper to rose gold, then all
of a sudden it disappears.
MIB 1 (CONT’D)
Nobody on the plain will see that
coin again... Never.
Carl's mouth remains slightly opened. He eyes the man with
hatred. He knows why he is here.
MIB 1 (CONT’D)
Are you aware of Barney Hill and
what happened to him?
CARL
Yes, i do. He died...
MIB 1
Do you know how he died?
Moment of anticipation.
CARL
He died from heart attack, because
he knew more than he should have...
The wind blows again. This time it is stronger. Clouds gather
up blocking the sun. The fedora hat on the man's head fly
off, umbrellas sway with the wind.
We see the man smooth bold head. He has no eyebrows or
eyelashes, but his face was not human. It is pasty white,
almost like plastic.
MIB 1
Correct. Now, since you have an
expanse in knowledge, i want you to
please consider this.
Suddenly, shrilling screams are heard in the kitchen of
Barrachina. Plates smash and utensils fall on the ground
Carl tries to get up but the man forces him down with his
super strong right hand.
MIB 1 (CONT’D)
Don't move Carl. It's not done yet.
Carl's face is furious and he is sweating profusely.
CARL
(tense)
What are you doing with them?
 71.

The MIB pulls out a strange device. A bizarre metallic weapon

like a revolver, but it's made out of an unknown alloy.
MIB 1
You can't stop us once you cross
the line. Tell me, this once...
Where is James Casbolt?
CUT TO BLACK:
END OF ACT 3
 72.

EPILOGUE

EXT. DARWIN'S HOUSE. NIGHT. RAIN

LONG SHOT over a large Gothic red bricked house. There is a
violent electrical storm. Fireballs race across the dark sky.
Lichfield, England August 30th 1797

INT. DARWIN'S HOUSE

We are in a laboratory filled with many scientific apparatus,
engines and industrial works. We see rows of gurneys with
human corpses covered in a white cloth. We can only see their
rotten feet and arms.
We PAN and see a large man at his desk writing. Thunder
strikes. The whole room lights up.
CUT TO:
In the shadows, a tall, slender pale skinned man appears.
Bold with wire-rimmed glasses. He is wearing a formal suit
and a dark green trench coat, that sagged behind him like a
cape.
Besides him is a rather bewildered man, as if he just awoke
from a dream. He looks around at the unfamiliar house. He
wears a formal 18th century suit with a cravat neck cloth. He
has slick back blonde hair which curled and reached his
shoulders.
PENN WALTON
Erasmus Darwin! Good night!
The chubby man at the desk turned in response. He looked
rather shocked.
DARWIN
Oh goodness! Is it really you Penn
Walton!? Tidings come so soon!
Penn Walton walks over towards him with the other man
following.
PENN WALTON
God's speed it truly was sir!
Surprising since I was reticently
occupied with the Trinity in Great
Tartaria.
 73.

DARWIN
But in this weather? Truly you
should have been delayed!
PENN WALTON
Oh, we departed early. Luckily our
travels didn't end tragically. We'd
harness the wings of the divine
Darwin.
DARWIN
(amazed)
But sir, you two are not even wet?!
Walton grins.
PENN WALTON
Oh, there is not much rain at all.
Darwin raises his eyebrow in interest outside.
DARWIN
Really?
PENN WALTON
Only lightning falling from Heaven.
Lightning flashes. We hear the deafening boom as it strikes
nearby. The blonde haired man steps forward.
WEISHAUPT
(German accent)
Lost brothers finally reunite. I am
Adam Weishaupt - Master of the
Order of perfectibilists.
They shake hands in a strange fashion. They grip each others
wrists as they do this firmly.
DARWIN
It's an honour Spartacus.
Walton takes off this trench coat and walks around admiring
all the many strange and diverse technologies in the
laboratory. He walks and looks into a large cylinder glass
filled with a greenish lime liquid. Inside floating is a
horrid slimy deformed cuttlefish, with large reddish
tentacles.
PENN WALTON
I hear you're an expert physician,
highly interested in the study of
the nature of the principle of
life.
 74.

DARWIN
Oh, sorry indeed i am!
They walk and inspect the different types of strange
apparatus.
PENN WALTON
I am raptured by your
accomplishments.
DARWIN
Thank you man. As you can see here,
i am developing from the great
works of Scientist Luigi Galvani.
Reanimation you see is very
possible in all living organisms. I
am experimenting it with other
species you see. Originally it was
a dissected frog that formulated
the answer in Galvani's laboratory
during an electrical storm like
this one, raging outside. When he
touched the muscles of the frog
with his brass scissors the muscles
twitched as the electricity was
conducted. I see nature as the best
way to gain gratification,
especially with a driven intellect.
Weishaupt inspects the equipment. He has his right hand under
his chin nodding.
WEISHAUPT
Revolutionary... This will satiate
my zealous curiosity well. Should
the public know about this?
PENN WALTON
Tonight's the birth of revolution.
Some few do know of this, yes, and
they are marvelled at how the dead
frog can now move! How horrid!
Erasmus, please don't feel as if
you are wearing an albatross around
your neck. Applying the principle
of galvanism to human corpses, will
be the next step for you men to
fulfil our plans for the New
Atlantis. I know, excellent job
Darwin. Absolutely marvellous!
(puts his hand on his
shoulder)
It's a bold and ambitious choice
you have made.
 75.

DARWIN
Ha, i am delighted to hear Penn.
Thank you.
PENN WALTON
To now behold a physician now
containing the power to resurrect
people literally back from the
dead! God's power is now in your
hands - with science.
DARWIN
So sir, you've arrived to promote
it?
Walton turns.
PENN WALTON
Certainty, i am.
He begins to pace as he monologues.
PENN WALTON (CONT’D)
It is now the time for our plans to
be put into the forefront. It must
become accepted and ingrained; in
this society before we set them
into full motion.
(he turns form looking
down and looks up at the
men with a hand gesture
pointing up)
By sensational, and beautiful
sophisticated literature - the plan
of reanimation will become an
innate memory in the psyche of men
- forever. It will reawaken when we
finally bring him back, and they
will not see it as foreign but as
something familiar and nostalgic.
Pristine way, this will be, to
prepare men for the greatness of
the Golden Age.
Lighting flashes silently.
DARWIN
Oh Penn, that's a very visionary
and ambitious statement. How must
this be done?
WEISHAUPT
We can't. Only they can do it.
 76.

Weishaupt points to a large framed canvas painting shows a

sleeping woman, draped helplessly over the end of her bed. An
small ape- like goblin is squatting on top of her.
Darwin looks where he is looking. Walton strolls slowly and
carefully in front.
FULL SHOT of the Walton's back as he looks up at the
painting.
PENN WALTON
It's called The Nightmare...
Thunder from the previous lighting flash booms, and croaks
ominously like a demonic growl in the heavens.
PANNING at a CLOSE UP of the painting showing the woman and
moving up towards to the demon sitting on top of her.
PENN WALTON (O.C.) (CONT’D)
The sons of God saw the daughters
of men that they were fair; and
they took them wives of all which
they chose...
CUT TO Weishaupt.
PENN WALTON (CONT’D)
The driving lusts. The urging
desires. Fallen from grace and
damned because
Cut back to Walton.
PENN WALTON (CONT’D)
of the benevolent intentions they
had for the earth. In order to
understand the truth of Heaven's
way to return to a pre-fall state!
They gave them the fire of
perception. The angels were there
to understand what it was like to
feel, as a corpse hanging with
blood and meat, and dirt and clay,
not destined to rise again, but
damned to be forgotten as grain of
sand in a desert! Oh curse their
fate of a forever lasting perpetual
state of decay!...
Walton gasps and contracts himself and holds in the emotion.
The two men just stand back in awe.
 77.

PENN WALTON (CONT’D)
We need free men to know that God
is in themselves. My most
monumental hope is to release my
brothers from the chains of prison.
Grimy from our deeds; censored for
acting out in charity for man.
A divine footprint is at enmity
with the carnal land.
This is what they get for
sympathy?!
Walton lifts his face from his hands.
PENN WALTON (CONT’D)
We have but a short time
and yet, a complex plan...
How we might be able to reckon with
death?
Show Weishaupt's engaged look in his eyes. He lifts his head
up proudly.
PENN WALTON (O.C.) (CONT’D)
Humanity cannot see sweetness and
fulfilment by - ignorance and
instinctive senses.
Cut back to the Walton.
PENN WALTON (CONT’D)
Pointing to the concept of reaching
the excellence of any kind,
will advocate for true happiness.
All these thousands of years, i
have struggled alone, without my
brothers,
FLASH TO:
BEING MONTAGE
- We see a group of 5 individuals, three men and two girls
inside a rich high-class 18th century lounge room, next to a
fireplace, filled with fancy reddish pink chairs and
chandeliers. We see outside the large windows covered with
white currants lighting flashing in a thunderstorm.
PENN WALTON (V.O.)
to capture the minds of many
geniuses,
- One man in a trench coat with black hair is by the
fireplace with his back to the girls and facing the two men.
He raises his right figure to his lips. He is 28.
 78.

Black eyeliner make his face look Gothic. He sits back up as

if something came into his mind.
PENN WALTON (V.O.) (CONT’D)
and whisper ideas of inspiration
- RIGHT SIDE PANNING MID SHOT of a young girl (18) wearing a
beige nightgown. She is looking up at someone off screen
behind us in complete attention. Her grey eyes look memorised
and dark with bags. Her face is white and delicate and
eloquent with beauty. She sits still as the camera passes
her, we suddenly she a ghostly apparition of Walton walks
past behind the couch she is sitting on. Walton lowers his
head down towards her right ear as if he is telling her
something and walks off and vanishes.
PENN WALTON (V.O.) (CONT’D)
into the ears of mankind.
CUT TO:
Penn Walton continuing his speech.
PENN WALTON
I did it ultimately as an act of
kindness for man; to cure them from
the darkness of stupidity,
barbarity, in a way, prompting them
naturally to purse for gnosis and a
better understanding.
They desire to be in the bliss and
the satisfaction of the light, of
knowing. This is but the highest
human potential. It certainly is a
fact. All other human abilities are
derived from this central capacity.
Walton's eyes flicker, shifting in colours, like a
kaleidoscope.
PENN WALTON (CONT’D)
To be the best, is to always to be
best. To get this? Well, everyone
will have it soon, but for now, you
must first, pay a price with my
master in order to acquire this
enlightenment. That includes to
forget the blind and delusional
past. Look ahead, formulate new
ideas. Become the rift of balance.
A symbiosis between one's desires
and emotions. The romantic and
enlightened doctrines, for the
future is bright.
(MORE)
 79.
PENN WALTON (CONT’D)
Don't stress too much because I
will promise to give you the
leverage needed.
CUT TO:
-We are in a pitch black room. A old man with a long white
bread holds a lantern with his right hand high at his head.
He walks towards us. We turn and see two men in the shadows.
They are wearing Elizabethan clothing complete with ruffs
around their necks. The man closet to us has a black
moustache, a pointy beard and black long wavy hair. Next to
him is a man with curly hair, a wavy moustache, a short beard
and a large forehead. The old man passes the lantern to the
man with the pointy black beard. With more light, we see he
has a large black hat on his head.
PENN WALTON (V.O.)
Weather it's for science,
literature, magic, philosophy,
writing, politics, technology,
perceptions and most significantly:
the craft and art of language.
These people will change the world,
quicker than ever comprehended.
-LONG SHOT of industrial England. Fog is in the air, in the
claustrophobic streets. Smoke is billowing out of factories
in the distance.
PENN WALTON (V.O.) (CONT’D)
This is because change must
inevitably come. It's been waiting;
like the prowling lion seeking whom
he may devour.
DISSOLVE TO:
Penn Walton in the laboratory.
PENN WALTON
The human race is finally, breaking
free from its cocoon. Come now.
Humanity must be conditioned for
change, for evolution.
Darwin smiles.
PENN WALTON (O.C.) (CONT’D)
We are conquers - so we want brute
force. Our strength is but an
accident arising form the weakness
of others. The weak that stands
contrary to our
 80.

Cut back to Walton.

PENN WALTON (CONT’D)
endeavours, will and must die off
for it is encoded into the reality
of nature herself.
(looks at Darwin)
For these Natsarim, are the enemies
of man, for they fast and weaken
themselves to enfold us all in a
clogging grey web. They reject the
claim of reason and based politics
and morals of the sacred texts and
ecclesiastical authorities. My good
fellow friend Voltaire did proclaim
himself that within the next one
hundred years, Christ will pass
into obscurity, due to the people's
waning interests. Therefore, they
must be crushed and drowned in the
coming culture. They will be
isolated and cleansed off the face
of the earth, for the New Age to
rise! Be prepared for the selection
process which is now beginning!
Blood will be shed! The old corpse
of religion is now being shaken!
Please mankind kind, don't live in
the shadows! Choose not the scythe
of death, but the spark of life!
Suddenly, Walton's right hand lights up with surging and
sparkling blue electricity, curling in between his figures.
PENN WALTON (CONT’D)
A new era, has begun.
He strikes his clawed hand at the corpse under the sheet. His
hand erupts in an explosion of white light and lightning. The
electricity spreads through the whole body.
Suddenly, the muscles of the arm of the dead human, contracts
and lifts in the air as if it was alive.
CUT TO BLACK:
END OF EPILOGUE
END OF EPISODE 1