The ambitions of the first cinema: art of the masses and

new thought, the spiritual automaton - The model of

Eisenstein - First aspect: from image to thought, the
cerebral shock - Second aspect: from thought to the /
image, the figures of the internal monologue - T~ ~
questiotL()f Il!~Ephor: th~_ most ~_eau~f~~etaphor of l/
the cinema - Third aspect: the equality of image and
thought, the link between man and world