The document analyzes the structure and harmonic elements of John Coltrane's song "I Hear A Rhapsody". It lists the beat counts for 16 sections of the song spaced in 8 bar phrases. It notes that the song uses harmonic minor scales for 90% of its minor ii-v-I progressions and features Lydian or Dorian modes over certain chords. Phrases are constructed to ascend or descend to "guide tones" near cadences.
The document analyzes the structure and harmonic elements of John Coltrane's song "I Hear A Rhapsody". It lists the beat counts for 16 sections of the song spaced in 8 bar phrases. It notes that the song uses harmonic minor scales for 90% of its minor ii-v-I progressions and features Lydian or Dorian modes over certain chords. Phrases are constructed to ascend or descend to "guide tones" near cadences.
The document analyzes the structure and harmonic elements of John Coltrane's song "I Hear A Rhapsody". It lists the beat counts for 16 sections of the song spaced in 8 bar phrases. It notes that the song uses harmonic minor scales for 90% of its minor ii-v-I progressions and features Lydian or Dorian modes over certain chords. Phrases are constructed to ascend or descend to "guide tones" near cadences.
2) 9 beats 3) 7 beats 4) 4 and ½ 5) 7 beats 6) 9 beats 7) 4 and ½ 8) 9 and ½ 9) 7 and ½ 10) 4 and ½ 11) 7 and ½ 12) 6 and ½ 13)10 and ½ 14) 5 beats 15) 6 and ½ 16) 3 and ½
Uses Harmonic minor over 90% of minor ii – v I’s
Lydian on dominants of the relative major or Dorian mode of Super Tonic
Phrases over cadences ascend or descend to guide tone
In the first 2 choruses Coltrane references and manipulates his first phrase, 2 quavers descending, the top note to a minor 3rd below