ZV

Edgar Barroso

An Inward Flow
(2012)
For Saxophone, Soprano
and Live Electronics

50699315
 Technical Diagram

RESONANCE SPACE

Position of the instruments

An Inward Flow
For Saxophone Tenor and Mezzosoprano

WALL

Untitled

Sax Mic 1 Mic 2 Mezzo

Soprano

A U D I E N CE
 A N I N W A R D FLOW
For Tenor Saxophone, Mezzo-Soprano and Live Electronics
Has visto a Magali?
Ya estoy aquí, soy Araceli.
soy Bertha, estoy buscando a Magali y Araceli. A ver si llegan a tiempo. Soy Araceli,
Soy Bertha. Soy Araceli. I'm Bertha, Ich bin Araceli, soy Bertha, somos las dos, Araceli, Bertha,
Soy Bertha, Soy Araceli.

Edgar Barroso
A Dynamic tempo "ad libitum" - No sync expected Cambridge, MA 02138
October - 2011

40'
q = 80
Tempo variation. Very Free, accuracy is not important, intention is more relevant.

q = 40
 5:4  

      
5:4 Singed 6:4
    
Spoken
mf p
  
p mf p4

2 3
     
7:4
        ga li  
     
 
   
Mezzo

Wo Wo ist Ich bin A Ber tha  ser tiem


po  (Spoken)
ra ce li Yo Soy Don de Ma Ber
Random Extreme variations
pp
- fff

q = 80
Tempo variation. Very Free, accuracy is not important, intention is more relevant.

q = 40

         

       
    
7:4
  
5:4
 
5:4

                        
         
Sax  
 

A
-
Random Extreme variations
pp fff

1
 

2
Electronics     
 mf p f
 2
A tempo in sync
q = 60

  
                         
3:2 3:2 5:4 f mp
10 

 
7 8 9
                   
don de es tas tu Ma ga li ra ce No te veo Was
tha Su che Ber tha A li hier Wo bis du?
Random Extreme variations Soy tú

   

      
  
 
   

     
5:4
  
7:4 6:4
   
 
In sync
                
      
      
q = 60

   
Random Extreme variations

   
3
 f
ff


f fff spoken

 
5:4 Loudly inhale and voice
5:4 mf

hold your breath mp
 13 mf
mp

              
3:2

      

Whisper

 
   mp 15
11 12 f 16 17 18

 
f Ord
     
mp 14 mf
    
hast du ge macht Was has du ge macht! ha go na da sí! (ahh) si
f 
talk to me I'm guil ty

Clapping

                 
ff
Clapping      
mp Loudly inhale and mp f

 
5:4

    mf
    
3:2 hold your breath 3:2
 
  
     
     
     
   
f
 
Whisper

       mp

mp
   
mf (ahh) ja

mf f ff mp f f
ff

4 5 6
   
Solo Electronics

         
 q = 80 3
A tempo Whispering
q = 40 Random Extreme variations q = 80
   mf
Whispering Spoken
In sync
mf

                              
5:4 6:4 ff 5:4

          
   21 
mp
 
19 20 23 24
     
22 25
 
-
lo ol vi da ba tú no al ways
- right no tu no hac ces na da tú no tú ha ces na da
wrong may be if you wouldn't be"per fect" we would not be here
pp
   
fff
          
ID-2 -Soprano Sax
q = 80
Hold the multiphonic until she sings the Eb, In sync

that is your signal to go to bar 23.

 

     
q = 80 Spoken
 
Whispering

              
q = 40

   
   
 
  
ppp Ich vers te he nichts
mp

 7 8
 
    9
         
ff


q = 80 pp
- fff
Random Extreme
Whispers
variations
f ff singed voice mf

ff

mf No sync expected


Spoken
q = 40

6:4 mf singed voice
mp 6:4 6:4
    
          
5:4

3:2 5:4
      
3:2

27 28 29

      
26
    
              
 
we would not be here! ca ra jo! Ma ga li Ma ga li komm ven Ma ga li Ma ga li ven A ra ce li Ber tha
Lass mich dir hel fen nein bi tte


 q = 80 No sync expected


ff Sax - Ord. q = 40
mf

 
5:4
   
5:4 5:4 3:2

      
                      

     
Ich vers te he nichts!
Random Extreme
 
-
variations


pp fff
11 
      
10
 Ad libitum, use
4
mp extreme extreme rhythm notation q = 40
pp

 
for proportion purposes mf pp fpp
36 
crescendos

         31

crescendos
32
     
q = 80
 
sfz fp Ord. 5:4

   
7:4

fp

30

33

34 35
    
       
  gliss.
Snap your fingers     
     
Wa rum nicht?

 
undefined
    You know  
At least I am al ways here
 
I can't be here
       
pitch

Multiphonic

  

extreme extreme
q = 40
crescendos crescendos

        
sfz sfz sfz
  
sfz q = 80
  
          
fp  ppp 
p fp fp

 
14
 
12 13      
         
ff 
 A tempo
Ad libitum, use
rhythm notation A tempo Ad libitum, use
rhythm notation
q = 100 for proportion purposes
q = 60 mf ff for proportion purposes
ff pp mf pp mf
  
q = 40
   
5:4

                          
        
 
7:4 5:4
37

38
 39
    
        
  
40 41

       
    Weil ich
Ber tha bin. cuan do te vas cuan do te vas co rro ven go trai go co rro ven go trai go corro ven go trai
re a cción Ber tha sí tú! Yo ya me
I know, it is ea sier
q = 100
   
 q = 40   
  

           

q = 60

 
Play as fast as possible


undefine glissando pitches,

  
 follow the line of the drawing 5:4

     

      
      
ppp mp ff 
ff
16
15 

  
     
 5
ff p
A tempo mf
p f
p f 6:4
p

             
7:4
      45   5:4
 
5:4 7:4 7:4
  
42 5:4 44
                
43
 
voy i mmer hen
flie i mmer du you you arealwaysright tú I am a tra pado
Wo?
Hier no es miculpa Atleast I am always here
    

   
Play as fast as possible
7:4
      
undefine glissando pitches,

    
5:4

 

follow the line of the drawing

 
           
    fp mf fp f fp ff
ppp ff
Random dynamic
variations

    


Spoken Ord. Spoken Spoken

        
ff Ord. Ord.
 Ord.  
ff

  
fff
    
f Ord.
f

    
fp
                      
Spoken 6:4 6:4 3:2 fp fp 49 fp

 
6:4

47 48
 
46 Voice
 
a gain? No! so much! i mmer!
mí ramemírame míramemí ramemí ramemí ra memíra me A quí
Wo? hier Wann? jetzt Wie? so Ob? tú!


     

Spoken 6:4 SIMILE

  
Voice Legato

              
5:4 7:4

7:4

           
                          
         
No!  pp mf ff fff
ff mp

17 18
     

6 p f pp
p f pp subito p f pp

50
  
51
                  
52 53
                
54

                              
co mo rí o sal to llo ro run hide ask buy go hurt leave need hö ren kau fen su chen zei gen

   
  
  
  
 

   
  
subito
  
  

          
   
         
  
fp
f fp f fp f
p p ff

19 20 21
   
   


   



mp ff mp f f extreme extreme
f 
whisper  Ord.

Spoken  Ord.    whisper
  Ord. Spoken ff mp crescendos crescendos

  
fp

               
sfz fp
55
        56

  
57

        
co fen buy llo de o chen leave

need chen hö su co to hurt gen I'm
At least

   
extreme

extreme

 
Ord. crescendos

   
    
crescendos

  
      
5:4 7:4 7:4 sfz

sfz sfz
 
Key Clicks


Ord.
              
   

         
 
  
    
  

mf pp mf p fp fp
ff pp ff mf ff

22 23
   
 RALLENTANDO
Spoken Whisper 7

Ord. p
 
mf q = 40

 
fp
         
fp fp f
    
fp

  
59
58 fp 61
fp 60

62 63
   
Talk about what?
here Can we talk? Are you
 Snap your  (If you can't simply
 fingers  hands)
 clap your
here?

     
               
p f pp


  

RALLENTANDO


         
      

  
q = 40 Multiphonic

      
  
pp  
24
 
      


Locate yourself as close as possible to
the microphone. Cover it with both hands Feel to improvise and bring Ord.
your own ideas as long as there is no pitch involved.
and produce random fast noisy sounds. Use p mf p
a lot of fricative consonants, mouth noises
 
fff 6:4
and inhaling and exhaling variation noises
   70
5:4

    
67
64 65 66 68 69

 
Random Extreme variations    
-
Random Extreme variations

       
Snap your fingers (If you can't simply clap your hands)
pp fff pp
- fff
Co mo lle ga mos a

                  
p f pp

Ord.

- -
Random Extreme variations

    
Random Extreme variations

 
6:4

5:4
    
   
pp pp fff


fff

 


  
p  fff p
mf p mf

Produce fast-random-noisy sounds. No pitch. Use a lot of key clicks mouth sounds, air sounds. Feel to
improvise and bring your own ideas as long as there is no pitch involved.

       
25
 
8 pp Whispers
mf

 
ff
q = 60 

fp ff 7:4
  
pp

p

         
6:4 Spoken

 
  78
  
    
71 72 73 74 75 76 77
             
me per do na rí as?
quí? Wann kommst du? Ber tha tú!
Was? Soy

           
      

q = 60 Key
     
     
7:4


        
5:4 5:4 Spoken Clicks + noises

   
                  

             
  pp
 pp
p fp fp fp ff ff
mf

26 27
     
    

 ff pp ff mf f
Ord. Whispers Ord. Spoken Ord. Whispers
Ord. p f
 
Inhale

      
Exhale mp ff
  
pp mp f

                    
  
  

6:4
       
f
      
79 82 Spoken 83 84
     
80 81 Ord.
gliss. gliss.

Was machst du?hide me Wo! ca llo im mer tried it  I'm fine

Ge e nough
           
nug! Nie! A quí!

           
                      
Clapping
Hands
  
ff pp ff mf f
Ord. Whispers Ord. Spoken Ord. Whispers Air Sound
Inhale
  
+ Key clicks

Exhale

 
  
                   
     

           
Ord.
         
    
      
ff pp ff mf f  f pp mp
mp ff p f


28    29
30
  
   
 9
q = 80
-
Random Extreme variations
pp fff

q = 40

  
    
5:4

6:4

 
Spoken Singed

5:4 6:4
 
7:4

  
7:4
 
85 86 87 88

    
   
                    

   
     ga li     Ma ga li  có mo te a yu do?
Wo mir Ber tha tiem po (Spoken) Wie
Es tut leid Ma Ber tha tú ich bin Cuan do?

 q = 80 Random Extreme

-
variations
pp fff
q = 40

 
7:4 
 
     5:4 
     
 
  
  
5:4

   
     
     

  
5:4 6:4
 
  
                          
          
     
31
     

 A tempo in sync

q = 60

extreme
mp extreme
crescendos crescendos mf

         

                    
3:2 sfz fp
93  
3:2 5:4 mp
 91  
fp
89
        
90 92
 
              
Ma ga li A ra ce li Wo

Su che Ber tha hier y quie res que par ta? Du schul dig i mmer
Soy tú bist


Clapping

           
 
-
Random Extreme variations
mp ff
pp fff


extreme extreme

          crescendos crescendos

     


  
q = 60
   In sync 
7:4 sfz sfz sfz
      
sfz

 
 
                 

    


 mf
p fp fp
fp
32
33
       
 

10 Ord. Spoken ff
q = 40
 
mp mp ff 5:4
ff ff mp

            
 
     

5:4
Spoken  
        
7:4 mp
        100  
Subito

     
94 95 96 98
 
99

97
gliss.   
No! It is not ea sy for me! so rry
you So fach ist das nicht! I am
undefined ter! ein
Why? Sis

pitch


      
     
mp


Spoken
ff

       7:4
  
q = 40
             
  
Subito

    
      
 
 
 No!
 
Why?
mp  pp ff ppp

ff ff p subito
mp

34 35 36
          


Locate yourself as close as possible to
the microphone. Cover it with both hands


and produce random fast noisy sounds. Use Whispering
mf ppp
 
a lot of fricative consonants, mouth noises

 
    
        
Whispers

and inhaling and exhaling variation noises 3:2

    
101 102 103 104 105 106 107
      
Random variations p - f Do you love me? es tut mir leid es tut mir leid

  
Snap your fingers
 
                 

pp

 
pp mp


Static
  
3:2

 

Airsound

            
Multiphonic

   
pp 
 ppp

37
        

9'21.6"