Half

of the Way
Vulfpeck
Ryan Lerman and Larry Goldings

  = 105
   
  


         
                                         
                  
       

          
      
4


Used to think I was fine on my own.

         
Used to car ry the weight of it all.

                        
    
               
       

                     
       

   
          
7





Had a house, but you made it a home.

       
Be fore I had you there to break my fall.

   
                      
    
    
            
  
         
        
9


I'll be your light on your dark est day, just don't love

      
Pa y no mind to what your fri ends may say, just don't love

     
        
  

     
     
           
   

    
        
           
11
1. 2.


me, love me half of the way. of the way. We're

            
    
me, love me half

          
     
         
          
      
 
   
     

                        
 
14


     
        
half of the way to be ing brok en heart ed. We're half of the way un less you

                        

                       
  
          
        
                        
    

2
           
      
17


     
let me in. We're half of the way from be ing

        
         
               
 
  
        
              
       

           
           
19




   
back to the start, so don't love me, love me half of the way.

        

    

        
         
                
  




                
22


      
I could see you were lone some as me.

      
                   
     
               
    

3
 
            

24


      
You said you cou ld use some comp an y.

  
      
                 
    
     
         
  


        
        


26

      
I chip a wa y but your walls do n't break. You still love

               
     
        
           
  

             
             
28


  
me, love me half of the way. We're half of the way from be ing

          
          
   




     
  
       
 
         
                     
  

4
                
           
31


        
brok en hea rt ed. We're half of the way un less you let me in, darl in'. We're

           
      










        










    
    
           

                   
            

       
         


34

    
half of the way from be ing back to the start, so don't love

  
                
               
  
              
               
   


      
               
36


   
me, love me half of the way. You can say that it's on

          
                  
      
              
   
 

5
       
              
39



 
ly a game. I don't mind play in' the fool. But

    
   
  
   


                    
42

 



  
no bo dy wants to hold half of a hand, and no bo dy breaks half the ru

     
  
      
   
      

     

45


 
    
            
les.

                  

                              
 

6
    

             


49

      
 
I'll be your light on your dark est day, just don't love

  
     
         
 
  
      
      
                
   
  

             
             


52

            
me, love me half of the way. We're half of the way to be ing

        
  
          
 
        
          
   

                    
      
55


   
brok en heart ed. We're half of the way un less you let me in, darl in'. We're

             
   
 

7
       
          
58


  
  
half of the way from be ing back to the start, so don't love

 
           
  
  

           
               
60


  
me, love me half of the way. We're half of the way, ye ah ba

                  
                
  
       
          
             

            
 
        
63


        
by. we're half of the way, ye ah. we're

                        
                        
    
               


                         
         

8
       
          


66

    
half of the way from be ing back to the start, so don't love

  
                
               
  
              
          
        


    
             
68


     
me, love me half of the way. Just don't love

      
                     
      
     
           
     
 

      
                    
70


        
me, love me half of the way. Just don't love me, love me half

          
                               
           
      
                  
     
  

9
   
     


73

      

of the way.


                               
     
                  
      

   



76

         
                                  
        
     
     

            
     
 

   



79

        

                        
                 
     
  
   
           
   

10