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    Dhmis: Divine Bass 100

    Uploaded by

    Jay Connor
    This document contains a series of symbols and characters that seem to represent a bassline or rhythm played on a divine bass. The repeating symbols form a rhythmic pattern that is played over 16 measures.

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    © All Rights Reserved
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    Dhmis: Divine Bass 100

    Uploaded by

    Jay Connor
    31 views1 page
    This document contains a series of symbols and characters that seem to represent a bassline or rhythm played on a divine bass. The repeating symbols form a rhythmic pattern that is played over 16 measures.

    Original Description:

    This is the sheet music to one of the songs from the webseries, "Don't Hug Me .I'm Scared".

    Original Title

    DHMIS

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    This document contains a series of symbols and characters that seem to represent a bassline or rhythm played on a divine bass. The repeating symbols form a rhythmic pattern that is played over 16 measures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    31 views1 page

    Dhmis: Divine Bass 100

    Uploaded by

    Jay Connor
    This document contains a series of symbols and characters that seem to represent a bassline or rhythm played on a divine bass. The repeating symbols form a rhythmic pattern that is played over 16 measures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    DHMIS

    . =100 Divine Bass

    . .
    % Q \\ . # . . . E " . .# . . . . . .# . . . E " .
    1

    .
    % Q .# . . . . . . . . . . E " . . . . . . . . . .
    4

    . .
    %Q . . . . . E " . . . . . . . . . . . . . . . E " .
    7

    .
    %Q . . . . . . . . . . . . . .E " . . . . . . . . . .
    10

    . .
    %Q . . . . . E " . . . . . . . . . . . . . . . E " .
    13

    %Q . . . .
    16

    . . . . .

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