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Watership Down - (Richard Adams) Intertextuality
Watership Down - (Richard Adams) Intertextuality
The Hero’s Journey present between the books: Watership Down &
Oedipus Rex
Total Words:
Table of contents
1. INTRODUCTION ......................................................................................................... 1
4. CONCLUSION ............................................................................................................ 13
5. REFERENCES ............................................................................................................ 15
“Rabbits need dignity and above all the will to accept their fate”
Richard Adams
1. Introduction
Watership Down is a novel first published in 1972 by Richard Adams, it is the most
known work of Adams, it converts that popular due to the great similarity it presents with the
Greek Tragedy, through this he has received various critiques and, obviously, made him a
best-seller, not just because that similarity, but because he could do something that few have
done: write a book for kids with elements that belong to the “grown up world”.
children, despite his having said that it arose from impromptu stories he used to tell
his small daughters. I can't imagine many readers under 13 or 14, an age when the
lines between juvenile and adult fiction begin to blur, having the patience and grasp
Richard Adams, no stranger to terrifying children with his tales of rabbits being
snared or gassed, narrows his eyes and recites, word-perfect, a lengthy passage from
Cathedral. The author of Watership Down has been remembering, with some pride,
how he used to petrify his children with scary stories at bedtime. (Flood, 2015).
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I chose this book because, I liked when I read it. After the first reading for pleasure,
I could see the characteristics shown above: The Greek tragedy and the curious fact that it
was for kids but some people argue that. After I saw that, I started to look for more things
that call my attention, and I found this epic journey that the rabbits of Adams do, what is
Then, I wondered, how I could develop this journey into something else, into
something to be worth of research? The Greek tragedy was the answer, but I didn’t want to
related it with the same books or stories that others did, so, after some research, I ended up
with Oedipus Rex, a classic from Greek literature. I chose it because it is a must in everyone’s
library and I really wanted to get deep into it. These books will be joined later, by answering
“How is the structure of hero’s journey presented through the plots of Watership
To answer this question, this essay will first develop contextualization of both books,
and then, these books will find their intertextuality (This term will be better defined in the
chapter 3) with the conductive thread called hero’s journey. This conductive thread is an
aspect that defines the way stories have been told from Greek literature to nowadays, which
happens to be the part of the point of the critics that Adams received with his novel.
2. Book’s contextualization
Richard Adams wrote the novel, when he was public employee. All began in a road
trip, when he was with his family and his kids asked for a story, he told them a tale about a
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group of rabbits trying to achieve a journey of salvation, the reason of this story is due to his
love for nature and from the experiences, since that event, he took more than two years to
write the novel, and after many, many rejections, one publisher said “yes” and gave him the
opportunity that he was looking for (BBC News, 2016), but nobody could tell that Watership
Down was going to be a tremendous success and it will be the most recognized novel of
Adams, actually, the reason that he could change his career and his formal job is because this
novel was a best-seller in its time. However, let’s look into the story
The plot of Watership Down, is about a group of rabbits that is based all over two
rabbit brothers, called Hazel and Fiver. Their goal is to find a place where to live that is
sustainable for them, this because Fiver has a might is that he can predict when the things
were going to happen, be they good or bad. In this case, they were bad because the vision he
had was that their warren was going to be in danger, so his brother Hazel trusted in him and
he decided to leave that warren and other rabbits came with them, so they go into numerous
I considered that this book is multifaceted because, as the word’s meaning, has many
sides to look at and, this is a story that can be interpreted with numerous hidden meanings
and definitely this is one of the reasons I chose it. Let’s look at the characters, they may just
look like rabbits, but, from the start the reader would know that there is something else about
this rabbits, one of them has a vision, the ones that believed in him would do anything to
prevent that catastrophe. The reader can feel everything, the reader can see itself reflected in
at least one of them, the feeling is so overwhelmed that “by the time we have finished the
book, the rabbits have taken on both epic and allegorical proportions” (Anderson, 1983,
pg.12). Along the lines of these previous ideas, the main characters, Hazel and Fiver called
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my attention; the way in which they show human conditions such as heroism, leadership and
the brotherhood they both have, how they support each other, in the good and bad moments
in all over the plot, this is why, Anderson (1983) refers to the characters as an allegory, even
though she clarifies in the same article that “Adams claims he is not comfortable with the
notion that Watership Down is ‘an allegory of the human condition’” (Anderson, 1983,
pg.12)
Another fact or side that captured my attention, that could be related to the one that I
explained before, is that this book is considered for kids or “familiar”, but the book present
various references for “adults”. It is common to find expressions like: “what mattered was
finding rabbits and killing them” (Adams, 2014, pg. 568). Simple and, at the same time,
indescribable. This kind of expressions can be seen all over the book, especially when the
end is near, for example, “They had a homba that killed Captain Mallow. My brother was
there. He saw it” (Adams, 2014, pg. 559). The author shows death as something natural,
something that needs to happen, even though if it is painful. But, from the moment that
Adams decided to show this exhausting journey developed by rabbits as protagonist along
the pages of his novel, he is introducing the children to the “grown up world” without
hesitation, without trying to hide reality with pretty faces or candies, without even the reader
noticing that, it just feels natural, that it belongs there and no somewhere else. So, it was not
A book is a book is a book, and you write what has got to be written to tell the story
properly. I never consider the readers. I was allowed to read anything I liked when I
was little and I liked all sorts of things that I shouldn’t have been reading. I stumbled
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upon frightening literature. Poe. The Hound of the Baskervilles. Algernon
He does not think if kids are afraid of death or if their parents have some kind of
topics that cannot be spoken until certain age or any reason that somebody may think about
these expressions. He only wrote. And of course that is the reason why the book, very quietly,
puts the kids into a position that they did not ask for and neither their parents, but, I think that
is something good for the kids because it makes them to realize that death is normal, that
one day is going to arrive to everybody, even though if sometimes this death is due to natural
causes, like a disease, or external factors such as killings, suicides, violence and others (in
the book the killings are the one that is seen numerous times).
Throughout literature, the Greek tragedy is one of the oldest genres which have been
worked on; who first worked on this genre was Aeschylus, Euripides and Sophocles, 2.500
years ago (Hall, 2010). It present numerous definitions, but the most recognized is that, the
Greek tragedy it’s about the main character, which trough the history make a great mistake
that he does without realizing, this mistake usually have fatal consequences to him. Aristotle
(2000) says that the tragedy “should, moreover, imitate actions which excite pity and fear”
(Aristotle, 2000, pg. 17), so this mistake that the hero make is a plan, is something to enrich
Such an event, therefore, will be neither pitiful nor terrible. There remains, then, the
character between these two extremes, —that of a man who is not eminently good
and just, yet whose misfortune is brought about not by vice or depravity, but by some
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error or frailty. He must be one who is highly renowned and prosperous, —a
The Greek tragedy tends to use tragedy as something that is inevitable, as I explained
before, that cannot be changed, by the main character; this can be seen in Oedipus Rex which
shows a contradiction of life because, this tragedy shows that who tries to escape desperately
Oedipus Rex is one of the Greek tragedies written by Sophocles, between 430−426
B.C. and first performed in 429 B.C. Sophocles is one of the most ancient authors of the
Greek Tragedy, was born in Colonus, Greece on 496 B.C. He was a person of a reputable
family; due to this, he was member of a family of considerable rank, also was well educated
and various political positions. It is stated that he has written more than a hundred tragedies,
but only seven have survived the modern era, in one of them was “Oedipus Rex”. All the
works of Sophocles, were based on the ancient story of Oedipus, King of Thebes, known as
This tragedy tells the story of a king called Oedipus, who was abandoned by his father
(Laius) and adopted by another king (Polybus), which raised him for 20 years, but he realized
that he had no resemblance (neither physical nor psychological) to the king who adopted him,
so he decided to go in search of his origin. This he did through the Delphi’s Oracle or most
known as “Pythia”, she told him his destiny was that he had to kill his father and marry his
mother. Unbeknown to Oedipus, he ends up killing his father (Laius) and married his mother
(Jocasta), as a consequence of this his mother realized what happened and commits suicide,
besides Oedipus with all this, proceeds to stab his eyes for not him to see what he had
become.
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Sophocles gave us not just some tragedy, he gave us Oedipus who, through history,
has been recognized as the perfect example of a tragic hero, as the man who has all the moral
value to hurt himself for his innocent mistake and would do nothing to change that, because
after running away from his fate, he ended up making it all as the oracle told him. Oedipus
marks the beginning of new characters, that later will be changing, as everything through
The importance of this tragedy is such Oedipus transcends the literature world.
Sophocles’ character is so deep and so meaningful in so many levels, for example, it is well
known that Oedipus Rex “played a key role in Sigmund Freud's development of
psychoanalysis, demonstrating both the particular complex of desires and the powerful will
to deny them that Freud found in the human psyche”. (Murnaghan, 2010, pg. 9)
believed, only that many do not know how to name it. I'll give a daily example: you're
watching a series that you liked a lot and for a scene, a dialogue, a landscape, for any detail
that exists there, you remember another series that you saw a while ago or remember a book
that has similar traits or a painting and even a song, and it turns that remind some situation
the philosopher Julia Kristeva, in her essay “Word, Dialogue and Novel” she begins to talk
about this term after an analysis of Bakhtin’s work and establish that “any text is constructed
as a mosaic of quotations; any text is the absorption and transformation of another” (1986,
pg. 37).
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Not only does Intertextuality help us see a text within another text, but also to create
a third text, considering what Kristeva says. “The concept of intertextuality requires,
therefore, that we understand texts not as self-contained systems but as differential and
historical, as traces and tracing of otherness” (Martínez, 1996, pg. 268). When I speak of
texts I mean any type of content, of course, for the purpose of this extended essay, I will refer
to literature. So, this is how I get to Campbell, a theorist who gives us all the steps of the
hero's journey, that is going to be mentioned, and thus see the similarities of the characters
in both books through his theory. The hero’s journey is going to be the bridge between both
books, it is going to be the guide line and the structure that will allow me to put Watership
Down and Oedipus Rex in the same page for, at least, a moment.
To begin with that, let’s talk about how the mythologist the hero’s journey is defined
by Joseph Campbell in his book “The hero with thousand faces” as:
A hero ventures forth from the world of common day into a region of supernatural
wonder fabulous forces are there encountered and a decisive victory is won, the hero
comes back from this mysterious adventure with the power to bestow boons on his
Basically, the hero’s journey is the structure that has been used through all the
beginning, a plot and an ending. This is not only for the literature world, it also for the
cinematographic world, and that’s why, after Campbell, there is more theory about the classic
structure. For instance, for this extended essay I will use the one from Christopher Vogler,
presents in his book “The writer’s journey”, in here he shows the 12 stages of the hero’s
journey:
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Figure 1. The Hero’s Journey Model.
In this figure, based on Vogler model but realized by Voytilla (1999), it can be seen
in a better way the steps of the hero’s journey, I am going to explain four of them because I
think that they are the more accurate for both of the books, each step that I am going to
explain, will reflect the particular case for Watership Down and Oedipus Rex.
Ordinary world:
This stage is before the journey, the ordinary world is the home of the heroes, and is
where the hero allows us to know him and identify with him before he starts his journey. In
Watership Down, this ordinary world is Sandleford warren and in Oedipus Rex is the
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Kingdom of Corinth, those places are where the main characters or the heroes permit us to
know them.
The call to adventure is where the comfort of the heroes in their ordinary world is
interrupted, by a dare or a defiance that he has to do, no matter what. This dare in Watership
Down and in Oedipus Rex is similar because, in both there is someone that predict the faith
of both heroes, in Watership Down is Fiver, ‘‘I don’t know it is’, answered Fiver wretchedly.
‘There isn’t any danger here, at this moment. But it’s coming- it’s coming’” (Adams, 2014,
Here is where the hero is prepared for the journey, and is ready to leave the ordinary
world and go for the special word, is the one where the dare or the faith take place. The hero
must defy an event that make him pledge to enter to the Special World, that there is no way
back. This event in Watership Down to Hazel is to save his group of rabbits and in Oedipus
This stage is where heroes while they are in the journey, they learn how is the special
world by finding enemies, adversary or allies. In Watership Down there are no allies apart of
the group of rabbits, the enemies that Hazel and his group have is the General Woundwort
that in the plot is the antagonist, and in Oedipus Rex is the Sphinx that Oedipus found in his
journey.
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As seen above this are some of the 12 steps that complements the heroes’ journey, I
chose these ones because are the ones that most resemble in both works, due to one of them
was similar to one but to the other wasn’t, so this 4 steps represent better Watership Down
It is important to note that with no attempt to prove that Watership Down and Oedipus
Rex have the same story line, but rather the similarities that can be given between the
which are uncountable and that many times you can believe that this type of comparison is
unfeasible. Here, two will reign. To begin with the biggest difference and of which, I believe,
the other one follows: the genre of the stories. While Watership Down is a children's book,
Oedipus Rex is a Greek tragedy. At the outset, in each genre, the topics are limited, for
example, in a children's book it is not possible to show the suicide attempt as a possible cause
of death. In the Greek tragedy, although mythological beings are common, animals with
human-like faculties are not allowed because they will be confused with fables, and tragedy
In first place, it is important to highlight the journey that Hazel undertakes, since it
shows in all his glory the hero’s journey. To do this, Hazel must be considered a hero, and
he is, he assumes a leadership that he did not ask, but it is natural for him. Oedipus, although
he does not undertake a journey full of adventures like Hazel, is a tragic hero that allows us
to see another side of the hero's journey, one that is more interior. Both try to escape from
their destiny, previously predicted by a third party, the results, obviously, are not the same,
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Hazel manages to find another rabbit hutch and avoids her fate, while Oedipus takes his eyes
The main characters of the novel Hazel and of the Greek tragedy Oedipus among
them two present an intertextuality, in first place because both make a kind of hero’s journey
in the plot. The both of them leave their house to change the destiny that was predicted. By
the side of Oedipus, the Delphi Oracle told him that his destiny was to kill his father and
marry his mother and was going to do everything to change this destiny. With Hazel was the
same because, Fiver told him that the destiny of the warren was that it was going to be in
The destiny was very important for them to defeat , because by the side of Hazel in
his hands was the future of all the group of rabbits to find a home were to survive from all
the dangers that lurked. On the other hand, for Oedipus was very important to defeat it
because he did not want to betray his father by killing him and marrying his mother. Besides
this destiny was not defeat by both, well Hazel could change this destiny by finding a safe
home were him and his group could live in peace, but Oedipus could not because in the Greek
tragedy the main character can never change neither destiny nor world. As it happens with
Oedipus he tries to defeat the destiny by not killing his father and marrying his mother but it
turns out that his real father (the king Laius) abandoned him and was adopted by the father
that Oedipus think is his real father (the king Polybus). Therefore, in his road to defeat
destiny, he kills his real father (the king Laius) as the Delphi Oracle predicted. Suddenly after
he kills his real father, not knowing, because he never knew about his origin, he continues
his road by killing a sphinx. Due to this he was declared the new king of Thebes (were The
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King Laius governed) because the king Laius was dead so he marries Jocasta the queen of
Thebes and as the destiny said he must marry his mother, he does.
Already giving those points, at the end of each one, the main characters dies. In
Watership Down, Hazel at the end of the story dies after seeing that the warren was
prospering and progressing, on the other hand with Oedipus, after he kills his real dad,
marries his mother; as a consequence of this his mother commits suicide, he decides to do
what in The Greek mythology is consider as a death, that was, after he took his eyes off, the
exile.
4. Conclusion
While doing the extended essay I found out in first place that the intertextuality is a
very extensive concept that is well worked through the hero’s journey, this is seen in
numerous of the arguments I realized. On the other hand, the hero’s journey since ever, have
been used through history, in books, movies, tragedy etc. From the B.C. (Before Christ)
epoch to nowadays and how this essence of the hero that always is in the characters or the
The arguments which helps me to answer the research question where the model of
the hero’s journey due to how this model present the complete structure and steps that the
hero does trough the plot of the books. Besides, with this model I can relate the situations of
the books I worked with the model of the hero’s journey. In addition, another argument that
helps me were the fate of both books, because here I make the intertextuality between both
books, with this I relate the fate that each hero of each book have.
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On the other hand, nowadays, we can see this concept easier, since we, as the
readers/consumers, are looking for a good story, something that moves all our feelings and
our deepest thoughts, something that we can relate to, like Aristotle said, the characters must
have something to imitate from us and something that we can imitate from them. This can
explain the big success of many books that are considered for teenagers like Twilight by
Stephanie Meyer, as with the movies, or The Hunger Games, both books and movies, or even
the Marvel’s movies. Even though many centuries have passed, the essence and the structure
Nevertheless, by the pass of time there have been concepts that have been changing
their essence or configuring the meaning of it, so the concepts have been “modernized”, so
With this, it is worth asking, to what extent can a new way of structuring stories be
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5. References
https://muse.jhu.edu/article/248197
Aristotle (2000) The poetics of Aristotle (Trad. S.H. Butcher). The pennsylvania State
http://www.thestickingplace.com/wp-content/uploads/2011/05/POETICS-Butcher-
translation.pdf
BBC News (2016, 27th December) Watership Down author Richard Adams dies aged
Campbell, J. (2004) The hero with a thousand faces. New Jersey, United States:
http://www.rosenfels.org/Joseph%20Campbell%20-
%20The%20Hero%20With%20A%20Thousand%20Faces,%20Commemorative%20Editio
n%20(2004).pdf
Flood, A. (2015, 4th January) Watership Down author Richard Adams: I just can’t do
https://www.theguardian.com/books/2015/jan/04/richard-adams-watership-down-interview
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Gilman, R. (1974, 24th March) The rabbits’. The New York Times. Recovered from:
https://www.nytimes.com/1974/03/24/archives/watership-down-by-richard-adams-426-pp-
new-york-the-macmillan-co.html
Hall, E. (2010) Greek Tragedy: Suffering under the Sun. New York, United States:
http://www.academia.edu/25046149/GREEK_TRAGEDY_Suffering_under_the_Sun
Kristeva, J. (1986) Word, Dialogue and Novel. New York Columbia University Press,
w2.wpmucdn.com/u.osu.edu/dist/3/29382/files/2016/03/Kristeva-Word-Dialogue-and-
Novel-2kauf14.pdf
http://faculty.weber.edu/cbergeson/quixote/martinez.pdf
https://repository.upenn.edu/cgi/viewcontent.cgi?article=1132&context=classics_papers
Reed, J. (2016, 27th December) Richard Adams: ‘Perhaps I made Watership Down too
https://www.telegraph.co.uk/books/authors/richard-adams-watership-perhaps-made-dark/
Sophocles (2011) Oedipus Rex (Trad. J. E. Thomas). Enotes.com Inc. Recovered from:
http://shiraz.fars.pnu.ac.ir/Portal/File/ShowFile.aspx?ID=413bfd2d-863d-4c6f-8f35-
d50e5fa5cb57
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Vogler, C. (2007) The writer’s journey – Third Edition. Michigan, United States:
vogler-the-writers-journey.pdf
Voytilla, S. (1999) Myth and the Movies: Discovering the Mythic Structure of 50
http://www.tlu.ee/~rajaleid/montaazh/Hero's%20Journey%20Arch.pdf
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