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Tequila Samba
Tequila Samba
'n
doo doo doo
t.
l-
doo _
J-)
doo doo doo ^doo
-n
Te-qui -la, Te-
nw
ey call my love the who does_ the Te-qui - la Sam
Lively Samba (J = c.120)
PIANO'
- qui - la Sam-ba,
l_E_[,_J' r_J"
doo doo doo doo _ doo doo doo doo Te- qui - l a, Te - qui - la Sam-ba,
--
.'--F-T--
++ + 1=
_
= n t-
c. v
.i'-) J-l
Er-' ry n i g h t s h ed a n fo, uffi see
doo doo doo doo - doo doo doo doo doo doo doo
*
A l t l ' r o u g h b e s t p e r f t t r - n t e c*l , i t i t p i a n . . , T e q u r l a
Santba, can be perforrneci a cappeila if no piano is
O Oxford L.lniversiry avaiiable
IrressI 99g
Tequila Samba
147
doo doo doo doo doo doo doo doo doo doo
r c.-ß--fi
doo doo ffi-ooov She does - n't seem the sort of you'd ex-pect to
*f
1n
LU Sam - ba
shy, -.----.--.---_-_---
a
S a m - b a , doo doo _ doo doo doo lt,s true at first she strikes you as ra_ther shy, doo doo doo-
25 But just
i i a
_ ir-rr
_ _
r
-- doo doo But just give my love rr sip _ of Te_qui_ la, play the chords and
she_ will re-veal a
- doo doo doo doo doo doo doo doo- doo doo doo d.oo doo doo doo doo- doo doo doo doo
U
spi - rit dan- cing joy -
LT 7
I-t
7= =
lJ----.1)
'
Y
ous ly' for the slcy, doo doo doo doo
doo doo doo doo - doo doo doo doo doo doo doo doo doo _
spar-kles less.
nyp
f
true with-out Te - qui - la s h es p a r-k l e s , T e -qui -l a, Te - qui la. Though a glass or rw o ofB ub-
-f-
.\-/
tr-ue with-out Te - qui - la she spar-kles less. Te - qui glass or rwo of Bub-
nw
\_/
true with-out Te - la she spar-kles, Te-qui-la, Te - qui - la, Though a glass or two ofBub-
..
_ .--- . ..r,;ai:i:.-..;.:.,,
i,
Tequila g amba
149
52 Sam - ba, --. ------.'-_-- The more there are rhe bet - ter the dance will be.
l\/
Sam-ba, qui - la Sam-ba, more there are rhe bet _ ter the
dance will be. doo doo doo-
l/^\
r=
=
doo doo doo doo_ doo doodoo doo doo doo doo doo- doo doo doo
l-
doo doo doo doo doo-
? ? ? a üT T
L-J L t---L I J
- doo doo doo But though it seemslike -- ex - tro-ver- sion, she not that _ kind of per-son:
l\-/l | | |
!Ft -l
- doo doo doo doo doo doo doo doo- doo doo doo doo doo doo doo doo - doo doo doo doo
aTJT'
I I I I l\\//l ? +, '
I
-
know that she's do
L_l- I- L-J'--'l)r
all for me. doo doo doo doo _ Once there were
doo doo doo doo - doo doo doo doo doo doo doo doo doo _
tt t l t t 3 t ta
-
:il':::
T e q u i t aS a m b a
(No slower) l5l
days be- fore I knew- the Te-qui - la
66 Sam - ba,
The wast_ed years
be _
------.---_-.-=-
to ----__-----
-----...-.._-- -\
---=-----.-\-_
sotto voce
Te - qui - la, Te qui - la Sam-ba,
(No slower)
(sotto\
Te_qui la, Te [a Samba t oo
t) tt r-,
I I_l
81
-y
? r _J I -t-t
Cha cha cha cha _ cha cha cha cha Te-qui-la, Te qui - la Sam-ba,
nT r-
A-a-e,-aa
And then she came to nte and danced the Te_ qui _ la Sam _ ba, --*-_=.---
I
\J/
,n l-l-l - | 7'-\
cha cha cha cha cha cha cha cha cha cha cha
-t
Now my hearr will dance
with he, #.. more.
She's
f
beau-ti - ful a n d r a di- ant dan_cing off
the_ beat_ and when the night is fine
and srar_
'I*equila
154 Samba
1;
lt
lr
the street, she syn- co-pates and cap-ti-vates and I know Itll al-ways love to watcl-r_
I know I'll al-ways love to watctr_
,-rt r
E..L--.5 l\-/l
IF
- the T< Sam-ba, doo doo- doo doo doo To see tran - cing the gath-ered
l ^
H
=f1
-Y
-----l
- doo doo doo doo doo doo doo doo- doo doodoo doo doo doo doo doo - doo doo doo doo
-***@
trie _
- |
syn
J
?
r_r
Then she
doo doo doo doo_ doo doo doo doo doo doo doo doo-iooaAffi doo doo doo äoo_
TT T
a t- J
true vo
tt r-
I
? l..-,
f_{
Sam long, doo doo doo doo_
doo doo doo doo doo doo doo d,oo_ doo doo doo doo doo doo doo doo doo_
S ti l l T e - q u i - l a S a m -