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Wiley, American Anthropological Association Cultural Anthropology
Wiley, American Anthropological Association Cultural Anthropology
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Consuming Desires:
Strategies of Selfhood and Appropriation
Jonathan Friedman
Department of Anthropology
Lund, Sweden
La Consommation a Outrance
I have always dreamed of being able to eat a pretty young girl. [Paris Match, 27
1983]
The unspeakable horror that gripped the witnesses to the texts of this heinous
crime belie a certain fascination as well. It has been said that cannibalism is so
frightening and horrible because it reduces the human being to mere meat, fat,
and protein, as some cultural materialists would have it. And while the latter are
at pains to overcome their own discomfort with such acts by reducing them to
purely practical acts of nutrition, just as culturalists might neutralize them by turn-
ing them into symbolic games, the imagination of the experience lingers on. Yet
our friend said that he desired a pretty young girl, one with whom, in fact, he was
in love. His consumption of her body was also the consummation of his love. In
154
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CONSUMING DESIRES 155
any case this is not the ordinary run-of-the-mill consumption of steaks and
We do not often ask if the cow was pretty, if the sheep was sexy. We c
the transformed product of living creatures, transformed into pure "raw
tive product. In fact, in order to further convert it into food, we must rec
it by cooking, seasoning, decorating, and the like. It is said that we "dres
and anthropologists refer here to the movement from nature to culture.
more, we maintain the distinction between the dish as nourishment and
that is, as mere protein, etc., and as socially marked or elaborated pro
this is the homologue of our moder personhood, divided between o
halves: nature, desire, aggression, libido; and our higher selves: sublimat
tivated, controlled. The lower half is unmarked, socially undefined, yet t
of our life energy, our desire, and thus a focus of our fascination and at
Cannibalism, fascinating horror, has not gone unnoticed in moderni
ture. Freud located it in the remote corers of the id, and Melanie Klein
great lengths to demonstrate its existence in the active imagination of ve
children where she located it the pre-Oedipal world of partial objects-
Dismembered bodies, just as pornography, incite disgust at one level but
canny attraction at another forbidden level. Their common violence co
the destruction of the identity of the person and his or her reduction to m
gan, that is, an object controlled by the perpetrator of the act. But this is
ined experience of the victim and not necessarily of the cannibal. After
the modern Japanese subject was out to consume the whole person, iden
all, and not to simply ingest so many kilos of meat. But, one might ask,
got down to the eating, what did he experience when setting his teeth to th
thigh of his loved one?
This example, which is as far from the standard values of the Jap
from our own society, is meant to indicate the degree to which consum
always a total human phenomenon, even if it is not always a total social
enon. In the following we shall explore more systematically the contras
different forms of consumption and even production as encompassed as
more general strategies of identity.
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156 CULTURAL ANTHROPOLOGY
kin group, both cannibalism and witchcraft are logical properties of inter
relations. The subject's existence depends on the continuous flow of life f
cosmos via the network of ancestors and kin, and his life project is cent
within himself but is vested in the authority of the group, its symbols and
sentatives. To be consumed in such a context is not to be reduced but to be ele-
vated, to be absorbed into the life of a superior.
It is a remarkable fact in the history of this people [the Kongo], that any who are tired
of life, or wish to prove themselves brave and courageous esteem it a great honour to
expose themselves to death by an act which shall show their contempt for life. Thus
they offer themselves for slaughter and as the faithful vassals of the princes, wishing
to do them service, not only give themselves to be eaten, but their slaves also, when
fattened, are killed and eaten. [Pigafetta 1970:28]
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CONSUMING DESIRES 157
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158 CULTURAL ANTHROPOLOGY
has been discussed at length by Simmel, Dumont, and others we might summa
it ever so briefly in terms of the following parameters and tendencies. The de
opment of commercial capitalism is related to the dissolution of a cosmologic
based system of social positions and involves a series of separations: wealth fr
fixed status, individual from role, private from public, nature from cosmos. S
nett (1974) and, especially, Campbell (1987) have done much to lay bare the
lations between social context and the emergence of individuality as they rel
to the practice of consumption.
In terms of the separations listed above, we might say that the crucial ch
acteristic affecting consumption in relation to selfhood is the split between t
inner, private, natural self (the real me) and the social, public self which beco
defined as an arbitrary role in opposition to the former who thus becomes a k
of actor. It is noteworthy that the breakdown of fixed status hierarchies, the co
feehouse as a public experimental meeting place and an explosive interest in t
theater, all emerge simultaneously (Agnew 1987; Sennett 1974). Campbell argu
that the fundamental principle of moder consumerism is the realization of th
private fantasy driven by a desire that can, by definition, never be satisfied. C
sumption is about the creation of a life world, an identity space, an imagined
istence. It expresses a romantic longing to become an other in an existential s
uation where whatever one becomes must eventually be disenchanted by th
knowledge that all identity is an arrangement of man-made products, thus an
tifice. No authentic identity is possible, so consumption must go on in quest o
fulfillment that can never be attained. The structure of this dynamic might be r
ferred to as the Walter Mitty principle (Thurber 1945).3 Even anticonsumption
is a consumption of sorts, as an appropriation of a part of the world in an act
creating a life space and style of existence. And it faces the same dilemmas o
inauthenticity. This kind of consumption is the expression of a self-directed stra
egy in which the free floating subject attempts to create a world in which to anch
his identity, within which he can realize his fantasies and consummate his des
Campbell also deals substantially with the range of phenomena to which V
blen (1925) and more recently Bourdieu (1979) devoted so much attention. A
opposed to the self-directed strategy, this latter is referred to as other-directed.
is descended from the dissolution of the aristocratic order where position was
delibly marked on the body and its movements. As a normal aspect of mod
consumption it refers to the symbolic practice of making and maintaining so
distinctions, symbolic because the distinctions are already present in society. B
surely, even the most fashion conscious of cultural elites get more out of the
consumption than social recognition. They also enjoy their distinctive life spa
in themselves and find a sense of fulfillment in the realization of their fantasies
themselves. My Jaguar is more than a show for others, it is a world of pleasur
itself. The self-directed strategy penetrates the self to the very core of other
rectedness.
The historical examples of other-directed strategies, both extreme and in-
structive, developed first in the flaneur and then in varying forms of conspicuous
dandyism and aestheticism (Campbell 1987:161-172). At first this dressing for
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CONSUMING DESIRES 159
the other was a strategy of social mobility of passing into the highe
ciety by representing oneself in a correctly cultivated manner. But
the 19th century, the cultivation of appearance had, literally, bec
itself, human existence as a work of art. For Oscar Wilde, the Bloo
and others, appearance and life-style defined its own social superior
tive of background (Featherstone 1991:8). But as all such claims it w
dependent on the gaze of the other, of the rest of society, and it was,
doomed to failure. And for this latter-day dandyism, the image th
for oneself could never become the whole of the self. Even here, ch
ing for the new played their romantic role. And while there is certa
sistic tendency in this, it never achieves the kind of other-depende
described for les sapeurs. In modernity the latter strategy is closer
designate as clinical narcissism, clinical because there is no ontolog
moder society to fill the vacuum left by a vanishing ego.
The ontology of modernity is organized to desacralize and neutr
by reducing it to human production. No fixed selfhood can be found
of arbitrary human constructions.
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160 CULTURAL ANTHROPOLOGY
My personal opinion is that the Ainu people have come to realize that in or
become a complete human being, an "Ainu," one cannot repress one's origi
stead one has to let it come into the open and that is exactly what is happening
the Ainu people today. They are eager to know about olden times, values, t
everything. They have been starving, mentally for so many years now. [S
1991:169]
The Ainu movement has made efforts to reestablish the Ainu langua
schools that also teach Ainu traditions. They are also engaged in a strugg
regain their lands for their own use and more generally for a recognition o
existence as a separate people within the larger Japanese realm, Nihon. S
provides an excellent analysis of the reemergence of Ainu identity. Of u
significance in this process is the production of Ainu artifacts for demons
and sale to Japanese tourists. Tourist villages appear to be of strategic imp
in the constitution of Ainu selfhood.
Every Ainu man is a "Kibori man." We make carvings because we cannot sto
in our blood. If we can make a profit, well we do not think there is anything
with this. [Sjoberg 1991:164]
The production and sale of traditional Ainu objects is part of the estab
ment of Ainu identity as a concrete physically realized existence. The J
consumption of Ainu products is, by implication, the recognition of their
tive being. The gaze of the other is thus systematically invoked in the cre
the self.
Modem intellectuals, not least anthropologists, who are astounded by
appears to them as the commercial deauthentification of Ainu culture are
expressing the same dualism of the subject who experiences all commodi
false in relation to the "real" self. Ainu do not experience the world in th
They are arranging Ainu food festivals, where people can taste our food. We h
own specialties you know. The food is cooked in a traditional way and the peo
traditional cooking utensils when they prepare the food. Now to be able to ea
food we cannot use our land to cultivate imported crops only. We have to hav
where we can cultivate our own cereal .... Our food festivals are very popu
people come from all over Nihon to visit and eat. They say our food is very ta
they will recommend their friends to come here and eat. As a matter offact we a
have restaurants in Sapporo, Asahikawa and Hakodate. [Sjoberg 1991:169; em
in original]
In the tourist villages, Japanese visitors can come and witness traditional ac-
tivities as well as purchase traditional goods. It is in these villages, replicas of
traditional Ainu villages, that courses are offered for Ainu and where great efforts
are made to reestablish Ainu values and life-style. From the point of view of strat-
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CONSUMING DESIRES 161
Notes
2La griffe or "label" refers, of course, to the fashion house's label, but is used metonym-
ically to refer to the entire garment, whose only value to the sapeur is its origin.
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162 CULTURAL ANTHROPOLOGY
3This principle, taken from the well-known short story by James Thurber, refer
imagination of the principle character that enjoys fabulous adventures in the day
that accompany his paltry existence. See the discussion in Campbell (1987:78).
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CONSUMING DESIRES 163
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