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Music Notes
Music Notes
Music Notes
Scrap B. 1.
Vamp bars 2-3, wait for cue.
After fermata at B. 22 there will be a count of four played to lead into B. 23.
Slight rit. At B. 38 but little, if any fermata.
Take vocal lead from B. 73 into 74.
Again, take the vocal lead at B. 105.
As written
Omit bars 16-17 (no cuckoos)
Play through to the end and then repeat from B.18 to the end later on in the script (I’ll give
the cue)
As written.
As written.
As written.
There will be a 4 count after every fermata.
Only play to B. 8
As written
Just be wary of key changes
At the end of this number we will do a play off from B.95 to the end while they get ready for
the next scene.
Percussion to start
There is dialog over the top at the beginning - watch the volume
There may be some vamps required – Unsure yet.
sFFF at B. 104!!
Cut
Not too sure as yet how the clock is going to work. We may just start from B. 5 – I’ll let you
know. Might have percussion doing it.
B 29 – Just be wary of the time signature change – Pulse needs to be kept the same.
As writ.
Just be wary of B.114 – We’re following the vocal lead. I’ll give you the upbeat.
As writ.
Wait for my cue on the very last bar. I’ll give you the upbeat and then hit that final chord.
The song is scored in 6/4 but there are parts where it feels in 4 and parts where it feels in 6. I
will probably conduct in 2 for the best of both worlds. Will conduct in 4 for the very
beginning though.
No other real nasties in this.
As writ.
As writ
Vamp last 2 bars until cut off. I believe a line in the script tells us to stop.
Just be wary of the drastic tempo change at B. 17. I think I’ll just ‘double’ it for ease.
Act Two
I believe there will be a big cut in this number. I think we’re going to jump from B.56 straight
to B. 100 (so as it sounds on the soundtrack).
As writ
Vamp on B.9.
No. 12b. Tink Mock
As writ.
As writ.
No. 14. When I Kill Peter Pan – Good Old Captain Hook (Reprise)
In this number we are the representation of everything that tinkerbell is doing. So, the
pauses are where somebody is speaking. It will hopefully make more sense when we are
actually doing it.
I plan to keep it as writ but may have to add a few extra pauses to allow for dialogue etc.
As writ.
Gradually pick up the tempo & volume from B.16 onwards
Dictated chords
As writ.
As writ.
As writ
As writ.
No. 19. There’s always tomorrow.
As writ.