4. 2PD – Double lead 3.

Linear approach / counterpoint

Full emphasis on melody 4. Uniform spacing / Variable spacing
2/3/4°V support the melody
2/3/4°V = part of R.Section
2 Instruments/voices
2 Part Density ( 2PD)
1. 1PD - Unisono
2 Part Density ( 2PD)
1. Melodic coupling
2. 1PD - Octaves 1. Embellished simple or
2. Linear approach extended Guidetonelines:

3. Counterpoint 2. Long notes ( pads) / Punches

4. Countermelody 3. Doubled topnote of piano/guitar

countermelody / RS accents /
3 Instruments/voices Stoptime/Ostinato

3 Part Density ( 3PD) 3 Part Density ( 3PD)

1. 1PD - Unisono “Thickened line”
2. 1PD – Octaves 1. “Normal” voicings(3&7), quartal 1. Independant lead
triads, intervallic shapes, clusters (3/7 in bottomvoices)
3. 2PD – Double lead 2. All common approach-techniques
3. Linear approach/ counterpoint 2. Pads / Punches / Countermelody
4. Uniform spacing / Variable spacing
4/5 Instruments/voices 3. RS accents / Stoptime / Ostinato

4/5 Part Density ( 4/5PD)

1. 1PD - Unisono “Thickened line” 4/5 Part Density ( 4/5PD)
2. 1PD - octaves 1. 4PD / 5PD ( “Normal” voicings(3&7) / 1. Independant lead ( 1/3, 2/2 & 1/4, 2/3 )
quartal voicings /clusters ) 2. Pads / Punches/ Countermelody
3. 1PD - 2 octaves ( Close, D2, D3, D2/4,clusters ) 3. RS accents / stoptime/ostinato
2. All common approach-techniques 4. Spreadvoicings