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Back Up Arrival Paper PDF
Back Up Arrival Paper PDF
Gonzaga University
Taylor Woods
Leadership and Film
Comprehensive Leadership Program
Dr. Josh Armstrong and Dr. Shann Ferch
Leadership and Film Paper 2
Directed by Denis Villeneuve, Arrival is a film that unravels the complexity of language
whilst examining the way in which one being communicates with another. It allows its audience
to reflect on the meaning of words and their linguistic philosophy, which further demonstrates
the power of language in relation to the prosperity of human nature. At a time in which
communication predominates society, Arrival transcends across cultural barriers to teach the
importance of engagement with humanity as a whole. This act of immersion and personal
In the film, Dr. Louise Banks is called in as the leading linguist to help the United States
government communicate with the extraterrestrial visitors that have just arrived in twelve
locations across the world. Louise, played by Amy Adams, works alongside scientist Ian
Donnelly, played by Jeremy Renner, to attempt to translate the foreign language of the
“heptapods” within its pebble-shaped spaceship. In response to the numerous questions Louise
and Ian pose—what are you; what do you want; why are you here—the creatures release ink-like
Through her initial adaptive leadership style, Dr. Banks relates the difficulty of
communicating with one another without the knowledge of each other’s language: the
translation. Although Louise faces significant opposition, she triumphs as a courageous leader
who does not waver in her ways while simultaneously rallying her team to fight alongside her.
her linguistic team to tackle the challenge of interpreting an unknown language, Louise helps her
team respond to the changing environment that is occurring around the world, even when faced
Leadership and Film Paper 3
with conflicting team values (Leadership 275). The knowledge of her credibility is built through
the various “flashback” scenes the audience is shown that reflect Louise’s train of thought, which
result in essential breakthroughs for translating the foreign language (Movies 154). The director
of the film uses first-person narrative to reveal Louise’s memories that help her to acknowledge
how to communicate with the foreign creatures. The faintly blurred scenes of Louise in a
separate setting, often with the close-up image of her rubbing her temples as a precursor,
distinctly reveal the director’s and cinematographer’s strategy to have the audience recognize her
moments of recollection. It is the experiences she recalls that lead her to draw the connection
between heptapods and humanity, which she soon recognizes are inherently coupled together.
Furthermore, Louise’s role operates to interweave the hidden themes of the film with
social justice issues prevalent in our society. Most predominantly, the movie promotes the
importance of engagement and connection with the entire human race. As one of the main
motifs, the film teaches the audience how communication is at the basis of all of humanity, a
reoccurring idea that dominates the plotline. The motif—in the form of verbal and nonverbal
communication—transforms, like Louise herself, to embody unity and potential (Movies 15). In
a world filed with methods of communication, humans still lack the ability to truly transcend
across language barriers, which prevents us from reaching our ultimate potential of fully
communicating with one another. As the language of the heptapods is offered as a way to unify
humanity, the movie directly addresses the issue of a lack of true communication within the
Additionally, this film speaks to the lack of personal responsibility that individuals
possess in regard to the choices that life presents us, such as that of the true connectivity of
humans. For example, although we are surrounded by technology and resources that can bring
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the world together, we still choose to remain segregated by culturally distinct—and sometimes
hostile—countries, rather than coming together as one unified world as the film suggests. The
movie uses Louise’s character, as an adaptive leader, to be the mediator between what is known
and what is not; she encourages people to deal with change effectively (Leadership 257).
Although faced with the challenge of decoding the alien’s language, Louise assures her team that
they are a peaceful group. This was extremely difficult because she had to ask her team to defy
their own perceptions, beliefs, and attitudes toward extraterrestrials: Louise had to identify this
adaptive challenge, motivate her team to listen to her revelation, and operate as the connecting
piece between earth and the heptapods (Leadership 262-274). Both the lack of communication
and personal responsibility are core components of this movie’s underlying message. In relation
to one another, these two themes guide the plotline of the film and work together to present the
To reflect on my own connection to these issues, this past Spring Break, I was fortunate
enough to have the opportunity to travel to Puerto Vallarta, Jalisco in the country of Mexico. As
a very new, and admittedly naïve, international traveler, I was thrown into the experience with
very little knowledge of what was to come. For reasons unknown to me now, I took four years of
Latin as a high school student, when I could have learned a much more practical language such
as Spanish. That being said, upon entering Puerto Vallarta, I did not know any Spanish beyond
the most common greetings. Because of this, I could not help but become embarrassed when I
would walk through the town or speak with waiters at a restaurant because I simply had no idea
I quickly realized how difficult it is to communicate with others that do not speak the
same language as you do. This feeling of isolation was hauntingly lonely, and I could not help
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but feel hopelessly pathetic. Fortunately, my travel companions were natives of the area that
were more than happy to assist me in translating across barriers whenever necessary. However,
despite this, the most troubling element of my experience was that, as an English-speaking
American, I continually expected for them to know my language, even though I was visiting a
Spanish-speaking country.
When I went to the cinemas, for example, I went to the concession stand to order myself
some popcorn. However, in that moment I could not remember the Spanish word for popcorn, or
even how to properly place an order. Frazzled, I communicated my order in English; looking
back, much to my chagrin, I remember being frustrated when the cashier did not understand what
I was trying to relay to him. He did not know any English, and in my ignorant mind, I simply did
not comprehend how he did not know such a widely spoken language.
I left Puerto Vallarta reflecting upon my experience in which there was such a definitive
language barrier. I had never been in a situation in which I was simply unable to communicate
with those around me. For the first time in my life, I was overwhelmed by how little I could
connect with an entire culture, which led to feelings of seclusion and loneliness. However,
during my reflection, I thought about how little responsibility I assumed throughout my trip. I
did not consider the fact that it was my lack of knowledge that led to the confusion at the
popcorn stand; it was due to my own ignorance that I immediately assumed my cashier was in
the wrong, not me. Because I was under the belief that English is such a predominantly-spoken
language, I had taken no personal responsibility for what had transpired. Living in the United
States, I have been trapped in a bubble my whole life, unaware of my privilege and ignorant of
the other countries around the world. Growing up in America, we assume that our nation is the
most important, and thus so is our language. Because of this, I had been persuaded that most of
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the world spoke the English language, because that is the language of the Americans—the
“greatest” nation in the world. My perspective had been developed and tainted from a life within
a secluded culture.
It was only by coincidence that my companions and I chose to watch Arrival on our
returning flight to the United States. The film spoke to me and my recent experience in Puerto
Vallarta struggling with a linguistic barrier. Through its cinematic language, Arrival
it seeks to operate, the film shows the value of connection through language, and how the
philosophy of language influences all aspects of humankind. The language of the heptapods is
the unifying force that works to break down the walls between full communication. Additionally,
the leadership of Dr. Louise Banks is what drives the positive change in humanity to occur at the
Like the challenges adaptive leaders must face, society often does not wish to change
what it is already comfortable with; what is safe. Although Louise operates as the guide of how
to enact this positive change for the world, it is not her alone that can save humanity: it is about
“mobilizing people to tackle tough challenges and thrive” while doing so (Leadership 292). Her
adaptive leadership is what enforces the adaptation of her followers, even in such a highly
complex situation.
It is not by coincidence that the twelve alien spaceships arrive in communion with one
another, spread evenly throughout the earth’s mass. In fact, as the audience eventually learns, the
heptapods are a peaceful group that have come to help humanity live in unity with one another
through the power of language. By educating the human race about the language of the
Leadership and Film Paper 7
heptapods, it allows them to “discover how to participate in the transformation of their world”
(Pedagogy 34). Arrival teaches the importance of personal responsibility in every aspect of one’s
life. It is not Louise alone that can save humanity; rather, it is the people of the world that must
hold themselves responsible, which will ultimately bring the human race together. When all
nations work together to unpack the meaning of the spaceships, they are able to share
information and gain a better understanding of the arrival. But humanity comes to a halt when
communication stops, and the fearful nations retreat to violence when they can no longer connect
with one another. Here, the audience can begin to understand the power of communication due to
the cinematic portrayal of each scene. The cinematographer uses loud, disruptive music and
shaky camerawork during scenes in which all communication has been cut off; conversely, there
is a more calming presence created on the screen when the characters are in full communication
with one another. This usage of cinematic techniques demonstrates to the audience the
Connecting this to my own personal experience, I can attest to the difficulty of not being
able to communicate, and how heightened all of your emotions become. Additionally, it is within
our own human nature that we immediately seek to place the blame elsewhere. It is always easy
to assume there is someone else that will admit their own mistakes or hold themselves
accountable. However, what is most honorable and worthwhile is to be the one that transforms
the world by taking personal responsibility for every single one of our actions.
I cannot assume it is the cashier’s fault that he does not know my language, because I am
just as guilty that I do know his. I must hold myself responsible for my own lack of
communication and to admit my own faults. In doing so, I can work to be a part of the
transformation that Arrival addresses: an advocate for positive change in the world.
Leadership and Film Paper 8
Arrival works to tap into the hidden self—the shadow side—in order to truly demonstrate
the importance of accountability and communication. Through the usage of flashbacks, editing,
sound effects, and visual imagery, we are able to see the adaptive leadership of Dr. Louise Banks
that helps to influence the progression of the film. Without her ability to encourage her team to
work alongside her and promote the unification of the world through language, there would not
have been a fight for full communication across the globe. With Louise’s drive to reach for the
improbable even with differing values amongst her teammates, a distinctive feature of an
adaptive leader, progress is achieved. Pure engagement serves as a distinct motif that helps to
Ultimately, the film works to express the pressing issue of a lack of global
communication as well as personal responsibility. The audience is able to gather these key
themes through the direction of Dr. Banks, who’s adaptive leadership is an essential element of
the film. Arrival works to transcend cultural seclusion in order to unify humanity across
continental barriers, as well as develop a sense of personal responsibility amongst the human
race.
Works Cited
Leadership and Film Paper 9
Barsam, Richard, and Dave Monahan. Looking at Movies: An Introduction to Film. 5th ed. New
Freire, Paulo. Pedagogy of the Oppressed. New York: Continuum International Group,
2000. Print.
Northouse, Peter G. Leadership: Theory and Practice. 7th Ed. Thousand Oaks, CA: SAGE,
2016. Print.