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Unit 2 Lesson 4 Notes On The Metamorphosis and Existentialism W Discussion Questions
Unit 2 Lesson 4 Notes On The Metamorphosis and Existentialism W Discussion Questions
Kafka’s
Metamorphosis:
Existentialism &
Kafka’s Work
Louisiana Student
Standards: RL 9-
10.1-6. W. 9-10.6-
9. L. 9-10.4-6
I. What is Metamorphosis?
• Metamorphosis is a novella written in
1912 by Franz Kafka. It uses magical
realist techniques long before the style
was popular. It is a early
Modernist/experimental work
• What is a “novella”?
– Longer, more complex than short stories
– Focuses on a limited number of characters
and events
II. Who is Franz Kafka?
• Born in Prague in 1883
• The oldest of 9 children.
• Jewish parents
• Father was a successful merchant but
overbearing.
III. Sad Kafka…
• Described as having been
sensitive and suffering from
feelings of isolation.
• Jewish, but felt unconnected
to his religion
• Minority in his country
• Unsuccessful in personal
relationships
• Physically weak, attempts to
hide it
IV. Kafkaesque
• Anything having to do with alienation,
absurdity, anxiety or isolation
He becomes his
FATHER
He sacrifices
himself as the
SON
He must give
up his “spirit”
(his sister)
As a satire the middle class and Judeo-christian values,Gregor’s Journey is not a
Hero’s Journey but a Misfit’s journey inward, downward. He must devolve from the
SAMSA
“civilization” that was killing him. He discovers his potential—or HOUSEHOLD
not—by becoming
FLOOR
more and more alienated, in phases driving him toward adulthood (as PLAN
does Grete, who
parallels his transformation_. Does he transcend?
“He remained
FREE ASSOCIATION: 3…Bible…Trinity….3 in this state of
empty and
“Christ figure” archetype: peaceful
rumination until
he heard the
--Gregor dies for his family
clock tower
--Description of death
strike three in
parallels crucifixion the morning.
(ironically): He watched as
: APPLE it slowly began
: Attended by a woman to get light
(woman in furs) everywhere
outside the
window too.
Then, without
Influences on his willing it,
Gregor his head sank
down
completely,
and his last
HE IS HE GIVES UP HIS breath flowed
HE IS FATHER/ SON/Sacrifice SPIRIT/PNEUMA weakly from
his nostrils.”
20-minute DISCUSSION # 5: Threshold
Imagery
• As it turns out, there are several doors to Gregor's room, not
just the one that leads out to the main living room. Gregor's
room seems to be a central room in the apartment, and the
other bedrooms also have access to this room, though no one
would dare enter the room now. Gregor is literally central to
their lives, yet closed off by doors that are perpetually closed
against him. The are many thresholds in the novel: The
doors. The door is a protection for Gregor. It shields him,
most of the time, from the ugliness, anger, and hostile
curiosity of whoever is on the other side of the door. The
tragedy, of course, is that these negative emotions emanate
from his family, the people who should be most supportive of
him. The presence of the door ensures his privacy; it also
ensures he can be neglected by those who should take care
of him.
20-minute Discussion # 6: Gregor’s
Body
• “Further, he has strong mandibles. He
uses these organs to turn the key in a
lock while standing erect on his hind
legs, on his third pair of legs (a strong
little pair), and this gives us the length
of his body, which is about three feet
long.” -V. Nabokov, “Lecture on the
Metamorphosis”
“Curiously
enough, Gregor
the beetle never
found out that
he had wings
under the hard
covering of his
back.”
Further Discussion
• “Metamorphosis” definition:
– a transformation that is ongoing in stages
• What stages are present in the novella? What
symbols connect or signify these stages?
– external changes and internal changes
(biology term)
• External changes in character?
• Internal changes in character?
– Changes that are unique to a species
• How are Gregor’s changes unique to the
“human species”?
HOW WE STUDY THIS WORK
• PART I: MAGICAL REALIST STYLE.
How does the book’s magical realist
STYLE help the author reveal the
existential truth behind Gregor
Samsa? Use “Arachne” and “A Very
Old Man…” to draw comparison that
explain magical realist style.