1 6 10 15 24 Events & Programs Film & Event Calendar

MON SAT WED 12:00 Family MON 4:00 Film 1:30 Film WED 1:30 Film
Family Films: Real It Happened at the Ganja & Hess. T1 The Kneeling
and Imagined Places. Inn. T2 Goddess. T1
4:00 Film
6:30 Film 10:20 Family 1:30 Film T3 4:30 Film 1:30 Film
4:30 Film The Misfits. T2 4:30 Film Gallery Sessions Tours for Fours:
MS Slavic 7; Tours for Fours. The Mirror Has Two L’opéra de quat’sous; Written on the Wind.
1:00 Film Midnight. T1 Night Falls. T1 Daily What’s the Story?
The Plagiarist. T2 Education & Faces. T2 Study no. 7; King Film
4:30 T2
Taxi!; Billy the Kid. T2 Marron Atrium, Floor 2 Saturdays & Sundays, Apr 6–28,
Research Building Neptune. T1 7:00 Film Female Trouble. T1 7:00 Film

2
Film
4:00 4:00 Film 10:20–11:15 a.m.
TUE It’s All True; The Four Untouched. T1 Join us for conversations and
10:20 Family Marked Woman. T1 7:30 Film 7:00 Film The Misfits. T2 Education & Research Building

A
Temperaments. T2 activities that offer insightful and

28
A Closer Look for Laughter and Three Isadora. T2
7:00 Film 7:00 Film SUN unusual ways to engage with art. Look, listen, and share ideas while
Kids. Education & Shorts. T1 7:30 Film

21
6:15 Film Clash by Night. T1 Beauty and the Limited to 25 participants you explore art through
Research Building Sylvia Scarlett. T1 SUN

16
All Good. T2 Beast. T2 movement, drawing, and more.

11
TUE

19
12:30 Film THU 1:30 Film 10:20 Family For four-year-olds and adult companions.
8:45 Film FRI 7:30 Film hablArte
A Family Submerged. Midnight. T1 Tours for Fours. Free tickets are distributed on a
Long Way Home. T2 10:20 Family Rosauro Castro. T1 13 de Abril, 1:30 p.m. first-come, first-served basis at 10:00 a.m.
T2 Education &
1:30 Talk 11:00 Family Tours for Fours. Marron Atrium, Planta 2 on the day of the program.

3 25
1:30 Film Research Building
WED 3:00 Film hablArte. Marron Explore This! Activity 12:00 Event Education & THU
Key Largo. T2 Os esperamos en nuestra próxima
A Land Imagined. T2 Atrium Stations. Floor 3 VW Sunday Sessions: Research Building 10:20 Family A Closer Look for Kids: Artful
conversación en español.
4:30 Film Jonathan González, A Closer Look for Objects
4:00 Film 4:00 Film 10:20 Family Gratuito para miembros y personas con
7:30 Event Sylvia Scarlett. T1 Lucifer Landing I. 11:00 Family Kids. Education & Saturdays & Sundays, Apr 6–28,
Eisenstein’s Mexican L’ Age d’or; Mail. T2 A Closer Look for entrada al museos
Quiet Mornings. MoMA PS1. Explore This! Activity Research Building 10:20–11:30 a.m.
7:00 Film Film: Episodes for Kids. Education &
Museum galleries 4:30 Film Stations. Floor 3 Education & Research Building
A Midsummer Night’s Study (Part One). T2 1:30 Film Research Building 1:00 Film Art Lab: Nature
The Good Fairy. T1
1:30 Film Dream. T2 The Big Sleep. T2 1:30 Film Soledad’s Shawl. T1 Daily, 10:30 a.m.–4:30 p.m.; Kids and adults participate in lively

P
4:30 Film 12:00 Event

7
Harper. T2 7:00 Film How to Marry a Fri, until 6:30 p.m. discussions and activities while
SUN Film
7:30 A Free Soul. T1 4:00 Film VW Sunday Sessions: 4:00 Film
Paths to Paradise; Millionaire. T2 Education & Research Building looking at art.
Film
6:15 Female Trouble. T1 Beauty and the Jonathan González, Rosa blanca. T1
7:00 Film The Nesting of the
Honeyland. T2 Beast. T2 Lucifer Landing I. 4:30 Film Discover how artists and designers For kids ages five to 10 and adult

12
Eisenstein’s Mexican Sea Turtle. T2 4:00 Performance companions. Free tickets are distributed
10:20 Family FRI MoMA PS1. La barraca. T1 are inspired by the natural world in
Film: Episodes for 4:30 Film VW Sunday Sessions: on a first-come, first-served basis starting
Tours for Fours. 7:30 Film this hands-on, multisensory at 10:00 a.m. on the day of the program.
Study (Part Two). T2 Gun Crazy. T1 2:00 Film 7:00 Film Vaquera, Ding Dong
Education & Marked Woman. T1 installation. All ages are welcome.
October. T2 El socio. T1 the Witch Is Dead.
Research Building 1:30 Film 7:30 Film

17
MoMA PS1 Family Films: Real and Imagined

26
Birth. T2 What Price WED 5:00 Film
10:20 Family FRI VW Sunday Sessions Places
Hollywood? T1 The Public Enemy. T2 6:30 Film
8:45 Film A Closer Look for 4:00 Film Various dates and times Sat, Apr 13, 12:00–1:00 p.m. T3
El socio. T1

14 22
The Load. T2 Kids. Education & The Public Enemy. T2 MoMA PS1
SUN 1:30 Film MON Watch and discuss live-action and

29
Research Building 1:30 Film

4
4:30 Film Dark Passage. T2 7:00 Film MON Embracing performance, music, animated short films.
THU Designing Woman. T2
1:00 Film In a Lonely Place. T1 Gentlemen Prefer dance, conversations, and film, For kids ages four and up and adult
4:00 Film
Fausto. T2 10:20 Family Blondes. T2 4:30 Film 4:30 Film VW Sunday Sessions supports and companions. Free tickets are distributed
7:00 Film Applause; Flowers

R
Tours for Fours. A Midsummer Night’s In the Palm of Your 7:00 Film commissions new work, inviting on a first-come, first-served basis at
Film
1:30 3:15 Film Blonde Crazy; Fox and Trees. T2 7:30 Film 10:00 a.m. on the day of the program.
Education & Dream. T1 Hand. T1 Modern Mondays: artists, curators, and others to
Woman’s World. T2 Angelo. T2 Movietone News, In a Lonely Place. T1
Research Building 4:30 Film An Evening with share their projects.
Volume V, Release 7:00 Film Explore This! Activity Stations

20
6:15 Film 6:00 Film A Free Soul. T1 Metahaven. T2 Visit moma.org/sundaysessions for
#49. T2 10:20 Family SAT Modern Mondays: An Tuesdays & Thursdays, Apr 16–25,
ND/NF Shorts Share. T1 details and ticketing info.

30
A Closer Look for 7:00 Film Evening with Jen Liu. 11:00 a.m.–1:00 p.m.
Program 2. T2 7:30 Film TUE

8
Kids. Education & The Blood of a Poet; T2 Exhibition galleries, Floor 3
MON Ganja & Hess. T1 Quiet Mornings
8:30 Film Research Building The Sex Life of the 10:20 Family
7:30 Film Wed, Apr 3, 7:30–9:00 a.m. See art in new ways while

13
Midnight Family. T2 Polyp. T2 Tours for Fours. 7:00 Film
SAT 2:00 Film Applause; Flowers 4:30 Film Museum galleries participating in fun and engaging
Education & The Other One. T1

5
7:30 Film The Road to Life. T2 7:30 Film and Trees. T1 Untouched. T2 activities in front of select
FRI Research Building See your favorite works from

27
The Good Fairy. T2 The Scarlet Empress. artworks. Choose the activities

23
2:30 Film SAT 7:00 Film MoMA’s collection and take in
10:20 Family T1 10:20 Family TUE that interest your family and

9
Clash by Night. T1 Night Falls. T2 selected new exhibitions, all
TUE Tours for Fours. A Closer Look for move at your own pace.

18
Film
1:30 without the crowds. Guided
Education & 3:00 Performance THU Kids. Education &
Ready to Wear. T2 10:20 Family meditation takes place at 8:30 a.m. For kids ages five and up and adult
Research Building VW Sunday Sessions: Research Building 11:00 Family From left: Honeyland. companions. Free with Museum
Tours for Fours.
6:15 Film 4:00 Film Klein. MoMA PS1. Explore This! Activity Courtesy NEON; A Land Adults $15, seniors $12, full-time students admission
10:20 Family 12:00 Event Education & Imagined. Courtesy with current ID $10, children (16 and
Belonging. T2 The Scarlet Empress. 11:00 Family Stations. Floor 3
A Closer Look for 5:00 Film VW Sunday Sessions: Research Building Netflix; Taxi!; Gun Crazy. under) free. Free for members, with the
T2 Explore This! Activity Courtesy Photofest; In the ability to bring guests for $5
8:30 Film Kids. Education & Portrait of a Young Jonathan González, 4:00 Film
Stations. Floor 3 10:20 Family Palm of Your Hand.
Sauvage/Wild. T1 7:00 Film Research Building Man; Travel Notes. T2 Lucifer Landing I. The Road to Life. T2 Courtesy Cineteca
A Closer Look for
Diary of a Lost Girl. 1:30 Film MoMA PS1. Nacional. Cover: Isadora.
5:30 Film 7:00 Film Kids. Education & Courtesy Universal
T2 To Have and Have
Gun Crazy. T1 1:00 Film It Happened at the Research Building Pictures/Photofest
Not. T2
Bus Stop. T2 Inn. T2
1 6 10 15 24 Events & Programs Film & Event Calendar
MON SAT WED 12:00 Family MON 4:00 Film 1:30 Film WED 1:30 Film
Family Films: Real It Happened at the Ganja & Hess. T1 The Kneeling
and Imagined Places. Inn. T2 Goddess. T1
4:00 Film
6:30 Film 10:20 Family 1:30 Film T3 4:30 Film 1:30 Film
4:30 Film The Misfits. T2 4:30 Film Gallery Sessions Tours for Fours:
MS Slavic 7; Tours for Fours. The Mirror Has Two L’opéra de quat’sous; Written on the Wind.
1:00 Film Midnight. T1 Night Falls. T1 Daily What’s the Story?
The Plagiarist. T2 Education & Faces. T2 Study no. 7; King Film
4:30 T2
Taxi!; Billy the Kid. T2 Marron Atrium, Floor 2 Saturdays & Sundays, Apr 6–28,
Research Building Neptune. T1 7:00 Film Female Trouble. T1 7:00 Film

2
Film
4:00 4:00 Film 10:20–11:15 a.m.
TUE It’s All True; The Four Untouched. T1 Join us for conversations and
10:20 Family Marked Woman. T1 7:30 Film 7:00 Film The Misfits. T2 Education & Research Building

A
Temperaments. T2 activities that offer insightful and

28
A Closer Look for Laughter and Three Isadora. T2
7:00 Film 7:00 Film SUN unusual ways to engage with art. Look, listen, and share ideas while
Kids. Education & Shorts. T1 7:30 Film

21
6:15 Film Clash by Night. T1 Beauty and the Limited to 25 participants you explore art through
Research Building Sylvia Scarlett. T1 SUN

16
All Good. T2 Beast. T2 movement, drawing, and more.

11
TUE

19
12:30 Film THU 1:30 Film 10:20 Family For four-year-olds and adult companions.
8:45 Film FRI 7:30 Film hablArte
A Family Submerged. Midnight. T1 Tours for Fours. Free tickets are distributed on a
Long Way Home. T2 10:20 Family Rosauro Castro. T1 13 de Abril, 1:30 p.m. first-come, first-served basis at 10:00 a.m.
T2 Education &
1:30 Talk 11:00 Family Tours for Fours. Marron Atrium, Planta 2 on the day of the program.

3 25
1:30 Film Research Building
WED 3:00 Film hablArte. Marron Explore This! Activity 12:00 Event Education & THU
Key Largo. T2 Os esperamos en nuestra próxima
A Land Imagined. T2 Atrium Stations. Floor 3 VW Sunday Sessions: Research Building 10:20 Family A Closer Look for Kids: Artful
conversación en español.
4:30 Film Jonathan González, A Closer Look for Objects
4:00 Film 4:00 Film 10:20 Family Gratuito para miembros y personas con
7:30 Event Sylvia Scarlett. T1 Lucifer Landing I. 11:00 Family Kids. Education & Saturdays & Sundays, Apr 6–28,
Eisenstein’s Mexican L’ Age d’or; Mail. T2 A Closer Look for entrada al museos
Quiet Mornings. MoMA PS1. Explore This! Activity Research Building 10:20–11:30 a.m.
7:00 Film Film: Episodes for Kids. Education &
Museum galleries 4:30 Film Stations. Floor 3 Education & Research Building
A Midsummer Night’s Study (Part One). T2 1:30 Film Research Building 1:00 Film Art Lab: Nature
The Good Fairy. T1
1:30 Film Dream. T2 The Big Sleep. T2 1:30 Film Soledad’s Shawl. T1 Daily, 10:30 a.m.–4:30 p.m.; Kids and adults participate in lively

P
4:30 Film 12:00 Event

7
Harper. T2 7:00 Film How to Marry a Fri, until 6:30 p.m. discussions and activities while
SUN Film
7:30 A Free Soul. T1 4:00 Film VW Sunday Sessions: 4:00 Film
Paths to Paradise; Millionaire. T2 Education & Research Building looking at art.
Film
6:15 Female Trouble. T1 Beauty and the Jonathan González, Rosa blanca. T1
7:00 Film The Nesting of the
Honeyland. T2 Beast. T2 Lucifer Landing I. 4:30 Film Discover how artists and designers For kids ages five to 10 and adult

12
Eisenstein’s Mexican Sea Turtle. T2 4:00 Performance companions. Free tickets are distributed
10:20 Family FRI MoMA PS1. La barraca. T1 are inspired by the natural world in
Film: Episodes for 4:30 Film VW Sunday Sessions: on a first-come, first-served basis starting
Tours for Fours. 7:30 Film this hands-on, multisensory at 10:00 a.m. on the day of the program.
Study (Part Two). T2 Gun Crazy. T1 2:00 Film 7:00 Film Vaquera, Ding Dong
Education & Marked Woman. T1 installation. All ages are welcome.
October. T2 El socio. T1 the Witch Is Dead.
Research Building 1:30 Film 7:30 Film

17
MoMA PS1 Family Films: Real and Imagined

26
Birth. T2 What Price WED 5:00 Film
10:20 Family FRI VW Sunday Sessions Places
Hollywood? T1 The Public Enemy. T2 6:30 Film
8:45 Film A Closer Look for 4:00 Film Various dates and times Sat, Apr 13, 12:00–1:00 p.m. T3
El socio. T1

14 22
The Load. T2 Kids. Education & The Public Enemy. T2 MoMA PS1
SUN 1:30 Film MON Watch and discuss live-action and

29
Research Building 1:30 Film

4
4:30 Film Dark Passage. T2 7:00 Film MON Embracing performance, music, animated short films.
THU Designing Woman. T2
1:00 Film In a Lonely Place. T1 Gentlemen Prefer dance, conversations, and film, For kids ages four and up and adult
4:00 Film
Fausto. T2 10:20 Family Blondes. T2 4:30 Film 4:30 Film VW Sunday Sessions supports and companions. Free tickets are distributed
7:00 Film Applause; Flowers

R
Tours for Fours. A Midsummer Night’s In the Palm of Your 7:00 Film commissions new work, inviting on a first-come, first-served basis at
Film
1:30 3:15 Film Blonde Crazy; Fox and Trees. T2 7:30 Film 10:00 a.m. on the day of the program.
Education & Dream. T1 Hand. T1 Modern Mondays: artists, curators, and others to
Woman’s World. T2 Angelo. T2 Movietone News, In a Lonely Place. T1
Research Building 4:30 Film An Evening with share their projects.
Volume V, Release 7:00 Film Explore This! Activity Stations

20
6:15 Film 6:00 Film A Free Soul. T1 Metahaven. T2 Visit moma.org/sundaysessions for
#49. T2 10:20 Family SAT Modern Mondays: An Tuesdays & Thursdays, Apr 16–25,
ND/NF Shorts Share. T1 details and ticketing info.

30
A Closer Look for 7:00 Film Evening with Jen Liu. 11:00 a.m.–1:00 p.m.
Program 2. T2 7:30 Film TUE

8
Kids. Education & The Blood of a Poet; T2 Exhibition galleries, Floor 3
MON Ganja & Hess. T1 Quiet Mornings
8:30 Film Research Building The Sex Life of the 10:20 Family
7:30 Film Wed, Apr 3, 7:30–9:00 a.m. See art in new ways while

13
Midnight Family. T2 Polyp. T2 Tours for Fours. 7:00 Film
SAT 2:00 Film Applause; Flowers 4:30 Film Museum galleries participating in fun and engaging
Education & The Other One. T1

5
7:30 Film The Road to Life. T2 7:30 Film and Trees. T1 Untouched. T2 activities in front of select
FRI Research Building See your favorite works from

27
The Good Fairy. T2 The Scarlet Empress. artworks. Choose the activities

23
2:30 Film SAT 7:00 Film MoMA’s collection and take in
10:20 Family T1 10:20 Family TUE that interest your family and

9
Clash by Night. T1 Night Falls. T2 selected new exhibitions, all
TUE Tours for Fours. A Closer Look for move at your own pace.

18
Film
1:30 without the crowds. Guided
Education & 3:00 Performance THU Kids. Education &
Ready to Wear. T2 10:20 Family meditation takes place at 8:30 a.m. For kids ages five and up and adult
Research Building VW Sunday Sessions: Research Building 11:00 Family From left: Honeyland. companions. Free with Museum
Tours for Fours.
6:15 Film 4:00 Film Klein. MoMA PS1. Explore This! Activity Courtesy NEON; A Land Adults $15, seniors $12, full-time students admission
10:20 Family 12:00 Event Education & Imagined. Courtesy with current ID $10, children (16 and
Belonging. T2 The Scarlet Empress. 11:00 Family Stations. Floor 3
A Closer Look for 5:00 Film VW Sunday Sessions: Research Building Netflix; Taxi!; Gun Crazy. under) free. Free for members, with the
T2 Explore This! Activity Courtesy Photofest; In the ability to bring guests for $5
8:30 Film Kids. Education & Portrait of a Young Jonathan González, 4:00 Film
Stations. Floor 3 10:20 Family Palm of Your Hand.
Sauvage/Wild. T1 7:00 Film Research Building Man; Travel Notes. T2 Lucifer Landing I. The Road to Life. T2 Courtesy Cineteca
A Closer Look for
Diary of a Lost Girl. 1:30 Film MoMA PS1. Nacional. Cover: Isadora.
5:30 Film 7:00 Film Kids. Education & Courtesy Universal
T2 To Have and Have
Gun Crazy. T1 1:00 Film It Happened at the Research Building Pictures/Photofest
Not. T2
Bus Stop. T2 Inn. T2
1 6 10 15 24 Events & Programs Film & Event Calendar
MON SAT WED 12:00 Family MON 4:00 Film 1:30 Film WED 1:30 Film
Family Films: Real It Happened at the Ganja & Hess. T1 The Kneeling
and Imagined Places. Inn. T2 Goddess. T1
4:00 Film
6:30 Film 10:20 Family 1:30 Film T3 4:30 Film 1:30 Film
4:30 Film The Misfits. T2 4:30 Film Gallery Sessions Tours for Fours:
MS Slavic 7; Tours for Fours. The Mirror Has Two L’opéra de quat’sous; Written on the Wind.
1:00 Film Midnight. T1 Night Falls. T1 Daily What’s the Story?
The Plagiarist. T2 Education & Faces. T2 Study no. 7; King Film
4:30 T2
Taxi!; Billy the Kid. T2 Marron Atrium, Floor 2 Saturdays & Sundays, Apr 6–28,
Research Building Neptune. T1 7:00 Film Female Trouble. T1 7:00 Film

2
Film
4:00 4:00 Film 10:20–11:15 a.m.
TUE It’s All True; The Four Untouched. T1 Join us for conversations and
10:20 Family Marked Woman. T1 7:30 Film 7:00 Film The Misfits. T2 Education & Research Building

A
Temperaments. T2 activities that offer insightful and

28
A Closer Look for Laughter and Three Isadora. T2
7:00 Film 7:00 Film SUN unusual ways to engage with art. Look, listen, and share ideas while
Kids. Education & Shorts. T1 7:30 Film

21
6:15 Film Clash by Night. T1 Beauty and the Limited to 25 participants you explore art through
Research Building Sylvia Scarlett. T1 SUN

16
All Good. T2 Beast. T2 movement, drawing, and more.

11
TUE

19
12:30 Film THU 1:30 Film 10:20 Family For four-year-olds and adult companions.
8:45 Film FRI 7:30 Film hablArte
A Family Submerged. Midnight. T1 Tours for Fours. Free tickets are distributed on a
Long Way Home. T2 10:20 Family Rosauro Castro. T1 13 de Abril, 1:30 p.m. first-come, first-served basis at 10:00 a.m.
T2 Education &
1:30 Talk 11:00 Family Tours for Fours. Marron Atrium, Planta 2 on the day of the program.

3 25
1:30 Film Research Building
WED 3:00 Film hablArte. Marron Explore This! Activity 12:00 Event Education & THU
Key Largo. T2 Os esperamos en nuestra próxima
A Land Imagined. T2 Atrium Stations. Floor 3 VW Sunday Sessions: Research Building 10:20 Family A Closer Look for Kids: Artful
conversación en español.
4:30 Film Jonathan González, A Closer Look for Objects
4:00 Film 4:00 Film 10:20 Family Gratuito para miembros y personas con
7:30 Event Sylvia Scarlett. T1 Lucifer Landing I. 11:00 Family Kids. Education & Saturdays & Sundays, Apr 6–28,
Eisenstein’s Mexican L’ Age d’or; Mail. T2 A Closer Look for entrada al museos
Quiet Mornings. MoMA PS1. Explore This! Activity Research Building 10:20–11:30 a.m.
7:00 Film Film: Episodes for Kids. Education &
Museum galleries 4:30 Film Stations. Floor 3 Education & Research Building
A Midsummer Night’s Study (Part One). T2 1:30 Film Research Building 1:00 Film Art Lab: Nature
The Good Fairy. T1
1:30 Film Dream. T2 The Big Sleep. T2 1:30 Film Soledad’s Shawl. T1 Daily, 10:30 a.m.–4:30 p.m.; Kids and adults participate in lively

P
4:30 Film 12:00 Event

7
Harper. T2 7:00 Film How to Marry a Fri, until 6:30 p.m. discussions and activities while
SUN Film
7:30 A Free Soul. T1 4:00 Film VW Sunday Sessions: 4:00 Film
Paths to Paradise; Millionaire. T2 Education & Research Building looking at art.
Film
6:15 Female Trouble. T1 Beauty and the Jonathan González, Rosa blanca. T1
7:00 Film The Nesting of the
Honeyland. T2 Beast. T2 Lucifer Landing I. 4:30 Film Discover how artists and designers For kids ages five to 10 and adult

12
Eisenstein’s Mexican Sea Turtle. T2 4:00 Performance companions. Free tickets are distributed
10:20 Family FRI MoMA PS1. La barraca. T1 are inspired by the natural world in
Film: Episodes for 4:30 Film VW Sunday Sessions: on a first-come, first-served basis starting
Tours for Fours. 7:30 Film this hands-on, multisensory at 10:00 a.m. on the day of the program.
Study (Part Two). T2 Gun Crazy. T1 2:00 Film 7:00 Film Vaquera, Ding Dong
Education & Marked Woman. T1 installation. All ages are welcome.
October. T2 El socio. T1 the Witch Is Dead.
Research Building 1:30 Film 7:30 Film

17
MoMA PS1 Family Films: Real and Imagined

26
Birth. T2 What Price WED 5:00 Film
10:20 Family FRI VW Sunday Sessions Places
Hollywood? T1 The Public Enemy. T2 6:30 Film
8:45 Film A Closer Look for 4:00 Film Various dates and times Sat, Apr 13, 12:00–1:00 p.m. T3
El socio. T1

14 22
The Load. T2 Kids. Education & The Public Enemy. T2 MoMA PS1
SUN 1:30 Film MON Watch and discuss live-action and

29
Research Building 1:30 Film

4
4:30 Film Dark Passage. T2 7:00 Film MON Embracing performance, music, animated short films.
THU Designing Woman. T2
1:00 Film In a Lonely Place. T1 Gentlemen Prefer dance, conversations, and film, For kids ages four and up and adult
4:00 Film
Fausto. T2 10:20 Family Blondes. T2 4:30 Film 4:30 Film VW Sunday Sessions supports and companions. Free tickets are distributed
7:00 Film Applause; Flowers

R
Tours for Fours. A Midsummer Night’s In the Palm of Your 7:00 Film commissions new work, inviting on a first-come, first-served basis at
Film
1:30 3:15 Film Blonde Crazy; Fox and Trees. T2 7:30 Film 10:00 a.m. on the day of the program.
Education & Dream. T1 Hand. T1 Modern Mondays: artists, curators, and others to
Woman’s World. T2 Angelo. T2 Movietone News, In a Lonely Place. T1
Research Building 4:30 Film An Evening with share their projects.
Volume V, Release 7:00 Film Explore This! Activity Stations

20
6:15 Film 6:00 Film A Free Soul. T1 Metahaven. T2 Visit moma.org/sundaysessions for
#49. T2 10:20 Family SAT Modern Mondays: An Tuesdays & Thursdays, Apr 16–25,
ND/NF Shorts Share. T1 details and ticketing info.

30
A Closer Look for 7:00 Film Evening with Jen Liu. 11:00 a.m.–1:00 p.m.
Program 2. T2 7:30 Film TUE

8
Kids. Education & The Blood of a Poet; T2 Exhibition galleries, Floor 3
MON Ganja & Hess. T1 Quiet Mornings
8:30 Film Research Building The Sex Life of the 10:20 Family
7:30 Film Wed, Apr 3, 7:30–9:00 a.m. See art in new ways while

13
Midnight Family. T2 Polyp. T2 Tours for Fours. 7:00 Film
SAT 2:00 Film Applause; Flowers 4:30 Film Museum galleries participating in fun and engaging
Education & The Other One. T1

5
7:30 Film The Road to Life. T2 7:30 Film and Trees. T1 Untouched. T2 activities in front of select
FRI Research Building See your favorite works from

27
The Good Fairy. T2 The Scarlet Empress. artworks. Choose the activities

23
2:30 Film SAT 7:00 Film MoMA’s collection and take in
10:20 Family T1 10:20 Family TUE that interest your family and

9
Clash by Night. T1 Night Falls. T2 selected new exhibitions, all
TUE Tours for Fours. A Closer Look for move at your own pace.

18
Film
1:30 without the crowds. Guided
Education & 3:00 Performance THU Kids. Education &
Ready to Wear. T2 10:20 Family meditation takes place at 8:30 a.m. For kids ages five and up and adult
Research Building VW Sunday Sessions: Research Building 11:00 Family From left: Honeyland. companions. Free with Museum
Tours for Fours.
6:15 Film 4:00 Film Klein. MoMA PS1. Explore This! Activity Courtesy NEON; A Land Adults $15, seniors $12, full-time students admission
10:20 Family 12:00 Event Education & Imagined. Courtesy with current ID $10, children (16 and
Belonging. T2 The Scarlet Empress. 11:00 Family Stations. Floor 3
A Closer Look for 5:00 Film VW Sunday Sessions: Research Building Netflix; Taxi!; Gun Crazy. under) free. Free for members, with the
T2 Explore This! Activity Courtesy Photofest; In the ability to bring guests for $5
8:30 Film Kids. Education & Portrait of a Young Jonathan González, 4:00 Film
Stations. Floor 3 10:20 Family Palm of Your Hand.
Sauvage/Wild. T1 7:00 Film Research Building Man; Travel Notes. T2 Lucifer Landing I. The Road to Life. T2 Courtesy Cineteca
A Closer Look for
Diary of a Lost Girl. 1:30 Film MoMA PS1. Nacional. Cover: Isadora.
5:30 Film 7:00 Film Kids. Education & Courtesy Universal
T2 To Have and Have
Gun Crazy. T1 1:00 Film It Happened at the Research Building Pictures/Photofest
Not. T2
Bus Stop. T2 Inn. T2
1 6 10 15 24 Events & Programs Film & Event Calendar
MON SAT WED 12:00 Family MON 4:00 Film 1:30 Film WED 1:30 Film
Family Films: Real It Happened at the Ganja & Hess. T1 The Kneeling
and Imagined Places. Inn. T2 Goddess. T1
4:00 Film
6:30 Film 10:20 Family 1:30 Film T3 4:30 Film 1:30 Film
4:30 Film The Misfits. T2 4:30 Film Gallery Sessions Tours for Fours:
MS Slavic 7; Tours for Fours. The Mirror Has Two L’opéra de quat’sous; Written on the Wind.
1:00 Film Midnight. T1 Night Falls. T1 Daily What’s the Story?
The Plagiarist. T2 Education & Faces. T2 Study no. 7; King Film
4:30 T2
Taxi!; Billy the Kid. T2 Marron Atrium, Floor 2 Saturdays & Sundays, Apr 6–28,
Research Building Neptune. T1 7:00 Film Female Trouble. T1 7:00 Film

2
Film
4:00 4:00 Film 10:20–11:15 a.m.
TUE It’s All True; The Four Untouched. T1 Join us for conversations and
10:20 Family Marked Woman. T1 7:30 Film 7:00 Film The Misfits. T2 Education & Research Building

A
Temperaments. T2 activities that offer insightful and

28
A Closer Look for Laughter and Three Isadora. T2
7:00 Film 7:00 Film SUN unusual ways to engage with art. Look, listen, and share ideas while
Kids. Education & Shorts. T1 7:30 Film

21
6:15 Film Clash by Night. T1 Beauty and the Limited to 25 participants you explore art through
Research Building Sylvia Scarlett. T1 SUN

16
All Good. T2 Beast. T2 movement, drawing, and more.

11
TUE

19
12:30 Film THU 1:30 Film 10:20 Family For four-year-olds and adult companions.
8:45 Film FRI 7:30 Film hablArte
A Family Submerged. Midnight. T1 Tours for Fours. Free tickets are distributed on a
Long Way Home. T2 10:20 Family Rosauro Castro. T1 13 de Abril, 1:30 p.m. first-come, first-served basis at 10:00 a.m.
T2 Education &
1:30 Talk 11:00 Family Tours for Fours. Marron Atrium, Planta 2 on the day of the program.

3 25
1:30 Film Research Building
WED 3:00 Film hablArte. Marron Explore This! Activity 12:00 Event Education & THU
Key Largo. T2 Os esperamos en nuestra próxima
A Land Imagined. T2 Atrium Stations. Floor 3 VW Sunday Sessions: Research Building 10:20 Family A Closer Look for Kids: Artful
conversación en español.
4:30 Film Jonathan González, A Closer Look for Objects
4:00 Film 4:00 Film 10:20 Family Gratuito para miembros y personas con
7:30 Event Sylvia Scarlett. T1 Lucifer Landing I. 11:00 Family Kids. Education & Saturdays & Sundays, Apr 6–28,
Eisenstein’s Mexican L’ Age d’or; Mail. T2 A Closer Look for entrada al museos
Quiet Mornings. MoMA PS1. Explore This! Activity Research Building 10:20–11:30 a.m.
7:00 Film Film: Episodes for Kids. Education &
Museum galleries 4:30 Film Stations. Floor 3 Education & Research Building
A Midsummer Night’s Study (Part One). T2 1:30 Film Research Building 1:00 Film Art Lab: Nature
The Good Fairy. T1
1:30 Film Dream. T2 The Big Sleep. T2 1:30 Film Soledad’s Shawl. T1 Daily, 10:30 a.m.–4:30 p.m.; Kids and adults participate in lively

P
4:30 Film 12:00 Event

7
Harper. T2 7:00 Film How to Marry a Fri, until 6:30 p.m. discussions and activities while
SUN Film
7:30 A Free Soul. T1 4:00 Film VW Sunday Sessions: 4:00 Film
Paths to Paradise; Millionaire. T2 Education & Research Building looking at art.
Film
6:15 Female Trouble. T1 Beauty and the Jonathan González, Rosa blanca. T1
7:00 Film The Nesting of the
Honeyland. T2 Beast. T2 Lucifer Landing I. 4:30 Film Discover how artists and designers For kids ages five to 10 and adult

12
Eisenstein’s Mexican Sea Turtle. T2 4:00 Performance companions. Free tickets are distributed
10:20 Family FRI MoMA PS1. La barraca. T1 are inspired by the natural world in
Film: Episodes for 4:30 Film VW Sunday Sessions: on a first-come, first-served basis starting
Tours for Fours. 7:30 Film this hands-on, multisensory at 10:00 a.m. on the day of the program.
Study (Part Two). T2 Gun Crazy. T1 2:00 Film 7:00 Film Vaquera, Ding Dong
Education & Marked Woman. T1 installation. All ages are welcome.
October. T2 El socio. T1 the Witch Is Dead.
Research Building 1:30 Film 7:30 Film

17
MoMA PS1 Family Films: Real and Imagined

26
Birth. T2 What Price WED 5:00 Film
10:20 Family FRI VW Sunday Sessions Places
Hollywood? T1 The Public Enemy. T2 6:30 Film
8:45 Film A Closer Look for 4:00 Film Various dates and times Sat, Apr 13, 12:00–1:00 p.m. T3
El socio. T1

14 22
The Load. T2 Kids. Education & The Public Enemy. T2 MoMA PS1
SUN 1:30 Film MON Watch and discuss live-action and

29
Research Building 1:30 Film

4
4:30 Film Dark Passage. T2 7:00 Film MON Embracing performance, music, animated short films.
THU Designing Woman. T2
1:00 Film In a Lonely Place. T1 Gentlemen Prefer dance, conversations, and film, For kids ages four and up and adult
4:00 Film
Fausto. T2 10:20 Family Blondes. T2 4:30 Film 4:30 Film VW Sunday Sessions supports and companions. Free tickets are distributed
7:00 Film Applause; Flowers

R
Tours for Fours. A Midsummer Night’s In the Palm of Your 7:00 Film commissions new work, inviting on a first-come, first-served basis at
Film
1:30 3:15 Film Blonde Crazy; Fox and Trees. T2 7:30 Film 10:00 a.m. on the day of the program.
Education & Dream. T1 Hand. T1 Modern Mondays: artists, curators, and others to
Woman’s World. T2 Angelo. T2 Movietone News, In a Lonely Place. T1
Research Building 4:30 Film An Evening with share their projects.
Volume V, Release 7:00 Film Explore This! Activity Stations

20
6:15 Film 6:00 Film A Free Soul. T1 Metahaven. T2 Visit moma.org/sundaysessions for
#49. T2 10:20 Family SAT Modern Mondays: An Tuesdays & Thursdays, Apr 16–25,
ND/NF Shorts Share. T1 details and ticketing info.

30
A Closer Look for 7:00 Film Evening with Jen Liu. 11:00 a.m.–1:00 p.m.
Program 2. T2 7:30 Film TUE

8
Kids. Education & The Blood of a Poet; T2 Exhibition galleries, Floor 3
MON Ganja & Hess. T1 Quiet Mornings
8:30 Film Research Building The Sex Life of the 10:20 Family
7:30 Film Wed, Apr 3, 7:30–9:00 a.m. See art in new ways while

13
Midnight Family. T2 Polyp. T2 Tours for Fours. 7:00 Film
SAT 2:00 Film Applause; Flowers 4:30 Film Museum galleries participating in fun and engaging
Education & The Other One. T1

5
7:30 Film The Road to Life. T2 7:30 Film and Trees. T1 Untouched. T2 activities in front of select
FRI Research Building See your favorite works from

27
The Good Fairy. T2 The Scarlet Empress. artworks. Choose the activities

23
2:30 Film SAT 7:00 Film MoMA’s collection and take in
10:20 Family T1 10:20 Family TUE that interest your family and

9
Clash by Night. T1 Night Falls. T2 selected new exhibitions, all
TUE Tours for Fours. A Closer Look for move at your own pace.

18
Film
1:30 without the crowds. Guided
Education & 3:00 Performance THU Kids. Education &
Ready to Wear. T2 10:20 Family meditation takes place at 8:30 a.m. For kids ages five and up and adult
Research Building VW Sunday Sessions: Research Building 11:00 Family From left: Honeyland. companions. Free with Museum
Tours for Fours.
6:15 Film 4:00 Film Klein. MoMA PS1. Explore This! Activity Courtesy NEON; A Land Adults $15, seniors $12, full-time students admission
10:20 Family 12:00 Event Education & Imagined. Courtesy with current ID $10, children (16 and
Belonging. T2 The Scarlet Empress. 11:00 Family Stations. Floor 3
A Closer Look for 5:00 Film VW Sunday Sessions: Research Building Netflix; Taxi!; Gun Crazy. under) free. Free for members, with the
T2 Explore This! Activity Courtesy Photofest; In the ability to bring guests for $5
8:30 Film Kids. Education & Portrait of a Young Jonathan González, 4:00 Film
Stations. Floor 3 10:20 Family Palm of Your Hand.
Sauvage/Wild. T1 7:00 Film Research Building Man; Travel Notes. T2 Lucifer Landing I. The Road to Life. T2 Courtesy Cineteca
A Closer Look for
Diary of a Lost Girl. 1:30 Film MoMA PS1. Nacional. Cover: Isadora.
5:30 Film 7:00 Film Kids. Education & Courtesy Universal
T2 To Have and Have
Gun Crazy. T1 1:00 Film It Happened at the Research Building Pictures/Photofest
Not. T2
Bus Stop. T2 Inn. T2
Film
Apr 11–24
Lincoln Kirstein
and Film Culture
In conjunction with our Lincoln
Kirstein’s Modern exhibition,
this series focuses on Kirstein’s
considerable contributions to
film culture as a writer, editor,
and influential programmer.
A Midsummer Night’s Dream.
1935. USA. Directed by Max
Reinhardt, William Dieterle. This
take on Shakespeare’s comedy is
a dreamy, opulent affair. 133 min.
Thu, Apr 11, 7:00; Mon, Apr 22, 4:30 79 min. Ballet mécanique. 1924.
The Public Enemy. 1931. USA.
Directed by William A. Wellman.
Wellman’s influential gangster
picture launched James Cagney’s by László Moholy-Nagy. 6 min.
career. 83 min. Fri, Apr 12, 4:00;
Sun, Apr 21, 5:00
Blonde Crazy. 1931. USA.
Directed by Roy Del Ruth. 79 min.
Fox Movietone News, Volume V,
Release #49. 1932. 10 min.
Fri, Apr 12, 7:00
Taxi! 1932. USA. Directed by Roy
Del Ruth. 69 min. Billy the Kid.
1938. USA. 5 min. Sat, Apr 13, 1:00
Eisenstein’s Mexican Film:
Episodes for Study (Part One).
1930–32 (shot), 1955 (compiled). Floyd Crosby, Robert Ferguson.
Mexico. Directed by Sergei
Eisenstein. Eisenstein’s
unfinished Mexican epic,
reassembled by Jay Leyda
according to Eisenstein’s plans.
120 min. Sat, Apr 13, 4:00
Eisenstein’s Mexican Film:
Episodes for Study (Part Two).
1930–32 (shot), 1955 (compiled).
Mexico. Directed by Sergei
Eisenstein. 108 min.
Sat, Apr 13, 7:00
The Road to Life. 1931. USSR.
Directed by Nikolai Ekk. A drama
about the gangs of children on
the streets of Moscow, and the
efforts to conscript them into
building a new society. 105 min.
Sun, Apr 14, 2:00; Tue, Apr 23, 4:00
Portrait of a Young Man. 1931.
USA. Directed by Henwar
Rodakiewicz. 53 min. Travel
Notes. 1932. USA. Directed
by Walker Evans. 13 min.
Sun, Apr 14, 5:00
L’opéra de quat’sous. 1931.
France. Directed by G. W. Pabst.
107 min. King Neptune. 1932.
USA. Directed by Burt Gillett. 7
min. Study no. 7. 1931. Germany.
Directed by Oskar Fischinger.
3 min. Mon, Apr 15, 4:30
Laughter. 1930. USA. Directed
by Harry d’Abbadie d’Arrast.
France. Directed by Fernand
Léger with Dudley Murphy.
12 min. A Lightplay: Black White
Gray. 1930. Germany. Directed
Pearl of the Army, Episode 5:
“Somewhere in Grenada.” 1916.
USA. Directed by Edward José.
15 min. Mon, Apr 15, 7:30
L’Age d’or. 1930. France.
Directed by Luis Buñuel. 61 min.
Mail. 1929. USSR. Directed by
Mikhail Tsekhanovsky. 15 min.
Tue, Apr 16, 4:00
Paths to Paradise. 1925. USA.
Directed by Clarence G. Badger.
65 min. The Nesting of the Sea
Turtle. 1933. USA. Directed by
12 min. Tue, Apr 16, 7:00
Applause. 1929. USA. Directed
by Rouben Mamoulian. 80 min.
Flowers and Trees. 1932. USA.
Directed by Burt Gillett. 8 min.
Wed, Apr 17, 4:00; Mon, Apr 22, 7:30
The Blood of a Poet. 1930.
France. Written and directed by
Jean Cocteau. 55 min. The Sex
Life of the Polyp. 1928. USA.
Directed by Thomas Chalmers.
11 min. Wed, Apr 17, 7:00
Goupi mains rouges (It
Happened at the Inn). 1943.
France. Written and directed
by Jacques Becker. A close-knit
rural family is thrown into
disarray when the matriarch of
the clan is murdered. 96 min.
Thu, Apr 18, 4:00; Tue, Apr 23, 7:00
It’s All True. 1993. USA/Brazil.
Directed by Richard Wilson, Bill
Krohn, Myron Meisel, with
Orson Welles. 87 min. The Four
Temperaments. 1946. USA.
Choreography by George
Balanchine. 27 min.
Thu, Apr 18, 7:00
La belle et la bête (Beauty and
the Beast). 1946. France. Written
and directed by Jean Cocteau.
Cocteau’s eye for otherworldly
scenarios found an ideal platform
in this classic fairy tale. 93 min.
Fri, Apr 19, 4:00; Wed, Apr 24, 7:00
Gentlemen Prefer Blondes.
1953. USA. Directed by Howard
Hawks. Marilyn Monroe is
perfectly cast as an affianced
showgirl who’s cleverer than she
lets on. 91 min. Fri, Apr 19, 7:00
Bus Stop. 1956. USA. Directed by
Joshua Logan. A nightclub singer
(Marilyn Monroe) dreams of a
new life in Hollywood, but her
plans are derailed by a lovestruck
cowboy. 96 min. Sat, Apr 20, 1:00
The Misfits. 1961. USA. Directed
by John Huston. Written by
Arthur Miller, this was the final
film for both Marilyn Monroe and
Clark Gable. 125 min.
Sat, Apr 20, 4:00; Wed, Apr 24, 4:00
Isadora. 1968. Great Britain.
Directed by Karel Reisz. Vanessa
Redgrave stars as the dancer
Isadora Duncan. 131 min.
Sat, Apr 20, 7:00
October. 1927. USSR. Directed
by Sergei Eisenstein. Eisenstein’s
grandly orchestrated film of the
Russian Revolution is one of his
most ambitious attempts to
embody his theories of montage.
103 min. Sun, Apr 21, 2:00
Apr 8–20
What Price
Hollywood
In conjunction with the
eponymous poster exhibition,
this series takes a focused
look at onscreen gender norms
and alternative models of sexual
identity. All films are from the US,
unless otherwise noted.
The Good Fairy. 1935. Directed
by William Wyler. In this comedy,
precocious orphan Margaret
Sullavan attracts three men
whose interests are by turn
lustful, paternal, and romantic.
Mon, Apr 8, 7:30; Tue, Apr 16, 4:30
The Scarlet Empress. 1934.
Directed by Josef von Sternberg.
Marlene Dietrich shines as a
desperately unhappy young
Catherine the Great.
Tue, Apr 9, 4:00; Wed, Apr 17, 7:30
Diary of a Lost Girl. 1929.
Germany. Directed by G. W.
Pabst. Teenager Louise Brooks is
sent to a reformatory after being
raped and impregnated by her
father’s colleague. Tue, Apr 9, 7:00
Marked Woman. 1937. Directed
by Lloyd Bacon. Bette Davis
stars as an empowered nightclub
hostess who stands up to her
abusive and nefarious boss.
Wed, Apr 10, 4:00; Tue, Apr 16, 7:30
Clash by Night. 1952. Directed
by Fritz Lang. Barbara Stanwyck
gives a gritty performance as a
working-class woman facing a
choice between a compromising
marriage and her sexual desires.
Wed, Apr 10, 7:00; Sun, Apr 14, 2:30
Sylvia Scarlett. 1935. Directed
by George Cukor. Katharine
Hepburn chops off her braids and
transforms from Sylvia to
“Sylvester” before setting off to
travel with her criminal father.
Thu, Apr 11, 4:30; Thu, Apr 18, 7:30
Female Trouble. 1974. Directed
by John Waters. Holy terror
Dawn Davenport (Divine) sets off
on a depraved, lifelong path of
crime and chaos. Thu, Apr 11, 7:30;
Sat, Apr 20, 4:30
In a Lonely Place. 1950. Directed
by Nicholas Ray. Gloria Grahame’s
talent for enduring the company
of unstable men—Humphrey
Bogart in this case—made her a
feminine icon.
Fri, Apr 12, 4:30; Fri, Apr 19, 7:30
Ganja & Hess. 1973. Directed
by Bill Gunn. Gunn’s artfully
ambitious vampire film sensually
merges genre conventions and
African cultural references.
Fri, Apr 12, 7:30; Sat, Apr 20, 2:30
Midnight. 1939. Directed by
Mitchell Leisen. This Cinderella-
inspired screwball classic drops
a penniless Claudette Colbert in
Paris. Sat, Apr 13, 1:30;
Thu, Apr 18, 4:30
A Free Soul. 1931. Directed by
Clarence Brown. Norma Shearer
holds her own with Lionel
Barrymore, Clark Gable, and
Leslie Howard. Sat, Apr 13, 4:30;
Wed, Apr 17, 4:30
What Price Hollywood? 1932.
Directed by George Cukor.
Constance Bennett stars in a
pre-Code take on the “a star is
born” formula. Sat, Apr 13, 7:30
Gun Crazy. 1950. Directed by
Joseph H. Lewis. The film’s
alternate title—Deadly Is the
Female—signals just what its
protagonist is up against as
he goes on a crime spree with
his sharp-shooting girlfriend.
Sun, Apr 14, 5:30; Fri, Apr 19, 4:30
Apr 25–May 5
Roberto
Gavaldón: Night
Falls in Mexico
MoMA presents the films of
Roberto Gavaldón, perhaps the
most profoundly noir of Mexico’s
epoca de oro directors. All films
are from Mexico and directed
by Gavaldón.
Rosauro Castro. 1950. When a
rural political boss is implicated
in the death of a political
reformer, his reign over his
nameless village is threatened.
83 min. Wed, Apr 24, 7:30
La barraca. 1945. An immigrant
family in Spain struggles to
establish their own small farm.
110 min. Thu, Apr 25, 4:30
El socio. 1946. An ambitious
young man discovers that having
a fake business partner makes
his deal-making easier—if the
partner has an Anglo-Saxon
name. 106 min. Thu, Apr 25, 7:00,
Sun, Apr 28, 6:30
En la palma de tu mano (In the
Palm of Your Hand). 1951. A
fraudulent fortune teller uses the
secrets of his female clientele for
blackmail, while at the same time
he is the pawn of a treacherous
widow. 113 min. Friday, Apr 26, 4:30
La otra (The Other One). 1946.
In this distinctly Mexican variant
of the Evil Twin plot, Dolores del
Rio plays a meek manicurist and
her mercenary, man-eating
sister. 98 min. Fri, Apr 26, 7:00
La diosa arrodillada (The
Kneeling Goddess). 1947. An
artist model leads a man away
from the arms of his innocent
wife and down, down into the
ecstatic depths of degradation.
107 min. Sat, Apr 27, 1:30
La noche avanza (Night Falls).
1952. An arrogant, womanizing
jai alai player becomes the target
of a revenge plot. 85 min.
Sat, Apr 27, 4:30, Tue, Apr 30, 7:00
Sombra verde (Untouched).
1954. A research scientist lost
deep in the interior encounters a
mysterious, machete-wielding
stranger and his beautiful
daughter. 85 min Sat, Apr 27, 7:00,
Tue, Apr 30, 4:30
El rebozo de Soledad (Soledad’s
Shawl). 1952. A medical
researcher from Mexico City
becomes emotionally involved
with the people of a small village.
108 min. Sun, Apr 28, 1:00
Rosa blanca. 1961. In the late
1930s, a small landowner
discovers petroleum on his
property. Approached by
American interests, he refuses to
sell, with the usual tragic results.
105 min. Sun, Apr 28, 4:00
Through Apr 7
New Directors/
New Films 2019
Now in its 48th year, the New
Directors/New Films festival
introduces New York audiences
to the work of emerging or
not-yet-established filmmakers
from around the world.
MS Slavic 7. 2019. Canada.
Directed by Sofia Bohdanowicz,
Deragh Campbell. 64 min.
Les idées s’améliorent (The
Plagiarist). 2018. France.
Directed by Léo Richard. 22 min.
Mon, Apr 1, 6:30
Alles ist Gut (All Good). 2018.
Germany. Directed by Eva
Trobisch. Aenne Schwarz delivers
a gut-wrenching performance as
a woman dealing with the
aftermath of a nightmarish
evening. 90 min. Tue, Apr 2, 6:15
Temporada (Long Way Home).
2018. Brazil. André Novais
Oliveira. The everyday takes on a
profound resonance in this
portrait of a woman who leaves
home to work in a public health
program. 113 min. Tue, Apr 2, 8:45
Honeyland. 2019. Macedonia.
Directed by Tamara Kotevska,
Ljubomir Stefanov. A woman’s
life is upended by thankless
new neighbors in this often
outrageously funny modern-day
parable. 85 min. Wed, Apr 3, 6:15
The Load. 2018. Serbia/France/
Croatia/Iran/Qatar. Directed by
Ognjen Glavonić. A truck driver
transports mysterious cargo
during the 1999 NATO bombing
of Yugoslavia. 98 min.
Wed, Apr 3, 8:45
Short Film Program 2
Four short films from around the
world. Thu, Apr 4, 6:15
Midnight Family. 2019. Mexico/
USA. Directed by Luke
Lorentzen. The Ochoa family
race to the scene of accidents to
fill the void of government-run
ambulances in Mexico City. 81
min. Thu, Apr 4, 8:30
Sauvage/Wild. 2018. France.
Directed by Camille Vidal-
Naquet. A gay street hustler leads
a knife’s-edge existence, roaming
from john to john in search of
sex, drugs, and possibly even
love. 99 min. Fri, Apr 5, 8:30
Belonging. 2019. Turkey.
Directed by Burak Cevik. An
investigation is flipped inside out
in this spellbinding film about a
young couple accused of murder.
72 min. Fri, Apr 5, 6:15
A Family Submerged. 2018.
Argentina/Norway/Germany/
Brazil. Directed by María Alché. A
middle-aged wife and mother is
set adrift by the death of her
sister. 91 min. Sat, Apr 6, 12:30
A Land Imagined. 2018. France/
Netherlands/Singapore. Directed
by Yeo Siew Hua. A clever,
evocative film about the case of a
missing Chinese construction
worker. 95 min. Sat, Apr 6, 3:00
Fausto. 2018. Mexico/Canada.
Directed by Andrea Bussmann.
The legend of Faust mingles
with local folklore in a film that
dissolves the boundaries
between the visible and the
invisible. 70 min. Sun, Apr 7, 1:00
Angelo. 2018. Austria/
Luxembourg. Directed by Markus
Schleinzer. An African man sold
into 18th-century Viennese court
society rises to Court Moor of the
Habsburg Empire. 111 min.
Sun, Apr 7, 3:15
Share. 2019. USA. Directed by
Pippa Bianco. A powerful
examination of sexual assault
and the increasingly volatile role
the Internet plays in American
society. 87 min. Sun, Apr 7, 6:00
Through Apr 26
Modern
Matinees:
B Is for Bacall
Lauren Bacall’s defining
characteristics onscreen—strong,
independent, smart, opinionated—
mirrored her accomplishments
throughout her varied, challenging
career. All films are from the US,
unless otherwise noted.
Harper. 1966. Directed by Jack
Smight. Private eye Paul Newman
searches for the missing husband
of a wealthy matron (Bacall).
121 min. Wed, Apr 3, 1:30
Woman’s World. 1954. Directed
by Jean Negulesco. A tycoon
looking for the perfect manager
for his automotive company
evaluates a trio of very different
couples. 94 min. Thu, Apr 4, 1:30
Ready to Wear (Prêt-à-Porter).
1994. Directed by Robert Altman.
Altman’s fashion-industry
insiders are by turns silly, vain,
ineffectual, and dim-witted.
133 min. Fri, Apr 5, 1:30
The Mirror Has Two Faces. 1996.
Directed by Barbra Streisand.
Bacall gave a fierce edge to her
role as Streisand’s seen-it-all
mother—and earned a Golden
Globe and an Oscar nomination
for her trouble. 122 min.
Wed, Apr 10, 1:30
Key Largo. 1948. Directed by
John Huston. A massive hurricane
traps Humphrey Bogart with a
posse of gangsters. 100 min.
Thu, Apr 11, 1:30
Birth. 2004. Directed by Jonthan
Glazer. A little boy, born at the
exact moment of a man’s death,
sneaks into a party and tells the
man’s widow that he has returned.
100 min. Fri, Apr 12, 1:30
Dark Passage. 1947. Written and
directed by Delmer Daves. A
framed man has his face altered
in order to reclaim his innocence.
106 min. Wed, Apr 17, 1:30
To Have and Have Not. 1944.
Directed by Howard Hawks. An
American charter captain
reluctantly helps a resistance
fighter on the run from the Nazis.
100 min. Thu, Apr 18, 1:30
The Big Sleep. 1946. Directed by
Howard Hawks. Philip Marlowe
(Humphrey Bogart) tries to
unravel a blackmail plot. 114 min.
Fri, Apr 19, 1:30
Written on the Wind. 1956.
Directed by Douglas Sirk. A
melodrama about two friends
who fall in love with the same
ambitious, materialistic woman.
99 min. Wed, Apr 24, 1:30
How to Marry a Millionaire. 1953.
Directed by Jean Negulesco. A
trio of Manhattan models are out
to land some rich husbands.
95 min. Thu, Apr 25, 1:30
Designing Woman. 1957.
Directed by Vincente Minnelli.
A chic fashion designer and a
down-to-earth sportswriter fall
in love but no one, including
them, can understand why.
118 min. Fri, Apr 26, 1:30
Ongoing
Modern Mondays
An Evening with Jen Liu
New York–based artist Jen Liu
presents recent video projects
dealing with gender, labor
conditions, and meat production
in China. Mon, Apr 22, 7:00
An Evening with Metahaven
Metahaven members Vinca Kruk
and Daniel van der Velden
present New York premieres of
recent moving-image work.
Mon, Apr 29, 7:00
Film
Apr 11–24
Lincoln Kirstein
and Film Culture
In conjunction with our Lincoln
Kirstein’s Modern exhibition,
this series focuses on Kirstein’s
considerable contributions to
film culture as a writer, editor,
and influential programmer.
A Midsummer Night’s Dream.
1935. USA. Directed by Max
Reinhardt, William Dieterle. This
take on Shakespeare’s comedy is
a dreamy, opulent affair. 133 min.
Thu, Apr 11, 7:00; Mon, Apr 22, 4:30 79 min. Ballet mécanique. 1924.
The Public Enemy. 1931. USA.
Directed by William A. Wellman.
Wellman’s influential gangster
picture launched James Cagney’s by László Moholy-Nagy. 6 min.
career. 83 min. Fri, Apr 12, 4:00;
Sun, Apr 21, 5:00
Blonde Crazy. 1931. USA.
Directed by Roy Del Ruth. 79 min.
Fox Movietone News, Volume V,
Release #49. 1932. 10 min.
Fri, Apr 12, 7:00
Taxi! 1932. USA. Directed by Roy
Del Ruth. 69 min. Billy the Kid.
1938. USA. 5 min. Sat, Apr 13, 1:00
Eisenstein’s Mexican Film:
Episodes for Study (Part One).
1930–32 (shot), 1955 (compiled). Floyd Crosby, Robert Ferguson.
Mexico. Directed by Sergei
Eisenstein. Eisenstein’s
unfinished Mexican epic,
reassembled by Jay Leyda
according to Eisenstein’s plans.
120 min. Sat, Apr 13, 4:00
Eisenstein’s Mexican Film:
Episodes for Study (Part Two).
1930–32 (shot), 1955 (compiled).
Mexico. Directed by Sergei
Eisenstein. 108 min.
Sat, Apr 13, 7:00
The Road to Life. 1931. USSR.
Directed by Nikolai Ekk. A drama
about the gangs of children on
the streets of Moscow, and the
efforts to conscript them into
building a new society. 105 min.
Sun, Apr 14, 2:00; Tue, Apr 23, 4:00
Portrait of a Young Man. 1931.
USA. Directed by Henwar
Rodakiewicz. 53 min. Travel
Notes. 1932. USA. Directed
by Walker Evans. 13 min.
Sun, Apr 14, 5:00
L’opéra de quat’sous. 1931.
France. Directed by G. W. Pabst.
107 min. King Neptune. 1932.
USA. Directed by Burt Gillett. 7
min. Study no. 7. 1931. Germany.
Directed by Oskar Fischinger.
3 min. Mon, Apr 15, 4:30
Laughter. 1930. USA. Directed
by Harry d’Abbadie d’Arrast.
France. Directed by Fernand
Léger with Dudley Murphy.
12 min. A Lightplay: Black White
Gray. 1930. Germany. Directed
Pearl of the Army, Episode 5:
“Somewhere in Grenada.” 1916.
USA. Directed by Edward José.
15 min. Mon, Apr 15, 7:30
L’Age d’or. 1930. France.
Directed by Luis Buñuel. 61 min.
Mail. 1929. USSR. Directed by
Mikhail Tsekhanovsky. 15 min.
Tue, Apr 16, 4:00
Paths to Paradise. 1925. USA.
Directed by Clarence G. Badger.
65 min. The Nesting of the Sea
Turtle. 1933. USA. Directed by
12 min. Tue, Apr 16, 7:00
Applause. 1929. USA. Directed
by Rouben Mamoulian. 80 min.
Flowers and Trees. 1932. USA.
Directed by Burt Gillett. 8 min.
Wed, Apr 17, 4:00; Mon, Apr 22, 7:30
The Blood of a Poet. 1930.
France. Written and directed by
Jean Cocteau. 55 min. The Sex
Life of the Polyp. 1928. USA.
Directed by Thomas Chalmers.
11 min. Wed, Apr 17, 7:00
Goupi mains rouges (It
Happened at the Inn). 1943.
France. Written and directed
by Jacques Becker. A close-knit
rural family is thrown into
disarray when the matriarch of
the clan is murdered. 96 min.
Thu, Apr 18, 4:00; Tue, Apr 23, 7:00
It’s All True. 1993. USA/Brazil.
Directed by Richard Wilson, Bill
Krohn, Myron Meisel, with
Orson Welles. 87 min. The Four
Temperaments. 1946. USA.
Choreography by George
Balanchine. 27 min.
Thu, Apr 18, 7:00
La belle et la bête (Beauty and
the Beast). 1946. France. Written
and directed by Jean Cocteau.
Cocteau’s eye for otherworldly
scenarios found an ideal platform
in this classic fairy tale. 93 min.
Fri, Apr 19, 4:00; Wed, Apr 24, 7:00
Gentlemen Prefer Blondes.
1953. USA. Directed by Howard
Hawks. Marilyn Monroe is
perfectly cast as an affianced
showgirl who’s cleverer than she
lets on. 91 min. Fri, Apr 19, 7:00
Bus Stop. 1956. USA. Directed by
Joshua Logan. A nightclub singer
(Marilyn Monroe) dreams of a
new life in Hollywood, but her
plans are derailed by a lovestruck
cowboy. 96 min. Sat, Apr 20, 1:00
The Misfits. 1961. USA. Directed
by John Huston. Written by
Arthur Miller, this was the final
film for both Marilyn Monroe and
Clark Gable. 125 min.
Sat, Apr 20, 4:00; Wed, Apr 24, 4:00
Isadora. 1968. Great Britain.
Directed by Karel Reisz. Vanessa
Redgrave stars as the dancer
Isadora Duncan. 131 min.
Sat, Apr 20, 7:00
October. 1927. USSR. Directed
by Sergei Eisenstein. Eisenstein’s
grandly orchestrated film of the
Russian Revolution is one of his
most ambitious attempts to
embody his theories of montage.
103 min. Sun, Apr 21, 2:00
Apr 8–20
What Price
Hollywood
In conjunction with the
eponymous poster exhibition,
this series takes a focused
look at onscreen gender norms
and alternative models of sexual
identity. All films are from the US,
unless otherwise noted.
The Good Fairy. 1935. Directed
by William Wyler. In this comedy,
precocious orphan Margaret
Sullavan attracts three men
whose interests are by turn
lustful, paternal, and romantic.
Mon, Apr 8, 7:30; Tue, Apr 16, 4:30
The Scarlet Empress. 1934.
Directed by Josef von Sternberg.
Marlene Dietrich shines as a
desperately unhappy young
Catherine the Great.
Tue, Apr 9, 4:00; Wed, Apr 17, 7:30
Diary of a Lost Girl. 1929.
Germany. Directed by G. W.
Pabst. Teenager Louise Brooks is
sent to a reformatory after being
raped and impregnated by her
father’s colleague. Tue, Apr 9, 7:00
Marked Woman. 1937. Directed
by Lloyd Bacon. Bette Davis
stars as an empowered nightclub
hostess who stands up to her
abusive and nefarious boss.
Wed, Apr 10, 4:00; Tue, Apr 16, 7:30
Clash by Night. 1952. Directed
by Fritz Lang. Barbara Stanwyck
gives a gritty performance as a
working-class woman facing a
choice between a compromising
marriage and her sexual desires.
Wed, Apr 10, 7:00; Sun, Apr 14, 2:30
Sylvia Scarlett. 1935. Directed
by George Cukor. Katharine
Hepburn chops off her braids and
transforms from Sylvia to
“Sylvester” before setting off to
travel with her criminal father.
Thu, Apr 11, 4:30; Thu, Apr 18, 7:30
Female Trouble. 1974. Directed
by John Waters. Holy terror
Dawn Davenport (Divine) sets off
on a depraved, lifelong path of
crime and chaos. Thu, Apr 11, 7:30;
Sat, Apr 20, 4:30
In a Lonely Place. 1950. Directed
by Nicholas Ray. Gloria Grahame’s
talent for enduring the company
of unstable men—Humphrey
Bogart in this case—made her a
feminine icon.
Fri, Apr 12, 4:30; Fri, Apr 19, 7:30
Ganja & Hess. 1973. Directed
by Bill Gunn. Gunn’s artfully
ambitious vampire film sensually
merges genre conventions and
African cultural references.
Fri, Apr 12, 7:30; Sat, Apr 20, 2:30
Midnight. 1939. Directed by
Mitchell Leisen. This Cinderella-
inspired screwball classic drops
a penniless Claudette Colbert in
Paris. Sat, Apr 13, 1:30;
Thu, Apr 18, 4:30
A Free Soul. 1931. Directed by
Clarence Brown. Norma Shearer
holds her own with Lionel
Barrymore, Clark Gable, and
Leslie Howard. Sat, Apr 13, 4:30;
Wed, Apr 17, 4:30
What Price Hollywood? 1932.
Directed by George Cukor.
Constance Bennett stars in a
pre-Code take on the “a star is
born” formula. Sat, Apr 13, 7:30
Gun Crazy. 1950. Directed by
Joseph H. Lewis. The film’s
alternate title—Deadly Is the
Female—signals just what its
protagonist is up against as
he goes on a crime spree with
his sharp-shooting girlfriend.
Sun, Apr 14, 5:30; Fri, Apr 19, 4:30
Apr 25–May 5
Roberto
Gavaldón: Night
Falls in Mexico
MoMA presents the films of
Roberto Gavaldón, perhaps the
most profoundly noir of Mexico’s
epoca de oro directors. All films
are from Mexico and directed
by Gavaldón.
Rosauro Castro. 1950. When a
rural political boss is implicated
in the death of a political
reformer, his reign over his
nameless village is threatened.
83 min. Wed, Apr 24, 7:30
La barraca. 1945. An immigrant
family in Spain struggles to
establish their own small farm.
110 min. Thu, Apr 25, 4:30
El socio. 1946. An ambitious
young man discovers that having
a fake business partner makes
his deal-making easier—if the
partner has an Anglo-Saxon
name. 106 min. Thu, Apr 25, 7:00,
Sun, Apr 28, 6:30
En la palma de tu mano (In the
Palm of Your Hand). 1951. A
fraudulent fortune teller uses the
secrets of his female clientele for
blackmail, while at the same time
he is the pawn of a treacherous
widow. 113 min. Friday, Apr 26, 4:30
La otra (The Other One). 1946.
In this distinctly Mexican variant
of the Evil Twin plot, Dolores del
Rio plays a meek manicurist and
her mercenary, man-eating
sister. 98 min. Fri, Apr 26, 7:00
La diosa arrodillada (The
Kneeling Goddess). 1947. An
artist model leads a man away
from the arms of his innocent
wife and down, down into the
ecstatic depths of degradation.
107 min. Sat, Apr 27, 1:30
La noche avanza (Night Falls).
1952. An arrogant, womanizing
jai alai player becomes the target
of a revenge plot. 85 min.
Sat, Apr 27, 4:30, Tue, Apr 30, 7:00
Sombra verde (Untouched).
1954. A research scientist lost
deep in the interior encounters a
mysterious, machete-wielding
stranger and his beautiful
daughter. 85 min Sat, Apr 27, 7:00,
Tue, Apr 30, 4:30
El rebozo de Soledad (Soledad’s
Shawl). 1952. A medical
researcher from Mexico City
becomes emotionally involved
with the people of a small village.
108 min. Sun, Apr 28, 1:00
Rosa blanca. 1961. In the late
1930s, a small landowner
discovers petroleum on his
property. Approached by
American interests, he refuses to
sell, with the usual tragic results.
105 min. Sun, Apr 28, 4:00
Through Apr 7
New Directors/
New Films 2019
Now in its 48th year, the New
Directors/New Films festival
introduces New York audiences
to the work of emerging or
not-yet-established filmmakers
from around the world.
MS Slavic 7. 2019. Canada.
Directed by Sofia Bohdanowicz,
Deragh Campbell. 64 min.
Les idées s’améliorent (The
Plagiarist). 2018. France.
Directed by Léo Richard. 22 min.
Mon, Apr 1, 6:30
Alles ist Gut (All Good). 2018.
Germany. Directed by Eva
Trobisch. Aenne Schwarz delivers
a gut-wrenching performance as
a woman dealing with the
aftermath of a nightmarish
evening. 90 min. Tue, Apr 2, 6:15
Temporada (Long Way Home).
2018. Brazil. André Novais
Oliveira. The everyday takes on a
profound resonance in this
portrait of a woman who leaves
home to work in a public health
program. 113 min. Tue, Apr 2, 8:45
Honeyland. 2019. Macedonia.
Directed by Tamara Kotevska,
Ljubomir Stefanov. A woman’s
life is upended by thankless
new neighbors in this often
outrageously funny modern-day
parable. 85 min. Wed, Apr 3, 6:15
The Load. 2018. Serbia/France/
Croatia/Iran/Qatar. Directed by
Ognjen Glavonić. A truck driver
transports mysterious cargo
during the 1999 NATO bombing
of Yugoslavia. 98 min.
Wed, Apr 3, 8:45
Short Film Program 2
Four short films from around the
world. Thu, Apr 4, 6:15
Midnight Family. 2019. Mexico/
USA. Directed by Luke
Lorentzen. The Ochoa family
race to the scene of accidents to
fill the void of government-run
ambulances in Mexico City. 81
min. Thu, Apr 4, 8:30
Sauvage/Wild. 2018. France.
Directed by Camille Vidal-
Naquet. A gay street hustler leads
a knife’s-edge existence, roaming
from john to john in search of
sex, drugs, and possibly even
love. 99 min. Fri, Apr 5, 8:30
Belonging. 2019. Turkey.
Directed by Burak Cevik. An
investigation is flipped inside out
in this spellbinding film about a
young couple accused of murder.
72 min. Fri, Apr 5, 6:15
A Family Submerged. 2018.
Argentina/Norway/Germany/
Brazil. Directed by María Alché. A
middle-aged wife and mother is
set adrift by the death of her
sister. 91 min. Sat, Apr 6, 12:30
A Land Imagined. 2018. France/
Netherlands/Singapore. Directed
by Yeo Siew Hua. A clever,
evocative film about the case of a
missing Chinese construction
worker. 95 min. Sat, Apr 6, 3:00
Fausto. 2018. Mexico/Canada.
Directed by Andrea Bussmann.
The legend of Faust mingles
with local folklore in a film that
dissolves the boundaries
between the visible and the
invisible. 70 min. Sun, Apr 7, 1:00
Angelo. 2018. Austria/
Luxembourg. Directed by Markus
Schleinzer. An African man sold
into 18th-century Viennese court
society rises to Court Moor of the
Habsburg Empire. 111 min.
Sun, Apr 7, 3:15
Share. 2019. USA. Directed by
Pippa Bianco. A powerful
examination of sexual assault
and the increasingly volatile role
the Internet plays in American
society. 87 min. Sun, Apr 7, 6:00
Through Apr 26
Modern
Matinees:
B Is for Bacall
Lauren Bacall’s defining
characteristics onscreen—strong,
independent, smart, opinionated—
mirrored her accomplishments
throughout her varied, challenging
career. All films are from the US,
unless otherwise noted.
Harper. 1966. Directed by Jack
Smight. Private eye Paul Newman
searches for the missing husband
of a wealthy matron (Bacall).
121 min. Wed, Apr 3, 1:30
Woman’s World. 1954. Directed
by Jean Negulesco. A tycoon
looking for the perfect manager
for his automotive company
evaluates a trio of very different
couples. 94 min. Thu, Apr 4, 1:30
Ready to Wear (Prêt-à-Porter).
1994. Directed by Robert Altman.
Altman’s fashion-industry
insiders are by turns silly, vain,
ineffectual, and dim-witted.
133 min. Fri, Apr 5, 1:30
The Mirror Has Two Faces. 1996.
Directed by Barbra Streisand.
Bacall gave a fierce edge to her
role as Streisand’s seen-it-all
mother—and earned a Golden
Globe and an Oscar nomination
for her trouble. 122 min.
Wed, Apr 10, 1:30
Key Largo. 1948. Directed by
John Huston. A massive hurricane
traps Humphrey Bogart with a
posse of gangsters. 100 min.
Thu, Apr 11, 1:30
Birth. 2004. Directed by Jonthan
Glazer. A little boy, born at the
exact moment of a man’s death,
sneaks into a party and tells the
man’s widow that he has returned.
100 min. Fri, Apr 12, 1:30
Dark Passage. 1947. Written and
directed by Delmer Daves. A
framed man has his face altered
in order to reclaim his innocence.
106 min. Wed, Apr 17, 1:30
To Have and Have Not. 1944.
Directed by Howard Hawks. An
American charter captain
reluctantly helps a resistance
fighter on the run from the Nazis.
100 min. Thu, Apr 18, 1:30
The Big Sleep. 1946. Directed by
Howard Hawks. Philip Marlowe
(Humphrey Bogart) tries to
unravel a blackmail plot. 114 min.
Fri, Apr 19, 1:30
Written on the Wind. 1956.
Directed by Douglas Sirk. A
melodrama about two friends
who fall in love with the same
ambitious, materialistic woman.
99 min. Wed, Apr 24, 1:30
How to Marry a Millionaire. 1953.
Directed by Jean Negulesco. A
trio of Manhattan models are out
to land some rich husbands.
95 min. Thu, Apr 25, 1:30
Designing Woman. 1957.
Directed by Vincente Minnelli.
A chic fashion designer and a
down-to-earth sportswriter fall
in love but no one, including
them, can understand why.
118 min. Fri, Apr 26, 1:30
Ongoing
Modern Mondays
An Evening with Jen Liu
New York–based artist Jen Liu
presents recent video projects
dealing with gender, labor
conditions, and meat production
in China. Mon, Apr 22, 7:00
An Evening with Metahaven
Metahaven members Vinca Kruk
and Daniel van der Velden
present New York premieres of
recent moving-image work.
Mon, Apr 29, 7:00
Film
Apr 11–24
Lincoln Kirstein
and Film Culture
In conjunction with our Lincoln
Kirstein’s Modern exhibition,
this series focuses on Kirstein’s
considerable contributions to
film culture as a writer, editor,
and influential programmer.
A Midsummer Night’s Dream.
1935. USA. Directed by Max
Reinhardt, William Dieterle. This
take on Shakespeare’s comedy is
a dreamy, opulent affair. 133 min.
Thu, Apr 11, 7:00; Mon, Apr 22, 4:30 79 min. Ballet mécanique. 1924.
The Public Enemy. 1931. USA.
Directed by William A. Wellman.
Wellman’s influential gangster
picture launched James Cagney’s by László Moholy-Nagy. 6 min.
career. 83 min. Fri, Apr 12, 4:00;
Sun, Apr 21, 5:00
Blonde Crazy. 1931. USA.
Directed by Roy Del Ruth. 79 min.
Fox Movietone News, Volume V,
Release #49. 1932. 10 min.
Fri, Apr 12, 7:00
Taxi! 1932. USA. Directed by Roy
Del Ruth. 69 min. Billy the Kid.
1938. USA. 5 min. Sat, Apr 13, 1:00
Eisenstein’s Mexican Film:
Episodes for Study (Part One).
1930–32 (shot), 1955 (compiled). Floyd Crosby, Robert Ferguson.
Mexico. Directed by Sergei
Eisenstein. Eisenstein’s
unfinished Mexican epic,
reassembled by Jay Leyda
according to Eisenstein’s plans.
120 min. Sat, Apr 13, 4:00
Eisenstein’s Mexican Film:
Episodes for Study (Part Two).
1930–32 (shot), 1955 (compiled).
Mexico. Directed by Sergei
Eisenstein. 108 min.
Sat, Apr 13, 7:00
The Road to Life. 1931. USSR.
Directed by Nikolai Ekk. A drama
about the gangs of children on
the streets of Moscow, and the
efforts to conscript them into
building a new society. 105 min.
Sun, Apr 14, 2:00; Tue, Apr 23, 4:00
Portrait of a Young Man. 1931.
USA. Directed by Henwar
Rodakiewicz. 53 min. Travel
Notes. 1932. USA. Directed
by Walker Evans. 13 min.
Sun, Apr 14, 5:00
L’opéra de quat’sous. 1931.
France. Directed by G. W. Pabst.
107 min. King Neptune. 1932.
USA. Directed by Burt Gillett. 7
min. Study no. 7. 1931. Germany.
Directed by Oskar Fischinger.
3 min. Mon, Apr 15, 4:30
Laughter. 1930. USA. Directed
by Harry d’Abbadie d’Arrast.
France. Directed by Fernand
Léger with Dudley Murphy.
12 min. A Lightplay: Black White
Gray. 1930. Germany. Directed
Pearl of the Army, Episode 5:
“Somewhere in Grenada.” 1916.
USA. Directed by Edward José.
15 min. Mon, Apr 15, 7:30
L’Age d’or. 1930. France.
Directed by Luis Buñuel. 61 min.
Mail. 1929. USSR. Directed by
Mikhail Tsekhanovsky. 15 min.
Tue, Apr 16, 4:00
Paths to Paradise. 1925. USA.
Directed by Clarence G. Badger.
65 min. The Nesting of the Sea
Turtle. 1933. USA. Directed by
12 min. Tue, Apr 16, 7:00
Applause. 1929. USA. Directed
by Rouben Mamoulian. 80 min.
Flowers and Trees. 1932. USA.
Directed by Burt Gillett. 8 min.
Wed, Apr 17, 4:00; Mon, Apr 22, 7:30
The Blood of a Poet. 1930.
France. Written and directed by
Jean Cocteau. 55 min. The Sex
Life of the Polyp. 1928. USA.
Directed by Thomas Chalmers.
11 min. Wed, Apr 17, 7:00
Goupi mains rouges (It
Happened at the Inn). 1943.
France. Written and directed
by Jacques Becker. A close-knit
rural family is thrown into
disarray when the matriarch of
the clan is murdered. 96 min.
Thu, Apr 18, 4:00; Tue, Apr 23, 7:00
It’s All True. 1993. USA/Brazil.
Directed by Richard Wilson, Bill
Krohn, Myron Meisel, with
Orson Welles. 87 min. The Four
Temperaments. 1946. USA.
Choreography by George
Balanchine. 27 min.
Thu, Apr 18, 7:00
La belle et la bête (Beauty and
the Beast). 1946. France. Written
and directed by Jean Cocteau.
Cocteau’s eye for otherworldly
scenarios found an ideal platform
in this classic fairy tale. 93 min.
Fri, Apr 19, 4:00; Wed, Apr 24, 7:00
Gentlemen Prefer Blondes.
1953. USA. Directed by Howard
Hawks. Marilyn Monroe is
perfectly cast as an affianced
showgirl who’s cleverer than she
lets on. 91 min. Fri, Apr 19, 7:00
Bus Stop. 1956. USA. Directed by
Joshua Logan. A nightclub singer
(Marilyn Monroe) dreams of a
new life in Hollywood, but her
plans are derailed by a lovestruck
cowboy. 96 min. Sat, Apr 20, 1:00
The Misfits. 1961. USA. Directed
by John Huston. Written by
Arthur Miller, this was the final
film for both Marilyn Monroe and
Clark Gable. 125 min.
Sat, Apr 20, 4:00; Wed, Apr 24, 4:00
Isadora. 1968. Great Britain.
Directed by Karel Reisz. Vanessa
Redgrave stars as the dancer
Isadora Duncan. 131 min.
Sat, Apr 20, 7:00
October. 1927. USSR. Directed
by Sergei Eisenstein. Eisenstein’s
grandly orchestrated film of the
Russian Revolution is one of his
most ambitious attempts to
embody his theories of montage.
103 min. Sun, Apr 21, 2:00
Apr 8–20
What Price
Hollywood
In conjunction with the
eponymous poster exhibition,
this series takes a focused
look at onscreen gender norms
and alternative models of sexual
identity. All films are from the US,
unless otherwise noted.
The Good Fairy. 1935. Directed
by William Wyler. In this comedy,
precocious orphan Margaret
Sullavan attracts three men
whose interests are by turn
lustful, paternal, and romantic.
Mon, Apr 8, 7:30; Tue, Apr 16, 4:30
The Scarlet Empress. 1934.
Directed by Josef von Sternberg.
Marlene Dietrich shines as a
desperately unhappy young
Catherine the Great.
Tue, Apr 9, 4:00; Wed, Apr 17, 7:30
Diary of a Lost Girl. 1929.
Germany. Directed by G. W.
Pabst. Teenager Louise Brooks is
sent to a reformatory after being
raped and impregnated by her
father’s colleague. Tue, Apr 9, 7:00
Marked Woman. 1937. Directed
by Lloyd Bacon. Bette Davis
stars as an empowered nightclub
hostess who stands up to her
abusive and nefarious boss.
Wed, Apr 10, 4:00; Tue, Apr 16, 7:30
Clash by Night. 1952. Directed
by Fritz Lang. Barbara Stanwyck
gives a gritty performance as a
working-class woman facing a
choice between a compromising
marriage and her sexual desires.
Wed, Apr 10, 7:00; Sun, Apr 14, 2:30
Sylvia Scarlett. 1935. Directed
by George Cukor. Katharine
Hepburn chops off her braids and
transforms from Sylvia to
“Sylvester” before setting off to
travel with her criminal father.
Thu, Apr 11, 4:30; Thu, Apr 18, 7:30
Female Trouble. 1974. Directed
by John Waters. Holy terror
Dawn Davenport (Divine) sets off
on a depraved, lifelong path of
crime and chaos. Thu, Apr 11, 7:30;
Sat, Apr 20, 4:30
In a Lonely Place. 1950. Directed
by Nicholas Ray. Gloria Grahame’s
talent for enduring the company
of unstable men—Humphrey
Bogart in this case—made her a
feminine icon.
Fri, Apr 12, 4:30; Fri, Apr 19, 7:30
Ganja & Hess. 1973. Directed
by Bill Gunn. Gunn’s artfully
ambitious vampire film sensually
merges genre conventions and
African cultural references.
Fri, Apr 12, 7:30; Sat, Apr 20, 2:30
Midnight. 1939. Directed by
Mitchell Leisen. This Cinderella-
inspired screwball classic drops
a penniless Claudette Colbert in
Paris. Sat, Apr 13, 1:30;
Thu, Apr 18, 4:30
A Free Soul. 1931. Directed by
Clarence Brown. Norma Shearer
holds her own with Lionel
Barrymore, Clark Gable, and
Leslie Howard. Sat, Apr 13, 4:30;
Wed, Apr 17, 4:30
What Price Hollywood? 1932.
Directed by George Cukor.
Constance Bennett stars in a
pre-Code take on the “a star is
born” formula. Sat, Apr 13, 7:30
Gun Crazy. 1950. Directed by
Joseph H. Lewis. The film’s
alternate title—Deadly Is the
Female—signals just what its
protagonist is up against as
he goes on a crime spree with
his sharp-shooting girlfriend.
Sun, Apr 14, 5:30; Fri, Apr 19, 4:30
Apr 25–May 5
Roberto
Gavaldón: Night
Falls in Mexico
MoMA presents the films of
Roberto Gavaldón, perhaps the
most profoundly noir of Mexico’s
epoca de oro directors. All films
are from Mexico and directed
by Gavaldón.
Rosauro Castro. 1950. When a
rural political boss is implicated
in the death of a political
reformer, his reign over his
nameless village is threatened.
83 min. Wed, Apr 24, 7:30
La barraca. 1945. An immigrant
family in Spain struggles to
establish their own small farm.
110 min. Thu, Apr 25, 4:30
El socio. 1946. An ambitious
young man discovers that having
a fake business partner makes
his deal-making easier—if the
partner has an Anglo-Saxon
name. 106 min. Thu, Apr 25, 7:00,
Sun, Apr 28, 6:30
En la palma de tu mano (In the
Palm of Your Hand). 1951. A
fraudulent fortune teller uses the
secrets of his female clientele for
blackmail, while at the same time
he is the pawn of a treacherous
widow. 113 min. Friday, Apr 26, 4:30
La otra (The Other One). 1946.
In this distinctly Mexican variant
of the Evil Twin plot, Dolores del
Rio plays a meek manicurist and
her mercenary, man-eating
sister. 98 min. Fri, Apr 26, 7:00
La diosa arrodillada (The
Kneeling Goddess). 1947. An
artist model leads a man away
from the arms of his innocent
wife and down, down into the
ecstatic depths of degradation.
107 min. Sat, Apr 27, 1:30
La noche avanza (Night Falls).
1952. An arrogant, womanizing
jai alai player becomes the target
of a revenge plot. 85 min.
Sat, Apr 27, 4:30, Tue, Apr 30, 7:00
Sombra verde (Untouched).
1954. A research scientist lost
deep in the interior encounters a
mysterious, machete-wielding
stranger and his beautiful
daughter. 85 min Sat, Apr 27, 7:00,
Tue, Apr 30, 4:30
El rebozo de Soledad (Soledad’s
Shawl). 1952. A medical
researcher from Mexico City
becomes emotionally involved
with the people of a small village.
108 min. Sun, Apr 28, 1:00
Rosa blanca. 1961. In the late
1930s, a small landowner
discovers petroleum on his
property. Approached by
American interests, he refuses to
sell, with the usual tragic results.
105 min. Sun, Apr 28, 4:00
Through Apr 7
New Directors/
New Films 2019
Now in its 48th year, the New
Directors/New Films festival
introduces New York audiences
to the work of emerging or
not-yet-established filmmakers
from around the world.
MS Slavic 7. 2019. Canada.
Directed by Sofia Bohdanowicz,
Deragh Campbell. 64 min.
Les idées s’améliorent (The
Plagiarist). 2018. France.
Directed by Léo Richard. 22 min.
Mon, Apr 1, 6:30
Alles ist Gut (All Good). 2018.
Germany. Directed by Eva
Trobisch. Aenne Schwarz delivers
a gut-wrenching performance as
a woman dealing with the
aftermath of a nightmarish
evening. 90 min. Tue, Apr 2, 6:15
Temporada (Long Way Home).
2018. Brazil. André Novais
Oliveira. The everyday takes on a
profound resonance in this
portrait of a woman who leaves
home to work in a public health
program. 113 min. Tue, Apr 2, 8:45
Honeyland. 2019. Macedonia.
Directed by Tamara Kotevska,
Ljubomir Stefanov. A woman’s
life is upended by thankless
new neighbors in this often
outrageously funny modern-day
parable. 85 min. Wed, Apr 3, 6:15
The Load. 2018. Serbia/France/
Croatia/Iran/Qatar. Directed by
Ognjen Glavonić. A truck driver
transports mysterious cargo
during the 1999 NATO bombing
of Yugoslavia. 98 min.
Wed, Apr 3, 8:45
Short Film Program 2
Four short films from around the
world. Thu, Apr 4, 6:15
Midnight Family. 2019. Mexico/
USA. Directed by Luke
Lorentzen. The Ochoa family
race to the scene of accidents to
fill the void of government-run
ambulances in Mexico City. 81
min. Thu, Apr 4, 8:30
Sauvage/Wild. 2018. France.
Directed by Camille Vidal-
Naquet. A gay street hustler leads
a knife’s-edge existence, roaming
from john to john in search of
sex, drugs, and possibly even
love. 99 min. Fri, Apr 5, 8:30
Belonging. 2019. Turkey.
Directed by Burak Cevik. An
investigation is flipped inside out
in this spellbinding film about a
young couple accused of murder.
72 min. Fri, Apr 5, 6:15
A Family Submerged. 2018.
Argentina/Norway/Germany/
Brazil. Directed by María Alché. A
middle-aged wife and mother is
set adrift by the death of her
sister. 91 min. Sat, Apr 6, 12:30
A Land Imagined. 2018. France/
Netherlands/Singapore. Directed
by Yeo Siew Hua. A clever,
evocative film about the case of a
missing Chinese construction
worker. 95 min. Sat, Apr 6, 3:00
Fausto. 2018. Mexico/Canada.
Directed by Andrea Bussmann.
The legend of Faust mingles
with local folklore in a film that
dissolves the boundaries
between the visible and the
invisible. 70 min. Sun, Apr 7, 1:00
Angelo. 2018. Austria/
Luxembourg. Directed by Markus
Schleinzer. An African man sold
into 18th-century Viennese court
society rises to Court Moor of the
Habsburg Empire. 111 min.
Sun, Apr 7, 3:15
Share. 2019. USA. Directed by
Pippa Bianco. A powerful
examination of sexual assault
and the increasingly volatile role
the Internet plays in American
society. 87 min. Sun, Apr 7, 6:00
Through Apr 26
Modern
Matinees:
B Is for Bacall
Lauren Bacall’s defining
characteristics onscreen—strong,
independent, smart, opinionated—
mirrored her accomplishments
throughout her varied, challenging
career. All films are from the US,
unless otherwise noted.
Harper. 1966. Directed by Jack
Smight. Private eye Paul Newman
searches for the missing husband
of a wealthy matron (Bacall).
121 min. Wed, Apr 3, 1:30
Woman’s World. 1954. Directed
by Jean Negulesco. A tycoon
looking for the perfect manager
for his automotive company
evaluates a trio of very different
couples. 94 min. Thu, Apr 4, 1:30
Ready to Wear (Prêt-à-Porter).
1994. Directed by Robert Altman.
Altman’s fashion-industry
insiders are by turns silly, vain,
ineffectual, and dim-witted.
133 min. Fri, Apr 5, 1:30
The Mirror Has Two Faces. 1996.
Directed by Barbra Streisand.
Bacall gave a fierce edge to her
role as Streisand’s seen-it-all
mother—and earned a Golden
Globe and an Oscar nomination
for her trouble. 122 min.
Wed, Apr 10, 1:30
Key Largo. 1948. Directed by
John Huston. A massive hurricane
traps Humphrey Bogart with a
posse of gangsters. 100 min.
Thu, Apr 11, 1:30
Birth. 2004. Directed by Jonthan
Glazer. A little boy, born at the
exact moment of a man’s death,
sneaks into a party and tells the
man’s widow that he has returned.
100 min. Fri, Apr 12, 1:30
Dark Passage. 1947. Written and
directed by Delmer Daves. A
framed man has his face altered
in order to reclaim his innocence.
106 min. Wed, Apr 17, 1:30
To Have and Have Not. 1944.
Directed by Howard Hawks. An
American charter captain
reluctantly helps a resistance
fighter on the run from the Nazis.
100 min. Thu, Apr 18, 1:30
The Big Sleep. 1946. Directed by
Howard Hawks. Philip Marlowe
(Humphrey Bogart) tries to
unravel a blackmail plot. 114 min.
Fri, Apr 19, 1:30
Written on the Wind. 1956.
Directed by Douglas Sirk. A
melodrama about two friends
who fall in love with the same
ambitious, materialistic woman.
99 min. Wed, Apr 24, 1:30
How to Marry a Millionaire. 1953.
Directed by Jean Negulesco. A
trio of Manhattan models are out
to land some rich husbands.
95 min. Thu, Apr 25, 1:30
Designing Woman. 1957.
Directed by Vincente Minnelli.
A chic fashion designer and a
down-to-earth sportswriter fall
in love but no one, including
them, can understand why.
118 min. Fri, Apr 26, 1:30
Ongoing
Modern Mondays
An Evening with Jen Liu
New York–based artist Jen Liu
presents recent video projects
dealing with gender, labor
conditions, and meat production
in China. Mon, Apr 22, 7:00
An Evening with Metahaven
Metahaven members Vinca Kruk
and Daniel van der Velden
present New York premieres of
recent moving-image work.
Mon, Apr 29, 7:00
Film
Apr 11–24
Lincoln Kirstein
and Film Culture
In conjunction with our Lincoln
Kirstein’s Modern exhibition,
this series focuses on Kirstein’s
considerable contributions to
film culture as a writer, editor,
and influential programmer.
A Midsummer Night’s Dream.
1935. USA. Directed by Max
Reinhardt, William Dieterle. This
take on Shakespeare’s comedy is
a dreamy, opulent affair. 133 min.
Thu, Apr 11, 7:00; Mon, Apr 22, 4:30 79 min. Ballet mécanique. 1924.
The Public Enemy. 1931. USA.
Directed by William A. Wellman.
Wellman’s influential gangster
picture launched James Cagney’s by László Moholy-Nagy. 6 min.
career. 83 min. Fri, Apr 12, 4:00;
Sun, Apr 21, 5:00
Blonde Crazy. 1931. USA.
Directed by Roy Del Ruth. 79 min.
Fox Movietone News, Volume V,
Release #49. 1932. 10 min.
Fri, Apr 12, 7:00
Taxi! 1932. USA. Directed by Roy
Del Ruth. 69 min. Billy the Kid.
1938. USA. 5 min. Sat, Apr 13, 1:00
Eisenstein’s Mexican Film:
Episodes for Study (Part One).
1930–32 (shot), 1955 (compiled). Floyd Crosby, Robert Ferguson.
Mexico. Directed by Sergei
Eisenstein. Eisenstein’s
unfinished Mexican epic,
reassembled by Jay Leyda
according to Eisenstein’s plans.
120 min. Sat, Apr 13, 4:00
Eisenstein’s Mexican Film:
Episodes for Study (Part Two).
1930–32 (shot), 1955 (compiled).
Mexico. Directed by Sergei
Eisenstein. 108 min.
Sat, Apr 13, 7:00
The Road to Life. 1931. USSR.
Directed by Nikolai Ekk. A drama
about the gangs of children on
the streets of Moscow, and the
efforts to conscript them into
building a new society. 105 min.
Sun, Apr 14, 2:00; Tue, Apr 23, 4:00
Portrait of a Young Man. 1931.
USA. Directed by Henwar
Rodakiewicz. 53 min. Travel
Notes. 1932. USA. Directed
by Walker Evans. 13 min.
Sun, Apr 14, 5:00
L’opéra de quat’sous. 1931.
France. Directed by G. W. Pabst.
107 min. King Neptune. 1932.
USA. Directed by Burt Gillett. 7
min. Study no. 7. 1931. Germany.
Directed by Oskar Fischinger.
3 min. Mon, Apr 15, 4:30
Laughter. 1930. USA. Directed
by Harry d’Abbadie d’Arrast.
France. Directed by Fernand
Léger with Dudley Murphy.
12 min. A Lightplay: Black White
Gray. 1930. Germany. Directed
Pearl of the Army, Episode 5:
“Somewhere in Grenada.” 1916.
USA. Directed by Edward José.
15 min. Mon, Apr 15, 7:30
L’Age d’or. 1930. France.
Directed by Luis Buñuel. 61 min.
Mail. 1929. USSR. Directed by
Mikhail Tsekhanovsky. 15 min.
Tue, Apr 16, 4:00
Paths to Paradise. 1925. USA.
Directed by Clarence G. Badger.
65 min. The Nesting of the Sea
Turtle. 1933. USA. Directed by
12 min. Tue, Apr 16, 7:00
Applause. 1929. USA. Directed
by Rouben Mamoulian. 80 min.
Flowers and Trees. 1932. USA.
Directed by Burt Gillett. 8 min.
Wed, Apr 17, 4:00; Mon, Apr 22, 7:30
The Blood of a Poet. 1930.
France. Written and directed by
Jean Cocteau. 55 min. The Sex
Life of the Polyp. 1928. USA.
Directed by Thomas Chalmers.
11 min. Wed, Apr 17, 7:00
Goupi mains rouges (It
Happened at the Inn). 1943.
France. Written and directed
by Jacques Becker. A close-knit
rural family is thrown into
disarray when the matriarch of
the clan is murdered. 96 min.
Thu, Apr 18, 4:00; Tue, Apr 23, 7:00
It’s All True. 1993. USA/Brazil.
Directed by Richard Wilson, Bill
Krohn, Myron Meisel, with
Orson Welles. 87 min. The Four
Temperaments. 1946. USA.
Choreography by George
Balanchine. 27 min.
Thu, Apr 18, 7:00
La belle et la bête (Beauty and
the Beast). 1946. France. Written
and directed by Jean Cocteau.
Cocteau’s eye for otherworldly
scenarios found an ideal platform
in this classic fairy tale. 93 min.
Fri, Apr 19, 4:00; Wed, Apr 24, 7:00
Gentlemen Prefer Blondes.
1953. USA. Directed by Howard
Hawks. Marilyn Monroe is
perfectly cast as an affianced
showgirl who’s cleverer than she
lets on. 91 min. Fri, Apr 19, 7:00
Bus Stop. 1956. USA. Directed by
Joshua Logan. A nightclub singer
(Marilyn Monroe) dreams of a
new life in Hollywood, but her
plans are derailed by a lovestruck
cowboy. 96 min. Sat, Apr 20, 1:00
The Misfits. 1961. USA. Directed
by John Huston. Written by
Arthur Miller, this was the final
film for both Marilyn Monroe and
Clark Gable. 125 min.
Sat, Apr 20, 4:00; Wed, Apr 24, 4:00
Isadora. 1968. Great Britain.
Directed by Karel Reisz. Vanessa
Redgrave stars as the dancer
Isadora Duncan. 131 min.
Sat, Apr 20, 7:00
October. 1927. USSR. Directed
by Sergei Eisenstein. Eisenstein’s
grandly orchestrated film of the
Russian Revolution is one of his
most ambitious attempts to
embody his theories of montage.
103 min. Sun, Apr 21, 2:00
Apr 8–20
What Price
Hollywood
In conjunction with the
eponymous poster exhibition,
this series takes a focused
look at onscreen gender norms
and alternative models of sexual
identity. All films are from the US,
unless otherwise noted.
The Good Fairy. 1935. Directed
by William Wyler. In this comedy,
precocious orphan Margaret
Sullavan attracts three men
whose interests are by turn
lustful, paternal, and romantic.
Mon, Apr 8, 7:30; Tue, Apr 16, 4:30
The Scarlet Empress. 1934.
Directed by Josef von Sternberg.
Marlene Dietrich shines as a
desperately unhappy young
Catherine the Great.
Tue, Apr 9, 4:00; Wed, Apr 17, 7:30
Diary of a Lost Girl. 1929.
Germany. Directed by G. W.
Pabst. Teenager Louise Brooks is
sent to a reformatory after being
raped and impregnated by her
father’s colleague. Tue, Apr 9, 7:00
Marked Woman. 1937. Directed
by Lloyd Bacon. Bette Davis
stars as an empowered nightclub
hostess who stands up to her
abusive and nefarious boss.
Wed, Apr 10, 4:00; Tue, Apr 16, 7:30
Clash by Night. 1952. Directed
by Fritz Lang. Barbara Stanwyck
gives a gritty performance as a
working-class woman facing a
choice between a compromising
marriage and her sexual desires.
Wed, Apr 10, 7:00; Sun, Apr 14, 2:30
Sylvia Scarlett. 1935. Directed
by George Cukor. Katharine
Hepburn chops off her braids and
transforms from Sylvia to
“Sylvester” before setting off to
travel with her criminal father.
Thu, Apr 11, 4:30; Thu, Apr 18, 7:30
Female Trouble. 1974. Directed
by John Waters. Holy terror
Dawn Davenport (Divine) sets off
on a depraved, lifelong path of
crime and chaos. Thu, Apr 11, 7:30;
Sat, Apr 20, 4:30
In a Lonely Place. 1950. Directed
by Nicholas Ray. Gloria Grahame’s
talent for enduring the company
of unstable men—Humphrey
Bogart in this case—made her a
feminine icon.
Fri, Apr 12, 4:30; Fri, Apr 19, 7:30
Ganja & Hess. 1973. Directed
by Bill Gunn. Gunn’s artfully
ambitious vampire film sensually
merges genre conventions and
African cultural references.
Fri, Apr 12, 7:30; Sat, Apr 20, 2:30
Midnight. 1939. Directed by
Mitchell Leisen. This Cinderella-
inspired screwball classic drops
a penniless Claudette Colbert in
Paris. Sat, Apr 13, 1:30;
Thu, Apr 18, 4:30
A Free Soul. 1931. Directed by
Clarence Brown. Norma Shearer
holds her own with Lionel
Barrymore, Clark Gable, and
Leslie Howard. Sat, Apr 13, 4:30;
Wed, Apr 17, 4:30
What Price Hollywood? 1932.
Directed by George Cukor.
Constance Bennett stars in a
pre-Code take on the “a star is
born” formula. Sat, Apr 13, 7:30
Gun Crazy. 1950. Directed by
Joseph H. Lewis. The film’s
alternate title—Deadly Is the
Female—signals just what its
protagonist is up against as
he goes on a crime spree with
his sharp-shooting girlfriend.
Sun, Apr 14, 5:30; Fri, Apr 19, 4:30
Apr 25–May 5
Roberto
Gavaldón: Night
Falls in Mexico
MoMA presents the films of
Roberto Gavaldón, perhaps the
most profoundly noir of Mexico’s
epoca de oro directors. All films
are from Mexico and directed
by Gavaldón.
Rosauro Castro. 1950. When a
rural political boss is implicated
in the death of a political
reformer, his reign over his
nameless village is threatened.
83 min. Wed, Apr 24, 7:30
La barraca. 1945. An immigrant
family in Spain struggles to
establish their own small farm.
110 min. Thu, Apr 25, 4:30
El socio. 1946. An ambitious
young man discovers that having
a fake business partner makes
his deal-making easier—if the
partner has an Anglo-Saxon
name. 106 min. Thu, Apr 25, 7:00,
Sun, Apr 28, 6:30
En la palma de tu mano (In the
Palm of Your Hand). 1951. A
fraudulent fortune teller uses the
secrets of his female clientele for
blackmail, while at the same time
he is the pawn of a treacherous
widow. 113 min. Friday, Apr 26, 4:30
La otra (The Other One). 1946.
In this distinctly Mexican variant
of the Evil Twin plot, Dolores del
Rio plays a meek manicurist and
her mercenary, man-eating
sister. 98 min. Fri, Apr 26, 7:00
La diosa arrodillada (The
Kneeling Goddess). 1947. An
artist model leads a man away
from the arms of his innocent
wife and down, down into the
ecstatic depths of degradation.
107 min. Sat, Apr 27, 1:30
La noche avanza (Night Falls).
1952. An arrogant, womanizing
jai alai player becomes the target
of a revenge plot. 85 min.
Sat, Apr 27, 4:30, Tue, Apr 30, 7:00
Sombra verde (Untouched).
1954. A research scientist lost
deep in the interior encounters a
mysterious, machete-wielding
stranger and his beautiful
daughter. 85 min Sat, Apr 27, 7:00,
Tue, Apr 30, 4:30
El rebozo de Soledad (Soledad’s
Shawl). 1952. A medical
researcher from Mexico City
becomes emotionally involved
with the people of a small village.
108 min. Sun, Apr 28, 1:00
Rosa blanca. 1961. In the late
1930s, a small landowner
discovers petroleum on his
property. Approached by
American interests, he refuses to
sell, with the usual tragic results.
105 min. Sun, Apr 28, 4:00
Through Apr 7
New Directors/
New Films 2019
Now in its 48th year, the New
Directors/New Films festival
introduces New York audiences
to the work of emerging or
not-yet-established filmmakers
from around the world.
MS Slavic 7. 2019. Canada.
Directed by Sofia Bohdanowicz,
Deragh Campbell. 64 min.
Les idées s’améliorent (The
Plagiarist). 2018. France.
Directed by Léo Richard. 22 min.
Mon, Apr 1, 6:30
Alles ist Gut (All Good). 2018.
Germany. Directed by Eva
Trobisch. Aenne Schwarz delivers
a gut-wrenching performance as
a woman dealing with the
aftermath of a nightmarish
evening. 90 min. Tue, Apr 2, 6:15
Temporada (Long Way Home).
2018. Brazil. André Novais
Oliveira. The everyday takes on a
profound resonance in this
portrait of a woman who leaves
home to work in a public health
program. 113 min. Tue, Apr 2, 8:45
Honeyland. 2019. Macedonia.
Directed by Tamara Kotevska,
Ljubomir Stefanov. A woman’s
life is upended by thankless
new neighbors in this often
outrageously funny modern-day
parable. 85 min. Wed, Apr 3, 6:15
The Load. 2018. Serbia/France/
Croatia/Iran/Qatar. Directed by
Ognjen Glavonić. A truck driver
transports mysterious cargo
during the 1999 NATO bombing
of Yugoslavia. 98 min.
Wed, Apr 3, 8:45
Short Film Program 2
Four short films from around the
world. Thu, Apr 4, 6:15
Midnight Family. 2019. Mexico/
USA. Directed by Luke
Lorentzen. The Ochoa family
race to the scene of accidents to
fill the void of government-run
ambulances in Mexico City. 81
min. Thu, Apr 4, 8:30
Sauvage/Wild. 2018. France.
Directed by Camille Vidal-
Naquet. A gay street hustler leads
a knife’s-edge existence, roaming
from john to john in search of
sex, drugs, and possibly even
love. 99 min. Fri, Apr 5, 8:30
Belonging. 2019. Turkey.
Directed by Burak Cevik. An
investigation is flipped inside out
in this spellbinding film about a
young couple accused of murder.
72 min. Fri, Apr 5, 6:15
A Family Submerged. 2018.
Argentina/Norway/Germany/
Brazil. Directed by María Alché. A
middle-aged wife and mother is
set adrift by the death of her
sister. 91 min. Sat, Apr 6, 12:30
A Land Imagined. 2018. France/
Netherlands/Singapore. Directed
by Yeo Siew Hua. A clever,
evocative film about the case of a
missing Chinese construction
worker. 95 min. Sat, Apr 6, 3:00
Fausto. 2018. Mexico/Canada.
Directed by Andrea Bussmann.
The legend of Faust mingles
with local folklore in a film that
dissolves the boundaries
between the visible and the
invisible. 70 min. Sun, Apr 7, 1:00
Angelo. 2018. Austria/
Luxembourg. Directed by Markus
Schleinzer. An African man sold
into 18th-century Viennese court
society rises to Court Moor of the
Habsburg Empire. 111 min.
Sun, Apr 7, 3:15
Share. 2019. USA. Directed by
Pippa Bianco. A powerful
examination of sexual assault
and the increasingly volatile role
the Internet plays in American
society. 87 min. Sun, Apr 7, 6:00
Through Apr 26
Modern
Matinees:
B Is for Bacall
Lauren Bacall’s defining
characteristics onscreen—strong,
independent, smart, opinionated—
mirrored her accomplishments
throughout her varied, challenging
career. All films are from the US,
unless otherwise noted.
Harper. 1966. Directed by Jack
Smight. Private eye Paul Newman
searches for the missing husband
of a wealthy matron (Bacall).
121 min. Wed, Apr 3, 1:30
Woman’s World. 1954. Directed
by Jean Negulesco. A tycoon
looking for the perfect manager
for his automotive company
evaluates a trio of very different
couples. 94 min. Thu, Apr 4, 1:30
Ready to Wear (Prêt-à-Porter).
1994. Directed by Robert Altman.
Altman’s fashion-industry
insiders are by turns silly, vain,
ineffectual, and dim-witted.
133 min. Fri, Apr 5, 1:30
The Mirror Has Two Faces. 1996.
Directed by Barbra Streisand.
Bacall gave a fierce edge to her
role as Streisand’s seen-it-all
mother—and earned a Golden
Globe and an Oscar nomination
for her trouble. 122 min.
Wed, Apr 10, 1:30
Key Largo. 1948. Directed by
John Huston. A massive hurricane
traps Humphrey Bogart with a
posse of gangsters. 100 min.
Thu, Apr 11, 1:30
Birth. 2004. Directed by Jonthan
Glazer. A little boy, born at the
exact moment of a man’s death,
sneaks into a party and tells the
man’s widow that he has returned.
100 min. Fri, Apr 12, 1:30
Dark Passage. 1947. Written and
directed by Delmer Daves. A
framed man has his face altered
in order to reclaim his innocence.
106 min. Wed, Apr 17, 1:30
To Have and Have Not. 1944.
Directed by Howard Hawks. An
American charter captain
reluctantly helps a resistance
fighter on the run from the Nazis.
100 min. Thu, Apr 18, 1:30
The Big Sleep. 1946. Directed by
Howard Hawks. Philip Marlowe
(Humphrey Bogart) tries to
unravel a blackmail plot. 114 min.
Fri, Apr 19, 1:30
Written on the Wind. 1956.
Directed by Douglas Sirk. A
melodrama about two friends
who fall in love with the same
ambitious, materialistic woman.
99 min. Wed, Apr 24, 1:30
How to Marry a Millionaire. 1953.
Directed by Jean Negulesco. A
trio of Manhattan models are out
to land some rich husbands.
95 min. Thu, Apr 25, 1:30
Designing Woman. 1957.
Directed by Vincente Minnelli.
A chic fashion designer and a
down-to-earth sportswriter fall
in love but no one, including
them, can understand why.
118 min. Fri, Apr 26, 1:30
Ongoing
Modern Mondays
An Evening with Jen Liu
New York–based artist Jen Liu
presents recent video projects
dealing with gender, labor
conditions, and meat production
in China. Mon, Apr 22, 7:00
An Evening with Metahaven
Metahaven members Vinca Kruk
and Daniel van der Velden
present New York premieres of
recent moving-image work.
Mon, Apr 29, 7:00
Film
Apr 11–24
Lincoln Kirstein
and Film Culture
In conjunction with our Lincoln
Kirstein’s Modern exhibition,
this series focuses on Kirstein’s
considerable contributions to
film culture as a writer, editor,
and influential programmer.
A Midsummer Night’s Dream.
1935. USA. Directed by Max
Reinhardt, William Dieterle. This
take on Shakespeare’s comedy is
a dreamy, opulent affair. 133 min.
Thu, Apr 11, 7:00; Mon, Apr 22, 4:30 79 min. Ballet mécanique. 1924.
The Public Enemy. 1931. USA.
Directed by William A. Wellman.
Wellman’s influential gangster
picture launched James Cagney’s by László Moholy-Nagy. 6 min.
career. 83 min. Fri, Apr 12, 4:00;
Sun, Apr 21, 5:00
Blonde Crazy. 1931. USA.
Directed by Roy Del Ruth. 79 min.
Fox Movietone News, Volume V,
Release #49. 1932. 10 min.
Fri, Apr 12, 7:00
Taxi! 1932. USA. Directed by Roy
Del Ruth. 69 min. Billy the Kid.
1938. USA. 5 min. Sat, Apr 13, 1:00
Eisenstein’s Mexican Film:
Episodes for Study (Part One).
1930–32 (shot), 1955 (compiled). Floyd Crosby, Robert Ferguson.
Mexico. Directed by Sergei
Eisenstein. Eisenstein’s
unfinished Mexican epic,
reassembled by Jay Leyda
according to Eisenstein’s plans.
120 min. Sat, Apr 13, 4:00
Eisenstein’s Mexican Film:
Episodes for Study (Part Two).
1930–32 (shot), 1955 (compiled).
Mexico. Directed by Sergei
Eisenstein. 108 min.
Sat, Apr 13, 7:00
The Road to Life. 1931. USSR.
Directed by Nikolai Ekk. A drama
about the gangs of children on
the streets of Moscow, and the
efforts to conscript them into
building a new society. 105 min.
Sun, Apr 14, 2:00; Tue, Apr 23, 4:00
Portrait of a Young Man. 1931.
USA. Directed by Henwar
Rodakiewicz. 53 min. Travel
Notes. 1932. USA. Directed
by Walker Evans. 13 min.
Sun, Apr 14, 5:00
L’opéra de quat’sous. 1931.
France. Directed by G. W. Pabst.
107 min. King Neptune. 1932.
USA. Directed by Burt Gillett. 7
min. Study no. 7. 1931. Germany.
Directed by Oskar Fischinger.
3 min. Mon, Apr 15, 4:30
Laughter. 1930. USA. Directed
by Harry d’Abbadie d’Arrast.
France. Directed by Fernand
Léger with Dudley Murphy.
12 min. A Lightplay: Black White
Gray. 1930. Germany. Directed
Pearl of the Army, Episode 5:
“Somewhere in Grenada.” 1916.
USA. Directed by Edward José.
15 min. Mon, Apr 15, 7:30
L’Age d’or. 1930. France.
Directed by Luis Buñuel. 61 min.
Mail. 1929. USSR. Directed by
Mikhail Tsekhanovsky. 15 min.
Tue, Apr 16, 4:00
Paths to Paradise. 1925. USA.
Directed by Clarence G. Badger.
65 min. The Nesting of the Sea
Turtle. 1933. USA. Directed by
12 min. Tue, Apr 16, 7:00
Applause. 1929. USA. Directed
by Rouben Mamoulian. 80 min.
Flowers and Trees. 1932. USA.
Directed by Burt Gillett. 8 min.
Wed, Apr 17, 4:00; Mon, Apr 22, 7:30
The Blood of a Poet. 1930.
France. Written and directed by
Jean Cocteau. 55 min. The Sex
Life of the Polyp. 1928. USA.
Directed by Thomas Chalmers.
11 min. Wed, Apr 17, 7:00
Goupi mains rouges (It
Happened at the Inn). 1943.
France. Written and directed
by Jacques Becker. A close-knit
rural family is thrown into
disarray when the matriarch of
the clan is murdered. 96 min.
Thu, Apr 18, 4:00; Tue, Apr 23, 7:00
It’s All True. 1993. USA/Brazil.
Directed by Richard Wilson, Bill
Krohn, Myron Meisel, with
Orson Welles. 87 min. The Four
Temperaments. 1946. USA.
Choreography by George
Balanchine. 27 min.
Thu, Apr 18, 7:00
La belle et la bête (Beauty and
the Beast). 1946. France. Written
and directed by Jean Cocteau.
Cocteau’s eye for otherworldly
scenarios found an ideal platform
in this classic fairy tale. 93 min.
Fri, Apr 19, 4:00; Wed, Apr 24, 7:00
Gentlemen Prefer Blondes.
1953. USA. Directed by Howard
Hawks. Marilyn Monroe is
perfectly cast as an affianced
showgirl who’s cleverer than she
lets on. 91 min. Fri, Apr 19, 7:00
Bus Stop. 1956. USA. Directed by
Joshua Logan. A nightclub singer
(Marilyn Monroe) dreams of a
new life in Hollywood, but her
plans are derailed by a lovestruck
cowboy. 96 min. Sat, Apr 20, 1:00
The Misfits. 1961. USA. Directed
by John Huston. Written by
Arthur Miller, this was the final
film for both Marilyn Monroe and
Clark Gable. 125 min.
Sat, Apr 20, 4:00; Wed, Apr 24, 4:00
Isadora. 1968. Great Britain.
Directed by Karel Reisz. Vanessa
Redgrave stars as the dancer
Isadora Duncan. 131 min.
Sat, Apr 20, 7:00
October. 1927. USSR. Directed
by Sergei Eisenstein. Eisenstein’s
grandly orchestrated film of the
Russian Revolution is one of his
most ambitious attempts to
embody his theories of montage.
103 min. Sun, Apr 21, 2:00
Apr 8–20
What Price
Hollywood
In conjunction with the
eponymous poster exhibition,
this series takes a focused
look at onscreen gender norms
and alternative models of sexual
identity. All films are from the US,
unless otherwise noted.
The Good Fairy. 1935. Directed
by William Wyler. In this comedy,
precocious orphan Margaret
Sullavan attracts three men
whose interests are by turn
lustful, paternal, and romantic.
Mon, Apr 8, 7:30; Tue, Apr 16, 4:30
The Scarlet Empress. 1934.
Directed by Josef von Sternberg.
Marlene Dietrich shines as a
desperately unhappy young
Catherine the Great.
Tue, Apr 9, 4:00; Wed, Apr 17, 7:30
Diary of a Lost Girl. 1929.
Germany. Directed by G. W.
Pabst. Teenager Louise Brooks is
sent to a reformatory after being
raped and impregnated by her
father’s colleague. Tue, Apr 9, 7:00
Marked Woman. 1937. Directed
by Lloyd Bacon. Bette Davis
stars as an empowered nightclub
hostess who stands up to her
abusive and nefarious boss.
Wed, Apr 10, 4:00; Tue, Apr 16, 7:30
Clash by Night. 1952. Directed
by Fritz Lang. Barbara Stanwyck
gives a gritty performance as a
working-class woman facing a
choice between a compromising
marriage and her sexual desires.
Wed, Apr 10, 7:00; Sun, Apr 14, 2:30
Sylvia Scarlett. 1935. Directed
by George Cukor. Katharine
Hepburn chops off her braids and
transforms from Sylvia to
“Sylvester” before setting off to
travel with her criminal father.
Thu, Apr 11, 4:30; Thu, Apr 18, 7:30
Female Trouble. 1974. Directed
by John Waters. Holy terror
Dawn Davenport (Divine) sets off
on a depraved, lifelong path of
crime and chaos. Thu, Apr 11, 7:30;
Sat, Apr 20, 4:30
In a Lonely Place. 1950. Directed
by Nicholas Ray. Gloria Grahame’s
talent for enduring the company
of unstable men—Humphrey
Bogart in this case—made her a
feminine icon.
Fri, Apr 12, 4:30; Fri, Apr 19, 7:30
Ganja & Hess. 1973. Directed
by Bill Gunn. Gunn’s artfully
ambitious vampire film sensually
merges genre conventions and
African cultural references.
Fri, Apr 12, 7:30; Sat, Apr 20, 2:30
Midnight. 1939. Directed by
Mitchell Leisen. This Cinderella-
inspired screwball classic drops
a penniless Claudette Colbert in
Paris. Sat, Apr 13, 1:30;
Thu, Apr 18, 4:30
A Free Soul. 1931. Directed by
Clarence Brown. Norma Shearer
holds her own with Lionel
Barrymore, Clark Gable, and
Leslie Howard. Sat, Apr 13, 4:30;
Wed, Apr 17, 4:30
What Price Hollywood? 1932.
Directed by George Cukor.
Constance Bennett stars in a
pre-Code take on the “a star is
born” formula. Sat, Apr 13, 7:30
Gun Crazy. 1950. Directed by
Joseph H. Lewis. The film’s
alternate title—Deadly Is the
Female—signals just what its
protagonist is up against as
he goes on a crime spree with
his sharp-shooting girlfriend.
Sun, Apr 14, 5:30; Fri, Apr 19, 4:30
Apr 25–May 5
Roberto
Gavaldón: Night
Falls in Mexico
MoMA presents the films of
Roberto Gavaldón, perhaps the
most profoundly noir of Mexico’s
epoca de oro directors. All films
are from Mexico and directed
by Gavaldón.
Rosauro Castro. 1950. When a
rural political boss is implicated
in the death of a political
reformer, his reign over his
nameless village is threatened.
83 min. Wed, Apr 24, 7:30
La barraca. 1945. An immigrant
family in Spain struggles to
establish their own small farm.
110 min. Thu, Apr 25, 4:30
El socio. 1946. An ambitious
young man discovers that having
a fake business partner makes
his deal-making easier—if the
partner has an Anglo-Saxon
name. 106 min. Thu, Apr 25, 7:00,
Sun, Apr 28, 6:30
En la palma de tu mano (In the
Palm of Your Hand). 1951. A
fraudulent fortune teller uses the
secrets of his female clientele for
blackmail, while at the same time
he is the pawn of a treacherous
widow. 113 min. Friday, Apr 26, 4:30
La otra (The Other One). 1946.
In this distinctly Mexican variant
of the Evil Twin plot, Dolores del
Rio plays a meek manicurist and
her mercenary, man-eating
sister. 98 min. Fri, Apr 26, 7:00
La diosa arrodillada (The
Kneeling Goddess). 1947. An
artist model leads a man away
from the arms of his innocent
wife and down, down into the
ecstatic depths of degradation.
107 min. Sat, Apr 27, 1:30
La noche avanza (Night Falls).
1952. An arrogant, womanizing
jai alai player becomes the target
of a revenge plot. 85 min.
Sat, Apr 27, 4:30, Tue, Apr 30, 7:00
Sombra verde (Untouched).
1954. A research scientist lost
deep in the interior encounters a
mysterious, machete-wielding
stranger and his beautiful
daughter. 85 min Sat, Apr 27, 7:00,
Tue, Apr 30, 4:30
El rebozo de Soledad (Soledad’s
Shawl). 1952. A medical
researcher from Mexico City
becomes emotionally involved
with the people of a small village.
108 min. Sun, Apr 28, 1:00
Rosa blanca. 1961. In the late
1930s, a small landowner
discovers petroleum on his
property. Approached by
American interests, he refuses to
sell, with the usual tragic results.
105 min. Sun, Apr 28, 4:00
Through Apr 7
New Directors/
New Films 2019
Now in its 48th year, the New
Directors/New Films festival
introduces New York audiences
to the work of emerging or
not-yet-established filmmakers
from around the world.
MS Slavic 7. 2019. Canada.
Directed by Sofia Bohdanowicz,
Deragh Campbell. 64 min.
Les idées s’améliorent (The
Plagiarist). 2018. France.
Directed by Léo Richard. 22 min.
Mon, Apr 1, 6:30
Alles ist Gut (All Good). 2018.
Germany. Directed by Eva
Trobisch. Aenne Schwarz delivers
a gut-wrenching performance as
a woman dealing with the
aftermath of a nightmarish
evening. 90 min. Tue, Apr 2, 6:15
Temporada (Long Way Home).
2018. Brazil. André Novais
Oliveira. The everyday takes on a
profound resonance in this
portrait of a woman who leaves
home to work in a public health
program. 113 min. Tue, Apr 2, 8:45
Honeyland. 2019. Macedonia.
Directed by Tamara Kotevska,
Ljubomir Stefanov. A woman’s
life is upended by thankless
new neighbors in this often
outrageously funny modern-day
parable. 85 min. Wed, Apr 3, 6:15
The Load. 2018. Serbia/France/
Croatia/Iran/Qatar. Directed by
Ognjen Glavonić. A truck driver
transports mysterious cargo
during the 1999 NATO bombing
of Yugoslavia. 98 min.
Wed, Apr 3, 8:45
Short Film Program 2
Four short films from around the
world. Thu, Apr 4, 6:15
Midnight Family. 2019. Mexico/
USA. Directed by Luke
Lorentzen. The Ochoa family
race to the scene of accidents to
fill the void of government-run
ambulances in Mexico City. 81
min. Thu, Apr 4, 8:30
Sauvage/Wild. 2018. France.
Directed by Camille Vidal-
Naquet. A gay street hustler leads
a knife’s-edge existence, roaming
from john to john in search of
sex, drugs, and possibly even
love. 99 min. Fri, Apr 5, 8:30
Belonging. 2019. Turkey.
Directed by Burak Cevik. An
investigation is flipped inside out
in this spellbinding film about a
young couple accused of murder.
72 min. Fri, Apr 5, 6:15
A Family Submerged. 2018.
Argentina/Norway/Germany/
Brazil. Directed by María Alché. A
middle-aged wife and mother is
set adrift by the death of her
sister. 91 min. Sat, Apr 6, 12:30
A Land Imagined. 2018. France/
Netherlands/Singapore. Directed
by Yeo Siew Hua. A clever,
evocative film about the case of a
missing Chinese construction
worker. 95 min. Sat, Apr 6, 3:00
Fausto. 2018. Mexico/Canada.
Directed by Andrea Bussmann.
The legend of Faust mingles
with local folklore in a film that
dissolves the boundaries
between the visible and the
invisible. 70 min. Sun, Apr 7, 1:00
Angelo. 2018. Austria/
Luxembourg. Directed by Markus
Schleinzer. An African man sold
into 18th-century Viennese court
society rises to Court Moor of the
Habsburg Empire. 111 min.
Sun, Apr 7, 3:15
Share. 2019. USA. Directed by
Pippa Bianco. A powerful
examination of sexual assault
and the increasingly volatile role
the Internet plays in American
society. 87 min. Sun, Apr 7, 6:00
Through Apr 26
Modern
Matinees:
B Is for Bacall
Lauren Bacall’s defining
characteristics onscreen—strong,
independent, smart, opinionated—
mirrored her accomplishments
throughout her varied, challenging
career. All films are from the US,
unless otherwise noted.
Harper. 1966. Directed by Jack
Smight. Private eye Paul Newman
searches for the missing husband
of a wealthy matron (Bacall).
121 min. Wed, Apr 3, 1:30
Woman’s World. 1954. Directed
by Jean Negulesco. A tycoon
looking for the perfect manager
for his automotive company
evaluates a trio of very different
couples. 94 min. Thu, Apr 4, 1:30
Ready to Wear (Prêt-à-Porter).
1994. Directed by Robert Altman.
Altman’s fashion-industry
insiders are by turns silly, vain,
ineffectual, and dim-witted.
133 min. Fri, Apr 5, 1:30
The Mirror Has Two Faces. 1996.
Directed by Barbra Streisand.
Bacall gave a fierce edge to her
role as Streisand’s seen-it-all
mother—and earned a Golden
Globe and an Oscar nomination
for her trouble. 122 min.
Wed, Apr 10, 1:30
Key Largo. 1948. Directed by
John Huston. A massive hurricane
traps Humphrey Bogart with a
posse of gangsters. 100 min.
Thu, Apr 11, 1:30
Birth. 2004. Directed by Jonthan
Glazer. A little boy, born at the
exact moment of a man’s death,
sneaks into a party and tells the
man’s widow that he has returned.
100 min. Fri, Apr 12, 1:30
Dark Passage. 1947. Written and
directed by Delmer Daves. A
framed man has his face altered
in order to reclaim his innocence.
106 min. Wed, Apr 17, 1:30
To Have and Have Not. 1944.
Directed by Howard Hawks. An
American charter captain
reluctantly helps a resistance
fighter on the run from the Nazis.
100 min. Thu, Apr 18, 1:30
The Big Sleep. 1946. Directed by
Howard Hawks. Philip Marlowe
(Humphrey Bogart) tries to
unravel a blackmail plot. 114 min.
Fri, Apr 19, 1:30
Written on the Wind. 1956.
Directed by Douglas Sirk. A
melodrama about two friends
who fall in love with the same
ambitious, materialistic woman.
99 min. Wed, Apr 24, 1:30
How to Marry a Millionaire. 1953.
Directed by Jean Negulesco. A
trio of Manhattan models are out
to land some rich husbands.
95 min. Thu, Apr 25, 1:30
Designing Woman. 1957.
Directed by Vincente Minnelli.
A chic fashion designer and a
down-to-earth sportswriter fall
in love but no one, including
them, can understand why.
118 min. Fri, Apr 26, 1:30
Ongoing
Modern Mondays
An Evening with Jen Liu
New York–based artist Jen Liu
presents recent video projects
dealing with gender, labor
conditions, and meat production
in China. Mon, Apr 22, 7:00
An Evening with Metahaven
Metahaven members Vinca Kruk
and Daniel van der Velden
present New York premieres of
recent moving-image work.
Mon, Apr 29, 7:00
1 6 10 15 24 Events & Programs Film & Event Calendar
MON SAT WED 12:00 Family MON 4:00 Film 1:30 Film WED 1:30 Film
Family Films: Real It Happened at the Ganja & Hess. T1 The Kneeling
and Imagined Places. Inn. T2 Goddess. T1
4:00 Film
6:30 Film 10:20 Family 1:30 Film T3 4:30 Film 1:30 Film
4:30 Film The Misfits. T2 4:30 Film Gallery Sessions Tours for Fours:
MS Slavic 7; Tours for Fours. The Mirror Has Two L’opéra de quat’sous; Written on the Wind.
1:00 Film Midnight. T1 Night Falls. T1 Daily What’s the Story?
The Plagiarist. T2 Education & Faces. T2 Study no. 7; King Film
4:30 T2
Taxi!; Billy the Kid. T2 Marron Atrium, Floor 2 Saturdays & Sundays, Apr 6–28,
Research Building Neptune. T1 7:00 Film Female Trouble. T1 7:00 Film

2
Film
4:00 4:00 Film 10:20–11:15 a.m.
TUE It’s All True; The Four Untouched. T1 Join us for conversations and
10:20 Family Marked Woman. T1 7:30 Film 7:00 Film The Misfits. T2 Education & Research Building

A
Temperaments. T2 activities that offer insightful and

28
A Closer Look for Laughter and Three Isadora. T2
7:00 Film 7:00 Film SUN unusual ways to engage with art. Look, listen, and share ideas while
Kids. Education & Shorts. T1 7:30 Film

21
6:15 Film Clash by Night. T1 Beauty and the Limited to 25 participants you explore art through
Research Building Sylvia Scarlett. T1 SUN

16
All Good. T2 Beast. T2 movement, drawing, and more.

11
TUE

19
12:30 Film THU 1:30 Film 10:20 Family For four-year-olds and adult companions.
8:45 Film FRI 7:30 Film hablArte
A Family Submerged. Midnight. T1 Tours for Fours. Free tickets are distributed on a
Long Way Home. T2 10:20 Family Rosauro Castro. T1 13 de Abril, 1:30 p.m. first-come, first-served basis at 10:00 a.m.
T2 Education &
1:30 Talk 11:00 Family Tours for Fours. Marron Atrium, Planta 2 on the day of the program.

3 25
1:30 Film Research Building
WED 3:00 Film hablArte. Marron Explore This! Activity 12:00 Event Education & THU
Key Largo. T2 Os esperamos en nuestra próxima
A Land Imagined. T2 Atrium Stations. Floor 3 VW Sunday Sessions: Research Building 10:20 Family A Closer Look for Kids: Artful
conversación en español.
4:30 Film Jonathan González, A Closer Look for Objects
4:00 Film 4:00 Film 10:20 Family Gratuito para miembros y personas con
7:30 Event Sylvia Scarlett. T1 Lucifer Landing I. 11:00 Family Kids. Education & Saturdays & Sundays, Apr 6–28,
Eisenstein’s Mexican L’ Age d’or; Mail. T2 A Closer Look for entrada al museos
Quiet Mornings. MoMA PS1. Explore This! Activity Research Building 10:20–11:30 a.m.
7:00 Film Film: Episodes for Kids. Education &
Museum galleries 4:30 Film Stations. Floor 3 Education & Research Building
A Midsummer Night’s Study (Part One). T2 1:30 Film Research Building 1:00 Film Art Lab: Nature
The Good Fairy. T1
1:30 Film Dream. T2 The Big Sleep. T2 1:30 Film Soledad’s Shawl. T1 Daily, 10:30 a.m.–4:30 p.m.; Kids and adults participate in lively

P
4:30 Film 12:00 Event

7
Harper. T2 7:00 Film How to Marry a Fri, until 6:30 p.m. discussions and activities while
SUN Film
7:30 A Free Soul. T1 4:00 Film VW Sunday Sessions: 4:00 Film
Paths to Paradise; Millionaire. T2 Education & Research Building looking at art.
Film
6:15 Female Trouble. T1 Beauty and the Jonathan González, Rosa blanca. T1
7:00 Film The Nesting of the
Honeyland. T2 Beast. T2 Lucifer Landing I. 4:30 Film Discover how artists and designers For kids ages five to 10 and adult

12
Eisenstein’s Mexican Sea Turtle. T2 4:00 Performance companions. Free tickets are distributed
10:20 Family FRI MoMA PS1. La barraca. T1 are inspired by the natural world in
Film: Episodes for 4:30 Film VW Sunday Sessions: on a first-come, first-served basis starting
Tours for Fours. 7:30 Film this hands-on, multisensory at 10:00 a.m. on the day of the program.
Study (Part Two). T2 Gun Crazy. T1 2:00 Film 7:00 Film Vaquera, Ding Dong
Education & Marked Woman. T1 installation. All ages are welcome.
October. T2 El socio. T1 the Witch Is Dead.
Research Building 1:30 Film 7:30 Film

17
MoMA PS1 Family Films: Real and Imagined

26
Birth. T2 What Price WED 5:00 Film
10:20 Family FRI VW Sunday Sessions Places
Hollywood? T1 The Public Enemy. T2 6:30 Film
8:45 Film A Closer Look for 4:00 Film Various dates and times Sat, Apr 13, 12:00–1:00 p.m. T3
El socio. T1

14 22
The Load. T2 Kids. Education & The Public Enemy. T2 MoMA PS1
SUN 1:30 Film MON Watch and discuss live-action and

29
Research Building 1:30 Film

4
4:30 Film Dark Passage. T2 7:00 Film MON Embracing performance, music, animated short films.
THU Designing Woman. T2
1:00 Film In a Lonely Place. T1 Gentlemen Prefer dance, conversations, and film, For kids ages four and up and adult
4:00 Film
Fausto. T2 10:20 Family Blondes. T2 4:30 Film 4:30 Film VW Sunday Sessions supports and companions. Free tickets are distributed
7:00 Film Applause; Flowers

R
Tours for Fours. A Midsummer Night’s In the Palm of Your 7:00 Film commissions new work, inviting on a first-come, first-served basis at
Film
1:30 3:15 Film Blonde Crazy; Fox and Trees. T2 7:30 Film 10:00 a.m. on the day of the program.
Education & Dream. T1 Hand. T1 Modern Mondays: artists, curators, and others to
Woman’s World. T2 Angelo. T2 Movietone News, In a Lonely Place. T1
Research Building 4:30 Film An Evening with share their projects.
Volume V, Release 7:00 Film Explore This! Activity Stations

20
6:15 Film 6:00 Film A Free Soul. T1 Metahaven. T2 Visit moma.org/sundaysessions for
#49. T2 10:20 Family SAT Modern Mondays: An Tuesdays & Thursdays, Apr 16–25,
ND/NF Shorts Share. T1 details and ticketing info.

30
A Closer Look for 7:00 Film Evening with Jen Liu. 11:00 a.m.–1:00 p.m.
Program 2. T2 7:30 Film TUE

8
Kids. Education & The Blood of a Poet; T2 Exhibition galleries, Floor 3
MON Ganja & Hess. T1 Quiet Mornings
8:30 Film Research Building The Sex Life of the 10:20 Family
7:30 Film Wed, Apr 3, 7:30–9:00 a.m. See art in new ways while

13
Midnight Family. T2 Polyp. T2 Tours for Fours. 7:00 Film
SAT 2:00 Film Applause; Flowers 4:30 Film Museum galleries participating in fun and engaging
Education & The Other One. T1

5
7:30 Film The Road to Life. T2 7:30 Film and Trees. T1 Untouched. T2 activities in front of select
FRI Research Building See your favorite works from

27
The Good Fairy. T2 The Scarlet Empress. artworks. Choose the activities

23
2:30 Film SAT 7:00 Film MoMA’s collection and take in
10:20 Family T1 10:20 Family TUE that interest your family and

9
Clash by Night. T1 Night Falls. T2 selected new exhibitions, all
TUE Tours for Fours. A Closer Look for move at your own pace.

18
Film
1:30 without the crowds. Guided
Education & 3:00 Performance THU Kids. Education &
Ready to Wear. T2 10:20 Family meditation takes place at 8:30 a.m. For kids ages five and up and adult
Research Building VW Sunday Sessions: Research Building 11:00 Family From left: Honeyland. companions. Free with Museum
Tours for Fours.
6:15 Film 4:00 Film Klein. MoMA PS1. Explore This! Activity Courtesy NEON; A Land Adults $15, seniors $12, full-time students admission
10:20 Family 12:00 Event Education & Imagined. Courtesy with current ID $10, children (16 and
Belonging. T2 The Scarlet Empress. 11:00 Family Stations. Floor 3
A Closer Look for 5:00 Film VW Sunday Sessions: Research Building Netflix; Taxi!; Gun Crazy. under) free. Free for members, with the
T2 Explore This! Activity Courtesy Photofest; In the ability to bring guests for $5
8:30 Film Kids. Education & Portrait of a Young Jonathan González, 4:00 Film
Stations. Floor 3 10:20 Family Palm of Your Hand.
Sauvage/Wild. T1 7:00 Film Research Building Man; Travel Notes. T2 Lucifer Landing I. The Road to Life. T2 Courtesy Cineteca
A Closer Look for
Diary of a Lost Girl. 1:30 Film MoMA PS1. Nacional. Cover: Isadora.
5:30 Film 7:00 Film Kids. Education & Courtesy Universal
T2 To Have and Have
Gun Crazy. T1 1:00 Film It Happened at the Research Building Pictures/Photofest
Not. T2
Bus Stop. T2 Inn. T2