Arte, memoria y resistencia en la Galicia de posguerra: el caso de José Meijón.
Meet José Meijón Area, the eccentric, presumably uncultured
stonemason from Marín (Pontevedra) who lived through Spain’s last colonial wars in Africa, survived the Civil War and went through the ensuing dictatorship using the stones in the environing parishes as a book of memory on which for decades he compulsively sculpted petroglyphs and script with his hammer and chisel. Meijón left a vast collection of delirious and cryptic Germán Labrador Méndez inscriptions scattered throughout the coastal villages of southern Princeton University Galicia alongside the region’s more famous petroglyphs from the Introducer: Atlantic Bronze Age, which likewise resist the erosion of time and José María Rodríguez García forgetting while challenging our attempts at a final interpretation. Duke University A vernacular practitioner of land-art avant la lettre and of masonry as a mnemonic techné, Meijón suffered mental illness for at least Respondents: most of his adult life. Elia Figueroa (PhD student in Romance Studies, Duke Friday, April 5th at 3:30 p.m. University) Tyler Goldberger (Honors Alumni Memorial Commn Room, Duke Divinity School, West Campus
Senior, Duke University)
Workshop with Germán Labrador Méndez
Workshop on author´s most recent book, Culpables por la
literatura (Madrid: Akal, 2017), a thought-provoking, detailed survey of insurgent literatures and other forms of countercultural discourse feverishly produced as Spain evolved from a slowly agonizing dictatorship into a formal democracy while its burgeoning middle classes succumbed in great numbers to an induced or subconsciously desired forgetting of history. Labrador’s study takes account of the resurgence of horizontal and micro-territorial forms of community and direct democracy since roughly 2010, a time that has made us more aware than ever before of the roads envisioned but not taken in late 1970's Spain.