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Beauty and The Beast (Vocal Score) PDF
Beauty and The Beast (Vocal Score) PDF
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Beauty and The Beast (Vocal Score) PDF
Beauty and The Beast (Vocal Score) PDF
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Beauty and The Beast (Vocal Score) PDF
Beauty and The Beast (Vocal Score) PDF
Uploaded by
Guillermo NázaraCopyright:
Available Formats
BEAUTY AND THE BEAST
VOCAL SCORE
Music and lyrics by Julian Butler.
Script by Mike Kenny.
©2012 Julian Butler.
01. Something Amazing.
from Beauty and the Beast.
Words and music by
Julian Butler.
q = 110 C E‹
F C E‹ F
p
ped.
q = 172
6
pizz.
10
14
18
arco
23
2
28
32
36
COOK: Looks can be de - ceiv- ing. See-ing is - n't
D/A D G
mp
ped.
42
al ways be - liev- ing. No -one can be blind to ap -pear - ance, but with time, per - sev
D/F© E‹ E‹ D C B‹ A‹ D B7
48
er - ance, find pat-ience with - in. Look un -der the skin and some - thing a-
E‹ G/D A‹/C G/B B7/A A‹/D
3
54
maz-ing may be - gin.
D G F© G A¨
pizz.
59
Down here in the cel -lars there's a smell of rot -ting meat, like feet, or sun - baked
G B‹ B¨‹ A‹
63
bins. This stench, this o - dour, from the base -ment that's ad - ja -cent to the cess - pit,
D G B‹ B¨‹
3
67
rats don't last here, bats fly past here. Heav - en knowshow some -where so gross can
A‹ D C E¨9
3
4
71
cook up some-thing fresh and tas - ty. Good-ness gra-cious, some-where so base. If
G G7 C E¨(“2)
75
3
3
looks could kill this prob -ab - ly will, but good things come in dis - guise. Some -how we're
D C/E D/F© C/G D/A
ped.
q = 129.25
79
rais - ing some -thing a - maz - ing. Sam-ple the food, you'llhave to ap - prove. Some-how we're
G B‹7 E‹
A/C© C9 D7
f
83
rais - ing some -thing a - maz - ing. May not look clean, may-be it's not. Might as well
E‹
G B7 C A/C©
G/D
5
q = 145
87
face it,shame if I waste it.Why don't you taste it?
B7/F©
B7/D© E‹
Bº/F
p
94
99
103
Four 'ta - ties, does -n't mat -ter what their state is. Mu - ta - ted. They could
G(b5)
mp
105
prob -'ly find where the plate is. I think they've ma - ted! Now brus sels. This one's got
C(b5)
6
108
stub ble. And mus cles. It's cov -ered in pus, like cus - tard!
BOOTBOY: We'll call it mus - tard!
111
116
Hold on, don't chuck that. We'll tuck that un - der-neath them sprouts. It's
D
118
cheap this. Adds ex - tra sweet - ness. If looks could kill this
If looks could kill this
A‹ A/C© D
rit.
7
q = 129.25
122
3
3
prob -ab -ly will, butgoodthings come in dis - guise. Some -how we're rais - ing some-thing a -
3
3
prob -ab -ly will, butgoodthings come in dis - guise. Some -how we're rais - ing some-thing a -
C/E D/F© C/G D/A G
f
ped.
126
maz - ing. Sam - ple the food, you'll have to ap - prove. Some - how we're rais - ing some-thing a-
maz - ing. Sam - ple the food, you'll have to ap - prove. Some - how we're rais - ing some-thing a-
B7/F©
B‹7
E‹ A/C© C9 D7
G
q = 172
130
maz - ing. No-one can be blind to ap - pear -ance, but with time, per - sev
maz - ing. No-one can be blind to ap - pear -ance, but with time, per - sev
D
E‹
E‹
D C B‹ A‹
B7/D©
8
135
er - ance, find pat -ience with - in, look un-der the skin andsome thing a-
er - ance, find pat -ience with - in, look un-der the skin andsome thing a-
E‹ G/D A‹/C G/B B7/A A‹/D
141
maz - ing may be - gin.
maz - ing may be - gin.
D E¨Œ„Š7
pizz.
145
02. Pretty.
from Beauty and the Beast.
Words and Music by
Julian Butler.
A q = 180 E(“4)/B E A
6
MAID: A curse up -on me,
E(“4)/B E A
10
be -ing so pret - ty. No words or song for my beau - ty.
E7 A E7 F
13
Sun a - ri - ses be - neath my breast and all a -round me
B¨ F7 B¨
2
16
the birds are sing - ing la da da, la da da, la da da, ding dong! The
F7 E¨ F7 F©7
19
bells are ring -ing from hill -tops and all a -round me the grass is just that
B F©7 B F©7
23
lit -tle bit green - er, the men that lit -tle bit keen er. And ev -'ry time I step
E D©‹ E F© G E‹7/C
27
out - side my front door, there's some -one wait - ing, la da da da da, la da da da da.
G7/D
E‹7/C G7/D
3
32
Ev -'ry man I've met has fal - len for me; it's ra - ther grat - ing.
E‹7/C
G7/D
36
La da da da da, la da da da da, la da da da da, da da da da, la da da da da da.
E‹7/C G7/D E‹7 A7 FŒ„Š7 E
42
all the way from Lon - don town to Vi - et - nam
A C©‹
46
there is no - one quite as pret- ty as I am. Of
F©‹ F
4
50
all the girls from Chi - na down to sweet Si - am, there is
E A C©‹
55
no - one quite as pret - ty, no - one quite as pret-ty as I am!
F©‹ F E
60
La da da, da da da, da da da, ding, dong!
D E A E(“4)/B
66
Don't get i - deas, let's make this per -fect - ly clear. A boy like
E A B‹
71 5
you should know the score, I'm a ten, you're a three or four. You must un -der-stand,
D B/D© D/E E A
76
so weboth knowwhereyou stand: you'll ne -ver, ne - ver win a girl as pret - ty, (it's
B‹ D B/D©
81
hard to hear; I'm full of pi - ty), you'll ne - ver get a
E F©7 B‹
84
girl as pret - ty as
A/C© D D/E
87
me.
A G(b5)
6
92 F©‹
97 G(b5)
102 F©‹
107 G(b5)
112 G D/F© G(“2)
A7(;5)/G G(“2) A5/G A5/F©
117
D/F©
121
125 7
BOOTBOY: It tastes like fish. Well,not quite fish, but of the sea wherefish have been.
G(b5)
129
It tastes of peas. Well, not quite peas, but of the dirt theyweregrown in.
F©‹
133
It tastes like meat. Well,more like lard. It would taste sweet, but it's too
G(b5)
F©‹
137
charred. It's like a bon - y, chew y, bit -ter chunk of ston - y, goo - ey,
G G(b5) F©‹
141
frit -tered gunk. It's ac - tual-ly quite nice.Let'ssend it in.
B7(;3)/F© G/D A/E G(b5)
8 146
MAID: Think of my
F©‹
150
face, my love - ly face, the steam could wrin - kle ten - der skin. Think of my
G(b5)
154
hands, the plate may burn them if I placed them on the rim. If I should
F©‹
158
smell it I may flick - er. Taste it, death could not come quick- er. I could
G(b5) F©‹
162
faint or die from con - tact, no, it ain't in -side my con - tract, so it's
G G(b5) F©‹ B7(;3)/F©
166 9
hard - ly worth the price.Why not send him?
G/D A/E D F©‹
171 A5/F© C©º A/E
Slower.
175 rit.
COOK: Find pa -tience with - in. Look un -der the skin, and
D/A E‹/G D/F© F©7/E
180
some -thing a - maz - ing may be - gin.
D
G/A A(“4) D/F© G
183
D
D/F© G
D
03. Toil.
from Beauty and the Beast.
Words and music by
q = 160 Julian Butler.
BUTLER: Toil! Toil! From the Stone Age to theRome Age,bey-
C‹ C‹ D¨
8
ond and be - fore,man has toiled and de - fen -ded with faith and good swords. From the
E¨ A¨ C7 F‹ G7 C
14
BronzeAge to the Space Age, in front and be - hind, man has toiled and cre - a - ted this
F‹ G¨ A¨ D¨ F7 B¨‹
20
worldwe now find. the Ro-mans, they roamed on - to
C7 F F('9) C‹
2
26
Eur -o - pe - an turf. They trained us to drain but killed most of us first. They
Dº G C‹
32
fash-ioned some roads on our good En -glish soil. Do you think it was fun?
F‹ C‹ G A¨º
38
It took toil. The Vi -kings came fight-ing the Eur - o -pe -an guard. The
G C‹ G© C©‹ Aº7
45
Norse-men were horse men of the high-est re -gard. They got in their long - ships, the
G© G©7 C©‹ F©‹
3
51
En-glish re- coiled. Do youthink it was fun? It took toil. The Pictspicked
C©‹ G© C©‹ C©‹/B B¨5 A5 D‹
59
En -gland to broad en their home. The En-glish were fin-ished, ex - tin- guished by Rome. The
B¨º7 A A7 D‹
66
Ger -mans,they heard 'em, theytook all our spoils. Do you think it was fun? It took
G‹
D‹
A
73
toil. Toil is work,but a lit - tle bit hard - er. Toil is
D‹ D5/F© G‹
F/G G‹ F©&
4
78
gutspusheda lit - tle bit far - ther. Toil is grit with a lit - tle bit of griev ance, ne - ver
D‹ E¨º7 B E
82
COOK:I've got
quit, come rain or shine, through all the sea -sons.
A A7/G A/F A/E D‹
88
boi - ls on me blis -ters and hands just from work - ing the land.All this to - il.
Bº B¨ D‹/A E A7
95
All me boils have got blis - ters I plough through my list 'till the sun hits the
B¨º7 A B¨ F
5
101
mud. Till my fin - gers pour blood. E - ven then I'm not done. When the
A B¨ F E
106
ev 'ning's be - gun there's more to - il. Like a slave in the pad - dy,and how -e - ver
G‹6 A& A D‹ B¨ D‹/A
Bº
113
bad - ly I cry, hou -ses don't clean them - selves. It's not good for my
E A A/E B¨º7 A B¨
119
health, but I have to re - ly on me, num -ber one to get a - ny-thing done. When I
B¨/F F A B¨ B¨/F F E
6
126
slip in - to slum -ber at some -thing past one, mehead's burst -ing like thun -der but
A‹
E/B F E F G‹
132
time is un - bend - ing, the next thing I know, I'm a - wake and it all starts a-
B¨ B¨/F B¨7/F F E/B
138
gain. COOK: Toil is work, but a lit -tle bit hard - er. Toil is
BUTLER: Toil is work, but a lit -tle bit hard - er. Toil is
G‹/D D‹7 G‹ G‹ G¨&
7
143
gutspusheda lit -tle bit far- ther. Toil is grit with a lit tle bit of griev ance, ne -ver quit, come rain or
gutspusheda lit -tle bit far- ther. Toil is grit with a lit tle bit of griev ance, ne -ver quit, come rain or
D‹ E¨º7 B/D© B/F© E E/G© A A7/G
148
shine, through all the sea -sons.
shine, through all the sea -sons.
A/F A/E D‹ A7/E
154 A7/C© A D‹
04. A House in the Country.
from Beauty and the Beast.
Words and music by
Julian Butler.
q = 170 C F C F C
6
BUTLER: A house in the coun - try is all we have
F C F C C/E F
12
left. A house in the coun - try, we're bro - ken, be - reft. A few a - cres of
C E‹ A‹ D G A A& A
18
land,room for ten or twelve guests. A house in the coun-try is all
D‹ C/G A‹6 C/E B D‹
2
24
we have left. A house in the
F/G G C F C A¨(“2) D¨
30
coun - try is all that we've got. Debt -ors got the bet - ter, they've
D¨/F G¨ D¨ F‹ B¨‹
35
ta - ken the lot. A - ni - mals? May - be. There might be some
E¨ A¨ B¨ B¨& B¨ E¨‹ D¨/A¨
40
cows, but a house in the coun try is all we have
B¨‹6 D¨/F C E¨‹ G¨/A¨ A¨
3
45
now. BUTLER:Noth ing else to myname!
COOK: A house in the coun try. But a
A B¨
E¨/B¨ E¨ E¨/G A¨ E¨
51
Some chick - ens, some game!
house in the coun try. A house in the coun -try is
G‹ C‹ D‹/F B¨ A¨ E¨/G
57
not much to you, but it's bet- ter than liv ing where I used to do.
E¨‹/G¨ F‹7(;5) C/E F‹(;5) B¨ D
4
63
MAID: A house in the coun - try. COOK: Oh, please: don't you
G G/B
C
67
start! MAID: A house in the coun - try. It's break - ing my heart.
G B7 E‹ F©‹/A D
72
BUTLER: We must go. we must
A -cres of farm - land, no - bo - dy in sight. COOK: What a blow!
C G/B G‹/B¨ A‹7(;5) G D/F©
78
leave here to - night.
D G
5
84
q = 145 C
A‹
91
rit.
B‹/F© G C A‹ B‹/F©
96
G A‹ D/F© F
101
rit.
q = 115. D7
105 C/E C‹/E¨
108
BUTLER: A house in the coun - try is all we have left.
G C F G C
rall.
05. Anything.
from Beauty and the Beast.
Words and music by
Julian Butler.
q = 170
MAID: A - ny -thing.
AŒ„Š7 E6 AŒ„Š7
8
Just get me a - ny - thing. My taste is quite
E6 AŒ„Š7 E6 AŒ„Š7 E6 AŒ„Š7
14
sim ple, a trin ket, a sym bol of love is all I need.
E6 AŒ„Š7 E6 AŒ„Š7 E6 AŒ„Š7
20
A - ny - thing. Just get me a - ny -
E6 AŒ„Š7 E6 AŒ„Š7 E6 AŒ„Š7
2
26
thing. I'll take a con -ces -sion for in my pos -ses -sion are
E6 AŒ„Š7 E6 A('9) B‹('9)
31
in -ces -sant pres -ents most pleas - ant. I hate to im - pose, I pro - pose that the gross of what's
C©‹ D A('9) B‹('9)
35
cho -sen won't cost through the nose. The mat - ter is closed.
C©‹ D E A('9)
39
I've got long dres - ses, short dres - ses, dres -ses with frills, pat - terns,
A('9) B‹('9)
43 3
dres -ses that go o -ver jeans. I've got dres ses in green, white and black,pink and pur-ple and
C©‹ D A B‹
47
ev -'ry -thing else in -be tween. But o -ther than this,la da, a pres-ent is bliss,la
C© F©‹ F©‹/E D A/C© Cº
52
da. So, what do you get the girl whohas ev - 'ry - thing? A - ny-thing,a - ny-thing,
E C© D A/C© B‹
56
a - ny-thing at all! It's
D A('9)
4
61
not I don't like 'em; I ride 'em, I groom'em. I've sta -bles full up to thegloom. I've more
A('9) B‹('9) C©‹ D
65
jum - pers and sprin - ters than Cook's had hot din - ners, and
A('9) B‹
67
frank -ly I don't have the room. But o - ther than this, la da, I'd
C© F©‹ F©‹/E D A/C©
71
die for a gift, la da. So what do you get the
Cº E C© D
74
girl who has ev - 'ry - thing? A - ny-thing, a - ny-thing, a - ny-thing at all!
A/C© B‹ A/C© D('9)/E E A('9)
78 5
I've got
85
so ma - ny a - ni -mals it's un - true, I could pro -bab - ly o - pen my own zoo. If
D C© C B
89
No-ah was broke and there was -n't a boat, I could send the a - ni -mals sail - ing two by
B¨ A G© E7
93
two. MAID: No a ni -mals at all. I've
COOK: No dia - monds.
BOOTBOY: No hor - ses. No dia - monds.
BUTLER: So, no dres- ses.
A A('9) B‹ C©‹
6 98
jew -els ga - lore. No choc -'late. You got that? That's
No make up. She's got all there is.
So, make - up?
C© F©‹ D A/C© C©
102
not on my list. So what do you get the girl who has ev - 'ry - thing? A - ny- thing,
So what do you get the girl who has ev - 'ry - thing?
So what do you get the girl who has ev - 'ry - thing? A - ny -
So what do you get the girl who has ev - 'ry - thing? A - -
F©‹ B D A/C© B‹
7
106
a - ny- thing, a - ny - thing at all!
a - ny- thing, a - ny thing at all!
thing, a - ny - thing at all!
-ny - - thing at all!
A/C© D('9)/E A
110
A7/G D/F© D‹/F (E) A
06. A Little Magic.
from Beauty and the Beast.
Words and music by
Julian Butler.
C E‹ A‹ C& C E‹ A‹ C&
q = 130
5 C E‹ A‹ C& C E‹ F©7(#5) C E‹
10 A‹ C& D‹ D‹7
14
COOK: I was born on Christ -mas Eve.
D‹7
B‹ D/A© D‹
B‹ D/A© C E‹
18
Doors close be-
A‹ C& C E‹ A‹ C& C E‹
2
22
hind me when I leave. I am so good andhon
A‹ C& C C E‹
26
est, when I walk through a for - est, all the
A‹ C& C E‹ A‹ C&
29
crea - tures come from hi - dey - holes to look.
D‹ F7(;5)/E¨ D‹/F D9/F© C
33
Ev -'ry nowand then, in ev - 'ry -one's life there comes a time when we need
C E‹/C A‹/C C D‹ D‹(Œ„Š7)
Latin feel.
3
36
a lit -tle mag- ic. We wish u-pon a star once or twice. In ev - 'ry -one's life, we need
F/G G C E‹/C A‹/C C D‹ D‹(Œ„Š7)
40
a lit - tle mag- ic. Once or twice in our lives, when ev -'ry -thing's back
F/G G A‹ E C©º
43
to front; when ev - 'ry -thing's up - side down and we don't know where
D‹ F E F©º C/E
46
3
to look, take a leaf out of my book and sprin -kle some
F/G D7(;5) G G&
4
49
3 3 3
star - dust, some won - der, some heart,just some fun for we're on - ly here
C E‹/C A‹/C C Gº/B¨ F/A
52
BOOTBOY: Re-
for a lim - i - ted time, my dear.
F‹/A¨ C/E D&/F© G G&
56
mem -ber the time when I got stuck up a tree? You couldhave wavedyour wand, and
C E‹/C A‹/C C& D‹ D‹(Œ„Š7)
5
59
res-cued me, but you did - n't. No,you did - n't. You just
No, I did -n't. No, I did -n't.
D‹7 G E‹ E‹(Œ„Š7) E‹7 E‹6
62
let me wait un - til I felt that softbranch break. Re-
A‹ E&/G© C/G A‹6/F© G G&
66
mem ber the time when I got stuck in a well? I was scream ing blue mur der,mak-ing
C E‹/C A‹/C C& D‹ D‹(Œ„Š7)
69
mer -ry hell. You couldhave raised me up with a sim -ple spell, butyou
D‹7 G E‹ E‹(Œ„Š7) E‹7 F
6
72
did - n't. No,you did - n't. I would be there still
No, I did - n't. No, I did - n't.
D/F© D‹/F E‹ D©º7 C/E F
75
if the rainhadnotmade that well fill.
D7/F© G G&
79
F©7(#5)
85
89
Once
7
92
or twice in our lives, when ev -'ry -thing's in - side out, you for
A‹ E C©º D‹
95
-get what it's all a - bout andyoudon't know where to turn. Here's a
F E F©º C/E F/G
98
les - son we should learn.
D7(;5) G G&
p
ped.
101
104
8
107
Now it's time for a
mf
110
3
spell. Some-thing big. Some-thing, well, some - thing a -
113
ma - - zing. we all need a big of ma - gic
115
power, and this lit - tle bit of ma-gic's hap-pen -ing now!
ff
07. She's Too Good for Me.
from Beauty and the Beast.
Words and music by
Julian Butler.
q = c.130
BOOTBOY: I love her! I love her! I love her, I love her, I love
D‹/F D D‹/F D(“2)/E C‹6/E¨
Rubato.
q = 100
8
her! She's too good for me. Too good to
D A&9 D A&9 D A&9 D
Slower.
16
care. Shewalksright past me like I'm not there. I smile and she looks at me
A&9 E‹ A9 B‹ F© C‹(Œ„Š7)/E¨ G‹6 D
2
23
strange -ly, like this. and a kiss? I would, but it's ea - sy to see that it's true. She's
G
F©& D‹/F D(“2)/E C‹6/E¨ C(“2)/D A(“4)
30
too good for me. She's too good for me. Just way too
A&9 D A&9 D A&9 D A&9 D
38
good. One look at her and it's un - der - stood. You can tell me there's plen -ty more
A&9 E‹ A9 B‹ F© C‹(Œ„Š7)/E¨ G‹6 D
45
fish in the sea, but I can't find the wa - ter, I'm lost in the wood. What to do? She's
F©& G D‹/F D(“2)/E C‹6/E¨ C(“2)/D A(“4)
3
q = 120
52
too good for me. I would tell her that I love her so, but I
A&9 D D7 G B‹/F© E‹ G/D
Faster.
59
can't, you know, find the nerve. I would
CŒ„Š7 C©Ø7 FŒ„Š7 B¨
64
tell her I'll love her for - e - ver, but I can't seem to e - ver find the words.
F/A G‹ F©& B¨/F C7/F F
rit.
q= 100
70
COOK:You're too good for her, more like, you
F& D A&9 D A&9 D A&9 D
a tempo.
4
78
see? You'rekind,sort of hand-some and ea - sy to feed. And if she does-n't want you, it's
A&9 E‹ D/A B‹ F© C‹(Œ„Š7)/E¨ G‹6 D
85
her loss, not yours. You've got flaws. Who has - n't? But she's got one more:she thinks
F©& G D‹/F D(“2)/E C‹6/E¨ C(“2)/D
91
she is too good for you.
A(“4) A&9 D A&9 D A&9 B‹9/D
07a. The Beast's Castle.
from Beauty and the Beast
Music by
q = 145 Julian Butler.
C©‹
3 B¨(b5)/D
5 C©‹ B¨(b5)/D
rit.
8
q = 123
B¨(b5)/D
12 C©‹ B¨(b5)/D
17 E(“2) G A5('%)
2
21 D‹ D‹7 Bº/D D‹ D‹7 Bº/D E(“2)
F(“2)
24
G(“4)
27
A(“2) B¨(b5)
29
32 q = 155 C©‹
38 B¨(b5)/D
E(“2) E(“2)/F© E(“2) E‹/G A(“2)
41
3
44 B‹ D7(;5)/B B‹/D D‹ D‹7 Bº/D
47 D‹ D‹7 Bº/D E(“2) E(“2)/F©
49 G('9)/A D6(;3)/A A(“2)
52 C©‹ B¨(b5)/D
55 C©‹
58
B¨(b5)/D
rit.
08. A Rose.
from Beauty and the Beast.
Words and music by
Julian Butler.
q = 141
BUTLER: A rose is God in na - ture cast.
F C6 G‹
F C6 F C6
5
A rose will last long af -ter man is gone. In sight and song, their beau -ty
Gº7 C©º D‹/A A/G Gº7 C7
9
grows. A rose. Though war may soil the land,
F C6 F C6 F C6
G‹
13
a rose will stand. They hold their se - crets close. Where
Gº7 C©º
D‹/A A/G
2
16
sor -row goes, their beau -ty grows.
Gº7 C6 F C6
F
F C6
20
Thorns may prick - le care -less fin - gers; a
G‹ Gº7 C©º D‹/A A/G
24
small price for the joy they bring us. A
Gº7 F
C6
26
rose. A rose. A rose.
F
F C6 F C6
rit.
09. Unknown.
from Beauty and the Beast.
Words and music by
Julian Butler.
q = 153 C©‹ B¨7(b5)/D
5 C©‹ B¨7(b5)/D
9
BUTLER: And so I have to go. My fate is at the cas-
C©‹ B¨7(b5)/D
12
tle, where I must die. I
C©‹
2
15
MAID:Then break it!
have to. It's fat - ed. I pro - mised.
B¨7(b5)/D C©‹
E E/G© E E/G©
B¨7(b5)/D A A
19
25
MAID:Ev -'ry day I'm learn ing. Ev -'ry day I change, this
E E/G©
E E/G©
A A G
30
world moves fast, what'snow is passed be -fore you know it.
C
F
E(“4)
3
33
I've been hard and sel - fish. I've been slow
E
B(“4) E/G© A E E/G© A
37
to act. I've been in - clined, but now's the time I have toshow it.
C
G F E(“4)
41
One chance to be some - bo - dy. One chance to
B
D
G
D
45
make a change, it's time to let go. Now it's
G C F B¨
4
48
time to make that leap, in to the un - known, where
A(“4) B E E/G© A C©‹
52
noth-ing is writ - ten. It's all un - known.
F©‹ C©‹ B E E/G© A C©‹
C C/E F
C/E
F
F©‹ C©‹ B C
56
61
BUTLER: I've lived long and hap - py. I've had my chance
C C/E F C C/E F
5
65
to shine, but now there's morebe - hind me than a - head.
A¨
E¨ D¨ C(“4)
69
MAID: That pro - mise will
I made a pro-mise to him.
A7(“4) A7 D G D G
73
stay true, I will face the Beast in -stead of you and leap,
G C F B¨ A(“4)
77
in to the un - known, where noth -ing is writ ten.
B E E/G© A C©‹ F©‹ C©‹
6
81
It's all un - known. If you
B E E/G© A C©‹ F©‹ C©‹ B
86
don't think you can, then you won't. those who say that they will, well, they
E A G©‹ C©‹ F©‹
89
don't. If you think it's too high, then it is. Don't put
B D B‹ C
92
off 'till to - mor-row what must be done to - day.
G A B
96 C©‹ B¨(b5)
7
100 C©‹ B¨(b5)
104 C©‹ B¨(b5)
108 C©‹ B¨(b5)
112
One chance to be some - bo - dy. One chance to make a change, it's
D G D G C
8
116
time to let go. Now it's time to make that leap,
F
B¨
A(“4)
119
BOOTBOY: So,she took her fath - er's horse,
in - to the un - known.
COOK: So,she took her fath - er's horse,
BUTLER: So,she took her fath - er's horse,
B C©‹ C©(“2)/D©
3
9
122
3
and rode it in -to that cold night. She ne-ver looked back, ne -ver thought
3 3
and rode it in -to that cold night. She ne-ver looked back, ne -ver thought
3
3
and rode it in -to that cold night. She ne-ver looked back, ne -ver thought
C©‹/E C©(“4)/F© E E(“2)/F©
126
twice. She rode in - to the
twice. She rode in - to the
twice. She rode in - to the
G©(“4)/D©
G©
C©‹
10
129
deep, dark fo - rest, on her mind, her
deep, dark fo - rest, on her mind, her
deep, dark fo - rest, on her mind, her
C©(“2)/D©
C©‹/E
131
fath - er's pro - mise. She rode un - til the cas - tle loomed in sight.
fath - er's pro - mise. She rode un - til the cas - tle loomed in sight.
fath - er's pro - mise. She rode un - til the cas - tle loomed in sight.
C©(“4)/F©
E E(“2)/F©
11
134
The gates swung o - pen,
The gates swung o - pen,
The gates swung o - pen,
G©(“4)/D© G© A
137
not a sound. The young girl en - tered, du - ty bound. They
not a sound. The young girl en - tered, du - ty bound. They
not a sound. The young girl en - tered, du - ty bound. They
A(“2)/B A‹/C A(“4)/D
12
140
closed be hind her: she was trapped in - side.
MAID:We
closed be hind her: she was trapped in - side.
closed be hind her: she was trapped in - side.
E E(“2)/F©
G©
G©(“4)/D©
144
make it up as we go a - long. To -mor - row waits for all of us
A E/G© F©‹ E D A/C© B
148
un - known.
E E/G© A
B E
10. Entr'acte.
from Beauty and the Beast.
Words and music
by Julian Butler.
q = 150
BOOTBOY: On -ly fif -teen min-utes a - go, Beau - ty left herhomeand rode.
MAID: Fif -teen min-utes a - go, Beau - ty left herhomeand rode.
COOK: Fif -teen min-utes a - go, Beau - ty left herhomeand rode.
(Tuning). BUTLER: Fif -teen min-utes a - go, Beau - ty left herhomeand rode.
7
Gui -ded by the stars her on - ly thought to save her Fa - ther. You stood in the foy - er,
Gui -ded by the stars, she went to save her Fa - ther. You stood in the foy - er,
Gui -ded by the stars, she went to save her Fa - ther.
Gui -ded by the stars her on - ly thought to save her Fa - ther. You stood in the foy - er
2
12
reada -bout the the - a - tre's o -ther en - ti - cing shows.
reada -bout the the - a - tre's o -ther en - ti - cing shows. While
Guz-zl - ing ice cream, reada -bout the the - a - tre's o -ther en - ti - cing shows.
guz -zl - ing ice cream, o -ther en - ti - cing shows. While
17
back -stage Beau - ty plannedfor her week - end.
Madesome calls and text -ed her boy-friend,
back -stage Beau - ty plannedfor her week - end. Madesome calls and text -ed her boy-friend,
21
Wait-ing for the bell to bringusback to the stage so shecould showyouwhathappened
- whenshe
to bringusback to the stage so shecould showyouwhathappened
- whenshe
to bringusback to the stage so shecould showyouwhathappened
- whenshe
Wait-ing for the bell backto the stage so shecould showyouwhathappened
- whenshe
3
25
rodethroughthe cas-tle gates.
rodethroughthe cas-tle gates.
rodethroughthe cas-tle gates.
rodethroughthe cas-tle gates.
30
35
40
4
45
50
55
60
65
69
MAID: It tastes like fish, the kind of fish you on - ly read a - bout in books.
G¨5
5
73
thislove - ly dish, a sin - gle sniff and I am just a bab - bling
F©‹
77
brook. It tastes so gor -geous I can sense it. Must be ter - ri bly ex pen - sive. This sud-den
G(b5) F©‹
82
bar -rage that's be -gun is like a mas -sage for the tongue.
G G(b5) F©‹
85
It's so much bet -ter than the food we get from Cook.
F©‹('4) G/D A/E D/F©
11. Everything.
from Beauty and the Beast.
Words and music by
Julian Butler.
q = 150
A E
A E A E
mp
ped.
7
A - ny -
A E A E A E A
14
thing. I can have a - ny - thing. A
E A E A E A E
21
comb would be use ful, I left in a deuce and my hair is ev - 'ry -
A E A E A E
2
27
where. Morelight would ap-pease. Toomuch! Turn it down, please! Just
A
E A E A
E
33
there. Just leave it there. A - ny - thing.
A E A E A E A
40
I can have a - ny - thing. A
E A E A E
45
dress would be nice, for I could -n't think twice a -bout what I was go -ing to wear. The
A B‹('9) C©‹ D('9)
49 3
pres - sure, the strife. You know stress gives you lice, and you would -n't want that in my
A('9) B‹('9) C©
52
hair. so beau -ti -ful clothes, la da, would light -en my load, la da.
F©‹ B D A/C© Cº E C©
57
What do you take when they of - fer you a - ny - thing? Ev - 'ry - thing, ev - 'ry - thing,
D A/C© B‹ C©‹
60
ev -'ry - thing and more. I want
D('9)/E E A9 A9
f
4
65
dia -monds and leo -pards, a cir - cus, a ring -mas - ter, liv -ing at my beck and call. A
B‹9 C©‹ D
69
cat - te - ry, dog -ge- ry, a - via - ry, ba -ke - ry mak -ing me cakes big and small. I want
A9 B‹ C© F‹ B
73
sum -mer in winterand win -ter insum -mer and au - tumn won't hap - pen at
E‹ D©& G/D
76
all. A car - riage, a mar -riage, a gift card for Har - rod's and
A F© B‹ B¨&
5
79
par - rots that sing me most beau -ti -ful bal - lads. An or - ches - tra scor - ing my
D/A E A(“4) A F©‹
82
life spe - ci - fi - c'ly, phras ing on staves ev - 'ry cra - zy ac - ti - vi - ty.
F& A/E B/D© B
85
So much gold it hurts to hold it, a booth at the I - vy that no -one but I can see.
E‹ C©/E© F©‹ E¨/G
89
Je - wels and par -cels that change when I ask 'em! I want
G©‹ F/A
B¨‹
6 92
ev ry' - thing, ev 'ry thing, ev 'ry thing, ev 'ry thing, ev 'ry thing, ev 'ry thing,
B‹ A/C© D B/D© E‹ C©/E©
ff
95
ev 'ry thing, ev 'ry thing! And I want...I want...I want ...my mother.
E/G© A‹
F©‹ E¨/G G©‹
subito p
101
A‹7
106
A‹6 A‹
12. They're in Love.
from Beauty and the Beast.
Words and music by
Julian Butler.
q = 175
q = 175
C F G C F G C F G
7
COOK: See how she leads him on?
C F G C F
10
He'll sense some -thing is wrong. They don't know yet, butthey're in love.
C G C C F G C
2 14
She is glow -ing in -side. He smiles, can't fig -ure why. They don't know
F G C F C G C
18
yet, butthey're in love.
F G C F G C
22
Look at howthey are ea - sy to -ge -ther, don't have to be
F G(“4) F‹ B¨ B¨7 E¨
3
26
ve - ry cle - ver to see it's right. Look in - to their
A¨ G(“4) G
30
eyes, they're so re -veal-ing, they'll al -ways show whatwe're feel -ing.
F‹
B¨
E¨
34
It's hard to hide.
A¨ G
E¨
A¨
4
38
BUTLER: She is eye - ing the knife,
D¨ E¨ A¨ D¨ E¨ A¨ D¨
42
COOK: They don't know yet, but they're in
he is scared for his life. They don't know yet, but they're in
A¨ E¨ A¨ D¨ E¨
45
love.
love.
E Bº Dº/F B/D© B7/A F
5
50
MAID: May -be you should let me go!
BOOTBOY: May -be I should let you go. May -be I should.
D‹ A‹ G‹ B¨ G(“4)/C
54
May -be you should let me go! May -be you should let me go!
May -be I should let you go. May -be I should.
G(“4) D‹ A‹ G‹ B¨ G(“4)/C
58
May -be you should! COOK: Is -n't it so ve -ry love - ly see -ing love
May -be I should! BUTLER: They will kill each o -
G(“4) C‹ A¨ C‹/G D/F©
6
63
blos -som -ing be - fore you? So love- ly. I need to buy a dress! What will I wear?
ther if you don't do some - thing. How
G‹ A7(;3)/G D D/C G/B G C‹
68
Some -thing flo - ral. Sim-ple but com pli -ment - ing. Heart -shaped! With ruf fles! How
can you, a mo - ther, let this go, do
A¨ C‹/G D/F© G‹ A7(;3)/G
73
per -fect it will be! What a wed - ding! What a love - ly mo - ment, to see young love in
noth - ing? Cru - - el, this is cru - el, some -one
D D/C G/B G C‹ A¨ C‹/G D/F©
7
78
mo - tion. So touch - ing. I think I may just cry! I think I may just cry!
stop them, some - one! I can't bear to look!
G‹ A7(;3)/G D G A¨ D7 C‹
84
COOK: Ev -'ry -bo -dy knows that when a girl says she hates you,
C‹
Dº
(x31)
88
it means she real - ly, real - ly loves you.
BUTLER:
E¨(“4)/F
G(“4)
E¨ G
8
93
Ev -'ry -bo -dy knows that when a man gets i - rate, you know that he
C‹
Dº
97
COOK:
real - ly real - ly loves you! BUTLER:
E¨
E¨(“4)/F G(“4) G
101
See how she leads him on. He'll sense some -thing is wrong. They don't know
See how she leads him on. He'll sense some -thing is wrong. They don't know
C F C G C
104 9
yet, butthey're in love. She is glow - ing in -side.
yet, butthey're in love. She is glow - ing in -side.
F G C F G C F
108
He smiles, can't fig - ure why. They don't know yet, butthey're in love.
He smiles, can't fig - ure why. They don't know yet, butthey're in love.
C G C F G C
112
Look at how they are, sis - ter and bro - ther.
Look at how they are, sis - ter and bro - ther.
F G C F‹ FB¨ G(“4) B¨7
10117
May want to kill one a - no - ther, but they're in love!
May want to kill one a - no - ther, but they're in love!
E¨ A¨ G(“4)
121
Look in - to their eyes, full of re -sis - tance. There can be just
Look in - to their eyes, full of re -sis - tance. There can be just
G F‹ B¨
125
one de -sis - tance, that they're in love, they're in
one de -sis - tance, that they're in love, they're in
E¨ A¨ G(“4)
11
129
love,
they're
in
love!
love, they're in love!
F‹ G(“4) G C F G C
13. Dinner Dance [Instrumental].
from Beauty and the Beast.
Music by Julian Butler.
q = 180
A¨ A¨/C D¨ A¨ E¨/G
5
A¨ A¨/C D¨ E
7
10 BºDº/F B/D© B7/A F
14 D‹ A‹ G‹7 B¨ C(“2)
18 G(“4) D‹ A‹ G‹7
2
B¨ C(“2) G(“4)
21
C‹ D/F©
24
G‹ A7(;3)/G
27
D D/C G/B G C‹
30
D/F©
32
G‹ A7(;3)/G D D/C G/B G
35
C‹ D/F©
38
3
G‹ A7(;3)/G
41
D D/C G/B G C‹
44
48
51
53
14. Who Could Love Me?
from Beauty and the Beast.
Words and music by
Julian Butler.
q = 136
B Cº7 D¨ B¨/D E¨‹
8
BOOTBOY: I was made this way:
E¨‹ B¨‹/D¨
15
cruel of heart and free of guilt. I can ne-ver change. Love has made me
B¨‹ G¨ E¨‹ B¨‹/D¨ B¨‹
20
weak of will. Who could love me? Who could change me?
C¨ G¨ D¨/F B¨‹ A¨/C
2
23
How will I be free? She stands here with me;
D¨ A¨º B¨/D B/D© B‹/D G¨/D¨ D&
28
hon - est, true and much too good for me.
E D¨7/F G¨
32
I can't help her, I can't give her a - ny thing she needs.
G¨ D¨/F B¨‹ A¨/C D¨ A¨º B¨/D B/D©
36
All her hopes and dreams lie some - where else, with some-one else, not
B‹/D G¨/D¨ D& E D¨7/F
3
41
me.
G¨
47
53
59
4
65
71
Who could love me?Who could change me?
p
G¨ D¨/F B¨‹ A¨/C
p
76
How will I be free? All her hopes and
D¨ A¨º B¨/D B/D© B‹/D G¨/D¨
80
dreams lie some -where else, with some - one else, not me.
D& E D¨7/F G¨
rall.
15. Time Stands Still.
from Beauty and the Beast.
Words and music by
q = 150
Julian Butler.
ped.
5 C©‹
mf
7
BOOTBOY: So,she took her
COOK: So,she took her
BUTLER: So,she took her
C©‹
2
10
fath -er's horse, androde it in - to that cold night. She
fath -er's horse, androde it in - to that cold night. She
fath -er's horse, androde it in - to that cold night. She
C©(“2)/D© E C©(“4)/F©
3 3
13
ne -ver looked back, ne -verthought twice.
3 3
ne -ver looked back, ne -verthought twice.
3
3
ne -ver looked back, ne -verthought twice.
E E(“2)/F© G©(“4)/D© G©
3
17
She rode in-to thedeep,dark fo - rest, on her mind, a bro-ken pro - mise. She
She rode in-to thedeep,dark fo - rest, on her mind, a bro-ken pro - mise. She
She rode in-to thedeep,dark fo - rest, on her mind, a bro-ken pro - mise. She
C©‹ C©(“2)/D© E C©(“4)/F©
21
rode un - til the cas-tle loomed in sight. The
rode un - til the cas-tle loomed in sight. The
rode un - til the cas-tle loomed in sight. The
E E(“2)/F© G©(“4)/D© G©
4
25
gates swung o - pen, not a sound. Theyounggirl en - tered,
gates swung o - pen, not a sound. Theyounggirl en - tered,
gates swung o - pen, not a sound. Theyounggirl en - tered,
A A(“2)/B A‹/C
28
du -ty bound. They closed be hind her: she was trapped in - side.
du -ty bound. They closed be hind her: she was trapped in - side.
du -ty bound. They closed be hind her: she was trapped in - side.
A(“4)/D E E(“2)/F©
31
5
In the un - known.
G©(“4) G© C©‹
subito p
34
C©(“2)/D©
39 C©‹/E F©(“2) C©‹ A(b5)
46 q = 156
6
52
q = 110
D/F©
D G D D/F© G
58
Freely. p
ped.
64
MAID:You bleed and I bleed.You hurt, I hurt, too. You feel your
D
D/C©
B‹ G D
p
70
heart beat and I feel it, too. Hold on;
D/C©
B‹ G F©‹
7
74
noth-ing is ea - sy, but hold on for me. Time stands still so
G D A(“4) A C G/B A‹
p
80
I can stay next to you.Time stands still. I'll do my best if you hold on for
F C G/B A‹ F C
86
me. If you die, then I die, so stay strong for
G(“4) G D A/C© B‹
90
me. Hold on; noth-ing is ea - sy, but hold on for
G F©‹ G D
8
94
me. Time stands still so I can stay next to you.Time stands
A(“4) A
D
A/C©
B‹
G
D A/C©
mf
101
still. I'll do my best if you hold on for me.
B‹ G D A(“4) A
D/F©
D G D D/F© G
106
p
111
D
pp
16. Something Amazing [Reprise].
from Beauty and the Beast.
Words and music by
Julian Butler.
q = 172
6
BOOTBOY: Looks can be de - ceiv - ing. See -ing is - n't
G/D G C
11
al - ways be - liev - ing. No -one can be blind to ap -pear - ance, but with time, per - sev
G/B A‹ A‹ G F E‹ D‹ G E7
17
er - ance, find pat - ience with - in, look un -der the skin and some thing a-
A‹ C/G D‹/G C/E E7/D D‹/G
2 23
maz -ing may be - gin.
G
28
32
36
41
COOK:
G F© G A¨
46
Ma - gic. like a thrash - ing, in a flash it can make some - one good. I gave my
G
B‹ B¨‹
A‹
3
50
wand a wave, and ma - gic. Could - n't help it, Dove, you felt the love and ma - gic
D G B‹ B¨‹
54
would do both of you a fa - vour. I know what you mean, dear.
BOOTBOY: Quite ex treme!
A‹ D C E¨9
3
58
Some - times thought I'd gone too far.
BUTLER: But turned out great for ev -'ry - one's sake. Now
G G7 C E¨(“2)
4
62
3
3
And she loves you. There's noth - ing left here to do, but say that we're
3 3
you love him. There's noth - ing left here to do, but say that we're
D C/E D/F© C/G D/A
q = 129.25
66
rais - ing some -thing a - maz - ing. New love is made, this play has been
rais - ing some -thing a - maz - ing. New love is made, this play has been
B‹7
q = 129.25
G
E‹
A/C©
69
played. Some -how we're rais - ing some -thing a - maz - ing. May -be it's
played. Some -how we're rais - ing some -thing a - maz - ing. May -be it's
C9 D7
G B7 E‹
5
72
true, may -be it's not. Some -thing be -tween it. Now that you'veseen it, know that we
true, may -be it's not. Some -thing be -tween it. Now that you'veseen it, know that we
C A/C© G/D
B7/D©
E‹
q = 145.
76
mean it.
mean it.
Bº/F B7/F© q = 145.
q = 164
82
MAID: No -one can be blind to ap-
COOK: No -one can be blind to ap-
BOOTBOY: No -one can be blind to ap-
BUTLER: No -one can be blind to
ap-
E‹
D C B‹ A‹
6 88
pear - ance, but with time, per - sev - er - ance, find pat -ience with - in, look
pear - ance, but with time, per - sev - er - ance, find pat -ience with - in, look
pear - ance, but with time, per - sev - er - ance, find pat -ience with - in, look
pear - ance, but with time, per - sev - er - ance, find pat -ience with - in, look
E‹
D B7 G/D A‹/D
93
un -der the skin and some thing a - maz -ing may be - gin.
un -der the skin and some thing a - maz -ing may
un -der the skin and some thing a - maz -ing may
un -der the skin and some thing a - maz -ing may
G/B B7/A A‹/D D
rit.
q = 126
99 G B‹ C G B‹ C
rit.
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