Editors have significant influence over complex special effects in movies. Special effects can take a long time to create but editors determine how they are incorporated into the film by selecting footage, helping design effects, and initial editing in their systems. Editors routinely work with complex effects by choosing shots, assisting in design, or initially editing effects themselves.
Editors have significant influence over complex special effects in movies. Special effects can take a long time to create but editors determine how they are incorporated into the film by selecting footage, helping design effects, and initial editing in their systems. Editors routinely work with complex effects by choosing shots, assisting in design, or initially editing effects themselves.
Editors have significant influence over complex special effects in movies. Special effects can take a long time to create but editors determine how they are incorporated into the film by selecting footage, helping design effects, and initial editing in their systems. Editors routinely work with complex effects by choosing shots, assisting in design, or initially editing effects themselves.
Editors have significant influence over complex special effects in movies. Special effects can take a long time to create but editors determine how they are incorporated into the film by selecting footage, helping design effects, and initial editing in their systems. Editors routinely work with complex effects by choosing shots, assisting in design, or initially editing effects themselves.
COMPLEX EFFE·CTS We live in an era where hardly a movie appears that doesn't .,
exhibit some sort of special effect; many blockbusters de
pend on novel effects to bolster their appeal. Effects can take days, weeks, or months to craft on the computer and in the film lab. Then they are cut into the movie by the editor and finalized during the finishing process that takes place after the editor turns in the final cut of the show. There are many flne books on how these effects are created. Since this book is about the types of cuts editors make to put one shot after another into a movie, we'll focus on the complex effects editors routinely influence by either selecting the footage, helping with design, or knocking out the initial version on their digital editing system.