The document provides a rubric for evaluating student compositions based on their demonstration of knowledge in three areas: ABA form, chordal structure using tonic (I) and dominant (V) chords, and the function of their assigned part (melody, countermelody, or harmony). The rubric has three levels - developing, good, and excellent. For each area, it gives examples to distinguish the levels and illustrate common errors seen in developing work.
The document provides a rubric for evaluating student compositions based on their demonstration of knowledge in three areas: ABA form, chordal structure using tonic (I) and dominant (V) chords, and the function of their assigned part (melody, countermelody, or harmony). The rubric has three levels - developing, good, and excellent. For each area, it gives examples to distinguish the levels and illustrate common errors seen in developing work.
The document provides a rubric for evaluating student compositions based on their demonstration of knowledge in three areas: ABA form, chordal structure using tonic (I) and dominant (V) chords, and the function of their assigned part (melody, countermelody, or harmony). The rubric has three levels - developing, good, and excellent. For each area, it gives examples to distinguish the levels and illustrate common errors seen in developing work.
Demonstration of Knowledge Students demonstrate a Students demonstrate a basic Students demonstrate a mastery of ABA’ about ABA’ form. developing understanding of ABA’ understanding of ABA’ form but with form, with a clear distinction between form. Examples: the form is ABC, errors. Examples of errors would be A the A, B, and A’ portions of the ABCD, ABCA, etc. and A’ being exactly the same or being compositions. Each section is 4 measures completely different or the order of long. A and A’ are similar until the last the sections being incorrect (AA’B, measure of A’, in which the part slightly BA’A, etc…). changes. Demonstration of Knowledge Students demonstrate a Students demonstrate a basic Students demonstrate a mastery of the developing understanding of understanding of Tonic (I) and Dominant usage of Tonic (I) and Dominant (V) of Chordal Structure, (V) chords. Errors might include: Starting Tonic (I) and Dominant (V) chords. Chords. The pitches that have been specifically on Tonic (I) and the piece with V, ending the piece with V, Example: When selecting pitches selected line up in accordance to agreed Dominant (V) Chords. for their part, pitches were chosen having a melody use pitches from I, but upon chordal structure (i.e. no pitch the harmony be V, or using chords that are at random without relation to I clashes can be heard in reference to the not I or V. and V chords. Pitches did not chord structure). The students have not follow the chordal structure used any chords other than I and V in established by the group in the their composition. beginning of the assignment. Demonstration of Knowledge Students demonstrate a Students demonstrate a basic Students demonstrate that they surrounding the group’s Part, developing understanding of the understanding of the function of their understand the function of their function of their Part. Examples Part. Examples of errors could be: Part assigned Part (i.e. the harmony part does dependent on if their Part is include: The part was through C not adhering to it’s supportive role in not write music that would typically be A (melody), B composed with no semblance of a couple of measures, part B found in a melody part and vice-versa). (Countermelody), or C function or the part is the overpowering Part A in a couple of (Harmony). complete opposite of its function sections, etc. (Part C was written as melodic, etc).