Professional Documents
Culture Documents
Julianna Rees Siop Lesson
Julianna Rees Siop Lesson
Content Objectives:
Students will be able to identify internal/implied direction and articulate words and phrases that
Shakespeare uses to create the witches' heath in a modified version of the play Macbeth Act 1.1, Act
1.2 and Act 1.3. They will be able to cite evidence as well as draw inferences from the text. They will
understand that plays are intended to be performed rather than read. Students will determine the
meaning of words and phrases as they are used in the text, including figurative and
connotative meanings; they will analyze the impact of specific word choices on how the
language evokes a sense of time, place and mood. Students will use precise words and
phrases, telling details, and sensory language to convey a vivid picture of the experiences,
events, setting, and/or characters in Shakespeare’s Macbeth. Students will have many
opportunities for both formal and informal spoken expression as they engage in
problem-solving exercises with small and whole-class peer group work. Students will
synthesize their understanding by writing or drawing in their Reading Journals.
CA- California Common Core State Standards Applied in the Lesson
Subject: English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects
Standard: 2. Determine a theme or central idea of a text and analyze in detail its
development over the course of the text, including how it emerges and is shaped and
refined by specific details; provide an objective summary of the text.
Standard: 4. Determine the meaning of words and phrases as they are used in the text,
including figurative and connotative meanings; analyze the cumulative impact of specific
word choices on meaning and tone (e.g., how the language evokes a sense of time and
place; how it sets a formal or informal tone).
Standard: 5. Analyze how an author’s choices concerning how to structure a text, order
events within it (e.g., parallel plots), and manipulate time (e.g., pacing, flashbacks)
create such effects as mystery, tension, or surprise.
Standard: 6. Analyze a particular point of view or cultural experience reflected in a work
of literature from outside the United States, drawing on a wide reading of world
literature.
Standard: 10. By the end of grade 9, read and comprehend literature, including stories,
dramas, and poems, in the grades 9–10 text complexity band proficiently, with
scaffolding as needed at the high end of the range.
By the end of grade 10, read and comprehend literature, including stories, dramas, and
poems, at the high end of the grades 9–10 text complexity band independently and
proficiently.
Indicator: 3.d. Use precise words and phrases, telling details, and sensory language to
convey a vivid picture of the experiences, events, setting, and/or characters.
Standard: 9. D raw evidence from literary or informational texts to support analysis,
reflection, and r esearch.
Standard: 1. Initiate and participate effectively in a range of collaborative discussions
(one-on-one, in groups, and teacher-led) with diverse partners on grades 9–10 topics,
texts, and issues, building on others’ ideas and expressing their own clearly and
persuasively.
Standard: 2. Integrate multiple sources of information p resented in diverse media or
formats (e.g., visually, quantitatively, orally) evaluating the credibility and accuracy of
each source.
Indicator: 1.a. Come to discussions prepared, having read and researched material
under study; explicitly draw on that preparation by referring to evidence from texts and
other research on the topic or issue to stimulate a thoughtful, well-reasoned exchange of
ideas.
Indicator: 1.c. Propel conversations by posing and responding to questions that relate
the current discussion to broader themes or larger ideas; actively incorporate others into
the discussion; and clarify, verify, or challenge ideas and conclusions.
Indicator: 1.d. Respond thoughtfully to diverse perspectives, summarize points of
agreement and disagreement, and, when warranted, qualify or justify their own views
and understanding and make new connections in light of the evidence and reasoning
presented.
Standard: 4. Present information, findings, and supporting evidence clearly, concisely,
and logically (using appropriate eye contact, adequate volume, and clear pronunciation)
such that listeners can follow the line of reasoning and the organization, development,
substance, and style are appropriate to purpose (e.g., argument, narrative, informative,
response to literature presentations), audience, and task.
Standard: 6. Adapt speech to a variety of contexts and tasks, demonstrating command
of formal English when indicated or appropriate. (See grades 9–10 Language standards 1
and 3 for specific expectations.)
Indicator: 4a. Plan and deliver an informative/explanatory presentation that: presents
evidence in support of a thesis, conveys information from primary and secondary sources
coherently, uses domain specific vocabulary, and provides a conclusion that summarizes
the main points. (9th or 10th grade.)
Benchmark : Ask and answer questions using phrases or simple sentences.
Benchmark : Read aloud simple words presented in literature and content area
texts; demonstrate comprehension by using 1-2 words or simple sentence
responses.
Benchmark : Respond with appropriate short phrases or sentences in a variety of
social and academic settings (e.g., answer simple questions).
Benchmark : Produce simple vocabulary (single words or short phrases) to
communicate basic needs in social and academic settings (e.g., locations,
greetings, classroom objects).
Category : Vocabulary & Concept Development(Also are addressed in Listening &
Speaking)
Benchmark : Produce simple vocabulary (single words or short phrases) to
communicate basic needs in social and academic settings (e.g., locations,
greetings, classroom objects).
Benchmark : Use detailed sentences to orally identify at least two ways in which
poets use personification, figures of speech, and sounds.
Assessment/Rubrics:
The lesson is project-based and includes formative assessments in the group work students do.
The teacher will have several opportunities to check for comprehension throughout the lesson.
The final tableau of the scene from Macbeth will indicate students’ overall understanding. In
addition, the Reading Journal entry at the end of class (modified to be an illustration with
vocabulary labels for students with more limited English language output capacity) is another,
more formal assessment.
Instructional Materials/Handouts:
Copies of Shakespeare's Macbeth, Act 1 scenes 1-3, simplified
Highlighters or pens
Graphic organizers for taking notes (provided)
Teacher-created slideshow about Shakespeare’s Globe Theater
A chalkboard or whiteboard
An open space made in the room by pushing tables to the side and some chairs if needed
Students’ Reading Journals
1. The first few minutes of class will be spent
reviewing the lesson’s objectives.
Building background: 2. Hook: Have you ever been out in a storm?
explicitly linking Where is the most wild place you have been in
concepts to students' nature? Was it in the mountains? At sea? Have
backgrounds and you ever been afraid outside somewhere? Turn
experiences and talk to a classmate about your experience
for a few minutes
Do Now: 10 minutes 21st Century Skills: 3. Students will take out texts they've read from
Communication other classes, such as essays, books, lab
reports, etc. Why or how is Macbeth different?
Students brainstorm with a partner, then offer
ideas for discussion. Main idea: Macbeth is a
performance script. As a class we will compare
the ways Macbeth is visually different from the
other texts or books the students have read.
Some ideas to include:
● list of characters
● broken into acts and scenes
● prose vs. verse
● dialogue
● it is intended to be
Scaffolding seen/heard/experienced/performed,
rather than read
Therefore, we will need to be actors, not
readers. Discuss how these are characters in a
play, not a story
In the back of their Building background: 4. Next, we will fill in a KWL chart about
Reading Journals, linking past learning Shakespeare and Macbeth together as a class.
English Language and new concepts, Students will have their own graphic organizers
Learners will have a scaffolding, applying (provided) to fill in as items are added on the
Macbeth Unit content and language board. Since the class has been reading the
Vocabulary Log with
words and images
that support learning knowledge, play for several class periods, they will have a
this material comprehensible input lot of input for the Know section of the chart
(provided)
Some key ideas to include:
● the play is 400 years old
● the language, vocabulary and sentence
structure can be different from ours
today
● Shakespeare invented words that were
used in the play for the first time
● the Elizabethan theatre had a bare stage
with few props and no set
CA ELD Standard B Scaffolding, 5. I will provide a slideshow of images of
5: Listening actively comprehensible input Shakespeare's Globe theater, both from his time
to spoken English in and the rebuilt Globe today. Students will take
a range of social 21st Century Skills: notes on the graphic organizer provided. I will
and academic Technology explain that because Shakespeare's stage had
contexts no sets and few props, he had to write "internal
stage directions" to let the audience know what
they were supposed to be "seeing." This was
Shakespeare's “set design:” characters tell the
audience where and when the scenes occur :
● Dark strangles the traveling lamp
● So foul and fair a day I have not seen
● This castle hath a pleasant seat
I Do: 5 minutes 6. I will model how to find “set,” “time” or “mood”
words in Shakespeare’s text, using other
scenes: “What bloody man is that?” Explain
what “Til he unseamed him from the nave to the
chops” means. “How goes the night, boy?” “The
moon is down, I have not heard the clock.”
We Do: 15 minutes Emphasize key 7. At their tables of four, students will get out
vocabulary, their Macbeth books. Tables will be assigned
CA ELD Standard scaffolding, Act 1.1, Act 1.2 or Act 1.3. Students will look for
A.3: Offering and higher-order thinking, clues Shakespeare left behind of what the
justifying opinions, opportunities for scenes should look like. What words and
negotiating with and interaction, apply phrases are important? On the graphic
persuading others content and language organizers provided, students can use
in communicative knowledge, integrate highlighters to highlight key words, or circle the
exchanges all language skills, words they think are appropriate .
comprehensible input Each table is comprised of a strong reader, an
average reader, a good reader and a poor
Student Friendly reader. One of them may also be a leader, and
Objective: Students one may be a behavior challenge. These
will be able to find 21st Century Skills: students will read the scene, performing
internal direction Collaboration, different roles:
and words that “set Communication, ● The Leader: facilitates/manages the job
the scene” of Critical Thinking to be done, contributes to the
Macbeth’s heath, conversation
using the graphic ● The Grit Expert: helps with the “grit” or
organizer provided. hard parts
● The Gist Expert: responsible for the
main idea and facts
● The Note Taker: makes sure the
material is read and answers are written
down
All of them contribute to the final list and to
generating questions .
Feedback, assessment I will circle around during this time, listening as
each group works, clarifying any difficult
passages or points of confusion. This is time to
monitor progress, to make sure students
understand the main idea and key vocabulary
before moving on.
CA ELD Standard B Opportunities for 8. To begin the rehearsal part of the class, we
5: Listening actively interaction, will move the tables and chairs to the walls of
to spoken English in practice/application the room to create as much space as possible in
a range of social the middle. We will then do acting warm ups that
and academic begin with the body but culminate in an
contexts ensemble game called Knights, Guards and
Foot Soldiers. Like many playground games,
this game involves students in such a way that
they don't realize they are forming alliances with
each other. It's non-verbal, and excellent for
bringing students together to make a community
I Do: 10 Minutes 21st Century Skills: 9. I will ask for three volunteers to help me
Collaboration demonstrate the next activity. The volunteers
and I will show the class how bodies can tell a
story. First, the students all kneel down, and I
ask the class what we’re doing. Possible
answers are: I am the king and they are my
subjects; they are being beheaded; they are in
a church; they are asking me to marry them;
they are looking for my contact lens; they are
spying on me through a door. Then I put the
volunteers into various positions that look
abstract until I ask them to create the story of
Rapunzel, with one standing on a chair, one
kneeling in front portraying the castle, one
kneeling as the prince, and one acting as the
hair that falls from Rapunzel to the prince. Once
they are “activated,” they make a tableau of
Rapunzel dropping her hair down from the
castle to the prince.
We Do: 25 Minutes Higher-order thinking; 10. I will introduce the next activity by telling the
21st Century Skills: students that they will now be actors in the play
CA ELD Standard C Creativity, Critical Macbeth, using the ideas they discovered in the
12: Selecting and Thinking text with their table groups earlier in the lesson. I
applying varied and will break students into new groups of 4-6 and
precise vocabulary assigning them a category: The Elements,
and other Supernatural, Animals & Landscape, and
People. I will ask each group to brainstorm
Student Friendly things in their category that would be on the
Objective: heath: what makes it scary to two war-weary
Students will be soldiers returning from battle? Some ideas may
able to create the come from the play, others they can imagine,
heath in and may include:
Shakespeare’s ● Trees - what kind?
Macbeth by acting ● Bushes
out the necessary ● Rocks
components. ● Wind
● Rain
● Animals - what kind?
● Birds - what kind?
● Witches
● Spell
● Fire
● Cauldron
● Smoke
● Soldiers - dead? Wounded?
21st Century Skills: Groups will take turns sending members up one
Creativity, at a time or in pairs to create the scene. Actors
Collaboration will remain frozen until everyone but Macbeth
and Banquo are left. At that point, the scene can
animate, with crows landing in trees or eating
dead soldiers, the wind will blow, the moon will
hover over rain or fog, snakes will writhe in a
pond or under rocks, a fire will make the
cauldron boil, the witches will gather, etc. The
scene will be very cinematic. Macbeth and
Banquo will enter, saying, "So foul and fair a day
I have not seen." Students will be able to look
around them and see the text that they read
come to life, as they participate in it .
Practice/application,
apply content and This activity demonstrates the students'
language knowledge, understanding of the vocabulary and concepts
authentic assessment in Macbeth, Act 1 scenes 1-3, as well as the
difference between experiencing a play and
reading a book .
You Do: 10 Minutes Apply content and 13. Students will then take out their Reading
language knowledge; Logs and choose from one of the following
CA ELD Standard C 21st Century Skills: activities: write a paragraph about Macbeth's
10: Critical Thinking heath, using words and ideas from today’s
Writing literary and lesson; illustrate the heath, being mindful of
informational texts what we just learned and using new words and
to present, ideas from today’s lesson; or choose a
describe, and vocabulary word or words from the board to
explain ideas and include in a poem. For the "Go Further"
information
assignment, students can write about the
importance of language in setting the scene in
Shakespeare's play, using the Bloody Captain’s
speech as a resource.
Differentiated Instruction:
The first step in supporting struggling learners is to make the lesson's activities and expectations
clear. Both of these are accomplished by writing the day's lesson plan and goals on the board, and
reviewing them before learning begins. Special Education students, students with anxiety, and
English Language Learners especially can benefit from this structured approach at the beginning of
class.
The next support is built into the way the table groups are organized. Each group of four is a
community of learners with different strengths and challenges. For example, an advanced learner
may have difficulty with attention, while an Emerging English learner may have exemplary behavior
but may need guidance with written work; a student who has social status may have a learning
disability; an average reader may be very organized. Each member of the micro-community can
contribute effectively to small group work, learning from each other's example (note-taking,
summarizing, editing, assertiveness, etc.) while making progress in his or her own areas of
challenge.
The way the lesson is structured supports different learning styles. Within the 90-minute class,
students listen, read, speak, write and, above all, move to exemplify the text. Students who struggle
in one or several areas of expression may excel in others. ELLs, for whom Shakespeare is a stretch,
will participate in “seeing” the text, and will understand it in visual and physical ways.
Another way different learners are supported is that the content material is pre-taught; the students
will have read the passages in the previous class and reviewed the vocabulary. ELLs will have
vocabulary words illustrated or explained in their Reading Journals. The whole class will learn new
information visually with images as well as through written text (slide show). Furthermore, small
groups will go through the text together, looking for key terms. This is a low-risk, high-investment
opportunity to practice an important skill on difficult, but appropriate, material. Students who struggle
with language learning issues and English language learners can find words that they recognize and
that are within their grasp: wind, rain, sun, sister, wife, tail, husband, etc. Intermediate learners will
be able to stretch to comprehend words they are familiar with used in unexpected ways: “As two
spent swimmers that do cling together/ And choke their art.” Advanced learners will have a chance
to exceed expectations by unlocking difficult passages well beyond the 10th-grade level by reading
the Bloody Captain's speech in Act 1.2.
Students also employ a variety of learning strategies. They analyze text, extrapolate information,
compare texts, recall previously-learned knowledge and integrate it with new information. With their
table groups, they discuss and defend ideas and discover vocabulary. In the rehearsal part of the
lesson, they apply what they've learned about Shakespeare's theater, the concept of the heath and
about Macbeth, physically manifesting their ideas by creating a living scene. Finally, they synthesize
the lesson in writing or in drawing.
Because the lesson is project-based, all learners can succeed. Once the smaller groups have
decided on and defined "heath" words, which will be written on the board and defined for the whole
class, everyone will be capable of acting out the heath scene. This is an opportunity for students
who are kinesthetic learners, but who may have difficulty with language expression or are at-risk
academically, to excel. However, all students can participate at whatever degree they feel
comfortable, whether it be as a tree or as a dying soldier.
Finally, the lesson is differentiated during the last activity. When students write in or illustrate their
Reading Journals, each student can express to his or her fullest capability, and in the form most
suitable, what was learned. This will be different for a special education student, an English
language learner at the Emerging, Expanding or Bridging level, an at-risk learner and an advanced
learner, who in addition can do a "Go Further" assignment for credit.
Below please find the graphic organizers and Reading Journal Vocabulary support for this lesson.
What Do I What Do I What Do I
Know About Want to Know Know About
Shakespeare? About Shakespeare?
Shakespeare? The Students Will Make
The Students Will Have a List of Things They
Written Things They The Students Will Have Have Learned About
Know About Written Things They Shakespeare As We
Shakespeare from Want to Know About Continue to Read
Previous Reading and Shakespeare from Macbeth.
Lessons Previous Reading and
Lessons
They can write words,
make lists, draw pictures,
or write in their native
language
These are images of the
rebuilt Globe Theater,
● the play is 400 years showing it has no roof
old and is open to the air.
Actors performed from
● the language,
2:00-5:00 pm during the
vocabulary and
season with very little
sentence structure
scenery to suggest time
can be different or place. This is why
from ours today Shakespeare helped the
● Shakespeare audience by telling them
invented words that where and when the
were used in the acting was taking place.
play for the first
time: hurly-burly,
assassination
● the Elizabethan
theatre had a bare
stage with few
props and no set
With your table group,
Macbeth read the scene from
Macbeth.
Act I scene I
(modified) Find words that
Shakespeare used to
create the setting, and tell
his audience w hen and
1. WITCH. where the action takes
When shall we three place.
meet again?
Also find the words that
In thunder, help create the m ood of This is a picture of a
lightning, or in rain?
scene. The first has been heath. What do you
2. WITCH. done for you. notice?
When the
Think: Why is this a good
hurly-burly’s done, place for witches to
Thunder
When the battle’s meet? Why would
lost and won. ________________________ Macbeth and Banquo be
3. WITCH. _______________________
afraid here?
That will be ere the
________________________
set of sun. _______________________
1. WITCH. _______________________ _______________________
Where the place? ________________________ _______________________
2. WITCH. ________________________ _______________________
Upon the heath. ________________________ _______________________
3. WITCH.
________________________ _______________________
There to meet with
________________________
Macbeth. _______________________
THREE WITCHES ________________________ _______________________
Fair is foul, and foul ________________________ _______________________
is fair, ________________________ _______________________
Hover through the ________________________
fog and filthy air. _______________________
________________________ _______________________
________________________ _______________________
________________________ _______________________
________________________ _______________________
_______________________
Reading Journal: Macbeth Unit Vocabulary
theater
actor
Scotland
King
witch
castle