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Architects Like Paul Vandenbussche, Who Enjoys Design Freedom With Bricks
Architects Like Paul Vandenbussche, Who Enjoys Design Freedom With Bricks
Architects Like Paul Vandenbussche, Who Enjoys Design Freedom With Bricks
02/2018
The StoJournal for Architects
Aedas, Atelier Smitka, Brügger Architekten, Crossboundaries, Dilekçi Architects, Fletcher Priest Architects, FRIIS & MOLTKE
What’s behind StoBrick?
Architects like
Paul Vandenbussche,
who enjoys design
freedom with bricks.
Flexible design and the traditional look of brick don’t have to be a contradiction
in terms. This is being demonstrated by Paul Vandenbussche in a school exten-
sion project in the Belgian town of Londerzeel, which he has designed with Sto
brick slips. As StoBricks do not fulfil a structural function, they do not have to
be arranged horizontally in a bond formation, making flexible patterns and even
changes in direction a possibility. Vandenbussche’s decision to use two types of
slip with different surface textures and his selection of Verolith® to set additio-
nal accents really bring the school building to life. And the architect has even
managed to include all of this in a highly efficient external wall insulation system.
For more detailed insights into the project and to find out all about watertight
connections, watch Paul Vandenbussche’s video at www.sto.com. Building with conscience. Aedas, Atelier Smitka, Brügger Architekten, Crossboundaries,
Dilekçi Architects, Fletcher Priest Architects, FRIIS & MOLTKE
[Contents 02/2018]
[Index] 82
Ad photo motif:
Dennis de Smet, Gent, BE
Ermal Bleta
Studio B&L
www.arkitekt-bl.c
What are the unique features What does it mean for you to work
of Tirana as a city? as an architect in Tirana?
Ermal Bleta: Tirana lies among hills and mountains. Since I came here Ermal Bleta: In the present Albanian context, living and work-
as a student in the 1990s, I have felt charmed by how the city is ing in Tirana offers more opportunities and poses harsher chal-
embedded in a background that seems to be enduringly attending to lenges. In a society with an unclear hierarchy of values, the work
it. We used to enjoy the sunset from the dormitory window, of the architect grows difficult. Recently, the role of architecture
whereas working overnight has given me the opportunity to view has come more into focus and international names have de-
dawns over the ridge of Dajti Mountain. Nowadays, the city’s signed spectacular buildings and public spaces. Many positive
transformation has come to obscure the landscape’s prompt elements that regard the process of the architectural project and
visibility. Yet, move a bit towards suburbs and the landscape appears its quality are introduced, but the market is paradoxically be-
close, although not in its former quality. It is a city of a rather coming impervious and less accessible to local talents. I believe
segmented urban history. Formed as a Balkan-Ottoman settlement, that a serious issue is the total lack of critique and professional
in 1930–1940 it met modernity through the projects of Italian discourse. Although what our office has built in the city so far is
architects, interrupted by the post-WWII regime. As the system fell little, we try hard to ensure that it takes place with discretion and
in the 1990s, the misuse of the territory replaced centralized distinctly contributes to the improvement of space quality in the
urbanism leading to dramatic loss of public space and speculative city, of life and architecture itself.
construction. In recent decades, alterations of great urban impact
have been undertaken, marking another break with previous visions
for the city.
[78]
[Views of the City]
What are your three favourite places What challenges will Tirana
in Tirana and why? have to face in the future?
Ermal Bleta: I like to walk through the remaining pieces of the Ermal Bleta: Neighbouring communes were recently merged into
old neighbourhoods. Although changes are visible in most of the capital’s administration, thus increasing both challenges and
them, the atmosphere afforded by the small human scale retains opportunities. Tirana needs to be transformed from a huge
distinct fascination. “Mother Theresa” square is the place of my dormitory to an ensemble of urban cells serviced equally well with
childhood memories. In the early 90s, it teemed with students and health, education, culture etc. The extension of the main
young-sters, which seemed to abate its solemnity. The square and boulevard could be cautiously regarded as the chance to provide
the blv. “Martyrs of the Nation” that start there are the most the city with a new landmark. There is hope that the new urban
prominent public spaces in Tirana. Any type of event, sporting or plan will lead Tirana towards a more liveable environment for its
musical, religious or protest, can take pride of place here. It is citizens. But Tirana also needs to tell its story. Many interesting
defined by three buildings designed by Gherardo Bosio: the buildings are being replaced by new constructions, while other
Polytechnic Uni-versity, the Archaeological Museum and Arts’ landmarks are being modified functionally and physically. I think
Academy. I still like to observe these modernity pioneers and their that life becomes more interesting and sustainable for all when
architectural details. In the south stands the Lake’s park, built there are no missing layers. In this respect, the inadequacy of the
during the ‘50s-‘60s that remains a unique place of its kind. I live tangible history of its urbanity and architecture is probably a chal-
and work close to it and it has become an essential part of my lenge that the city will face soon.
daily family life.
[79]
The Grand Park of Tirana, or the Park on the Artificial Lake, is a public park situated on the southern part of Tirana. Photo: © Kj1595 / Wikimedia Commons
[80]
“Communism saw us living in the middle of a beautiful environment.
A total of only 5,000 cars existed in the entire country. Everyone
travelled by bus or bicycle. But it was exactly the type of beauty you
would also find in the park of a psychiatric institute. You never had
the feeling that it should all belong to you.“
Quote from Edi Rama, former mayor of Tirana,
artist and current Prime Minister of Albania
Photo: wikipedia.org/Albinfo
[81]
[Contents 02/2018]
[Index] 82
Ad photo motif:
Dennis de Smet, Gent, BE