FIRST PERFORMANCE AT THE PUBLIC THEATRE, NEW YORK April 16, 1975 CAST OF CHARACTERS } (in alphabetical order) | ROY =» Scott Allen 1 KRISTINE. vseees Renee Baughman SHEILA . Carole Bishop VAL. Pamel Blair MIKE. . Wayne Cilento BUTCH .. « Chuck Cissel LARRY. . « Clive Clerk MAGGIE Kay Cole i RICHIE. Ronald Dennis TRICIA +. Donna Drake ToM.. - Brandt Edwards JUDY. Patricia Garland LoIs . Carolyn Kirsch DON... Ron Kuhlman Naney Lane Baayork Lee Priscilla Lopez - Robert LuPone MARK ° Cameron Mason CASSIE . . Donna McKechnie Aue Don Percassi FRANK... - Michael Serrecchia GREG . - Michel Stuart BOBBY - Thomas J. Walsh PAUL. Sammy Williams VICKI. « Crissy WilzakSCENE. An Audition Time: Now. Place: Here. ‘The characters portrayed in ‘A Chorus Line” are, for the most part, based upon the lives and experiences of Broadway dancers. This show is dedicated to anyone who has ever danced in a chorus or marched in step anywhere. A CHORUS LINE IS PERFORMED WITHOUT AN INTERMISSION ORCHESTRA, REEDS: I, Alto Sax, Flute, Piccolo, Clarinet, Alto Flute IL, Alto Sax, Clarinet, Bass Clarinet, E Flat Clarinet, Flute IIL. Tenor Sax, Oboe, English Horn, Clarinet, Flute IV. Bari. Sax, Bassoon, E Flat Contra-Bass Clarinet, Flute, Clarinet ‘TRUMPETS I, If, 111 (All Double Flugelhorn) | 1 TROMBONES I, II, TROMBONE III (Bass Trombone) PERCUSSION: Timpani, Xylophone, Vibes, Grande Casa, Bell Plate, Bell Tree, Bells, Drums, Harp, Bass (Doubles Fender Bass), Guitar/Banjo KEYBOARD I: Piano, Electric Fender Rhodes Piano, Celeste *KEYBOARD II: Yamaha Y-30 Organ + Leslie Speaker, Baldwin Harpsichord (Electric) ‘Keyboard Is played by the conductor. “The purchase of this score does not constitute permission to perform. Applications for per- formance of this work, whether legitimate, stock, amateur, or foreign, should be addressed to the licensing agent, Any inquiries should be directed to Flora Roberts, Inc., 65 East $Sth Street, New York, N.Y. 10022 and Jack Lenny Associates, 140 West S8th Street, New York, N.Y. 10019,22a, 24, 2s, MUSICAL NUMBERS Opening, I Hope Get It “Morales"” — Underscore. After “The Opening”’ (The Line) Intro — 1 Can Do That 1. Can Do That Introduction Amd Introduction — At The Ballet . At The Ballet. . Introduction — Sing And...” Sing! oe : Montage — Part 1 (Hello Twelves” Mark Connie) eo Montage—Part2 (“Nothing”) ......-0000ee00eeeeeee eres 85 Montage — Part 3 (Don, Judy, Mother”) .. 7 Montage — Part 4 (Judy (cont.), Greg, Richie) = 108 Dance: Ten; Looks: Three....-.. +++ 127 Short ‘Paul’ Scene....... 138 ‘The Music And The Mirror . 139 After Music And Mirror . ++ 156 End Of Paul's Scene 157 One... 157 Tap Dance. - 188 Alternatives 5 196 New — What I Did For Love — wn. 201 After — What I Did For Love oo cece cesses 208 BOWS o00cccccccccceeeeeeeeee sees eeee eet eeen esse ences 209