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    Theory First Inversion

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    Anonymous GXgZq6lf
    This document contains two musical examples of chord progressions using first inversion triads and seventh chords. The first example progresses through a sequence of first inversion triads, moving from C/E to Em/G to C/E and so on. The second example demonstrates a progression of first inversion seventh chords, beginning with Cmaj7/E and moving through chords like Em7/G and Eb7/G. Both examples illustrate musical patterns using inverted chords.

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    Theory First Inversion

    Uploaded by

    Anonymous GXgZq6lf
    2 views1 page
    This document contains two musical examples of chord progressions using first inversion triads and seventh chords. The first example progresses through a sequence of first inversion triads, moving from C/E to Em/G to C/E and so on. The second example demonstrates a progression of first inversion seventh chords, beginning with Cmaj7/E and moving through chords like Em7/G and Eb7/G. Both examples illustrate musical patterns using inverted chords.

    Original Description:

    The First Inversion is the First

    Original Title

    Theory First inversion

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    This document contains two musical examples of chord progressions using first inversion triads and seventh chords. The first example progresses through a sequence of first inversion triads, moving from C/E to Em/G to C/E and so on. The second example demonstrates a progression of first inversion seventh chords, beginning with Cmaj7/E and moving through chords like Em7/G and Eb7/G. Both examples illustrate musical patterns using inverted chords.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    2 views1 page

    Theory First Inversion

    Uploaded by

    Anonymous GXgZq6lf
    This document contains two musical examples of chord progressions using first inversion triads and seventh chords. The first example progresses through a sequence of first inversion triads, moving from C/E to Em/G to C/E and so on. The second example demonstrates a progression of first inversion seventh chords, beginning with Cmaj7/E and moving through chords like Em7/G and Eb7/G. Both examples illustrate musical patterns using inverted chords.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 1

    First Inversion Triads

    C/E Em/G C/E



    Em/G Bº/D

    D&/F#
    
    Bº/D D&/F#
    
        
        
         
    

        
       
     
    First Inversion Seventh Chords
    Cmaj7/E Em7/G Eb7/G GØ7/Bb F#º7/A
       
     
    5

         

       
          
      

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