Waltz for Margaux 1

(Leadsheet version)
Richard Galliano
Moderato (not fast)
  
G‹/B¨ G7/B C‹
  
        
µ A G‹ D7/A

          
3

        
3 3
mp
A‹7(b5)
         D7
(Cm/A)
   

G7/D C‹/E¨ C‹
  
             
6

 
3


 
G‹ G‹/F A7/E A7
 D7
      
1.

        
11

              
3

 G‹
2.
G‹ G‹/F A7/E E¨7 D7 µ
     
17

                    
       

         G‹/B¨
G‹
 
B D7/A D7 E¨7
     
                   
23

3 3 3

          3       
28 D7 G‹ G‹/D E¨7 D7

              

        G‹/B¨
G‹
     E¨7
    D7 µ 
1.
33
G‹
               
3     
(Solo on changes )
2. µ G‹ 
   D7/A
            
G‹ G‹/B¨ G7/B
 
C
     
39

     
   f
 3 D.S. al Ø
(solo on changes)

Copyist’s note:
This leadsheet version presents the piece with what I consider its basic themes. This way,
improvising players can add their own solos, rather than being limited to the note-for-note
transcription of Galliano’s performance that has been available till now.

10feb12
2 Waltz for Margaux (leadsheet)

 G‹
This section: L.H. as written


D¨7

µ D (no chords except where indicated)

          
45

      
                     


 
    
rit. A tempo

          

       
                                    
51


        
 
A¨‹ D¨7
     
       
               
    
57

           
         




 3 3
A¨‹ D¨7
    
              

B¨/C F‹7(b5)
(Abm/F)
C7

          
               
       
 
63


3

    
3 3 3 3 3 3 3 3 3 3 3 3
3
A¨/F B¨7
   µ C‹
     


68

  
3 3
       
3 3 3
             
3 3 3 3
   

C‹ A¨‹ µ
   
74

               
3 3

   
3 3

        
 
3 3

rit.
A tempo
E G‹
                     
D7/A G‹/B¨ G7/B C‹ G7/D
      
79


           
 mf 3 3

10feb12
 Waltz for Margaux (leadsheet) 3

A‹7(b5)
C‹/E¨
       D7 G‹/F  
 
(Cm/A)
 
C‹ G‹
85
            
 
    
    
3 3

           
A7/E A7 D7 µ G‹ D7/A
         
91

                
3
C‹/E¨
   
G‹/B¨ G7/B C‹ G7/D
     3

        
97

 
3

       
3
A‹7(b5) G‹
C‹ C‹/B¨ D7
    
(Cm/A)

   
         
102

              
           
f As-is
G‹

Freely

     
G‹/F A7/E D7 C/D D7 µ
 
106

              

 
 p pp

10feb12