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Ellen Lupton, editor
Princeton Architectural Press, New York
Maryland Institute College of Art, BaltimoreHow to Get Ideas
(Once you have defined your problem its time to devise
solutons and develop concepts in greater depth This
offen means communicating ideas to yourself and
toot
and potential end users. An int-guing sketch rom
your notebook ora provocative pase serbbled on a
\nteboard can now become a concept wih aco
designers on your team as well as to clients
shape and avid story to tol
‘The fist phase of the design process invoWes casting
‘wide net around your problem; along the way, you
may come up with dozens of diferent concepts fom
the obvious ta the outlandish, Before devoting time and
energy 1 developing a single solution, designers open
minds to numerous pasiiies an then 2c in cn
‘few The tools explored in this chapter include mays to
generate variations ona single concept as wel as ways
to quickly explore, expla, and expand on a core idea,
itn a single-trame project ike a book cover,
poster or ecitoraliustration the move ftom ideation
to execution is fi and direct With complex projects
such as websites, publications, and motion graphics,
igners tend to work schematically using lagrams,
stoxboards, and sequential presentations before
veloping the sual details and appearance ofa
éeluton, Physical and digital mock-ups help designers
and cients enison a solution in use
élBREAD aM \
tea BAGEL SUSAR
Mux ans ‘SYRUP.
POTATOES. ‘CHEESE.
PANCAKES
Forced Connections
From cookie dough icecream to zomble/Jane Austen novels, intriguing ideas
ots result when unlikely players code. By brainstorming lists of products,
services, or styles, and then drawing links between them, designers can forge
“coneapts imbued with fresh wit and new functions. For example, most java
houses today look alice, They feature dark reds and browns, wooden tables
‘and foors, and—i you're lucky—a comfortable couch. But what fa cafe had
‘constructivist decor instead? Or what if your errand fo the print shop doubled
_as your coffee break? Likewise, laundromats get a rap for being diy and
dingy. yet pubc laundries offer a greene aternat
to individually owned
‘appliances. How could you make trip to the laundramat a mare inviting
‘experience? Combining services or applying unexpected styles can change the
‘way we think about predictable categories, aien ars aad Bt
168 GRAPHIC DESIGN THNKING
FEET
PERGEL EE
PEERETESI
spenssn# lnk Thieconcepl
a ny
How to Force a Connection
Choose a conection. bile repair Make connections Choose one or more,
Depending on whether you are and imagine the results: What viable ideas Make simple graphic
egning ahsinace seria, & would each new business be images of interiors, products,
logotype. ora pieceat furniture, __caled? What needs does it {and other apslicatons to bring
decide what kinds cf connections to aderess? Whois the audience? your conceptto ie. Your choices
force. Maybe you want to combine Would you want ogo there? ‘of forms, cola language, and
senices (gym + laundromat) typography can all speak to the core
aesthetics (erous erature + Combine styles, messages, conflicts embodied in your concept.
cheap hort), or functions (sofa + or functions. entity confcting or Use your forced connections to
workspace). ‘overapping ideas embodied in your uncover the aesthetic and functional
cove problem (museum + nature, _possbties of your idea Fat,
Make two lists. Lets say school + unch coffee + econony). graphic clagams lke the ones
your goalis to design anew kind Createlists of mages and ideas shown above quicy flesh out the
‘of coffee shop. Brainstorm liste associated witn each element, and main features ofan idea without
of functions—tailor pet grooming, draw connections between them. _gotting burdened with species
How 10 oer ees 69