Download as pdf or txt
Download as pdf or txt
You are on page 1of 7

Juvenile Justice.

Written by Natalia Roberts


Marcus Khaw
Saul Retana

RWS 1301
Paul Vierra
The University of Texas at El Paso
May 3, 2019

Final
- 2-

SHOT VIDEO/IMAGES AUDIO/NARRATION


WHAT IS THE AUDIENCE IS SEEING OR WHAT IS THE AUDIENCE HEARING?
READING?
What is being said?
‘OPENS WITH INTRODUTICON
Music (Relaxed) - Easy

1 WITH A PICTURE OF YOUNG JUVENILE IN Audience is still hearing music.


0:06 HAND CUFFS AROUND COPS
Says: Around the world about 82
percent of adolescents will be
tried as adults.

2 PICTURE REPRESENTING A LEARNING Music (Relaxed) - Easy


0:12 MIND
Says: Policy makers are realizing
that juveniles still are young and
developing.

3 BLANK BACKGROUND. Music (Relaxed) - Easy


0:18
Says: Most people don’t realize
that juveniles are capable of
learning from their mistakes.

4 A PICTURE OF EGYPT Music (Relaxed) - Easy


0:24
Says: About 492 men in Egypt due to
a program have changed their lives
around!

5 A PICTURE OF THE U.S. Music (Relaxed) - Easy


0:30
Says: In the U.S. harsh punishments
discourages juveniles from pursuing
college.

6 A PICTURE OF JUVENILES LEARNING Music (Relaxed) - Easy


0:36
Says: Juveniles are capable of
learning they just need right
resources.
- 3-

SHOT VIDEO/IMAGES AUDIO/NARRATION


7 A PICTURE OF THE BORDER WALL Music (Relaxed) - Easy
0:42
Says: With Juarez being the highest
crime city in Mexico this put
adolescents in El Paso at risk of
not being able to attend UTEP.

8 A PICTURE OF JUVENILES. Music (Relaxed) - Easy


0:48
Says: UTEP needs a program to
specifically help juveniles,
everyone should have the
opportunity to attend school.

9 BLANK BACKGROUND Music (Relaxed) - Easy


0:54
Says: To raise awareness and make a
difference contact the counseling
center and psychological services
(915)-747-5302

10 BLANK BACKGROUND Music (Relaxed) - Easy


1:00
Title: Second Chances for Juveniles

11 A PICTURE OF CHECKMARK Music (Relaxed) - Easy


1:06
Work Credited By.

12 A PICTURE OF CHECKMARK Music (Relaxed) - Easy


1:12
Work Credited By.

13
1:18
14
1:24
15
1:30
16
1:36
17
1:42
18
1:48
19
1:54
20
2:00
- 4-

SHOT VIDEO/IMAGES AUDIO/NARRATION


21
2:06
22
2:12
23
2:18
24
2:24
25
2:30
26
2:36
27
2:42
28
2:48
29
2:54
30
3:00
31
3:06
32
3:12
33
3:18
34
3:24
35
3:30
36
3:36
37
3:42
38
3:48
39
3:54
40
4:00
41
4:06
42
4:12
43
4:18
44
4:24
45
4:30
- 5-

SHOT VIDEO/IMAGES AUDIO/NARRATION


46
4:36
47
4:42
48
4:48
49
4:54
- 6-

Film Nomenclature
Here are some scriptwriting terms you can use. You need to use at least
one term in every scene.

ANGLE: Directs the camera to focus on a person or thing.


AD LIB: Instructs actors to make up and fill in dialogue in the scene.
CUT TO: To go from one scene, or element in a scene, to another very
quickly.
DISSOLVE: A film editing technique where one scene "melts" or fades
into another scene.
ESTABLISHING SHOT: Use to be used to give an overall perspective of a
scene.
EXT. Short for exterior, or outside.
FADE IN: This is the start of the screenplay.
FADE OUT: This is the end.
Fg: Stands for Foreground. Used to place an object or person in front
of the scene.
FREEZE FRAME: The image freezes on the screen and becomes a still shot.
INT.: Short for interior, or indoors.
INTERCUT: To go back and forth between to locations, scenes, or
elements in a scene.
INSERT: An item that is inserted into the camera view. Usually a note,
or picture is inserted so the audience can either read what is on the
note, or see the picture.
Master scene heading: Begins each new scene. It consists of three
parts: The LOCATION, PLACE, and TIME of the scene. For example:
* EXT. PLAYGROUND - NIGHT or
* INT. BEDROOM - DAY
MONTAGE or SERIES OF SHOTS: A number of different scenes shown one
after the other. Used to show a number of events passing in a short
period of time.
OS or OC: OFF SCREEN or OFF CAMERA. A character talks, or something
happens out of view of the camera.
OVER THE SHOULDER: A camera shot over the shoulder of a character.
PAN: A camera shot that pivots up and down, or side to side.
PLOT POINT: A turning point, or transition in the screenplay that
propels the screenplay forward.
POV: POINT OF VIEW. The perspective view of one character as they look
at another character or thing in the scene.
- 7-

REVERSE SHOT: When two characters are talking to each other and the
camera shifts for one character to the other.
SLOW MOTION: Self-explanatory.
SPLIT SCREEN: The location of the scene is divided in to two, or more
sections.
SUBLIM: A shot lasting less than a second. (The brief flashbacks scenes
usually done when a character is dying and their live flash before
their eyes)
SUPER: A SUPERIMPOSITION. One image merged into another image.
VO: VOICE OVER. Usually used by a narrator of a scene. The character
doing the VO is usually not in the same location as the scene.
ZOOM: A camera focus upon something in the scene.

You might also like