LET HER CRY ;ykï fjkqjg ji.h - wfYdal y|.

u Ñ;%mg úhu;
ms<n
s | rislfhl=f.a lshùu'

- Buddy Dinesh ^nä ÈfkaIa& BA (University of Southampton)

Let Her Cry Ñ;%mgh ms<sn| ud lshùu úpkakh' (inconsistent) Ñ;%mgh úpdrhg iy
Ñ;%mgfha m%Odk úIh jk ji.h (Desire) hkq l=ulaoehs y÷kd .ekSug f;areï .ekSug
muKla ud fufy§ lshjkakd $ lshjkaksh ÈYdk; lrñ' miqj Ñ;%mg úhu; kej;
lshùug ud Tng ydohdx.uj werhqï lrñ'

ksOdk l:dj 01 ( maf,afgdaf.a Syconposium ys§ Alcibiades iy Socrates ^we,aisnhvia iy

fidl%àia& w;r ,sx.sl m,ys,õj ug Let Her Cry ys uydpd¾hjrhd iy isiqúh w;r
iïnkaOh isys.kajhs' fidl%àia od¾Yklsfhls" chiïmkak lvjiï" m%;dmj;a ;reK
uofhka fyì rKldó fikam;sfhls' ;reKhd uy,a,dg fm%aulrhs' tl, frdau $ .%Sl
iudcfha iu,sx.sl in|;d j,g ixialD;sl ;yxÑ w,am úh' th tl, iudcfha by,
mka;sfha iudc ú,dis;djlao úh' w,aisnhäia $ fidl%àia fjkqfjka fndack ix.%y ms<sfh,
lrhs' fidl%àiag wdorh lrhs' we,aisnhäia" fidl%àia f.a uy¨ YÍrh ;=< fm%auh fidhhs'
we,aisnhäia" fil%àia iuÕ hyka .;ùug isysk olshs' ;ud ;=< ke;s hula fidl%àia ;=<
olsk ;reK we,aisnhäia fidl%àia iuÕ rukfha fh§fuka ;ud ;=< fkdue;sfohla w;am;a
lr.ekSfï w;jr; W;aidyhlska" wdYdjlska miqfõ' Jaques Lacan ^Ydla ,eldka& Plato f.a
Symposium idhksl lshùulg ,la lrhs'

Alcibiades, fidl%àia ;=< olsk foh l=ulaoehs ieuúgu m%fya,sldjls' Agalma

^we.,audj& keue;s" ixl,amh biau;=fjkafka fï yrydh' we.,audj hkq fidl%àia ;=<
r;a;rka jeks Èiakhla" r;%ka ms<suhl ldka;su;a" wdYsla; njla" ji.hla oelSuh' fuh
olskafka ;reK we,aisnhäiah' ;reKhd tu ukialdka; ldka;shg jiÕ fõ' tu ldka;sh
w;am;a lr.ekSug we;s tlu u. fidl%àia iuÕ rukh lsÍu nj ;reKhdf.a jegySuh'
wdYdjh' kuq;a fi%dlàia yeujgu we,aisngviaf.a rukh (carnal) wduka;%kh;a oekqu yd
m%{{
a dj w;ßka u.yßhs' fi%dl%àiag we,anhäia .ek wdl¾Ykhla ke;af;a fkdfõ' kuq;a
th we,aisnhäiaf.a wdYdj jk rukh $ ,sx.sl $ Sexual / Carmal mkakfha tlla fkdfõ'
uy,a,d ;reKhd ia:dk.; lrkafka fjku rduqjla we;=f,ah' tkï ;ud ;=< olsk Èiakh"
Agalma j yryd ;reKhdf.a wdYdj" desire tl t,shg weof.k" th m%Yak lr tlS
iajrEmh ;reKhdg jgyd§uh' fldákau ;reKhdj;a fkdokakd ;reKhdf.a wdYdfõ
ÈYdk;sh ;reKhdg jpk j,ska (Symbolic) f,ig jgyd §ugh' Jaques Lacan,
fi%dl%àiaf.a fuu wdia:dkh (Position) tl j¾kkd lrhs' yeu oCI ufkdaÑls;aihl=u
(Analyst) $ ;u fiajdodhlhd (Analisand) ia:dk.; l,hq;af;a fufia nj ,eldka mjihs'

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 oeka m%Yakh we;af;a fu;ekh' we,aisnhäia fi%dl%àia ;=< olskafka fudloao hkakh'
Tyq fi%dl%àia ;=< Èiakh $ ukrï nj $ ldka;sh $ jiÕh ish,a, olS' we,aisnhäia j;a
fkdokakd fidl%àia ;=< we;s fï ji.h l=ulao @ fï r;a;rka .=,sh l=ula o @ fï Agalma
j fudloao @ Jaques Lacan f.k tk úYaf,aIKh kï fi%dl%àiag mjd th m%fya,sldjla
njh' wfkld ;ud ;=< fidhk fï ;ud ;=< fkdue;s foh l=ula o hkakh' uy,a,dgo
iodld,sl m%fya,sldjls' kuq;a fi%dl%àia keue;s uyd od¾Ykslhd th wjfndaO lr.;a;d
n÷h' fi%dl%áia lsis úgl we,aisnhäiaf.a ,sx.sl wdl¾Ykhg" Wu;=jg" tu wdYdfõ"
jiÕfha rduqj ;=<g ;ud ia:dk.; fkdlrhs' yeuúgu th u.yerhhs' ;reKhd úgl
uy,a,dg ffjr lrhs' fï kdlshdg uu fuÉpr wdof¾ wehs @ hehs Tyq Tyqf.kau wihs'
ta;a fkdkj;ajd" Wu;=fjka fuka fi%dl%àiagu wdorh lrhs' th ug isys.kajkafka Let Her
Cry ys uydpd¾hjrhd iy isiqúh w;r we;s Hysteric ysiagßl mka;sfha in|;djhs' isiqúh
^ß;sld fldä;=jlal=& fuys§ yeisfrkqfha Alcibides f.a ysiaàßhdjg iudkqmd;sljh' isiqúh
uydpd¾hjrhd ;=< fidhkafka fudloao @ weh w;am;a lr.ekSug W;aidy lrkafka l=ula o
@ wehg wjYH l=ula o @ (Che vuoi ?) hk m%Yak weh iÕjd .;af;a" wehf.a ms<s;=r jkafka
W;al¾Ihg kxjk ,o wef.a ia;%S isrerh' wehg ird.S isrerla we;' weh th ia:dk .;
lrkafka uydpd¾hjrhdf.a wdYdfõ rduqj ;=,gh'

kuq;a Let Her Cry ys weÿrd fi%dl%àia ;rï mßk; ke;' uydpd¾hjrhf.a
wú{dkh ;=< (Unconscisous) ;=< isiqúhf.a ia;%S YÍrh fyd,auka lrk njg ksoiqka
tugh' weÿrdf.a ihkh u; ,sx.sl m%dkj;a ùu (Erection), Restaurent j, weh iuÕ
;kSùu" wdÈh uydpd¾hjrhdg wehf.a ji.fha iSudjla ;=<ska ksoyila fkdue;s njg;a"
wef.a ji.fha .re;ajhg yiqjQjl=f.a njg;a tu iskud bÕs j,ska m%ldYs;h' isiqúhf.a
ldurfha hg we÷ï" iqj| ú,jqka l=mamsh" ird.S issysk" Wet Dreams, j,ska
uydpd¾hjrhdf.a wú{dkh" wef.a ji.fhka fm%arkh (Charge) ù we;s njg ksoiqkah'

uydpd¾hjrhd mj;sk ixialD;sl l=gqïn Ôjk m%jdyh ;=< isrlrefjl= njg neÆ
ne,aug fmfka' hdka;%sl" taldldÍ" iïm%odhsl ,sx.sl Ôú;hg ;=< ìß| ^iaj¾Kd& iuÕ
we;s kYaGldó ^impotent) ,sx.sl .kqfokqj iskudla;j m%ldYs;h' uydpd¾hjrhd
ixialD;slj uäk ,oafols' Tyq ;=< ;ykfï iSudj i,l=kq ú we;' (Name of the father)
tla fu;ekaÈ ud u;lhg meñfKkafka D.H. f,drkaiah' ;u uydpd¾hrhdf.a ìß| iuÕ
fm%aufhka fjf,k Tyq orejka ;sfofkl=f.a ujla jQ Ferida ^f*ßvd& iuÕ c¾ukshg
fydfrka mekf.dia újdy fjhs' ud fufy§ úksYaph fkdlrñ' ft;sydislj ldrKd
muKla f.kyer olajñ'

;j;a l:djla uf.a u;lhg kef.a' tkï fkdfn,a ;Hd.,dNS w;sYh uqlß" m%yik
idys;Hlrefjl= jk uy¨ Jeorge Bernard Shaw fj; w;sYh mshlre" ,iaik ird.sl

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;reK k¾;k Ys,amskshla jQ (Isadora Dancan) bifvdard vkalka újdy fhdackdjla lsÍuh'
wef.a fhdackdj fun÷h'

—wms fokakd tl;= ù orefjla youq' Tnf.a nqoê

a u;a" m%;dmj;a nj;a" udf.a ,iaik
isrer;a" wdl¾Ykh;a tla jQ ;ek tu orejd wiuiu orefjla jkq we;˜ hkakh' túg
Bernard Shaw ÿka ms<s;=r jQfha"

—iudfjkak" uu Tfí wdrdOkdj m%;slafIam lrñ —hkakh˜ uf.a Wm;a wj,iaik;a"

Tnf.a Wmka fudavlula tla jq ;ek ìysjk orejd flnkafola fõ oehs uu ìhfjñ˜
hkakh' th Shaw ji.hg" wdYdjg (Desire) tlg uqyqK ÿka yeáh' wfkldf.a wdYdfõ
fantasy rduqj ;=< ;ud ia:dk.;a ;=r ieáh'

YS% ,xldfõ iqm;, fõÈld kdgH lrejl= jQ iq.;md, o is,ajd uy;df.a ,sx.sl
wdYdfõ ÈYdk;sh o fu;k§ úl,am iajrEmhg .kS' th okafkda oks;s" fkdoka fkda
fkdoks;s neúka lreKla jYfhka muKla biau;= lrñ'

Let Her Cry ys weÿre ,sx.sl kYaGldñfhls' Tyq ixialD;sl jyf,ls' wdYdfõo
jyf,ls' ;ykfïo jyf,ls' Desire yso jyf,ls' ysianj $ m%fudaoh w;r wm%dKsl
foda,kh;a yereKqfldg Tyqf.a ,sx.sl Ôú;h ;=< fuf,da fohla ke;s ieáhls' th w,s
.s,mq Èjq,a f.ähla jeksh' ysiah' kSrih'

ksOdk l:dj 2 ( ^mßiaiñka ( Slavoj Zizek bÈß jevìfuysh&

wo wfma foaYkh we;=f,a uu ud;Dldjg wod,ju muKla l;dlrkak W;aiy

lrkakï' fudlo f.dvla fj,djg uu ud;Dldfjka msg mkskjd' wod< ke;s foaj,a
lshfjkjd' ta ksid wo wms ia;%shf.a ,sx.sl;ajh lshk ud;Dldjgu wod< foaj,a
l;dlrkak W;aiy lrkjd' u;lo Tng As you like it, lshk fYalaiamsh¾ (Shakespere)
kdglh" Rosalind ^frdi,skaâ& fjiaj,d.kakjd Ganymede ^.eksfïâ& f,ig oeka
.eksfïâ msßufhla" frdi,skaâ .eyeksfhlafk' weh bkamiq Orlando ^T¾,ekafvda&
yuqfjkjd' Orlando, lshkafka Rosalind f.a fmïj;d' oeka msßñ fokafkla wdorh .ek
ixjdohla lrkafk' Ganymaid lshkjd Orlando g kula Rosalind lsh, ys;df.k fm%auh
m%ldY lr, fmkajkak lsh,' t;fldg we;a;gu Rosalind lshk fmïj;sh bÈßfha
Orilando g tl m%ldY lrkak myiqjla fõú lsh,' oeka n,kak fukak ia;%S ,sx.sl;ajh'
ia;%shg w;sßla; m%fudaohla ;shkjd lsh, ,eldka (Lacan) lshk l;dfõ tl iajrEmhla
fïl' oeka kslug ys;kak msßñ ,sx.s;ajhhs" .eyekq ,sx.s;ajhhs .ek'

msßñhl=g" .eyekshlg w¢kak mq¿

q jka' Makeup, Crossdress lrkak mq¿jka' oeka
.eyekshg we;a; msßñhdg ;u .eyekq isrer ksid wfkld ^msßñhd& ,nk ,sx.sl ;Dma;sh
Èyd oel,d ix;Dma;shla (Sexual gratification) tlla ,nkak mq¿jka' n,kak tl ir,

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f¾Çh ,sx.sl ;Dma;shla' kuq;a .eyekshlf.a ,sx.sl ;Dma;sh óg jvd tyd .sh tlla' tl
Double Twist ^vn,a áúiaÜ& tlla'

.eyekshl=g;a ñksfyl=g;a w¢kak mq¿jka' bkamiq ;j;a .eyekshla fydhdf.k

,sx.slj tl;= fjkak mq¿jka' Dildo jla jf.a fohla *e,a,ihg fhdod.kak mq¿jka'
YsIk
a h úÈhg oeka wehf.a ;Dma;sh Èyd n,kak' msßñhdg w¢k ,o .eyekshg" ;u
fmïj;sh ,sx.slj i;=gq lsßug ksid msßñhd;a i;=gq fjk úÈhg i;=gq fjkak mq¿jka'
;uka msßñfhla lsh, ysf;kak;a mq¿jka' ta jf.au ;u fmïj;sh ;udf.ka ,o ,sx.sl
;Dma;sh Èyd n,,d" ;ukq;a ienyskau Yßrfhka .eyeksfhla ksid ta ;Dma;ska fol
ikaikaokh lr,d w;sßla; ^Surplus) ;Dma;shla ,nkak;a mq¿jka' tal msßñfhl=g lrkak
nE' msßñfhl=g tfyu lrkak mq¿jka kï ,e;dka Tyq j¾. lrkafka ia;%S m%fudaoh ú¢k
msßñ YÍrhla we;s wfhla úÈhg' tl Lacanian msßñ j¾.lrKhg mgyeksh' fïl ;uhs
ia;%s $ mqreI ,sx.sl;ajfha iajrEmh' Shakesere fY%aIaGfhla'

ðcela (Zijek) fldflaka Wrkjd jeks wNskhla fojrla" ;=kajrla lrhs' uE

ksYaYío;djlg miq kej; ;u l;dj wrnhs& ''''''

fïl ''''' fïl '''' fïl ''' ;uhs h:d¾:h' n,kak we;a;gu wfma ,sx.sl Ôú;hla
Èyd' wms ;ukaf.a wdorjka;fhda tlal ,sx.slj tl; fjkjd' ,sx.sl l%shdldrlï lrkjd'
kuq;a wfma wú{dkfha bkafka f.dvla fj,djg fjk .Eksfhla ke;akï msßñfhla' wms ta
msgia;rhd .ek há is;ska is; is;d ;ukaf.a kS;Hdkql+, ieñhd fyda ìß| iuÕ ixjdih
lrkjd' ksod.kakjd' fYalaiamsh¾ udrhs' ta ukqiaih ;ukaf.a iul,Sk l,dlrejkag jvd
f.dvla biairyska ysáh'''''

ksOdk l;dj 3 ( ^h:d¾:h @ Real, h:d¾:h lshkafka ulaflhs whahd @&

Jaques Lacan lshkafka Real, tfyu ke;akï h: lshkafk ixfla;h lrkak neß" Bg
tyd ;sfhk fohla f,ih' ixfla;h (Signification) lshkafka we;a;gu fudloao @
ixfla;kh lshkafka jpk j,g yrjkak mq¿jka' jpk j,ska lshkak mq¿jka' wÈkak
lshkak mq¿jka fohlg' t;fldg h: @ h: lshkafk tfyu lrkak neß foaj,g tjd
lshkak" úia;r lrkak neß ksid jpk j,ska" Ñ;%hlska" isÿùulska" lúhlska" iskudfjka"
kjl:dfjka" fudllska j;a lshkak neß foaj,a tfyu lsõj;a" tal lsh, bjrhla"
wjidkhla lr.kak neß foaj,a'

l¨ l=yr (Black Holes) lshk foa Tn okakjd o @ l¨ l=yr ;sfhkafka

wNHjldYfha .=re;ajdl¾Ykh" wêksYaph jqkdu l¿l=yr we;sfjkjd' tajdg l¨ l=yr
lshkafka tajd fmakafka ke;s ksid' tajd Telescope j,ska ne¨jg fmakafka kE' fldákau wmsg
fohla weiafolg fmakak kï" wdf,dalh lshk foh ta jia;=j u;g jeá, mrdj¾;kh

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fj,d wfma wCIs ldp j,g tkak ´k' ta;a l¨ l=yr tfyu jefgk wdf,dalh mjd Wrd
.kakjd' ;;amrhg wdikakj lsf,daógr ,CI ;=kl fõ.fhka hk wdf,dal ;rx.hlg
mjd tu .=re;ajdl¾IKfhka ñfokak nE' ta ;rï l¨ l=yr j, .=re;ajh m%n,hs'
fldákau fN!;sl úoHdj l¨ l=yr we;=f,a kkak;a;dr fjkjd' Physics w;d¾;sl" jevlg
ke;s ;ekla ;uhs l¨ l=yrhla' we,anÜ whskaiaghska f.a Relative Theory tlla" Quantum
Physics fN!;sl úoHdj;a˜ Th fudllgj;a wog;a l¨ l=yrhla we;=f,a fjk foa f;areï
.kak nE' mod¾:hg fudlla fjkjo" mod¾:h fldfyag hkjo lsh, wog;a lsisu
úoHd{fhl=g wjfndaOhla kE' ta ;uhs l¨ l=yr j, iajNdjh'

t;fldg l¨ l=yr fmkafka ke;akï" tajd ;shkjd lsh, okafka fldfyduo @ l¿

l=yrhla Foot ball tlla ^mdmkaÿjla& Size lshuqflda" oeka jefâ ;sfhkafk wfma br ;rï
úYd, ;drld fï l¨ l=yr jfÜ fgksia fnda, jf.a lrlefjk yeáhs' f,dl= ialkaO
;sfhk ;re" fudloao fmfkkafka ke;s fohla jfÜ msiaiqfjka N%ukh fjkfldg"
lrlefjk fldg ;drld úod{fhd okakjd wkak t;k l¨ l=yrhla ^h:la& ;sh kjd
lsh,d' yenehs fmkafka kE' .=re;ajh w;sYh m%n,hs' m;dl fhdaO ;re fï fmdâvd jfÜ
lrlejfkafk yßhg fi,a,ï nvq jf.a'

oeka wNHjldYfha ú;rla fkù wfma ukqIH mej;=u we;=f,;a tfyu l¨l=yr
;sfhkjd' tajg ;uhs wms h: ke;akï Real lshkafk' ta Real ixfla;kh lrkak wudrehs'
kuq;a tajd ;shkjd lsh, ufkdaúYaf,aIKh lshkjd fukak fï jf.a foaj,a wmg fjkfldg"
wms w;aú¢k fldg' Tkak ojila uu fnd/,a, Wux ud¾.h yryd urodkg hkak 103 nia
tl .;a; halt tlg hkjd' yÈiaisfhau uf.a weia fol biairyg iqrx.kdúhla
uek.efikjd' weh ;reKhs' ,iaikhs" ird.slhs" kùkhs" lshkak neß ;rï jiÕhla
wef.ka jykh fjkj' ukialdka;hs' uf.a Fantasy rduqj we;=<g weh tl ksfïIfhka
msúiskafk W,aldmd;hla jf.a" lsisu wjirhla ke;=j weú;a udj ii, lrkj' ug
fudloao tlla Balance ^ne,kaia& ke;=j .shd jf.a yeÕSula oekqkd' yßhgu Popsical
^fmdmaisl,a& tlla wõfõ ;sínu Èhfjkj jf.a' w;aoelSula tal' wehf.a fudloao
pkaøldka;shla (Aurora) tlla uf.a iu;=,s;;djh ìkaod lshk tl meyeÈ,shs' fomdrla"
;=kamdrla yeß,d n,kak wdidjla" Beautiful People, all those beautiful people, where do
they come from ? lsh, uu ugu lshd.;a;d u;lhs'

m%YAkh ( weh wNsuqLj ug we;a;gu jqfka fudloao @

ms<s;=r ( ufkda úYaf,aIK w¾:fhka Tng Real ^h:la& fudfyd;lg uqK .eiS we; hkakhs'

h: wNsuql jqkdu ukqYH úIh msiaiq fy,su fkdje,eaúh yelsh hkak mrK i;swka;
m;a;rj, úia;r j,ka ksoiqka álla wrka fmkajkakï' fïjd Tlafldu i;H isÿùï'
m%nkaO uk#l,ams;hla fkú'

5
 ffjoHjrfhl= ;u ia;%S fiajdodhsldjlf.a mshhqrla ism.ekSug fm<öu;a bkamiq we;s
jQ isÿùï ud,djkah' wo Èk jk úg tlS ffjoHjrhd fiajfhka fkrmd we;'

 wdishdfõ l¨ fj<U jYfhka úreodj,sh ,;a iqika;sld chisxyg ,sx.sl n,mEula

l, njg tjlg ;reK foaYmd,khl= jQ tia' ì' Èidkdhl uy;d fpdaokd ,eîu' wo
t;=ud md¾,sfïka;=fõ ksfhdað;lfhls'

ksfrdaId úrdðkS .dhsldjg n,mEï l,d njg lshfjk wehf.a rislfhl= ms<sn| mqj;
'''' wd§ jYfhka oyila ksoiqka f.kyer oelaùug mq¿jk' tajd ckm%sh fukau wm%lg pß;
jgdo f.;=kq isoë
a skah'

h: wmsj wiykhg m;a lrhs' Real ys iajrEmh thhs' ß;sldf.a ;reK Yßrh
uydpd¾hjrhdg h:ls' th ixfla;lrKh lr.; fkdyels" jpk j,g Tífnka msysá
l¨l=yrhla jeks huls' ldka;d isrer msßñhdg yeu úgu h:ls' lshd ksu l< fkdyels"
fi!kao¾hlrKh lr bjr lr,sh fkdyels fohls' tod ñ,agka wdor .S; lSfõh' wo liqka
lshhs' fyg ;j;a whl= lshkq we;' kuq;a fldmuK wdorh .ek lsõjo th tl isxÿjlska"
follska" oyhlska lshd bjr lr.; fkdyels fihls' fudloafoda fohla ;ju;a lsh kakg
b;=rej we;s yevls' tksid wkd.;fha§ o ;j oyila wdor .S; lshfjkq we;'

I Dont know why, tfyu fjkafk wehs @ ^iqks,a fmf¾rd&

01& uydpd¾hjrhd iy isiqúh w;r ixjdo cx.u ÿrl:khlska isÿùu' wehs tfyu
fjkafk @

fudloao fu;k lshk ixfla;d;aul m%ldYkh' cx.u ÿrl:kh fu;k§ Symbolic

Sphere ksrEmKh lrk nj udf.a lshùuhs' tkï weÿrdg ixfla;lrKh lr.;
fkdyels jk isiqjh ^ß;sldf.a& YÍrh hï ixfla;lrKh lr.ekSug (Signification)
uydpd¾hjrhd lrk W;aiyh (What do you want ?) jf.a m%ldYkhla yryd& jpk
yryd lrk ÿ¾j, W;aiyh ms,sìUq lsÍula nj udf.a woyihs' tu ixjdo yryd
u.yeÍ hk fohkï" i;H kï ixfla;lrKh lr.; fkdyels isiqúhf.a ird.sl
YÍrhs' (The symbolic level of conversations, dodge the reality of the REAL. In this
context the body of the student)

02& wehs uydpd¾hjrhdf.a ÿj ^io,s& Èú kid .ekSug fldaÉsÑhg ÿjhkafka' fuh

ufkdaúYaf,aIkhg wod<j kï Symbolic deadlock tlls' tkï ixfla;lrKh lr.;
fkdyels h:la wNsuqj ñksYaúIh úmß; ;eklg ;,a¨ùuh' fjk úoyhlg lsõfjda;a
ord.; fkyels hula msg;g nysIl
a rKh lsÍuls' fu;k§ th iajhxúkdYhls (Self-
destruction) iajrEmh .kS' kuq;a m%Yakh kï io,s upset fjk" tjka ;eklg weh
;,a¨fjk weh ;=< l%shd;aul jk udkisl wd;;sfha iajrEmh fudloao hkakh'
fláfhka lsõfjd;a fudflda fl,a, fldaÑÑhg mekafka hkakhs' th ienE isÿùul

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m%;srEmhg jvd ud olskafka ixfla;d;aulj hula iskudrEmkh Ndú;fhka
fm%alaIlhdg oekùula f,ihs' fuh flfkl=g Over - Reaction tlla f,io fmkSug
mq¿jk' we;a;gu uydpd¾hjrhdf.a ÿjf.a wd;;sh l=ula o @

iskud;alj ksrEmkh fjk úÈhg uydpd¾hjrhd iy ÈhKSh w;r we;af;a w¾pkldó

in|;djls' (Fetishistic) tkï fN!;sl foaj,a yryd f.dvkxjk ,o in|;djls'
Chocolates, Toffere, Pringles Potato Chips jeks lD;su w¾pk jia;= yryd f.dvke.=K
in|;djhls'

Tnf.ka uu m%Yakhla wikakï' Tn kslugj;a Notice lrdo ta ;E.s Tlafldu lkak

mq¿jka foaj,a nj' fgdms" fpdl,Ü" Ñmaia" jeks lfÜ od.kak mq¿jka ;E.s ú;rlau
uydpd¾hjrhd ;u ÿjg fok tfla we;a;gu iskudrEmlh" ke;akï jHx.h fudloao
lsh, ys;kak Tn kslugj;a W;aiy l,do @ lfÜ od f.k Wrkak mq¿jka foaj,a lshk
fldg f;afrkak ´k foa fudloao @ u;la fjkak ´k lõo @ ug kï tl mdrgu u;la
jqfka' f*%dhsâj (Sigmand Frauid) Oral Stage tl' Frauid lshkjd udkisl jYfhka
ksfrda.S ukqIfhla ks¾udKh fjkafka m<uqj Oral Stage, fojkqj Anal Stage bkamiq
Phalic & Latent Stage yd wjidkfha§ Genital Stage tfla§ lsh,' Oral Stage tl wh;a
fjkafk ,ore wjêhg' ,orejdg ndysr f,dalh iy ;ud lshkafk fokafkla fkú'
ieuúgu tla flfkla tlu fohla' fldákau ;udf.a YÍrh mjd tl m%mxphla lsh,
ì,s|lg jegySula kE' wïudf.a ;k mqvqj lgg jegqkdu ,orejd ys;kafk wïudf.a
;kmqvqjla ;ukaf.u YÍrfha fldgila lsh,' jvdf.k hoaÈ y| oelafld;a y|g
w;ska .ykjd' y| w,a,kak yokjd' fya;=j yohs" ;ukqhs fokafkla lsh, wjfndaOhla
ke;s ksid' Jaques Lalan lshkjd Real lshk udkisl wjêh ;uhs" f*%dhsâf.a fï Oral
Stage lshk wjêfha ;sfhkafk lsh,' ta lshkafk ndysr f,dalh;a" ;ukaf. YÍrh;a
Tlafldu tlla ñi folla fkú jf.a udkisl uÜgula .ek ;uhs ufkdaúYaf,aIKh
lshfjkafka'

oeka fu m%fõYh we;=f,a Ñ;%mgfha uydpd¾hjrhdf.a ÿjf.a udkisl uÜgu ksrEmKh

lrkafk fldfyduo @ wehs wehg ,efnk ;E.s Tlafldu lfÜ od.kak mq¿jka taju
úu wyïnhla o @ wfkl ta ;E.s ,efnkafk;a wdorhlska fkú" yßu hdka;%sl úÈhg
.kqfokqjl iajrEmfhka'

fï lshkafka fjk úÈhlg uydpd¾hjrhdf.a ÿj ;du;a ufkdaúYaf,aIl w¾:hlska

bkafka wjixj¾ê; ;;a;ajhl lsh, fkúo @ th oCI iskud;aul jHx.hla"
ksrEmkhla lsh,hs ug kï ys;=fka' i|,s bkafk;a mqgqjl .=,sfj,d" yßhg .¾NdIhl
bkakjd jf.a lsh, Wmq,a ikakia., lshmq l;djg;a' uu fu;kÈ tlÕhs' ta;a
ikakdf.a wfkla woyia kï úpdrh fldfydu Wk;a mdrfN!;sl f.dvla j;a; jfÜ
úiqrej,d ú;rhs hkakhs ug ys;=fka' iuka úl%uwdrÉÑ f.a ;;a;ajh kï Bg;a jvd
úhjq,ah'
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 uydpd¾hjrhdf.a ÿj yÈisfha Èú kid.kakg W;aiy lrkafka wehs @ th ud fmr
i|yka l< mßÈ Symbolic deadleck tlla ksid we;sjk ;;a;ajhls' fu;k§ wehg
ixfla;lrKh lr.; fkdyels úhjq, l=ula o @ úhjq, ;u mshdf.a ,sx.sl
wdl¾Ykh msgia;rfhl=g fhduqùuhs' mshdf.a ,sx.sl Fantasy tl ;udg fkdj msgia;r
;reKshlg fhduqùu wehj úlaIsma; lrhs' iEu oejl=f.a ^,orejl=f.au& uQ, sl wdor
jia;=j ;u ujh' ;u ujf.a wdYdj u; ;u wdYdj ÈYd;k lr.ekSu iEu
orejl=f.au wúPdkl ^Unconscioos) isyskhls' ta yryd wïudf.a f,dalfha ;d;a;df.a
f,dalfha m%:u wdor jia;=j njg m;aùu iEu orefjlaf.au isyskhls'

fu;kÈ i|,s m;ajk .eg¨j kï ;d;a;df.a wdor jia;= ;ud fkdj ß;sld ùuh'
wehf.a ujf.a wdor jia;=j ;ud fkdj nqÿka ùuh' io,s wïud iuÕ mkai,a hkakg
wdi jkafka mska lsÍulg fkdfõ' wïudf.a wdidj jQ mkai,a hdu" nqÿka je§u" jeks
l%shdldrlï yryd ;udo tajd lsÍfuka wïudf.a wdYdfõ wdor jia;=j njg ;udg
ia:dk.; úugh' th <ud iajrEmhls' kuq;a io,sg ;u mshdf.a wdor jia;=j f,ig
j;a" ujf.a wdor jia;=j f,ig j;a" ia:dk.; ùu wmyiq fjhs' fya;=j fofokdu weh
iu. jvd;a udkqISh wdor mjq,a ix.uhla" wdY%hla fkd;sîuh' tneúka isÿjkafka io,s
úiska Oedipus ^bämia& le/,a,la f,i ;u foudmshkag tfrysj ;u Èú kid .ekSug
fldaÉÑhg mekSuh'

02& wehs uydpd¾hjrhdf.a ìß| nqÿka j¢kafka @

uydpd¾hjrhdf.a iy ìß|f.a ,sx.sl ;Dma;sfha wiykldÍ iajNdjh nysialrKhla

f,i fuu cjksldj fndfyda whl= lshjug yelsh' hyfka iem fkd,nk weh th
msglrkafka wd.u yryd hkak msáka fmfkk lshùuls' tys jrolao ke;=jd fiah'
kuq;a nqÿka" mkai, fuys§ ud olskafka ixfla; f,ih' th The Big Other - uy wfkld
kï ,ldlshdkq woyi iam¾Ykh lsÍuls' weh uy wfkld ;=< ;u w;H;Hjh" Ôjk
i;H fidhhs'

uy wfkldg uqyqKq f.dvls' l;r.u foúhkaf.a uqyqKq j,g jvd The Big Other g
uqyqKq we;' tajd úúO iajrEmhkah' m%cd;ka;%jdoh" kS;sh" iudkd;au;djh" hqla;sh"
nqÿka" fÊiqia" wd.u" l,dj ' ' ' ' wd§ jYfhka úúO uqyqKqjr .kshs' uy wfkldf.a
ld¾hNd¾h l=ula o @ uy wfkld hkq ukqIH úYfhla f,i (human Subject) f,i uf.a
Ôú;fha hï i;Hla" yrhla" Èú ysñfhka wdrlaId l< hq;= hula fõ kï tys f;areu
okafka fï uy wfkldh'

foúfhla ug jvd fyd¢ka uf.a fõokdj" wdorh" Nla;sh .ek okafkah hkak foaj
jdÈhl=f.a úYajdih' foúhka fuys§ uy wfkldh' ukqIHhkag ;u iudc Ôú;fha
meje;aug uy wfkld w;sYhskau wjYHh'

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 rdð; Èidkdhlf.a ùrhd ueß,d kdgHfha" ùrhd ueß,d lshd lshfjkafk fukak fï
uy wfkldf.a w¾nqOhgh' wo wfma f.da,Sh iudch we;=f,a The Big Other w;s
iS>%fhka urKh lrd ,Õdfjkjd' nd.odg ueß, bjrfj,d mdxY=l+,hla ÿkakd j;a jQ
iudc ;;a;ajhl ;uhs wo wms bkafka'

oeka mkaif,a .egqfuka ^j,sfhka& fmkafka uy wfkldf.a fuu ixfla;d;aul urKhhs'

;j;a fohla fu;k jHx.fhka lshkjd' tkï mkaif,a rKavqj ysxikh lshk ldrKdj
u;= lrkj' ukqIH Ôú;h we;=f,a ysxikhla we;sfjkafk" foaj,a l;d lr,d" úixjdo
lr,d" ixfla;d;aulj lr.kak neß Wkdu' Symbolic Deadlock we;sjqkdu ;uhs
ysxikh lshk foa we;sfjkafka'

yeu ysxikhla msgqmiu l;d lrkak neßfohla" h:la Real jYfhka jvd;a Aggressive
ke;skï NSIkldÍ iajrEmhlska lshkjd' l¨ cQ,sh ta jf.a WodyrKhla' isxy,hdg
fou< ixfla;kh lr.ekSfï fkdyelshdj Wv isÿ jQ wjidkdjka; isÿùula'

Ñ;%mghg wod<j kï ;u wdor jia;=j (Love object) ,sx.slj w;am;a lr.ekSfï

.eg¨jla iajrEmfhka ia;%S pß; folla w;r fuu .egqu we;sfjhs' miqj th
ysxikhla foig ÈYdk.; fjhs' th fm%alaIlhdf.a m%Yikhg ,lafjkafka myka
lkqjla w;e;sj ;reKshla miqmi ¨yqne| hk ;reK ìß|lf.a pß;h ÿgq úgh' fjä
yvo" msiaf;da,ho ysxikfha È.=j;ah'

jeiai ixfla;j;a lrkafka fidaodhduls" Ldokhls' fu;kÈ tu fidaodhdu wod< jkafka

uy wfkldf.a n,mEuh' The Big others is dead, hkak fï lshùuh'

The Real

Desire Big Other

w;r ixrplhla f,i Lot Her Cry, wef.a wei w. iskud lD;sh riúkafoñ' th m%Yia;
iskud lD;shls' úhukls'

tkuqÿ fuh pkaolskakß" ;ks;gqfjka mshdUkak" wCIrh fï uf.a i|hs ks¾udKlre

jQ wfYdal y|.u kï iskud lrejdf.a urKh ms<sn| idCIshls hkak uf.a jegySuhs' Vidu
^úÿ& Ñ;%mgh yo.uf.a jHdêh" Let Her Cry Ñ;%mgh yohdf.a /äl,a iskudfõ urKho

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iksgqyka lrkafkah nj uf.a is;sú,a,hs' fï mrK X - lKavdhu J. R. chj¾Ok flakaøfha
m%isoO
a foaYk lshkfldg" wdik ke;s ksid ysgf.k oekqu msmdifhka tajd wymq y|hdo @
hkak uf.a is; uf.kau wikakg fjhs' nd.odg yohd úl,am iskudjg jvd fj<|fmd,g
iú{dksl jqkdj;ao hk ldrKh o ug neyer lr,sh fkdyel'

l,dlrejl= ixialD;sl ks¾udKhla yryd hï wd¾Ól ,dNhla ,nd.ekSu wksjd¾h

wjYH;djhls' idOkSh fohls' fj<|m,la" Audience ke;skï l,dlrejl=g meje;aulao
ke;s ieáhls' tkuqÿ yohdf.a iskud úhuka w;S;fha§ fu;rï tal f¾Çh jqfka ke;s nj
uf.a jegySuhs' ta mrK yohdg ud ;ju;a wdorh o lrñ'

- fhdackdjla ^yxi ú, le,fnhs - y÷kd.;af;d;a Tn ud&

Let Her Cry n,kak' tys wdYdj $ ji.h Desire ms<sn| idOkSh lshùula we; hkak
uf.a úYajdihhs' ta iuÕu ;j;a fohla lrkakg uu Tng fhdackd lrñ' ta Let Her Cry
Ñ;%mghg iu.dój ¨ú udf,a f.a (Louis Malle) f.a Oscar iïudk ks¾foaYs; Damage
(1992) Ñ;%mgh o n,k f,ihs' th You Tube pek,fha oekg we;s w;r nd.;
(Download) lr.; yelsh' 300 MB lg wdikakh'

Damage ^1992& Ñ;%mgh ji.h $ Deire ms<sn| w;sYh pu;aldr ckl iskud
ksrEmkhls' tu Ñ;%mgh ud ÿgqfõ ud mdi,a YsIHfhl= jQ ld,fhah' wjqreÿ ody;rl mdi,a
YsIHhl= f.org fydfrka Damage jeks Ñ;%mghla tod ne,Su tla;rd wdldrhl Oedipus
le/,a,ls'

m%fudaoh (Jouissance) w;sYh pu;aldrcklh w;sYhskau ìysiqkqh' Mark Antoney,

Cleopatra f.a isg oyia ixLHd; ñksiqka ta uy weúoafodah' foúhkaf.a ydÿfõ;a" hCIhdf.a
wdfõYfhka YDx.drh úkafodah'

- Buddy Dinesh -
^nä ÈfkaIa&

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