Professional Documents
Culture Documents
Tri 3 Reflection
Tri 3 Reflection
Tri 3 Reflection
a. Pick a skill in which you believe you have grown the most this
trimester. Describe the project that allowed you to grow in this area
and what you learned about yourself as an artist in the process.
I have grown the most in the following skill: CAP graduates have a broad acquaintance
with the significant innovators, artists, and schools in their chosen art forms, at least at the
level of recognition vocabulary if not active experiential connection. Because of the cultural
literacy test, I am now able to identify a variety of artists that I normally would not know of.
During that process, I learned that I have great time management skills as an artists. In the
time frame of a weekend, I was able to memorize a lot of facts about over twenty artists. I
have also gained a new appreciation of artists by listening to what my peers have to say
about each one.
b. Pick a skill on which you would continue to give yourself a fairly low
rating, and write a paragraph in which you devise at least one strategy
that might help you improve.
The skill that I need to improve on os “the CAP diploma means that students have
assembled a considerable body of work in a variety of styles in their chosen disciplines: a
group of monologues and roles as an actor; solo, duet, and group dances; a collection of
written work or visual art, etc.” In the beginning of the school year, I started to put together
a group of monologues. The only consistent problem I have with this skill is trying to
prioritize my CAP creative work with my academic work. I plan to fix this problem by
devoting at least 15 minutes of my time each night to acting, whether that’s reading
monologues, reciting old ones, or memorizing new ones.
c. Pick any other skill from the list, and invent a project that would be FUN
and that you could actually do this summer and that would allow you to
practice that skill.
“CAP graduates analyze and draw inspiration from the expertise and artistry of
professionals; they are adept at using the work of master artisans as source material for
their own creative work.” A project that I could actually do this summer is go to actual
plays and musicals in each state I visit. Whenever I travel with my family, we usually pick
what we want to do. I am going to try to find some productions to watch in Florida,
Massachusetts, New York, and Texas. By seeing these different shows, I would get the
opportunity to analyze each acting technique and possibly implement that into my own
acting.
d. Wild card: What artistic experience would you like to reflect on that you
have not yet had a chance to write about? Why was this important for
you, and what skills did you use?
I would like to reflect on the Free Shorts play. I loved doing the play and I also loved playing
lacrosse. I am so very thankful to Ms. Volpe for allowing Catie and I to do both. I wanted to
reflect on this because after receiving the script from Ms. Volpe and the lacrosse schedule
from Ms. Boyle, I was a little doubtful about whether or not I could do this. I thought I was
biting off more than I could chew. As the weeks drew nearer to the play and the end of the
season, I started to memorize the lines. After about one night on the phone with Catie for
four hours, we had the script down. This experience gave me more confidence in my ability
to get things done. I could have quit the lacrosse team to have an easier approach to the
third trimester, but I didn’t. As a result of this, Catie and I gave an amazing performance.
Part 2 - Masterclass/Event Reflection, Spring 2018
Write a 1-2 page reflection on a masterclass or event from trimester 3. This should be an
event or class you attended, not one in which you performed or presented. Here is the list:
Write a self-assessment of your work on the senior show. Address both the preparation
period and the show itself. Minimum length: 2 pages.
For the prep time: What support roles—programs, food, logistics, communication,
publicity, etc—did you carry, if any? How committed were you? How flexible? Did you
attend all the meetings? When there was friction, what caused it? What role(s) did you play
in that, and why was that so, looking back now? What might you have done differently?
For the show itself: Were you professional—on time, warmed up, tuned up, etc? What
parts of what you, personally, shared that day leave you feeling proud? Are there any
moments that don’t? Any surprises for you in what you or anyone else did, or in the
audience response? What did you do to help with setup or clean up?
Finally, what learning do you take away from the experience of producing your own show
together? What advice do you have for next year’s seniors that I might add to the original
planning document I hand out?
Everyone
● Update the examples of work section with new work
● Update the evidence of going public with new evidence
● Insert the CAP Event Checklist on the “Masterclass and Field Trip” Page
● Include any photos that would like on the Masterclass and Field trip page
● Make Sure ALL of your reflections, including the tri 3 self- and masterclass-
reflections from above, are in the reflections section.
Seniors only
● Put the artist statement you will read at the CAP senior show on the “Artist’s
Statement” page
Sophomores and Juniors
● Revisit your CAP plan and at the bottom of the page write down any ideas for next
year that you want to remember now
Trimester 1 Checklist
Trimester 2
Trimester 3