Professional Documents
Culture Documents
Music - Western0001
Music - Western0001
MAPEH MAJORSHIP IN LET
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2011 My Review Coach of Philippines.
HISTORY OF WESTERN MUSIC
Medieval Period, c. 450–1450
Renaissance, c. 1450–1600
Baroque, c. 1600–1750
Classical, 1750–1825
Romantic, 1815–1900
Modern/Twentieth Century, 1900–1950
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MEDIEVAL PERIOD, 450–1450
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MEDIEVAL PERIOD, 450–1450
GREGORIAN CHANT
• consists of melody set to sacred Latin texts and
sung without accompaniment; monophonic in
texture
CHURCH MODES
• consist of 7 different tones and an 8th tone that
duplicates an octave higher; basic scales of
western music during the Middle Ages and the
Renaissance
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MEDIEVAL PERIOD, 450–1450
SECULAR MUSIC IN THE MIDDLE AGES
• music outside the church composed during the
12th and 13th centuries by French nobles called
the troubadours and trouvers
ORGANUM
• medieval music that consists of Gregorian Chant
with one or more additional melodic lines
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RENAISSANCE, 1450–1600
• golden age of unaccompanied choral music
MOTET
• a polyphonic composition with sacred words and
meant to be performed on religious or festive
occasions
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RENAISSANCE, 1450–1600
MASS
• a polyphonic choral composition; usually in Latin
text and used for the Eucharistic liturgy
• KYRIE
• GLORIA
• CREDO
• SANCTUS
• AGNUS DEI
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RENAISSANCE, 1450–1600
MADRIGAL
• secular vocal music; a piece for several solo
voices set to a short poem (usually about love);
text is in the vernacular language
RENAISSANCE DANCE FORMS
• development of independent instrumental music
grew out of two sources: the use of double or
replace parts of vocal composition and the use of
instruments for dance music
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RENAISSANCE, 1450–1600
LUTE
• popular instrument of
the Renaissance period
• 16 stringed instrument
played by plucking
• used tablature and used
as an accompaniment to
a song or dance pieces
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2011 My Review Coach of Philippines.
RENAISSANCE, 1450–1600
FAMOUS MUSICIANS
WILLIAM BYRD (1540/late 1539 – July 4, 1623)
• one of the leading English composers of the
Renaissance who developed English madrigals;
wrote church, secular, and keyboard music
JOSQUIN DESPREZ (c. 1440 – August 27, 1521)
• wrote both sacred and secular music, focusing
more on motets of which he wrote over a
hundred
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RENAISSANCE, 1450–1600
FAMOUS MUSICIANS
JOHN DOWLAND (1563 – February 20, 1626)
• known for his lute music in Europe and
composer of beautiful melancholic music
GUILLAUME DUFAY (1400 – November 27, 1474)
• French composer of the 15th century; known as
the transitional figure to the Renaissance
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RENAISSANCE, 1450–1600
FAMOUS MUSICIANS
CLAUDIO MONTEVERDI
(baptized May 15, 1567 – November 29, 1643)
• one of the great contributors to opera;
established the foundations of modern opera;
transitional figure from the Renaissance to the
Baroque era
• famous work: Orfeo
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RENAISSANCE, 1450–1600
FAMOUS MUSICIANS
GIOVANNI PIERLUIGI DA PALESTRINA
(c. 1523 – February 2, 1549)
• Italian composer who wrote secular, liturgical
and religious pieces
• greatest composer of liturgical music; “Prince of
Music”
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BAROQUE, 1600–1750
EARLY BAROQUE, 1600 – 1640
• composers favored homophonic over polyphonic
texture
MIDDLE BAROQUE, 1640 – 1680
• the new musical style spread from Italy to
practically every country in Europe
LATE BAROQUE, 1680 – 1750
• instrumental music became as important as
vocal music for the first time
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BAROQUE, 1600–1750
SINGLE VOCAL FORM
RECITATIVES
• a free form for solo voice with accompaniment
ARIA
• a song for solo and with accompaniment, vocal
part is written in a fairly complex style, often
several notes to each syllable of the text
CHORALE
• sung in unison or in four‐part block chord styles
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BAROQUE, 1600–1750
BASSO CONTINUO
• “figured bass”, “through bass” consists of a
written bass line with numerals below the notes
• dominant characteristic of the Baroque period
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BAROQUE, 1600–1750
MULTI‐MOVEMENT VOCAL FORMS
OPERA
• a drama sung with instrumental accompaniment
and presented with appropriate scenery,
costume and staging
ORATORIO
• vocal composition for soloist, chorus and
orchestra based on sacred or secular text
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BAROQUE, 1600–1750
MULTI‐MOVEMENT VOCAL FORMS
CANTATA
• vocal form in several movement for solo voices
and instrumental accompaniment or for solo
voices, chorus, and instrumental
accompaniment; based on a poetic, narrative,
either religious or secular of a lyric or dramatic in
nature
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BAROQUE, 1600–1750
SINGLE MOVEMENT INSTRUMENTAL FORM
SECTIONAL DANCE FORM
• dances written in rounded binary form
ORCHESTRAL OVERTURE
• instrumental composition which serves as an
introductory movement for an opera, oratorio or
cantata or as the first movement of an
instrumental piece
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BAROQUE, 1600–1750
SINGLE MOVEMENT INSTRUMENTAL FORM
FUGUE
• a composition based on polyphonic imitative
treatment of a short theme known as the subject
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BAROQUE, 1600–1750
MULTI‐MOVEMENT INSTRUMENTAL FORM
SONATA DA CHIESA
• church sonata; written for solo instrument
SONATA DE CAMERA
• chamber sonata; instrumental works based on
dance form
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BAROQUE, 1600–1750
MULTI‐MOVEMENT INSTRUMENTAL FORM
SUITE
• an important Baroque instrumental form for
solo, harpsichord, clavichord, or orchestral
instrument
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BAROQUE, 1600–1750
FAMOUS MUSICIANS
JOHANN SEBASTIAN BACH
(March 21, 1685 – July 28, 1750)
• genius keyboardist (mastering the organ and
harpsichord) and brilliant German composer
• Bach brought music to its culmination, writing music for
nearly every type of musical form
• Popular works: Air on G String, Double Violin Concerto,
Minuet in G, Brandenburg Concerto No.3, Minor Mass
and The Unaccompanied Cello Suites
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BAROQUE, 1600–1750
FAMOUS MUSICIANS
GEORGE FREDERIC HANDEL
(February 23, 1685 – April 14, 1759)
• wrote pieces of music for every genre of his time and
even invented English oratorio
• popular works: The Messiah, Music of the Royal
Fireworks, Water Music
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BAROQUE, 1600–1750
FAMOUS MUSICIANS
ANTONIO VIVALDI (March 4, 1678 – July 28, 1741)
• wrote over 500 concertos
• famous works: Four Seasons, Gloria, Con Alla Rustica in G
HENRY PURCELL
• one of England’s greatest composers and most original
composer of his time; made successful works for stage
• popular works: Dido and Aeneas, The Fairy Queen, Sound
the Trumpet
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BAROQUE, 1600–1750
FAMOUS MUSICIANS
DOMENICO SCARLATTI
• wrote 555 known harpsichord sonatas, of which over half
was written in the last six years of his life
• popular works: Essercizi per Gravicembalo (sonatas for
harpsichord)
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BAROQUE, 1600–1750
FAMOUS MUSICIANS
JOHANN PACHELBEL
• German composer; major works are for organ and
keyboard
• famous Works: Pachelbel Canon in D, Chaconne in F
minor, Toccata in C minor
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CLASSICAL, 1750–1820
• age of reason and enlightenment
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CLASSICAL, 1750–1820
INSTRUMENTAL FORMS
BINARY FORM
• form of movement with two principal themes or
two distinct sections
TERNARY FORM
• form of movement with three principal themes
or sections
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CLASSICAL, 1750–1820
INSTRUMENTAL FORMS
RONDO FORM
• a typical pattern with letters representing
thematic sections (ABACABA)
VARIATION FORMS
• one of a set of series of transformation of a
theme by means of harmonic, rhythmic, and
melodic changes and embellishments
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CLASSICAL, 1750–1820
INSTRUMENTAL FORMS
SONATINA FORMS
• in essence a miniature version of sonata‐allegro
form, but with shorter themes
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CLASSICAL, 1750–1820
MULTI‐MOVEMENT INSTRUMENTAL FORM
SONATA FORM
• usually used for first movements of classical
symphonies, sonatas and chamber works; it may
be used for other movements as well
CONCERTO
• an extended composition for solo instrumental
and orchestra, frequently in a sonata form
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CLASSICAL, 1750–1820
FAMOUS MUSICIANS
FRANZ JOSEPH HAYDN
(March 31, 1732 – May 1809)
• Austrian; Father of Symphony Orchestra
• famous works: Surprise Symphony (Symphony No. 94),
Trumpet concert on E flat Major
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CLASSICAL, 1750–1820
FAMOUS MUSICIANS
WOLFGANG AMADEUS MOZART
• Austrian composer who raised Classical concertos to its
highest level
• famous works: Don Giovanni, Symphony No.40 in G
minor, Magic Flute
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ROMANTIC, 1820–1900
• subjectivity, emotionalism, longing exuberance,
imbalance and fantasy
PROGRAM MUSIC
• instrumental music associated with a story,
poem, idea or scene
RHAPSODY
• a declamatory piece in free form using different
melodies that vary in mood and tempo
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ROMANTIC, 1820–1900
ART SONG
• a combination for solo voice that combines
melody, poetry, and accompaniment into an
integrated form in which all three play an equal
importance
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ROMANTIC, 1820–1900
ART SONG
LIED/LIEDER
• German art song
• STROPHIC – each stanza of the poem is
set to the same music
• THROUGH‐COMPOSED – different music
for each stanza of the poem in order to
follow the changing ideas or mood of the
text
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ROMANTIC, 1820–1900
• nationalism music
• program symphony
• concert overtures
• symphonic poem/tone poem
• incidental music
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ROMANTIC, 1820–1900
FAMOUS MUSICIANS
FREDERIC CHOPIN (1810–1849)
• Polish; genius of the piano
• “Poet of the Piano” (piano was the main and most
important instrument of that period)
• famous works: Nocturn in E flat Major, Etude in C minor,
Polonaise in A flat Major
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ROMANTIC, 1820–1900
FAMOUS MUSICIANS
FELIX MENDELSSOHN
• famous German conductor and composer of the
Romantic period
• famous work: A Wedding March from Midsummer
Nights’ Dream
FRANZ LISZT (1811–1886)
• known as the piano virtuoso of the Romantic period
• famous works: Hungarian Rhapsody, La Campanella
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ROMANTIC, 1820–1900
FAMOUS MUSICIANS
FRANZ SCHUBERT (1797–1828)
• Austrian composer who is a supreme melodist; inspired
master of Lieder
• famous works : Serenade, Symphony No. 8 in B minor
JOHANNES BRAHMS
• well‐known composer of art songs during the Romantic
period
• famous work: Wiegenlied
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ROMANTIC, 1820–1900
FAMOUS MUSICIANS
GUISEPPE VERDI (1813–1901)
• greatest composer of Italian opera
• famous works: La Traviatta, Il Trovatore, Rigoletto and
Aida
HECTOR BERLOIZ (1830–1869)
• one of the greatest Romantic composers who expanded
the orchestra
• famous work: Symphonie Fantastique
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ROMANTIC, 1820–1900
FAMOUS MUSICIANS
PETER ILYICH TCHAIKOVSKY (1840–1893)
• wrote the greatest ballet of all times; King of Russian
waltz
• famous works: Swan Lake, Sleeping Beauty, Nutcracker
Suite, Romeo and Juliet
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ROMANTIC, 1820–1900
FAMOUS MUSICIANS
EDVARD GRIEG (1943–1907)
• used the language and legends of Norway to promote
nationalism
• famous works: Piano concerto in A minor, (incidental
music) Peer Gynt Suite (In the Hall of the Mountain King,
Morning Mood)
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MODERN/TWENTIETH CENTURY
• IMPRESSIONISM
• EXPRESSIONISM
• NEOCLASSICISM
• EXOTICISM
• MINIMALIST MUSIC
• ELECTRONIC INSTRUMENTS
• JAZZ
• RAGTIME
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MODERN/TWENTIETH CENTURY
FAMOUS MUSICIANS
CLAUDE DEBUSSY (1862–1918)
• French composer where Musical Impressionism was
originated
• famous work: Claire De Lune, String Quartet in G minor
ARNOLD SCHOENBERG (1874–1951)
• Austrian musician who invented the 12 tone scale
• famous work : Pierrot Lunaire
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MODERN/TWENTIETH CENTURY
FAMOUS MUSICIANS
BELA BARTOK
• Hungarian composer whose style was intimately folk
music research
• famous work: Concerto for Orchestra, Third Piano
Concerto
AAROND COPLAND
JOHN CAGE
MILES DAVIS
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