The below are just examples – you will need to add more!
Theoretical How to fix Faced Didn’t
face BBC GUIDLINE – RADIO I’ll have to go through the guideline NO 4 EXTRA and make sure that I follow their rules and indications, making sure to understand what I’m allowed to do and what I’m not when it comes to producing the radio drama. I’ll have to take in consideration the language I’m allowed to use when I’ll start writing the script for my radio drama and to get a better understanding of the regulation, checking the pros and cons of the guideline. Making sure that audience is suited for the kind of radio drama I’m planning to produce and the length of it fits their standards. WATERSHED I’ll have to make sure to avoid NO (PRE/POST RULES) everything that includes sexual content to violence, graphic or distressing imagery and swearing. E.g. offensive language should be avoided and not broadcasted. If any of this would be written in my script I’ll have to rewrite it, showing a more decent use of language that won’t be offensive to anybody listening to my radio drama. CHARACTER TYPES – I’ll have to research character NO PROPP theory and talk about that’s the goals of each character, give information about their background so the audience will be able to understand the characters better and get a liking in them. I’ll also have to be able to show the audience what kind of people my characters are based on their reaction, attitude and the decision they would make in different situations. This way I’ll be able to develop their personality further, making the character more complex, compared to how they initially were. GENRE – STEAVE NEALE I should do primary and secondary NO – REPETITION + research to find more about the DIFFERENCE elements needed to make the fantasy genre e.g. background music, Foley sounds, narrative etc. I’ll do the secondary research on the codes and conventions of fantasy genre, so I’ll be able to understand more about it and fix any problem that could come my way while writing the scrip or the editing process as I’d already have all the information needed related to the fantasy genre. Practical How to fix Faced Didn’t face AUDIO QUALITY The audio quality might be bad due This to the actors sitting too far from the happened microphone, so the solution would a few be to make them sit pretty close to times while it, so that it won’t sound like the recording, characters are too quiet or too loud. so I had to I’ll have to make sure that the actors set other are speaking clear so there won’t be days as any inconvenience and the well to re- audience will be able to understand record. what the characters are saying properly. FOLEY SOUNDS I’ll have to make sure that the Foley NO sounds are appropriate and as realistic as possible, so the audience will be able to understand the meaning of the sounds and won’t get confused. I’ll spend more time on Foley sounds, as I’d want to experiment more making different sounds before actually starting making the ones I’ll actually need for my radio drama. The Foley sounds would be either made in college, in the recording studio or my house. BACKGROUND MUSIC The background music is something NO I’m most probably going to struggle with. Because the genre of my radio drama is fantasy the background music should be something calm and somehow melodic. ACTORS First of all, I’ll have to check NO constantly on my actors to see if they’ll still be available to play their roles, if not I’ll make sure to have backups that will be able to take their place, so that I’ll avoid having any trouble with the production schedule and avoid falling behind with my work. TIME TO EXPERIMENT + I plan to make some time to I had a RE-RECORD experiment making the Foley sounds small in my free lessons and in the half problem term. After I finally finish the plot of with the my radio drama, I plan to make a list recording, with all the Foley sounds I might or but my might not need and try recreating teacher them in different ways. This way I’ll gave me be able to see what worked and feedback what didn’t and come up with other and I was strategies that will help me fill up my able to re- struggles. record it After I record everything, I need for properly. my radio drama, I’ll have my teachers to check it and give me feedback and this way I can re- record the bits that didn’t worked, out making them better and also improving the quality of the radio drama. AUDITIONING A problem that might occur is to find NO CHARACTERS the right people to interpret the characters the way I want. In a radio drama the voices of the characters is the main element so I’ll have to find people that voice’s will fit with the way I imagined my characters. I might have to take numerous auditions until I find actors I’m satisfied with and after that I should also look for backups in case there might be a problem with the main actors. SCRIPT WRITING I’ll make sure that my script is NO reaching at least ten pages long, as I don’t want to make my radio drama longer than ten minutes, as it might end up boring for the audience if there is nothing interesting going on. I’ll have to write the Foley sounds I’m going to use, but in case I change my mind and I plan to add more Foley sounds or take out some of them I’ll have to take my time going through the script and make sure that everything is in its right place. This will also help me to make sure that there won’t be any mistake while recording and editing the radio drama.