Art as Technique Vices Shkaaky is etaialy the a atic aad fab the st Spa of th Forma rts, charter member of he po, hd at tare combination of old aia, combats, ed there Besiliyrepced of «propane sarng the ery pus 0 maven “le Bichnbo she ("The Thy of he Formal etd”), Silly euch a of the foment of Hai Woy ain theft to ine a prasad quant ined tard tation se ras ‘haly an taed them hry peraps hay. Like TE. Fai | 7S. Hla, he war a matt of te hind of semen tha ibe make slogans of ad oponet fd earn 109 to ak. Bae hea the mst ovo andthe mat sade for he Mars end Sct his ate wear the Raion Reston en ral compen he a eof the it of the Formals to tem campromi, 1926 be was ting to inte sibel aerial wis sdof eate; sor Ths in 1928 maces War and Peace a1 roe! of to rere Foces™the weal dats Tilly repre an th nasa gee? Av oh Techig (1917) ithe mot iota tated mae of ly Formal mats, ary ae i amoebic ith the iy abe shi” opprch aoiae at tat ne ad in hal late end pry esau ifrs thry of uth the mathe ond he Pure of sr Alhgh we have dae the Fara? quar ah Pee [eral lemmas nets apr Sh wrth ines, 60 pl of Potato, haat hiking age ad hat ‘tgp is to proven tesa (no fn the strato tetrad) in rm of hk eel, the er td ia he ahs Bia ay awa 200of oct a tintin alae, iil the sce wer ine, a Sally pets a. To mea campl rm Werth te fn Geng ling, ey oi oes re cei pti yt wuld brash argu ath pote quay comes om te dey lint yey. dnd a the end of i vot, Wonder eres Poe ad Trion as nays oot a feng hat many persons or hl ft and; hima eres fer then a ing and or. Tha PotiyeSsmbli deriptin of pot, thn, wes inadequate bath areal od rately. “A ithe Formats sede ri formule that woud de the fire sewues trae ad nenLrtne more frcnly and mre gewraly than hed ber dine, end that wld at th ene tne sale te Duran of leet, Sls emp of “df oarienton’? id bt 1 war appropiate hctrzly, rice, nf, singly red Patibzsion ‘prided [hts angen, rey sale, ta te habia of ‘hnking i tak he anf a early digest at pail, Noma ‘sr preptone ee "edema whch is amthr yo saying tha hy ae nin, Frm hs sedi ering largely 0 mae of leaning to gure 7 hve rot rely eared dre ox aloe, for example mil we are able voc Uo thera plight, pes, thermal ‘oilcoctiey nl nf wii mato et cna et. ctl (eeu lr acl icing ha re eng to tee mis the pron but fil oe what he ok ie When reading try re ly afk hl smn it rng if we ont toting the idl rds ae tarde The ureter to Silos, 16 fore w to nate. Site ean wal tn ealomate, >t dlp osx of Tu te inde prep o, a at, al asin tamil. Ths "Art a way of experiencing the ara ‘es of an objet the objet i at important"* The oti nine ott be tat the oon dst ave punt enhng erie "al the pon must “ht mean be “This nthe place tbe the erie citing antic yeme,ba sae sa note hal Sil pin mre uae en fed ‘woul at. To thet tha rk oft nt be espeienrd tthe exten ha dite ey othr bjt tay “ean in these ey te ject mew; ic ha, haar ne avntageit i desgal ptillyfor ‘ecplion, for rating and ling attain. ‘Ts nt ny Bort Ieaning fcr earns oft mening wn the rad. Aoagh ‘ike didi low ths fine, de vod the ronge af i tty ito inomsny. He prefers to argue, at dis. A. Richard, that etion aed lf th th god Wiis he i of mam fly are (f th worl vt parapoaeRihads ed to ramarice SM, he ead of xd the earn for tat earns Acading ts Sch, he chi eign for promoting sch pretion steal cton” 1 imtoo mach dee a re bial by fy mumbo of des, Ant pn of, ar SBsy poet an tno a reader erie by making the famitir se sane Wordplay, ‘hb roughened rim, oF fg’ of rch call have te sane ‘foc No singe dee, an eee Py, Paty i ged mot 1 the pres of erin hind of met or ofa, embigein, smbaley water, bat by ality 0 male man la with a erptonaly high tof stares, Act hin 1g.” This maim, which even high school studs ptt, & never the satiny pat hr the erie phiologst who is beginning to put together sme kind of tystematic Iiterary they. The dea, orgnated in part by Potebny, hassprend “Without imagery ee is no ary and Tn fariclar no poetry,” Potebnya writes And ebewhere, “Poetry, aswell as pre, st i foremost a seca way of thinking ad knowing Poetry isa special way of thinking it iy preciely, & way of Winking i images, = way which permite what is geneally called szonomy of menial efor” away which mates for senstion of the FATE ise othe peoese” Astetie felng i the reaction to siti Yaya Sa hep es 1 Aller Pena Ie sd tl al (es oe Ty of Len ha,. Rema Fou Cut this economy, This is how the academician Ovsyaniko Kulikoveky wh undoubiedly read the works of Ptebnya attentively, almont Certainly understood and faithfully summarize the ideas of his teacher. Poteboya and his numerous dilpes consider pociry a special kindof thinking-=thinking by acho images: they fel (hat the purpose of imagery ito help channel vari jer aad Known, Or, at Potchnya wrote (@) the nage fa are nd per han what ile In other words: Since the purpoe of imager st raniad u,b approximate, of ‘hang for which he eae san a ne, part or th, ino meen fut et wh he Tewould be instruetve tote to apply this pincp to Tyutchev's comparion of sumer ighiniag to deaf and dumls demons oto {Gaga's comparzon ofthe ky to the garment of God. is Without imagery thee 8 no art" Art thinking in images.) These maxims have led to frfetched lnterpetaion of inv ieuad works of art. Attempts have been made to evaluite even musi, chitectue, and pre poetry a magic thought Aer a quarter ofa century of such attempsr OviyanikorKulikovsky finaly had to asin Ire poewy,areitenare, and msi to petal category of alts 9.3 3, a (19) ott ia ed 8 iain bc yy ry lly ht ‘erat Sintovay 7 ‘imageles art and to define them as lyric arts appealing drety 0 the emotions And thus he admitted ax enormous rea of art wich isnot a mode o thought Apart of this area, ye pocey (narrowly ‘omidete), quite ke the sual arts tale verbal. But, wc ‘more important, visual art pases quite percep ino ma av: yet our perception of lth ae sia inca (Let the a mae sr the enh a the maki of syne, hus surdved the down af theca hich supported it 1 sumives chil in the wake of Snot, ‘Specialy among the them ofthe Symbol overt, Many sil baie, then hae thinking n imagen spose scenes of “roads at landscape and “artows and evs aries" ste chet eharacteriie fp. Consequently ey should have expected the history of “lmao ata thy ell 4 to const oft history of changes in nngey. Bat we fin at istage change itl; Fom century o century om nan ty, from pet poe, hey How on whew hanging. mage elo 1p ane: they are “the Lars” The mare yeu underesnd an sae, the more convinced you become thatthe imagers gen poet wed sn which yu thought his wn were taken amo nchaoged fom Swe: pot The works of pots re sed or grouped tesa ‘othe new techniques that pets iscover and share and according toe arangement and cvlopmest a the esourcs of agua, ets are much more concerned with arranging images thas th {reaing them Images ae given to poe, the aii to femener ‘hem far mor importa ha the ay to eee cae, Tragic tho est any ese, alte appects of ann eve ll tear of veal ot hang in nagery seni to the devloprent petty. We mew at ory expres duh to be potty, to be erated for ace Deane, along actealy wat rested witht sch intent Annensy's opinion tht the Sls nguges are epecally poets and Andrey Bely's ecstasy over the technique of pacing afecoes ‘Mex nouns a techie ted by eighentccentary Rusia por ‘tee Mana 116) wa aes