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Extra: "We'Re Each Other'S Influences. A Fusion of Different Genres-That'S What We'Re Trying To Instill."
Extra: "We'Re Each Other'S Influences. A Fusion of Different Genres-That'S What We'Re Trying To Instill."
Extra: "We'Re Each Other'S Influences. A Fusion of Different Genres-That'S What We'Re Trying To Instill."
By Dannise Galon
Photographed by JL Javier
Styled by Celene Sakurako
Special thanks to Desiderata Lounge
A
n amalgamation of reverberations
and personalities,
MilesExperience–shortened as
MSex–started out as modest and as
laid-back as they carry themselves:
by skipping a morning class and
developing the posse of Miles
Bondoc (vocals/guitar), Justin Teano
(guitar), Ian Diaz (bass), Guido
Hizon (keyboards), and Timothy Odulio
(drums) at their alma mater in
University of Santo Tomas, where they
majored in music. A beginning to a
now-long-term friendship, the band’s
name was initially MilesExperience69,
which was later altered into its
latest form. “That’s MilesExperience
with no space and the word ‘sex’ in
the middle. We removed the ‘69’ to
make it more simple since it sounds
too much like a username,” says
Miles. When asked about the genre of
their band, they all held to the same
thought: Fusion. Ian adds, “We’re
each other’s influences. A fusion of
different genres–that’s what we’re Tops by Oxygen and Penshoppe (on Miles)
trying to instill.”
MSex’s sound is a deep dive of
hazy, heartstrings-tugging, arch
60 - statusmagonline.com
maestro
their own brand of eccentric and off- last decades. The competition is less strings acts and performances from
the-grid customs, the quintet boosts now because we help and uplift each their close-knit collective of
themselves from the clutch of new other,” Ian quips. musicians. With the name of the album
native music acts, evidently placing Pointing out the shift in still in the works, their 12-track
them on the heyday of their career at attitude of local bands, Timothy LP will include a mix of both
the moment. reflects on the downside. “There’s a Filipino and English songs. For the
Standing out in this generation’s lot of not-so-good music that people love of music, thriving passion, and
musical influx with the oscillations get exposed to; they’re fed with it. artistry, MilesExperience’s cohorts
the digital age has brought upon, They feel like it’s good music, but are bound to keep their breaths in
they sink into a flow of adept and it’s really not,” shares the drummer. check, for the band is just about
misty abstract, delivered in a dazed “The Internet has changed music to fly off through their soothing
voice–all the while dismantling through various ways of productions.” acoustics and plummeting drums thumps
terrains and paving their perpetual While they make their way towards in no time.
lane. While they all agree that the the mainstream music scene, the band
Internet’s façade-altering nature rejoices on the fact that their music facebook.com/milesexperience
has also taken effect on numerous is able to help people of need, @MilesExperience
means towards the face of music, MSex whilst they compel glory in playing
establishes that it has made lots of them, saying, “Every event we had is
things better, especially for the memorable. Every gig has a unique
exuberating pool of great artists spirit, a purpose.”
in the local music scene including Their debut record is set to be
themselves. “It’s actually better released on April 30 in B-side at
that they’re more exposed than the The Collective, featuring classical
statusmagonline.com - 61
6/26/2017 Lorde’s “Melodrama” takes on the supercut of faded love and adulthood
You are here Home > Entertainment > Lorde’s “Melodrama” takes on the supercut of faded love and adulthood
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6/26/2017 Lorde’s “Melodrama” takes on the supercut of faded love and adulthood
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“ALL THE GLAMOUR AND THE TRAUMA AND THE F*CKIN’ MELODRAMA.”
20-year-old singer-songwriter Lorde (whose real name is Ella Yelich-O’Connor)
stands be making ripples on the music scene this early in 2017 as she rakes in
consequent positive critiques for her recently launched sophomore album called
Melodrama.
While the central themes of her debut LP Pure Heroine (2013) shoot on the issues
of conventional beauty and popularity, Melodrama is re ective upon the transience
http://canto.ph/lorde-melodrama-takes-supercut-faded-love-adulthood/ 2/5
6/26/2017 Lorde’s “Melodrama” takes on the supercut of faded love and adulthood
of Lorde’s adolescence and adulthood. Unlike most pop stars, however, she has
refrained from putting out music that gets the tales of a new romance and has
Tweets by @canto_ph
chosen to turn a rather perplexing period of her life into something self-de ning.
Canto Philippines
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Celebrate Pride Month with these
LGBT+ Films
Best tracks
buff.ly/2tAHhzb
‘Royals’ may have been 16-year-old Ella’s golden ticket to the cut-throat stream of
the industry, but ‘Writer in the Dark’ and ‘Sober II (Melodrama)’ are taking the stage
as the most headline-grabbing songs of the latest release as they carry the core
subjects of the record.
Nevertheless, ‘Supercut’ is undeniably the super song of the album. The backward-
grazing tune tells the account of a venerated relationship, narrating a version that
shades brighter than reality. The brilliance of the track manifests on the lyrics
which ultimately fall on her realization that only a collection of clips remain of what
24 Jun
has been a short-lived romance; hence the title.
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At any rate, trust us when we say you won’t rue the day you start streaming All grown-up: a de nitive guide to
Melodrama. #ADULTING
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