CONTINUO 2.

Gottes Zeit ist die Allerbeste Zeit

BWV 106
Actus tragicus

   
                                  
2. A. CORO: GOTTES ZEIT IST DIE ALLERBESTE ZEIT

   
Andante( =80)


Allegro ( = 160) 
                                
   
7

                 
            
    

19

 
                      
 
29

        
     
                  
 
41 Adagio assai ( = 60)

                           
      
2. B. TENOR SOLO: ACH, HERR

    
Lento ( = 40)
48

                
                  
     

53

                     

                
59

       
                       
      
64

Paolo Andrés Riquelme Pacheco © Ars Excelsa Ensemble, 2019

      

                                  

2. C. BAJO SOLO: BESTELLE DEIN HAUS


              
71 Vivace ( = 160)

                    
                         
  
82

                            
                     

93

                                      
      
     
104

   
                        
         
       
114

        
                
        
   
124

                                   
     
2. D. CORO: ES IST DER ALTE BUND
131 Andante ( = 80)

  

                                
   
136

                   
                    

141

                            

     
  
   

146

2 Paolo Andrés Riquelme Pacheco © Ars Excelsa Ensemble, 2019

              
                
 
151

          
                      
 
  
156

                       
        
     
161


                                     

    
166

  
                       
     

171

             

            
      
175

       
    
         


179 tasto solo



Paolo Andrés Riquelme Pacheco © Ars Excelsa Ensemble, 2019 3