Curls

Crosby LaGrone LoRisk Crosby LaGrone

       

 = 108


INTRO

                    
                   
 I

   
          

  
 
           
    

           
        
      

5 VERSE 1 1.

had this lit tle boy, Who call him on the phone when

                          
I love to an noy I'd I was on my own.

         
 
       




       

      
           
9
2. PRE-CHORUS 1



  
             
He was n't a sight to be hold. His

       
 
   
    


     

LaGNotes Studio Productions 2019

      
   
              
12

                
      
voice was high and cold. But there was some thing a bout him, I

    
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         
       


 
             
16

 
                        
could get o ver it when the lights were dim

           
                 
   




               
    
20 CHORUS 1


                        
Curls! The kind that you can knot your fin gers in.

                   
 
    
                           



                      
 
24

                         
The kind en vied by ev 'ry se ven ties men. I'm talk ing'bout Curls!

   

    
                           

2 LaGNotes Studio Productions 2019

                   
    
28 VERSE 2
3

                    
Peo ple al ways ask me if I need help so that I can see two

                   
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

       

   
                 
32

                    
                
feet in front of me. They just can't be lieve 'cause,


                       

     
                 

36 PRE-CHORUS 2



    
              
he is n't a sight to be hold. His voice is high and cold.


           
       
    
  


   

     
                        
40

      
                   
But there'sjust some thing a bouthim, I al ways get o ver it when thelights aredim

         
           
  
    


  

LaGNotes Studio Productions 2019 3

 
                   

46 CHORUS 2


                         
Curls! The kind that you can knot your fin gers in.

                   
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    
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

        

                        
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50

               
                                
The kind en vied by ev 'ry se ven ties men. Like a cra zystraw or wa ter slide,


                               


                      
repeat and go fricking crazy

 
54 OUTRO/REPEAT TO HEARTS CONTENT

 
               
                    
who cares a bout the co lor of his eyes when talk ing'bout Curls!

   
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      
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4 LaGNotes Studio Productions 2019