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Maha Kali Seichim
Maha Kali Seichim
Maha Kali Seichim
by
Stephen Comee
2002
East Wind Holistic Healing
© 2002, by Stephen Comee
Ancient Origins
Knowledge of other ancient healing systems sheds light on the pre-Usui origins of Reiki. The
Hindu and Tibetan Buddhist devotion to Kali the Mother and Maha Kali is normally thought
of as just performing sadhana (daily prayer rituals) and reciting her mantras. However, taught
orally from teacher to student, there was also a healing system that is similar to the
Reiki/Seichim method of initiation and attunement. There are other spiritual lineages in the
Orient involving the transmission of ability through empowerments. It is known that a
spiritual lineage of this type may end due to the failure of the teacher to pass it on. The
lineage may then resume hundreds or thousands of years later when a monk or spiritual seeker
receives instruction and empowerment during a mystical experience. Perhaps this is what
happened to me. Perhaps I had been a Healing Master in a past life and this gave me the
determination to seek the healing power again. Perhaps the lineage had come to an end only to
be started again when Maha Kali Seichim was reactivated.
adapted from: http://www.reiki.org/FAQ/HistoryOfReiki.html
Margot “Deepa” Slater, a trained Reiki and Seichim teacher, shares the story of her
struggle to find a broadly-based, flexible, and creative form of energetic healing that suited
her.
In 1991, I traveled to the United States and, through a strange series of coincidences,
commenced training in Encinitas, California, with Marsha Jean Burack, also known as
Marsha Nityankari, a Reiki and Seichim Master Teacher.
Marsha was a student of Zen Buddhism. She had studied and majored in anthropology and
had traveled widely. She lived in a house that looked like an Egyptian temple and taught me
in a typically paradoxical Zen way. . . .
Each time I began to initiate and teach the versions of Traditional Reiki and Seichim I had
learned from Marsha, I was guided to extra and different movements and symbols. Initially, I
resisted but finally decided to go with the flow and see what happened. A friend lent me a
book. I found I was working with Tantric Yoga points. I began buying books on Yoga, which,
in turn, led me to explore Buddhism. I slowly began putting the pieces of my vision together.
I began to recognize the links between the ancient traditions of the Mystery Schools,
Enochian Magic, Tantra, Taoism and Tibetan mysticism. By 1992, I had my first experience
of the Way of the Five Bodies and Sekhmet, the primordial Egyptian Goddess.
I realized that within the teachings of Reiki and Seichim lay hidden
truths. I named what I taught Newlife Reiki Seichim and Newlife
Seichim Sekhem. I now understood the messages of Usui. The
visionary woman at the end of my bed, I now recognized as Quan Yin.
The hidden truths led to the Lion Path or the path of the Bodhisattva
Warrior, and esoteric teachings of a secret Buddhist sect known as the
Shingon Buddhists.
Shingon teachings are of a private and confidential nature. They
place great importance on the “three secrets” of body, mind, and
speech. Every person possesses these three functions, all of which
harbor secrets that lead to the attainment of enlightenment. The secret
of body finds expression in various hand gestures and meditation postures. The secret of mind
relates to the “five wisdoms” which make the comprehension of reality possible. The secret of
speech relates to the recitation of sounds and mantras. Through rituals, which are rooted in
these “three secrets,” a connection between the practitioner and a particular Buddha or Deity
together with recognition of various archetypal energies is brought about. The state of
“Buddha in me / me in Buddha” can be realized. The way is a spiritual journey. It is unfolded
through self-discovery, creativity, self-recognition, awareness to consciousness and
enlightenment.
http://www.newlifereikiseichim.com.au/about.html
II. An Introduction to Maha Kali
Who Is Kali
Kālī is a "fierce" and "terrifying" form of Devi worshipped in many forms of Shaivism. Kālī
represents the disintegrative force in nature as displayed in the passage of time (Kāla) or
increase of entropy. Kali is black but the other colours used in the yantra (red, yellow, green
and white) are also part of her traditional representation.
"Just as all colors disappear in black, so all names and forms disappear in her"
—Mahanirvana Tantra
On the other hand, black is said to represent the total absence of color, again signifying the
nature of Kali as ultimate reality. Thus, in Sanskrit, the color black is named as nirguna
(beyond all quality and form). Either way, Kali's black color symbolizes her transcendence of
all form.
Kali is a great and powerful black earth Mother Goddess capable of terrible destruction and
represents the most powerful form of the female forces in the Universe. Worship of the
Goddess Kali is largely an attempt to appease her and avert her wrath. The Goddess Kali
constantly drinks blood. She has an insatiable thirst for blood. As mistress of blood, she
presides over the mysteries of both life and death. Kali intends her bloody deeds for the
protection of the good. She may get carried away by her gruesome acts but she is not evil.
Kali's destructive energies on the highest level are seen as a vehicle of salvation and ultimate
transformation.
Kali has three main forms that three forms are manifested in many ways: in the three
divisions of the year, the three phases of the moon, the three sections of the cosmos (heaven,
earth, and the underworld), the three stages of life, the three trimesters of pregnancy, and so
on. Women represent her spirit in mortal flesh.
"The Divine Mother first appears in and as her worshipper's earthly mother,
then as his wife; thirdly as Kalika, she reveals herself in old age, disease and death."
Three kinds of priestesses tend her shrines: Yoginis or Shaktis, the "Maidens"; Matri, the
"Mothers"; and Dakinis, the "Skywalkers". These priestesses attend the dying, govern
funerary rites and act as angels of death. All have their counterparts in the spirit world. To this
day, Tantric Buddhism relates the three mortal forms of woman to the divine female trinity
called Three Most Precious Ones.
Kali's three forms appear in the sacred colors known as "Gunas": white for the Virgin, red
for the Mother, black for the Crone, the three together symbolizing birth, life,
death. Black is Kali's fundamental color as the Destroyer, for it symbolizes
the formless condition she assumes between creations, when all the elements are dissolved in
her primordial substance.
As Kundalini the Female Serpent, she resembles the archaic Egyptian serpent-mother said to
have created the world. It was said of Kundalini that at the beginning of the universe, she
starts to uncoil in "a spiral line movement, which is the movement of creation." This spiral
line was vitally important in late Paleolithic and Neolithic religious symbolism, representing
death and rebirth as movement into the disappearing-point of formlessness, and out of it
again, to a new world of form. Spirals therefore appeared on tombs, as one of the world's first
mystical symbols—and still come down to us in one of the three basic Reiki symbols.
Kali is considered to be the most fully realized of all the Dark Goddesses, but even though
Kali was originally worshipped as a warrior goddess, and her followers gave her offerings of
blood and flesh, her followers still found her greatest strength to be that of a protector.
Kali is not always thought of as a Dark Goddess; rather, she is also referred to as a great
and loving primordial Mother Goddess in the Hindu Tantric tradition. In this aspect, as
Mother Goddess, she is referred to as Kali Ma, meaning Kali Mother, and millions of Hindus
revere her as such.
Kali is also associated with intense sexuality. Myths tell of the Yoni (vagina) of Kali (when
she existed as Sati - wife of Lord Shiva) falling
down to the Earth on the sacred hill near Gauhati
in Assam (India), the same place where the
Temple of Kamakhya is now located. The
temple's outer walls are highly decorated with
carvings showing Kali as a Triple Goddess:
squatting, and exposing her Yoni (vagina); as a
mother suckling Her child; and as a warrior
woman drawing back Her bow. While these
carvings show Kali as a sexual being, they also
show her as a protective and motherly woman,
full of compassion.
Known as the "Dark Mother," the Hindu
Triple Goddess of creation, protection, and
destruction, now most commonly known in her
Destroyer aspect, is very often depicted as
squatting over her dead consort Shiva and
devouring his entrails, while her yoni sexually
devours his lingam (penis). Kali is:
"The hungry earth, which devours its own children and fattens on their corpses ... It
is in India that the experience of the Terrible Mother has been given its most
grandiose form as Kali. For in a profound way life and birth are always bound up
with death and destruction."
—Erich Neumann from "The Great Mother: An Analysis of the Archetype"
Kali's paramount place of worship is in the cremation ground, preferably at the dead of night,
on a suitable day of the waning Moon. Here, her nature becomes clear and apparent. For an
adept in the worship, the whole world is a cremation ground, and She, the true form of time,
who by herself creates and destroys all, is personified as the pyre. There, after life, all mortals
and their wishes, dreams and reflections come to their fruition, a pile of worthless ashes.
Kali's dwelling place, the cremation ground denotes a place where the pancha mahabhuta
(five elements) are dissolved. Kali dwells where this dissolution takes place. In terms of
devotion and worship, this denotes the dissolving of attachments, anger, lust and other
binding emotions, feelings and ideas. The heart of devotee is where this burning takes place,
and it is in the heart that Kali dwells. The devotee makes her image in his heart and under her
influence burns away all limitations and ignorance in the cremation fires. This inner
cremation fire in the heart is the gyan-agni (fire of knowledge), which Kali bestows.
Kali is the universal mother. It is believed that she goes into the darkness with us, and for
us, to swallow our sins, worries and concerns. She can show us how to radically transform our
lives by embracing our own darkness, rather than fearing and fleeing from that which haunts
us. She can spiritually hack away at the handcuffs that keep us shackled to the hungry ghosts
of the past. There comes a point in the process when you must surrender fully to her healing
powers, and let her bring you back cleansed, transformed, whole.
Kali is the powerful Hindu Goddess who is in charge of darkness, death, and regeneration.
Many people fear her because she is so awesome looking, but Hindus love and adore her as
their great goddess and they see her as a manifestation of power that is fierce and potent. She
is shakti (female energy) incarnate and the manifestation of primordial power. While she is
the consort of the great Lord Shiva, she is also seen dancing wildly, with his form beneath her
feet. They are partners in darkness, and in dancing the dance of death and regeneration. She
brings life and death. She is regeneration and rebirth. In many ways she is the consummate
representation of the classic power of the Divine Female—the power to give birth, to bring
death to the old and to regenerate. Her haunts are the cremation grounds, where she takes life,
and then recycles it into new life. Her symbol for cutting away at evil and darkness is to
behead humans, but what that image really represents is the cutting away of the human ego
and all the problems it causes. She eats pain, and swallows despair, and the secret shadows of
our lives.
Kali is a goddess who acts in violent, gruesome, fearsome ways, killing as her main
function, yet she is not evil. She is a representation of negative forces in the universe. Yet
even then, she is a manifest form of godhead, a part of the divine whole. Kali in one aspect is
still the mother of all. According to devotional literature she is revered as a terrible fearsome
goddess, but also as one who must be accepted and loved. Kali represents in a way the kinks
in the Hindu system of dharma. A system that is based upon structure and purity, that
ritualizes and prepares for the occurrences of death and other disorder. Yet there are things
that are unexpected, impure, and chaotic. Kali is the representation of what is outside the
order.
The Hindu goddess Kali deals with the horrible aspects of life that most people will not
think about. Embodying horror, rage, unkempt fury and chaos, Kali is worshiped as a goddess
and not mistaken for a demon. Chaos must exist in compliment to order in the creation and
maintenance of balance in the universe. The dark side of the divine exists in contrast to the
bright and the beautiful. In Hinduism, the polarity of good and evil are blurred. The demons
may perform austerities to be granted boons, just as the gods may go awry and threaten the
stability of the cosmos. No female deity embodies the duality of light and dark in a
complimentary existence as well as Kali.
Kali is the full picture of the Universal Power. She is Mother, the Benign; and Mother, the
Terrible. She creates and nourishes and she skills and destroys. By Her magic we see good
and bad, but in reality there is neither. The whole world and all we see is the play of Maya,
the veiling power of the Divine Mother. God is neither good nor bad, nor both. God is beyond
the pair of opposites that constitute this relative existence.
Various Forms of Kali
The Tantras mention over thirty forms of Kali. Sri Ramakrishna often spoke about the
different forms of Kali. The Divine Mother is known as Kali-Ma, Maha Kali, Nitya Kali,
Shamshana Kali, Raksha Kali, Shyama Kali, Kalikamata, and Kalaratri. Among the
Tamils she is known as Kottavei. Maha Kali and Nitya Kali are mentioned in the Tantra
Philosophy.
When there were neither the creation, nor the sun, the moon, the planets, and the earth,
when the darkness was enveloped in darkness, then the Mother, the Formless One, Maha
Kali, the Power, was one with the Maha Kala, the Absolute. As Maha Kali she is the timeless,
immortal, formless power indistinguishable from the transcendent one or Absolute Power.
Shyama Kali has a somewhat tender aspect and is worshipped in Hindu households. She is
the dispenser of boons and the dispeller of fear.
People worship Raksha Kali, the Protectress, in times of epidemic, famine, earthquake,
drought, and flood.
Shamshan Kali is the embodiment of the power of destruction. She resides in the
cremation ground, surrounded by corpses, jackals and terrible female spirits. From her mouth
flows a stream of blood, from her neck hangs a garland of human heads, and around her waist
is a girdle made of human arms.
Tantrics worship Siddha Kali to attain perfection; Phalaharini Kali to destroy the results
of their actions; and Nitya Kali, the eternal Kali, to take away their disease, grief, and
suffering and to give them perfection and illumination.
Robbers and thieves have their own kali. Not so many years ago, robbers lived in Indian
woods and had the habit of worshipping Dakait Kali before they want to rob people on
highways and in villages. Some of these old Kali images have survived time and are still
being worshipped, though for reasons other than originally intended.
In Kolkata she is worshipped as Bhavtarini, the redeemer of all creation, the most
beautiful one. The beauty of the Dakshineswar Kali Temple in Kolkata is far removed from
the dreary sight of an active cremation ground. And, although the Goddess in this temple is
the same Mother Kali as the feared one in the cremation ground, she is regarded as benign-a
protrectress rather than a destroyer.
While someone unfamiliar with the Shakti worship may perceive Kali's images as equally
terrible without making the slightest distinction between them, the Hindu distinguishes a
benign Kali (dakshina) from a fearful Kali (shamshan) by the position of her feet. If Kali
steps out with her right foot and holds the sword in her left hand, she is a Dakshina Kali. If
she steps out with her left foot and holds the sword in her right hand, she is the terrible of the
Mother, the Shamshan Kali of the cremation ground.
Of the many other aspects of Kali, the two best known are Maha Kali and Bhairavi.
In the aspect of Bhairavi, Kali is the counterpart to Shiva, taking pleasure in destruction,
and the ultimate dissolution of the universe.
Kali is also thought to be an aspect of the Devi or Maha Devi or Maha Kali, who was the
most powerful and complex of all the great Goddesses. When She is in the aspect of Maha
Kali, Kali uses Her very appearance to terrify the various entities, demons, and devils who
represent the sinister forces.
It is in this aspect, as Maha Devi, that Kali is depicted with black skin and a hideous
tusked face and claws; Her forehead bearing a third eye like Shiva's. Here, Kali is shown with
four arms, the upper two holding a bloody sword and severed head, while Her two lower
hands are held out in welcome, as She grants favors to Her devout followers.
Western scholars erroneously viewed the various manifestations and incarnations of Kali
as many different Goddesses, particularly isolating those primitive mother-goddesses
("matrikadevis") grouped together as "Dravidian she-ogres." Yet Kali's worshippers plainly
stated that she had hundreds of different names, but they were all the same Goddess.
As Tara, she came worshiped by the Tibetans as the daughter of Avalokiteshvara
(Chenrezig) and the saviouress of the world.
Some of Kali's older names even found their way into the Bible. As Tara, the earth, she
became Terah, mother of the Hebrew ancestral spirits called "teraphim". The same Tara
became the Celts' Tara, Gauls' Turan, and the Latin Terra, meaning "Mother Earth," said to be
interchangeable with Venus.
The name of Eve is thought by many to have originated with Kali's Ieva or Jiva, the
primordial female principle of manifestation; she gave birth to her "first manifested form" and
called him Idam (Adam). She also bore the same title given to Eve in the Old Testament:
Mother of All Living (Jaganmata).
Variations of Kali's basic name occurred throughout the ancient world. The Greeks had a
word kalli, meaning "beautiful," but applied the name to things that were not particularly
beautiful, such as the demonic centaurs called kallikantzari, relatives of Kali's Asvins. Their
city of Kallipolis, the modern-day Gallipoli, was centered in Amazon country formerly ruled
by Artemis Kalliste. The annual birth festival at Eleusis was Kalligeneia, translateable as
"coming forth from the Beautiful One," or "coming forth from Kali." The temple of the Great
Mother of the Gods at Pergamum stood on Mount Mamurt-Kaleh, easily transposed into
Mount Mother-Kali.
Lunar priests of Sinai, formerly priestesses of the Moon-goddess, called themselves kalu.
Similar priestesses of prehistoric Ireland were kelles, origin of the name Kelly, which meant a
hierophantic clan devoted to "the Goddess Kele". This was cognate with the Saxon Kale, or
Gale, whose lunar calendar or kalends included the spring month of Sproutkale, when Mother
Earth (Kale) put forth new shoots. In antiquity the Phoenicians referred to the strait of
Gibraltar as Calpe, because it was considered the passage to the western paradise of the
Mother.
The Black Goddess was known in Finland as Kalma (Kali
Ma), a haunter of tombs and an eater of the dead. European
"witches" worshipped her in the same funereal places, for the
same reasons, that Tantric yogis and dakinis worshipped her in
cremation grounds, as Smashana-Kali, Lady of the Dead."
Their ceremonies were held in the places of ghosts where
ordinary folk feared to go. So were the ceremonies of western
"witches" - that is, pagans. They adored the Black Mother Earth
in cemeteries, where Roman tombstones invoked her with the
phrase Mater genuit, Mater recepit - "the Mother bore me, the
Mother took me back". Kurukulle (at right) is a fierce Nepalese
and Tibetan goddess much like Kali, depcited sometimes as red
and sometimes as black.
Kali's title Devi (Goddess) was similarly widespread in Indo-European languages. She was
the Latin diva or dea (Goddess) and Minoan diwi or diwija, the Goddess associated with Zeus
at Knossos. Dia, Dea, and Diana were alternate forms of the same title.
Though called "the One," Kali was always a trinity: the same Virgin-Mother-Crone triad
established perhaps nine or ten millennia ago, giving the Celts, their triple Morrigan; the
Greeks, their triple Moerae and all other manifestations of the Threefold Goddess; the
Norsemen, their triple Norns; the Romans, their triple Fates and triadic Uni (Juno); the
Egyptians, their triple Mut (Mother Goddess) in the forms of Isis-Hathor-Sekhmet; the Arabs
their triple Moon-goddess—she was the same everywhere. Even Christians modeled their
threefold God on her archetypal trinity.
Indo-European languages branched from the root of Sanskrit, said to be Kali's invention.
She created the magic letters of the Sanskrit alphabet and inscribed them on the rosary of
skulls around her neck.
Although Kali is worshipped throughout India and Nepal, and even in
Indonesia, she is most popular in the state West Bengal in India,
where one also finds Kalighat, her most famous temple just outside
Kolkata (capital of West Bengal). Considering that Calcutta is simply
an Anglicized form of kaligata, the city received its very name from
the goddess. She is depicted in a statue venerated by millions, an
effigy who large tongue hangs down before her.
Each district, town and village in Bengal seems to have its very
own Kali famous for a particular miracle or incident. The Hindus of
Bengal have always taken a fancy towards the Goddess Kali and have
worshipped her both as a mother and as a daughter. The concept of
Kali as being both mother and daughter is enhanced by the various hymns composed by the
great Bengali devotees, Sri Ramakrishna Paramhansa and Ramaprasad.
Kali is "the divine Shakti representing both the creative and destructive aspects of nature",
and as such she is a goddess who both gives life and brings death. Clothed only with the veil
of space, her blue-black nakedness symbolizes the eternal night of non-existence, a night that
is free of any illusion and distinction. Kali as such is pure and primary reality, the enfolded
order, formless void yet full of potential.
Kali represents the entire physical plane. She is the drama, tragedy, humor, and sorrow of
life. She is the brother, father, sister, mother, lover, and friend. She is the fiend, monster,
beast, and brute. She is the sun and the ocean. She is the grass and the dew. She is our sense
of accomplishment and our sense of doing worthwhile. Our thrill of discovery is a pendant on
her bracelet. Our gratification is a spot of color on her cheek. Our sense of importance is the
bell on her ankle. The full and seductive, terrible and wonderful earth mother always has
something to offer.
But one should not jump to the conclusion that Kali represents only the destructive aspect
of God's power. What exists when time is transcended, the eternal night of limitless peace and
joy, is also called Kali (Maharatri). And it is she who prods Shiva Mahadeva into the next
cycle of creation. In short, she is the power of God in all His aspects.
Maha Kali
Kali is a many-faceted goddess, and one of her aspects is the deity of dissolution and
destruction—in this sense, she greatly resembles the ancient Egyptian goddess Sekhmet.
She is known for destroying ignorance, and she helps those who strive to obtain
knowledge of God. Her name means "The Black One," and the city of Calcutta is named
in her honor. Kali is often portrayed as fearsome in appearance. She has wild eyes, a
protruding tongue; she wields a bloody sword and also holds the severed head of a
demon; and she often wears a belt of severed heads and a garland of fifty skulls.
In Hindu mythology, the gods were not able not subdue the demon Raktabija. Every drop
of his blood that touched the ground transformed itself into another demon. Within a few
minutes of attacking this Asura with their weapons, the gods would find the entire battlefield
covered with millions of demon clones.
In despair, the gods turned to Shiva. But Shiva was lost in meditation, so they turned to his
consort Parvati. The goddess immediately set out to do battle with this dreaded demon in the
form of Kali.
She rode into the battleground on her lion, and Raktabija experienced fear for the first time
in his demonic heart. Kali ordered the gods to attack Raktabija. She then spread her tongue to
cover the battlefield, preventing even a single drop of Raktabija's blood from falling on the
group, thus preventing Raktabija from reproducing himself.
Drunk on Raktabija's blood, Kali ran across the cosmos, killing anyone who dared cross
her path. She adorned herself with the heads, limbs, and entrails of her victims. To pacify her,
Shiva threw himself under her feet. This stopped the goddess. She calmed down, embraced
her husband, and shed her ferocious form.
Patala 23. Shri Devi said: Before, O Deva, when engaged in amorous play, you mentioned
the 100 names of Kali. Lord, speak of this to me. Shri Bhairava said: Well asked, Mahadevi, I
will tell you of that previously untold. Vararohe Sundari, you should conceal it like your own
yoni. [1–2]
Mohini, you who are as dear to me as life itself, I could not live for an instant without you,
Parameshvari. [3] Like sight is inherent in the sun and as ghee is inherent in milk, so I, the
Natha am everywhere present in you. [4] Listen Devi, I will speak to you of the japa giving all
knowledge. Sadashiva is the rishi, it is said; Cchanda is the meter, [5] the devata is Bhairavi
Devi, bestowing the four aims of mankind.
The application is that it gives all knowledge. [6] “Mahakali Jagadhatri (creator of the
world) Jaganmata ( mother of the world); Jaganmayi (consisting of the world); Jagadamba
(world mother); Jagatsara (essence of the world); Jagadanandakarini (cause of bliss in the
world); [7] Jagadvighnasini (destroyer of world obstacles); Gauri (golden one);
Dukhadaridyanashini (destroyer of unhappiness and poverty); Bhairavabhavini
Bhavananta Sarasvataprada (bestower of eloquence); [8] Chaturvargaprada (giver of the
four aims); Sadhvi (holy); Sarvamangalamangala (greatest fortune of all); Bhadrakali
Vilakshi Kamadatri (giving desires); Kalatmika (self of kalas); [9]
He cannot be subjugated by siddhas, by aughas, by all things that move and do not move,
whether they move on earth, in space, or in heaven. [24] The names are called ‘Boon,’
Maheshani, and one may give up the 1,000 (names). [25] One should recite the 100 (names)
of Devi, the giver of the fruit of the four aims (of mankind). O Parameshani, without knowing
these 100 names [26], there is no siddhi from Mahakali in this Kali Yuga.
One who recites with devotion gains good results, listen! [27] He gains the results of hundreds
of millions of Kalipujas. What use of more words? He will become the desired. [28]
III. Writings on Kali, Mantras & Meditation
In another aspect the Mother Divine is called Maha Kali. In this aspect she is the warrior
Mother who is fighting all the time against the hostile forces, against human imperfection,
limitation, bondage and death. At the same time, she is all Compassion for the sincere seekers.
In all Her divine aspects, the transcendental Mother is full of Compassion, but in this aspect
she is undoubtedly the Mother of supernal Compassion. Maha Kali has more Compassion
than the others, for she does not allow anyone to cherish imperfection in the physical plane,
the vital plane, the mental plane, or in any other plane. It is her infinite Compassion that frees
men from the fetters of ignorance.
On the one hand, Kali looks absolutely terrifying and ferocious when she comes down to
the vital plane of human ignorance. But on the other hand, she is very, very compassionate.
She sheds bitter tears when she sees that anyone is wallowing in the pleasures of ignorance
instead of trying to transcend his limitations, ignorance, darkness and death. So she fights
against our enemies for us.
Maha Kali is the Mother of aspiration. She has great fondness for height, for the highest
transcendental Height. If she is satisfied with a seeker, then in no time she will carry that
particular seeker to the highest transcendental Height. She is also the Mother of fastest speed.
She has the capacity to expedite the seeker's progress in the twinkling of an eye. She takes the
aspirant to his Goal infinitely faster than the other cosmic gods and goddesses. In a single day
she can give him the progress which otherwise might have taken him fifty or sixty years to
make. Those who want to make quick progress in the spiritual life, and those who want to
attain to spiritual perfection as soon as possible, need the assistance, help, guidance and
protection of this particular goddess for special Grace.
Kali quite often exercises this dynamic power of transformation, but she does it only for
those who have boundless and implicit faith in her, for those who feel that at every moment
they can be divine heroes dedicated to fulfilling her cause here on earth. Her to fulfill here on
earth should be the aim of the hero-worshipper of the Mother Kali.
This Mother demands absolute sincerity, purity and one-pointedness in the consciousness
of those who want to adore her and worship her. Only on these conditions will she accept a
devotee. She has no time to wait for insincere seekers. There are other gods and goddesses,
especially the goddess Lakshmi, who will tolerate insincerity. They wait with their love and
compassion for the seekers who are only half sincere, but Kali is very strict and will not do
that. She wants absolute sincerity and purity immediately and then only will she take one to
the highest Transcendental Abode of the Supreme.
The pure gold color which represents the divine manifestation, is the true color of the
Mother Kali. In the highest plane she is absolutely golden, although most pictures show her as
black. She often looks black because she has entered into the vital worlds of aspirants who are
still impure but who want to be purified in order to transform their consciousness. When she
sees that an aspirant is really sincere and dedicated, she enters into his vital and destroys for
good the lower vital movements that have to be destroyed and transforms whatever can be
transformed into higher aspects of Divinity.
I am sure most of you have heard of the very great spiritual Master Sri Ramakrishna. The
Goddess Kali was his Divine Mother. It was Mother Kali whom he worshipped and adored; it
was with Mother Kali that he established his ultimate transcendental Connection and Union.
There came a time when Sri Ramakrishna's consort, Sarada Devi, found no difference
between Mother Kali and her husband, who was also called Thakur. She would say, "Where is
Kali? Who is Kali if not Thakur."
As for myself, I personally regard Kali as my dearest Mother. This aspect of the Divine is
most dear to me. In India all families without exception have a family deity and our family
deity is Kali.
Mother Kali is the consort of Lord Shiva. Lord Shiva is the silent aspect of the
transcendental Reality and Mother Kali is the dynamic and active aspect of the transcendental
Reality. If we think of Shiva and Kali with our ordinary human mind, then we separate them;
but if we look at them with our inner eye, then we see that they go together. Truth is complete
and we are fulfilled when the dynamic aspect and the silent aspect function together. God in
His feminine aspect, God the Mother, is Maha Kali. God in His masculine aspect, God the
Father, is Lord Shiva.
Those in the West who want power, but who have no feeling for any Indian goddess or
deity, can directly invoke the power aspect of God: God the Power. He has Compassion. He
has Love. He has everything. So if we pray to God the Power, the indomitable Power, we will
get the same blessings as we can get from this particular goddess.
In one of our Upanishads it is mentioned that the ultimate Truth is: "That is far and at the
same time is near. That moves and that moves not. That is within, that is without." It is within
and without. When our inner consciousness is fully awakened, we see that if something is
within, that very thing also has to be without. If we have sown a seed, then it will germinate
and there will be a tree. If the truth is already there within, then the truth has to be manifested
sooner or later outside.
(From The Dance of the Cosmic Gods by Sri Chinmoy)
The four Powers of the Mother are four of her outstanding Personalities, portions and
embodiments of her divinity through whom she acts on her creatures, orders and harmonises
her creations in the worlds and directs working out of her thousand forces.
—Sri Aurobindo
Kali, the Great Mother Goddess of the Hindu tradition, is the Source, the One that gives birth
to All. Known as a slayer of demons, She destroys the army of mind-born delusions
symbolized by demons that separate us from the Divine as our own true Self. To our bound,
limited and contracted ego identities She may strike terror, at times appearing as a coal-black,
sword-wielding, blood-smeared dancer of death and destruction. To our Divine Self, She is
our supremely beautiful Beloved, our dear spouse, performing a ballet of incomparable grace,
overwhelming us with love.
The Great Goddess Kali can never be understood by the intellect. She and the essence of what
She symbolizes are beyond the mind. Don't be surprised if your rational mind rebels and
wants to go no further! Poets and mystics advise us that in order to know Her we must plunge
into Her luscious, radiant, blackness, dive through our fear of the unknown, into Her
overwhelming mystery and allow ourselves to dissolve in Her velvety midnight embrace. By
Her grace we may know the unutterable truth of Her love, even as we are annihilated by Her
infinitude. Beware, you may return babbling, forever lost to your spouse! Only a poet saint
can assemble the words necessary to point our attention toward Her. Ramprasad Sen, the
eighteenth-century Bengali poet-saint, is one of the most loquacious of Her devotees. Lex
Hixon brilliantly rendered Ramprasad’s poems into English verse in his book, Mother of the
Universe. Letting your mind step aside for a moment, allow your heart and soul to feast on
these two poems:
My Blissful Mother Exists Fully In Every Creature! (1)
Mantras can excite the emotions and give suggestions to the mind. Mantras affect both the
one who chants them and the one who hears them. The word “mantra” comes from the
Sanskrit mantrana, which means “advice” or “suggestion.” In a sense, every word is a mantra.
In our daily lives, we use words to get everything done, to obtain everything we need. Each
mantra or word is a sound pattern that suggests to the mind the meanings inherent in it, and
the mind immediately responds.
A saying from the Vedas claims, "Speech is the essence of humanity." All of what
humanity thinks and ultimately happens is determined by the expression of ideas and actions
through speech and its derivative, writing. Everything, the Vedas maintain, comes into being
through speech. Ideas remain unactualized until they are created through the power of speech.
In Vedic practices, most ancient techniques and classical Hinduism, mantra symbolizes as
a necessity for spiritual advancement and high attainment. Here are some important ideas
about mantra, which will enable you to begin a practical understanding of what mantra is and
what it can do.
Mantras are energy-based sounds. Saying any word produces an actual physical vibration.
Over time, if we know what the effect of that vibration is, then the word may come to have
meaning associated with the effect of saying that vibration or word. This is one level of
energy basis for words. Another level is intent. Actual physical vibration when coupled with a
mental intention, the vibration then contains an additional mental component, which
influences the result of saying it. The intent when overlaid upon the waveform of the sound as
the carrier wave. Although there is a general meaning, which comes to be associated with
mantras, the only lasting definition is the result or effect of saying the mantra.
Note that some of the mantras found here may be found in other forms; that is, the
spellings may differ, especially the spelling of the nasal ending. So, KRĪM may appear as KRĪNG,
HŪM as HŪNG, and so forth.
(“Ōm and salutations. I attract she who is dark and powerful.” Ōm.)
From Shakti Mantras: Tapping into the Great Goddess Energy Within
(“Om and salutation to She who is the first one, dark within her own reality, the supreme
primordial feminine, who cuts through illusion to the unabridged truth of existence.” So be
it!)
From Shakti Mantras: Tapping into the Great Goddess Energy Within
What Is a Yantra?
The word Yantra in its most general sense means “an instrument,” or that by which
something is accomplished.
Traditionally, a yantra is used to invoke a deity in a particular location, and also to help the
devotee move towards obtaining a desire.
It is the “diagrammatic” form of the deity it represents. It is frequently made up of
geometrical shapes and sometimes also contains letters and numbers. It is generally engraved
on metal or drawn on paper or other substances.
In the experience of many, the very presence of a yantra creates movement of energy, and
influences the life of the person who has contact with it. The lines and forms of the yantra
dynamically interact with the space and energy around it.
S. Sankaranarayanan says:
MAHAKALI YANTRA
Yantra for Protection from Black Magic, Saturn & Evil influences
Kali Yantra bestows on the petitioner fulfillment of all desires, wealth, and comforts of life, and it is used for
Mohan or Vashikaran purposes. The Mahakali Yantra is a very powerful and tested yantra. One should keep the
image of Kali while performing puja on it. According to Swangam Tantra, Kali Tantra, and Bhairo Tantra, this
Yantra is known as Swanam Yantra, Kali Yantra, Mahakali Yantra, or Bhadra Kali Yantra. Goddess Kali in a
fierce pose is the deity of this yantra. This yantra is composed of a Central Point (bindu) within five inverted
traingles, three circles, eight petals inside and outsides, whole yantra enclosed in four doors, and is often written
on silver or copper plates.
Special puja of this yantra is performed on the eighth day of December, March, June, September. Worship with
this yantra is performed in a specialized way.
A great deal of power is received after a puja with this yantra, and it is capable of controlling enemies,
preventing them from doing any harm. A unique and powerful yantra.
Yantra Guidelines:
A Yantra is an instrument, or a talisman or a mystical diagram usually drawn on a copper plate. It is a technique
or path, considered the simplest and shortest, through which one can attain one’s desires, and fulfill one’s
wishes. It is said that the Deities reside in the Yantras and by performing Puja or worship of Yantras, one can
appease them, remove the malefic effects of planets, and increase the flow of positive influences. Procedures to
be followed by you to place this energized Yantra.
1. First purify your body and start with a clear and positive mind frame
2. Find a place on the floor facing east, where you will be undisturbed.
3. Light the incense or lamps/candles. (It does not matter how many you light).
5. Open the Yantra and place it along with the image of the deity of the yantra and your isht God.
6. Take some water with any leaf from any tree and sprinkle the water on yourself, and then sprinkling water on
the Yantra.
7. Then purify your soul and surrender yourself completely in devotion to the Goddess and chant 21 times the
following :
Close your eyes and concentrate on Kali, seeing her bless you and fulfill you wishes. Now with all sincerity,
ask the Goddess to grant you the desire that you wanted to be fulfilled (of course, in your own language).
Kālī Yantra
There are many versions of the Kali Yantra, in various colors. Kali is black but the other
colors used in the yantra (red, yellow, green and white) are also part of her traditional
representation. Below is one common and striking example of the yantra used to invoke her
fierce form.
Kālī (Mahavidya) Yantra
This form of the Kālī Yantra is used for her representation as one of the ten Mahavidyas or
main forms of Devi. The geometry of the central portion is similar to the one used above.
Note however, how an additional Shakti triangle is “hidden” by the circle and ring of lotus
petals circumscribing the central portion of the yantra. This probably signifies the “hidden”
true nature of Devi as Maya (illusion). Note also how the the colors used here are much
lighter and harmonious than in the fiercer representation above. This may reflect a preference
for more pleasing forms in the Dakshina Path tantric tradition.
Śyama Yantra
This yantra representing the Śyama form of Kali is interesting for its unusually asymmetric
form. This is probably also an expression of the iconoclastic nature of the Vama-marga (left-
hand path) form of Tantra. Note also the variation of the surrounding Bhupur (gates)
The watercolor version below is a variant of the yantra where the artist has tried to adapt
the traditional representation into a more symmetric frame. In this case, colors traditional to
Kali have been used.
Kali Yantra Meditation
Time is the great force of change and the rhythm of our life. Time, or ‘kala’, is birth and
death, growth and decay, which is the essence of our existence. The Supreme Time-force or
‘shakti’ of kala is ‘Kali.’ Kali is also the prana or life-force within us.
In order for the new to come into being, we have to let go of the old. So time is both
creation and destruction. Kali helps us destroy the attachments in our life so that we gain
mastery over time.
Kali is also Life and Death, which are movements in time. To worship Her, we must ‘die’
daily, that is, death of all our worries, ambitions, cares, anxieties, loves and hates. Before
sleeping if we empty our minds of all this, we are ‘born’ again the next day, fresh and new.
Kali is death of the separate self.
Kali also relates to the element of air, and the lightning force that is in the atmosphere. She
is located in the heart chakra of the human body.
Kali is the ‘kriya-shakti’ or power of action, which is an essential part of the Time-force,
and is the first of the Maha Vidyas.
Meditation:
Like a mantra, a yantra is meant as a focus for meditation. To me, The Kali Yantra "images"
my identity, which is the interplay of all of its essential pieces.
The square with its four entrance portals represents the boundaries enclosing the
meditating self as well as symbolizing the earth element and the material quality of
nature. The lotus petals express the different stages of spiritual expansion. The circle
is the symbol of wholeness and the downward pointing triangle represents the seat of
feminine energy.
Keep your mental focus all the time on each inhalation and exhalation as your eyes focus on
the seed mantra ‘krim’ in the centre. Repeating ‘Om Krim’ in your mind with each inhalation
and exhalation, let your eyes take in the entire yantra and feel the colours penetrate your entire
being. Experience the feeling of endless time.
V. Kalighat
Kalighat is located in the city of Calcutta on the banks of the river Hooghly (Bhagirathi). The
name Calcutta is said to have been derived from the word Kalighat.
Kali is regarded as one of the principal deities of Bengal. There are other temples to Kali—
Sahasrabhuja Kali (Thousand-Armed Kali), Sarvamangala (Saviour of All), Tarasundari
(Tara the Beautiful), and Simhavahini (Lion-faced Goddess = Sekhmet!). Kali is regarded as
the destroyer or liberator and is depicted in a fearful form. Despite the terrifying form, she is
considered to deliver bliss to worshippers. The Kalighat temple attracts numerous devotees
throughout the year.
Kalighat is regarded as one of the 52 “sacred piths” of India, where the various parts of
Sati's body are said to have fallen, in the course of Shiva's Rudra Tandava. Kalighat represents
the site where the toes of the right foot of Shakti or Sati fell.
The Temple: The Kalighat temple in its present form is only about 200 years old, although
it has been referred to in the Mansar Bhasan composed in the 15th century, and in the Kavi
Kankan Chandi of the 17th century. The present temple was built in 1809 on the site of an
ancient temple. It is an important pilgrimage site and shrine of the Goddess Kali—the
supreme cosmic power inherent in India at Kolkata. When the Lord Shiva danced frantically,
exhibiting cosmic exasperation in his fury (Tandav Nritya) in order to destroy the Universe at
the loss of his beloved wife, Sati, the legend says that the Lord Vishnu saved the Universe
from being ravaged by cutting the body of Sati into pieces and spreading those throughout
India. Wherever each of those parts of the body fell, that place became a pilgrimage site and
storehouse of Cosmic power. Kalighat is one such pilgrimage site: it is the place where the
right little toe of Sati fell. Hence, people come here to get touch of that blessed part of Sati
and to have some wishes and prayers fulfilled through the Cosmic power of Her grace.
Legend has it that a devotee discovered a luminous ray of light coming from the Bhagirathi
river bed, and upon investigating its source came upon a piece of stone carved in the form of a
human toe. He also found a Swayambhu Lingam of Nakuleshwar Bhairav nearby, and started
worshipping Kali in the midst of a thick jungle. This shrine grew to its present form over a
period of time, thanks in particular to the Sabarna Roy Chowdhury family of Bengal.
This family is also said to have built the Chitreswari Kali temple at Chitpur. It is believed
that there was a pathway through the jungle between Chitpur and Kalighat, and this pathway is
said to have become the Chitpur road of Calcutta.
Kalighat is also associated with the worship offered to Kali by a Dasanami Monk by name
Chowranga Giri, and the Chowringee area of Calcutta is said to have been named after him.
The Dakshineswar Kaali temple across from the river, near Belur Math, bears an image of
Kaali worshipped by the spiritual leader Ramakrishna Paramahamsa, guru of Swami
Vivekananda.
Only two new symbols are needed for Synergy Reiki Masters who wish to master Maha Kali
Seichim.
They are both mantras written in Tibetan.
1. KRIM!
This mantra is written thus—first draw the left-hand vertical stoke
from top to bottom, and then add the left and right curves, starting in
the center and writing down; then add the straight line going
diagonally down to the left; then draw the right-hand vertical stroke,
the curve above it (from left to right), followed at the dot at the top.
Then draw the long horizontal line near the top.
As KRĪM is the seed-syllable (bīja) of Maka Kali, one could
theoretically do nothing but chant it and she would become manifest
by the power inherent in the vibrations of the bīja. It is recommended,
however, that you use the ordinary mantra of Kali: ŌM KLĪM KĀLĪKA-YE NAMAH ŌM
KRĪM (pronounced Kreem) is the great mantra of Kali, the Goddess of energy and
transformation. It governs prana as lightning or electrical energy. KRĪM grants all spiritual
faculties and powers—from the arousing of kundalini to the opening of the third eye. It has a
special power relative to the lower chakras, which it can both stimulate and transform. It
helps awaken and purify the subtle body. As a mantra of work and transformation KRĪM is
the mantra of Kriya Yoga, the Yoga of practice. It is the main mantra of the Yoga Shakti. As
it is a strong mantra it should be used with care.
KRĪM is a also the mantra of Indra, the supreme deity of the Vedas, the Divine as the
cosmic lord and enlightenment force. KRĪM is the thunderbolt or vajra that destroys the
serpent of the ignorance and releases the light of absolute truth. It represents the force of the
atmosphere (Atmic sphere) and carries the supreme life force.
2. HŪM!
About HŪM
HŪM is the consort of Om. It is the seed-syllable of the five wisdoms. In terms of the seed
syllables of the five Conqueror Buddhas, HŪM is the seed syllable of Akshobhya—the
immovable, the unfluctuating, that which cannot be disturbed by anything.
As shown in the example at right above, HŪM has five parts, each printed in a different
color showing its relationship with one of the five elements: earth, water, fire, air, and space.
HŪM is the seed syllable of the nirmanakaya or trül-ku, the sphere of realized manifestation.
(Calligraphy by Ngak'chang Rinpoche.)
HŪM is commonly found at the end of several mantras; this is because it is thought to
bring the power of the mantra into manifestion. So, ŌM MANI PADME HŪM, could
actually be translated as: “Hail to the jewel in the lotus! May it be manifest!”
HŪM (pronounced Hoom) is a mantra of the inner fire or thermogenic force. It both calls
the divine down into us and offers our soul upward to the Divine for transformation in the
sacred fire of awareness. It is a Shiva mantra, but it is also a mantra of Chandi, the fierce
form of Maha Kali. It is used to destroy negativity, and it creates great passion and vitality.
As a powerful mantra it should also be used carefully. Yet it can be used in a more gentle
manner to invoke divine grace and protection. Through it we can offer ourselves or our
afflictions into the Divine for purification and transformation.
HŪM is a Vedic mantra of Agni or fire. It is the mantra used to make offerings into the
sacred fire. It also is used to call or invoke the fire and to make it flame up more brilliantly.
It represents the soul hidden the body, the Divine immanent in the world. It governs the
earth and the material sphere in general.
Attunement transmissions from a person are traditional for Maha Kali Shakti (energies); but
the person merely holds and grounds the energy—the actual transmission is from the Maha
Kali Source)
This is not the same as Maha Kali Seichim. I have set up a Maha Kali Energy Self-
Empowerment / self-attunement that may be called in by intention anytime, if it is in accord
with your highest good, or that of your client.
You do not need to take refuge in the Buddha to receive this attunement. After activating
the Self-Empowerment, you may run the Shakti as an all-purpose healing energy and use it to
enhance meditation. You can activate it by intention, as is done with Reiki/Seichim. Maha
Kali Energies are often used for hands-off and remote healing. They also work to increase
Compassion and Serenity and are said to accelerate one’s progress toward spiritual happiness
and wisdom.
This attunement is offered freely; to receive it, all you need to do is to sit quietly, say that
you wish to be empowered to the Maha Kali energies, and sincerely ask for it.
PHREM
The bija of Guhyakali (The Secret Kali)
KRIM
The bija of Maha Kali
VIII. Attunement Method
A. The Procedure: To make it easy to absorb this information and to follow the process I shall give now a
detailed outline of the whole process from beginning to end. In the process, the symbols are abbreviated thus:
MD (Modern Dai Kō Myō); C (Chō Kū Rei); MK1 (Maha Kali’s seed-syllable, KRĪM, either drawn or recited);
MK2 (Shiva’s seed-syllable, HŪM); TD (Tibetan Dai Kō Myō); OM (Sanskrit Om); F (Fire Serpent); R (Raku).
Visualize the symbols as either glowing with green or golden light.
1. Set the Space: If you have a statue or picture of Green Tara, set it up on a small altar.
Place symbols of the five elements—flowers (wood/air), incense (earth), water (water),
candles (fire), and a bell/chime/vajra (metal) before it. Clear yourself and the space with
symbols, smudging, etc., as you wish. If you desire, perform the Green Tara sadhana or
the Praise to the 21 Taras, or recite Green Tara’s mantra. Call in Green Tara, and
connect with her and with her “Emerald-Green Light.” Imagine her sitting upon a blue
lotus upon a silver lunar-disk in the air before you to help you hold the energy and the
intention.
2. Build up the energy: Recite the Green Tara Mantra at least 3 times—each time,
strengthen your connection with her more in terms of body, speech, and mind.
3. Walk up to the initiate: Go behind them; open the aura and crown; proceed with the
attunement.
4. Attunement process
a. MD+C+MK1+MK2+TD at head: draw symbols over hands, clap, open, blow and
then seal with Tib Om at the ridge.
b. MD+C+ MK1+MK2+TD at 3rd eye: draw symbols over hands, clap, open, blow
and then go around and seal with Tib Om at the ridge.
c. MD+C+ MK1+MK2+TD at throat: draw symbols over hands, clap, open, blow
and then go around and seal with Tib Om at the ridge.
d. MD+C+ MK1+MK2+TD at heart: draw symbols over hands, clap, open, blow
and then go around and seal with Tib Om at the ridge.
e. MD+C+ MK1+MK2+TD +F at back: draw symbols over back and then seal with
Tib Om at the ridge.
f. MD+C+ MK1+MK2+TD at knees: draw symbols over knees, clap, open, blow
and then go around and seal with Tib Om at the ridge.
g. MD+C+ MK1+MK2+TD at feet: draw symbols over tops of feet, clap, lift up,
blow into soles and up the body to crown, draw R down front and then go around
and seal with Tib Om at the ridge.
h. MD+C+ MK1+MK2+TD at back: draw symbols over back; blow up from the
feet to the head and back down, draw R down, and then seal with Tib Om at the
ridge.
i. Look into the crown and imagine seeing the heart in a emerald-green and golden
radiance. Place an affirmation like “You are now a successful Maha Kali healer
and Compassion, Love, and Wisdom guides you always. The Maha Kali energy is
available to you whenever you call for it with love and reverence.” “So Be It! So It
Is!”
Using the Violet Breath technique (see below), blow this affirmation down into
the heart and imagine the energy going down through the body, through the feet
until it connects with the healing love and power of the Earth. Complete and seal
this process by chanting MK1/MK2 and imaging them and Tib Om being pressed
into the ridge.
j. Say a prayer of thanks for the process, dedicating the work to the highest good of
all, in love, joy and light, then let go of the ridge.
5. Leave the crown open.
6. Close Aura. Come out of the aura slowly and respectfully, and move around to the front
of the initiate.
7. Take a deep breath, focus the remaining initiating energy (the energy that circulates in
the body after having finished), and blow it in the direction of the initiate as a final
blessing and act of separation. Then bow in the direction of the initiate, speak internally
that it is done.
8. Say the Maha Kali Mantra once as you call them back.
9. Check to see if the initiate opened to the energy and is OK. Stabilize them if they are
not. When they are ready, escort them out and get ready for the next initiate.
B. The Violet Breath Technique – Used in the beginning of the healing attunement.
1. Place the tongue at the roof of your mouth and contract the Hui Yin point at the perineum and run the
Microcosmic Orbit.
2. Take a deep breath and visualize a beautiful white light descending into your crown.
3. Imagine this breath and light traveling through Microcosmic Orbit, down your Functioning Channel in the
front, turning up at the Hui Yin point and going up the Governing Channel in your spine area until it
reaches the center of your head.
4. Imagine the white light and the breath combining to form a white mist that quickly fills your head.
5. Allow the mist to turn blue and begin to rotate in a clockwise manner (viewed from the back). As it rotates
it goes from blue to violet.
6. Within the violet light picture the Tibetan Master Symbol (TD).
7. Breathe the Tibetan Master Symbol (TD) and violet light into the student’s crown chakra, intending it to go
down into the client’s body all the way to the feet where it connects the initiate further with the Earth and
Heaven while disconnecting them from the Master doing the initiation.
ŌM
KRĪM
HŪM
______________________________
The Kali Sadhana implies the spiritual effort of purification of the subtle force centers
(chakras) and the ascension of the Divine Energy Kundalini, which lies dormant at the base of
the spine, in Muladhara Chakra. The ascension of Kundalini Shakti represents one of the most
important aspects of Kali. This process is directly correlated to the practice of sexual
continence, with transfiguration, in accordance with the tantic principles.
The Mahavidya Sadhana of Kali
Mahakali has forever been worshipped as the savior of good in its perpetual struggle against
evil. When even Gods were on the verge of being overcome by the demons, She manifested in
this “Rudra” (angry) form and that was the end of seemingly unconquerable demons like
Raktbeej. Her form—long, lolling tongue dripping blood, a garland of freshly severed human
heads around her neck and snakes coiled around her arms and ankles in lieu of armlets and
anklets—is enough to strike terror in the most evil of humans.
Her Sadhana means not just attaining courage and valor but also the divine grace of Shiva, her
consort. Rudra Mahakali is the annihilator of all pains, afflictions, problems, and enemies in
one’s life. On her petitioner, she bestows perfect health and youth. Death cannot come
uncalled to such a person. Her divine presence means the birth of supreme conscience and
intelligence. A hypnotic charm keeps radiating from the physique of a practitioner of Maha
Kali’s sadhana. Friends he has many, and foes dare not harm him.
Like a mother, Kali fulfills all needs of Her petitioners and blesses them with wealth, fame,
respect, and a happy family life. And where she assures material prosperity, she also ensures
spiritual upliftment.
The Sadhana of Mahakali can be started on any moonless (= new moon) night. Sit facing
South on a black mat. Place a steel plate filled with black sesame seeds before yourself. On it
place the Mahakali Yantra. Pray to the Yantra, chanting thus:
KARĀL VADANĀM GHORĀM MUKTAKESHIM-CHATURBHUJĀ NAMĀMI RAKTA KĀLĪM TĀM MUNDMĀLĀ
VIBHŌSHITĀM. GHOR-RĀVĀM MAHĀRŪDRĪM SHAMSHĀNĀLAY VASĪNĪM, BĀLĀRK-MANDALĀKĀR LOCHANA-
TRITAYĀ-NVITĀM.
Offer vermilion and rice grains on the Yantra. Next chant 11 rounds of the following Mantra
to Mahakali Mala:
NAMAH ĀM ĀM KROM KROM PHAT SWAHA KĀLI KĀLĪKE HŪM.
This is a fourteen-day Sadhana. After the Sadhana, throw the articles in a river on any full-
moon night. (For those not living near a river, you may dispose of them by wrapping them
carefully in a clean piece of aluminum foil and then throwing them away.)