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bs_bs_banner Asian Journal of Social Psychology

Asian Journal of Social Psychology (2014), 17, 152–158 DOI: 10.1111/ajsp.12050

Blue or red? The effects of colour on the emotions of


Chinese people
Tingting Wang, Siyun Shu and Lei Mo
South China Normal University, Guangzhou, China

Two experiments were performed to examine the effects of red and blue on the emotional pleasure of Chinese
people. Experiment 1 explored the effects of the ‘physical’ colours red and blue on emotion, and the results
showed that red induced positive and negative emotion, while blue only induced positive emotion. Experiment
2 further explored the effects of the ‘verbal’ colours red and blue on emotion, and the results showed that red
induced only positive emotion, while blue induced neither positive nor negative emotion. The findings indicate
that the influence of colour on emotion is rooted in both natural and social associations. For Chinese, the
associations between blue and positive emotion, and red and negative emotion, were natural associations;
however, the associations between red and positive emotion were social associations. Moreover, physical
colour and verbal colour stimuli induced emotions by activating different mechanisms: physical colour
induced emotions via both natural and social associations, whereas verbal colour induced emotions via social
associations.

Key words: associations, colour, emotion, natural, pleasure, sociocultural.

Colour plays a key role in influencing the minds and behav- Colour theorists believe that colour influences minds and
iours of both animals and humans. A large amount of behaviours mainly via learned associations. When people
research has been done to investigate the effects of colour frequently encounter situations where different colours are
on emotion, and most has focused on red and blue. accompanied by particular objects or experiences, they form
According to Mehrabian and Russell (1974), emotion specific associations to those colours (Baldwin & Meunier,
has three dimensions, including arousal, dominance, and 1999). Learned association theory has been proven by the
pleasure. On the arousal dimension, most studies that used studies in the colour behaviour field (Elliot, Maier, Moller,
physiological measures (e.g. galvanic skin response, elec- Friedman & Meinhardt, 2007; Elliot, Maier, Binser,
troencephalograph) have generally shown that long- Friedman & Pekrun, 2009; Mehta & Zhu, 2009). In a recent
wavelength colours (e.g. red and yellow) are more arousing report by Mehta and Zhu (2009), it is proven that red can
than short-wavelength colours (e.g. blue and green) induce primarily avoidance motivation via learned associa-
(Arsenault, Hebert & Dubois, 2012; Gerard, 1958; Kuller, tions with blood and warning, etc., and then enhanced per-
Mikellides & Janssens, 2009; Wilson, 1966). On the domi- formance on a detail-oriented task; whereas blue can induce
nance dimension, research shows that compared with blue, primarily approach motivation via learned associations with
red can enhance the dominance of animals and humans, sky and ocean, etc., and then enhanced performance on a
especially in competition (Healey, Uller & Olsson, 2007; creative task. This study, first of all, proves that it is via
Hill & Barton, 2005; Pryke & Griffith, 2006). However, on learned associations that the colours induce specific motiva-
the pleasure dimension, the results are conflicting. Some tions. Moreover, they give us an important implication that
studies show that red can induce more positive emotion learned associations should include both natural and social
than blue (Choungourian, 1968; Garth & Collado, 1921; associations (Moller et al., 2009). Natural associations refer
Gesche, 1927; Hevner, 1935; Pastoureau, 2001). Other to the learned associations between colour and meanings
studies, however, find that blue can induce more positive formed in the biological environment during a species’
emotion than red (Camgoz, Yener & Guvenc, 2002; Gerend evolution (e.g. the link between blue and sky). By contrast,
& Tricia, 2009; Hurlbert & Ling, 2007; Manav, 2007; social associations refer to the learned associations between
Moller, Elliot & Maier, 2009; Sascha, 2009; Spielberger, colour and meanings formed in the socio-cultural environ-
Gorsuch & Lushene, 1970; Valdez & Mehrabian, 1994; ment during the individual’s development (e.g. the link
Wogalter, Conzola & Smith-Jackson, 2002). between red and victory).
As in the colour behaviour field, colour should also influ-
Correspondence: Lei Mo and Siyun Shu, Department of Psychol- ence emotion through both natural and social associations
ogy, South China Normal University, Guangzhou, 510631 China. (Gerend & Tricia, 2009). Based on this theory, we propose
Email: molei@scnu.edu.cn, and shusybao@163.com that the reason the influence of colour on arousal (or domi-
Received 22 July 2012; accepted 13 August 2013. nance) is consistent in multiple research types among

© 2014 Wiley Publishing Asia Pty Ltd with the Asian Association of Social Psychology and the Japanese Group Dynamics Association
Effects of colour on emotion 153

different species and cultures is because the associations positive emotions in Chinese due to its positive associations
between colour and arousal (or dominance) are natural, in the natural environment (Mehta & Zhu, 2009). So our
not social. During evolution, specific colour carries consist- first hypothesis is that red could induce both positive and
ent emotional arousal (or dominance) in the biological negative emotions in Chinese, while blue could only induce
environment for both human beings and animals. For positive emotions in Chinese. Furthermore, according to
example, red is a signal for attention (higher arousal) and previous studies, because of the linguistic and abstract fea-
power (higher dominance). Therefore, although research tures, verbal colour stimulus is a better reflection of social
objects vary from human to animals, culture to culture, and culture than physical colour stimulus. It was more affected
research methods vary from behavioural to physiological, by the socio-cultural environment and less, or even not at
the results of colour and arousal (or dominance) are con- all, by the biological environment (Harba & Grant, 1970;
sistent (Moller et al., 2009). In this case we further suggest Williams & Tucker, 1971). Thus, we further hypothesize
that the reason the influence of colour on pleasure is still that the verbal colour stimulus ‘red’ could only induce
controversial is because the associations between colour positive emotions in Chinese people. To test the above
and pleasure are not only natural but also social. Thus, we hypotheses, two experiments were performed to investigate
further propose that the conflicting findings of previous the effects of red and blue on Chinese emotions. Experi-
studies on pleasure dimension might result from the differ- ment 1 explored the different effects of red and blue on their
ent cultural backgrounds of the participants. In previous emotional pleasure; and Experiment 2 further explored the
studies, participants were American, Mexican, Philippine, influence of the verbal colour stimuli ‘red’ and ‘blue’ on
Turkish, Roman, Kuwaiti, American Indian, and German, their emotional pleasure.
etc. The results show that the Mexican, Philippine, Roman,
Kuwaiti and American Indian participants preferred
red, and red could activate their positive emotions Experiment 1
(Choungourian, 1968; Garth & Collado, 1921; Gesche,
1927; Pastoureau, 2001), while the American, German, and Method
Turkish participants preferred blue, and blue could invoke
Experiment 1 aimed to investigate the effects of blue and
their positive emotions (Camgoz et al., 2002; Gerend &
red on the emotional pleasure of Chinese people.1 It is
Tricia, 2009; Hurlbert & Ling, 2007; Moller et al., 2009;
also worth noting that the experimental purposes of most
Sascha, 2009; Spielberger et al., 1970; Valdez &
previous studies were so obvious that participants could
Mehrabian, 1994; Wogalter et al., 2002). According to pre-
guess what was expected. However, according to learned
vious research, red is a respectful colour in the Mexican,
association theory, the activation of colour associations on
Philippine, and American Indian cultures, and it is com-
emotion always occurs automatically and unconsciously
monly used in national flags, totems, and daily decorations
(Bargh, 1990). In order to avoid the above problem, an
(Garth & Collado, 1921; Gesche, 1927). However, it does
implicit task and a priming paradigm were used in this
not have such meanings in America, Germany, and Turkey.
study. During the experiment, the task was to ask the par-
Blue is generally preferred to red by American, British and
ticipants to judge whether the word was true or not. But
German adults (Camgoz et al., 2002; Gerend & Tricia,
the real purpose of the experiment was to investigate
2009; Hurlbert & Ling, 2007; Moller et al., 2009; Sascha,
whether positive (or negative) emotion words were
2009; Spielberger et al., 1970; Valdez & Mehrabian, 1994;
responded to faster than neutral ones in red (or blue)
Wogalter et al., 2002). However, blue is ranked among
colour priming conditions. According to the logic of the
the least preferred colours in Rome owing to the historical
priming paradigm, reactions are typically faster when the
reason that blue was adored by Rome’s archenemies, the
target stimulus is preceded by a semantically or percep-
Celts (Pastoureau, 2001). Therefore, same colour can
tually related priming stimulus (Angela, Steinhauer &
carry different meanings in different socio-cultural
Frisch, 1999). Thus, faster reactions for target stimuli
environments.
(positive emotion words) in specific priming conditions
But what about Chinese participants? Owing to the
(e.g. red) indicate that this priming condition (e.g. red)
unique cultural environment, red and blue should have dif-
can induce the corresponding inner mental state (positive
ferent effects on the emotions of Chinese people. Specifi-
emotion), which is consistent with the target stimuli (posi-
cally, red, because of its special value in the red-esteem
tive emotion words).
Chinese culture, and its pivotal status in dangerous warning
in the natural environment, should induce both positive and
Participants
negative emotions in Chinese participants (Huang, Huang
& Li, 1991; Hurlbert & Ling, 2007; Li, 1991, 2007). By Thirty-one (16 female, 15 male, mean age: 22 ± 2.5 years)
contrast, blue does not have special meaning or status in students from South China Normal University participated
Chinese culture. As a result, it is more likely to induce in the present study in exchange for ¥5. Participation was

© 2014 Wiley Publishing Asia Pty Ltd with the Asian Association of Social Psychology and the Japanese Group Dynamics Association
154 Tingting Wang et al.

restricted to individuals who were native Chinese speakers, These pictures were all approximately close to 0 (z-score) in
had normal or corrected-to-normal vision without colour the dimensions of arousal, pleasure, and dominance.
blindness or weakness.
(2) Experimental phase. At the start of each trial, a fixa-
Design and materials tion cross appeared at the centre of the screen for 500 ms,
followed by a colour square as a priming stimulus pre-
A 3 (pleasure: positive, neutral, and negative) × 2 (colours:
sented for 105 ms. After the priming stimulus disappeared,
red and blue) within-subject design was used. The priming
an affective word as the target stimulus was shown on the
stimuli were either blue or red squares, which measured
screen. Participants were asked to judge whether the word
2 cm × 2 cm. The HSL (hue, saturation, and lightness)
was a real word or a pseudo word by pressing ‘F’ or ‘J’,
values were as follows: red = 0, 240, 120; blue = 160, 240,
respectively. The target word was presented on the screen
and 120; these were adopted from Mehta and Zhu
until the participants pressed one of the buttons or until
(2009).
3000 ms had elapsed.
The target stimuli were two types of words: experimental
and dummy. For the experimental words, the stimuli were
(3) Post-test phase. After the experiment, participants
180 affective words chosen from the Chinese affective
received a questionnaire to examine whether they had
words system (Wang, Zhou & Lou, 2008), including 60
figured out the aim of the experiment. For the post-test
positive words (e.g. ‘success’ and ‘smile’, z-score above
questionnaire, participants were asked the following
0.85, M = 6.93, SD = 0.22), 60 neutral words (e.g. ‘floor’
question: ‘What do you think we were trying to test?’ Only
and ‘door’, z-score above 0.40 and below −0.40, M = 5.13,
if the participants mentioned colour and emotion at the
SD = 0.33), and 60 negative words (e.g. ‘failure’ and ‘idiot’,
same time, they were judged to have figured out the purpose
z-score below −1.06, M = 3.02, SD = 0.34). The Chinese
of study (Elliot, Maier, Moller, Friedman & Meinhardt,
affective words system is a standard system, which is based
2007).
on the three emotional dimensions (arousal, dominance,
and valence) carried in Chinese words, and has a good
‘test-retest’ reliability (all the dimensions are over 0.79) Results and discussion
(Wang, Zhou, & Lou, 2008). One-way ANOVA showed
One participant was excluded because he had guessed the
that the difference in the three types of words was signifi-
purpose of the experiment. Mean RTs (for accurate
cant in pleasure but not significant in arousal, dominance,
responses) and accuracy were submitted to a 3 (pleasure:
concreteness, words frequency, and initial word frequency.
positive vs neutral vs negative) × 2 (colour: red vs blue)
To make sure the three types of words were comparable, we
repeated measures ANOVA, respectively. For RTs, the
conducted a pilot study under the non-priming condition.
main effect of pleasure was significant, F(2,58) = 18.49,
The results indicate that there were no significant differ-
MSE = 1892.09, p < 0.05, ηp2 = 0.57. The main effect of
ences in either mean reaction times (RTs) or accuracy
colour was also significant, F(1,29) = 0.32, MSE =
among the three types of words (RTs: F(2,28) = 2.48,
1595.11, p < 0.05, ηp2 = 0.05. More importantly, the inter-
MSE = 499.18, p > 0.05, ηp2 = 0.15; accuracy: F(2,28) =
action between colour and pleasure was significant,
2.51, MSE = 0.001, p > 0.05, ηp2 = 0.15). The dummy
F(2,58) = 3.61, MSE = 1445.73, p < 0.05, ηp2 = 0.21.
words were 180 pseudo words (e.g., ‘冰现’). Both of the
Planned t-tests on simple effects suggested that, for the red
experimental words and dummy words were repeated
condition, positive words were responded to significantly
twice, so each of the subjects completed 720 trials. All
faster than negative (p < 0.05) and neutral words (p < 0.05),
stimuli were presented randomly.
while negative words were responded to significantly
faster than neutral words (p < 0.05); for the blue con-
Procedure
dition, positive words were responded to significantly
Computers with Intel Pentium V processors were used. The faster than negative words (p < 0.05) and neutral words
screen resolution was 1024 × 768, the screen lightness was (p < 0.05) (see Fig. 1). For accuracy, no significant effects
100, the screen contrast was 50, and the colour temperature were found.
was 6500 K. Each participant completed the experiment The results of Experiment 1 showed that in the red colour
independently in separate rooms, with a viewing distance of condition, both the reactions to positive and negative words
60 cm. They were asked to complete the three following were faster than to neutral words, while in the blue condi-
procedural phases in sequence: tion only the reactions to positive words were faster than
neutral words. The present findings support our first
(1) Adaptation phase. Eight affective pictures chosen from hypothesis that red can induce both positive and negative
the Chinese Affective Picture System (Bai, Ma, Huang & emotions in Chinese people, while blue can only induce
Luo, 2005) were each presented on the screen for 2 seconds. positive emotions in Chinese people.

© 2014 Wiley Publishing Asia Pty Ltd with the Asian Association of Social Psychology and the Japanese Group Dynamics Association
Effects of colour on emotion 155

Design and materials


A 3 (pleasure: positive, neutral, and negative) × 3 (priming
type: red concept, blue concept, and blank) within-subject
design was used. The material was identical to that of
Experiment 1, except that the priming stimulus was either
the written Chinese character ‘red’ or ‘blue’ painted in
black on a white blank screen (as the baseline condition).

Procedure
The procedure was completely identical to that of
Experiment 1.

Figure 1 Results from Experiment 1: mean reaction Results and discussion


times a function of color (blue and red) and pleasure
(negative, neutral and positive). Standard errors are rep- No participants’ data were deleted according to the report
resented in the figure by the error bars attached to each of the post-test phase. Mean RTs (for accurate responses)
column. , negative; , neutral; , positive. and accuracy were submitted to a 3 (pleasure: positive vs
neutral vs negative) × 3 (priming type: red concept vs blue
concept vs blank) repeated measures ANOVA. For RTs, the
As mentioned above, we propose that the inducements main effect of pleasure was not significant, F(2,52) = 1.34,
by red to negative emotions and blue to positive emotions MSE = 2989.08, p > 0.05, ηp2 = 0.05. The main effect of
mainly originate from natural associations formed in the colour was significant, F(2,52) = 9.24, MSE = 23450.64,
biological environment, while the inducement by red to a p < 0.05, ηp2 = 0.26. More importantly, the interaction
positive emotion mainly originates from cultural associa- between priming type and pleasure was significant,
tions formed in the socio-cultural environment. To test F(4,104) = 4.39, MSE = 2357.62, p < 0.05, ηp2 = 0.15.
whether culture has influenced the effects of red on positive Planned t-tests on simple effects suggest that, for the red
emotions in Chinese, the verbal colour stimuli were concept condition, positive words were responded to sig-
adopted as the priming stimuli in Experiment 2. Previous nificantly faster than negative (p < 0.05) and neutral words
studies have shown that because of the linguistic and (p < 0.05), and no significant difference between negative
abstract features, verbal colour stimulus is a better reflec- words and neutral words was found (p > 0.05); for the blue
tion of social culture than physical colour stimulus (Harba concept and blank condition, no significant effects were
& Grant, 1970; Williams & Tucker, 1971). In this way, we found (see Fig. 2). For accuracy, no significant effects were
hypothesize that the verbal colour stimulus ‘red’ should found.
induce more positive emotions than neutral or negative The results of Experiment 2 show that when the word
emotions, while the verbal colour stimulus ‘blue’ might not ‘red’ was adopted as the priming stimulus, only the reac-
have priming effects on emotions. tions to positive words were faster than to neutral ones,
which suggested that the red concept only induces positive
emotions in Chinese people. However, the word ‘blue’ had
Experiment 2 no effects on affective words. The current result supports
our second hypothesis.
Experiment 2 further explored the influence of the colour
concept on the emotional pleasure of Chinese people.
General discussion
Method
The two experiments reported here investigated the effects
of red and blue on Chinese emotions. Experiment 1
Participants
showed that blue induced positive emotions, while red
Twenty-seven (17 female, 10 male, mean age: 20 ± 1.8 induced both positive and negative emotions. Experiment
years) students from South China Normal University par- 2 showed that the verbal colour stimulus ‘red’, however,
ticipated in the present study in exchange for ¥5. Partici- induced only positive emotion. By contrast, the verbal
pation was restricted to individuals who were native colour stimulus ‘blue’ had no priming effects on emotion
Chinese speakers, had normal or corrected-to-normal words. The present findings have proved our two
vision without colour blindness or weakness. hypotheses.

© 2014 Wiley Publishing Asia Pty Ltd with the Asian Association of Social Psychology and the Japanese Group Dynamics Association
156 Tingting Wang et al.

experiences of red are derived from the natural associations


formed in the biological environment. On the contrary,
people’s positive experiences of red are more likely to
originate from associations formed in the social culture
(Palmer & Schloss, 2010, 2011).
This is especially obvious in Chinese culture. Because of
the red-esteem culture in Chinese history, red is associated
with many positive social events and objects (Huang,
Huang & Li, 1991; Hurlbert & Ling, 2007; Li, 1991, 2007).
First, in clothing, red conveys positive meanings. In
Chinese history, wearing red clothes symbolized success
and high social status. On a wedding day, the groom and
bride must wear red celebration clothes, a symbol of hap-
piness and love. Second, red is the main colour to decorate
Figure 2 Results from Experiment 2: mean reaction
times as a function of priming type (blank and red) and traditional Chinese festivals, since red is considered to
pleasure (negative, neutral and positive). Standard convey good luck. Almost everything in a Chinese festival
errors are represented in the figure by the error bars is red (e.g. red lantern, red bag, red Spring Festival cou-
attached to each column. , negative; , neutral; plets, red firecrackers). Third, in China, many other positive
, positive. expressions are related to red, such as beauty and success.
In addition, red can also represent revolution, hope, and
intrepidity in history and politics, such as the red flag, red
Our first hypothesis is that the influence of colour on travelling, red stars, Red Army, etc. Thus, although the
emotions can be affected by different socio-cultural con- physical stimulus red can trigger both positive and negative
texts. Our findings for Chinese have proved this opinion. In emotions in Chinese, the verbal stimulus red can only
the natural biological environment, blue represents the trigger positive emotions because of its close links with
colour of sea and sky. It is a safe rather than threatening Chinese culture (Huang, Huang & Li, 1991; Hurlbert &
colour to animals and humans. The optical attributes of blue Ling, 2007; Li, 1991). The current findings are also con-
can also allow people to feel cool and relaxed (Palmer, sistent with previous research about the associations of
Schloss & Sammartino, 2013). Because of the above char- colour and meaning (Palmer & Schloss, 2010, 2011).
acteristics, in China blue is often used to decorate public In conclusion, we proposed that for Chinese, the effects
areas such as swimming pools, hospitals, and rest rooms. It of the colour blue towards positive emotion and red
is also noteworthy that unlike in English-speaking coun- towards negative emotion originate mainly from natural
tries, blue does not have special meanings in China. There- associations, which are formed in the natural biological
fore, the verbal stimulus ‘blue’ induced neither positive nor environment, whereas the positive emotional response
negative emotions in Experiment 2. Thus, we attribute its to red originates mainly from cultural associations
inducement of positive emotion on Chinese participants to formed in the cultural environment during an individual’s
its natural associations with positive emotions, which are development.
formed in the biological environment (Palmer & Schloss, Our second hypothesis was that different types of colour
2010, 2011). stimuli have different mechanisms to induce emotion.
In the natural biological environment, red is the colour of Physical colour stimuli cause an emotional response by
blood and fire. It is a signal conveying danger and avoidance. activating both natural and social associations, whereas
According to previous studies, red can make animals and verbal colour stimuli do so by activating only social asso-
humans alert, nervous, and anxious (Russell & Mehrabian, ciations. The present findings have proved this hypothesis.
1974; Wells, McDonald & Ringland, 2008). Although red When we used physical colour as priming stimuli, red could
also represents positive objects (e.g. sunshine and flowers), induce both the positive emotions formed in the cultural
animals and humans tend to be more sensitive to the negative environment and the negative ones formed in the natural
information conveyed by it, because of the need to survive environment, while blue could induce the positive emotions
and develop (Ito, Larsen, Smith & Cacioppo, 1998). This has formed in the natural environment. However, when we
been proved in many animal experiments. For instance, adopted the verbal colour words as the priming stimuli,
Russell & Mehrabian (1974) found that mice living in red only red induced the positive emotions formed in the
cages were more anxious and took more time to learn a maze Chinese cultural environment, while blue induced either
than those living in other cages; and Wells et al. (2008) positive or negative emotions. The current findings are con-
found that, in a colour preference test, gorillas and chimpan- sistent with previous research (Harba & Grant, 1970;
zees preferred red the least. Therefore, people’s negative Williams & Tucker, 1971).

© 2014 Wiley Publishing Asia Pty Ltd with the Asian Association of Social Psychology and the Japanese Group Dynamics Association
Effects of colour on emotion 157

Overall, for Chinese, blue induces positive emotions, End note


while red induces both positive and negative emotions.
The inducement of blue to positive emotion and red to 1. We also conducted two pilot studies to test the effects of red
negative emotion mainly originates from associations and blue on the emotional arousal and dominance of Chinese
which are formed in the natural environment during bio- people. Using the same method in Experiment 1, the results
logical evolution; whereas the inducement of red to posi- show that red induced high arousal (t(30) = −4.64, p < 0.05,
tive emotion mainly originates from cultural associations Cohen’s d = −1.69) and high dominance (t(27) = −1.75,
p = 0.09 < 0.10, Cohen’s d = −0.67) emotion, while blue
formed in the cultural environment during that individu-
induced low arousal (t(30) = −8.58, p < 0.05, Cohen’s
al’s development.
d = −3.13) and low dominance (t(27) = −2.24, p < 0.05,
However, it is also noteworthy that the present study has Cohen’s d = −0.86) emotion. The results are consistent with
only examined two colours: red and blue. Whether the previous studies. This consistency also guaranteed the reliabil-
proposed mechanisms of the colour–emotion association is ity of our experiment method.
applicable to every colour still needs further exploration.

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