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    Apolos Leiva
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    The document contains the musical score for the overture "Iste Confessor" composed by Horacio Contreras. It includes four parts - soprano, alto, tenor and bass. The score is notated with traditional musical notation including tempo, key signatures, notes and lyrics. It opens with all parts singing "Ah" together and then each part enters individually before coming together again in subsequent sections.

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    01_Overtura.pdf

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    The document contains the musical score for the overture "Iste Confessor" composed by Horacio Contreras. It includes four parts - soprano, alto, tenor and bass. The score is notated with traditional musical notation including tempo, key signatures, notes and lyrics. It opens with all parts singing "Ah" together and then each part enters individually before coming together again in subsequent sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    9 views1 page

    01 Overtura PDF

    Uploaded by

    Apolos Leiva
    The document contains the musical score for the overture "Iste Confessor" composed by Horacio Contreras. It includes four parts - soprano, alto, tenor and bass. The score is notated with traditional musical notation including tempo, key signatures, notes and lyrics. It opens with all parts singing "Ah" together and then each part enters individually before coming together again in subsequent sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    1.

    - OVERTURA
    ISTE CONFESSOR
    Horacio Contreras

      
    Largo q = 58 p

          
           
    SOPRANO 2
    7
    Ah

     
    p

              
      
    ALTO 27


    Ah

      p

          
           
    TENOR 27

     Ah

     
    p
        
    BAJO 
    27
            
    Ah

     
    32 mf

    S. 
                      
    Ah Ah

     mf

    A.                    
    Ah Ah

    
    mf

                      

    T.
     Ah Ah

           
    mf
        
         
    B.  
    Ah Ah

         p pp
    38

    S.         
        
    Ah

      p pp

                
       
    A.

    Ah

        p pp

    T.         
        
    Ah

            
    p pp

    B. 
            
    Ah

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