Four days before the 1947 Broadway opening of A Streetcar Named Desire, the New York Times published an essay by Tennessee Williams on the depression he’d experienced after the success of The Glass Menagerie summarily ended life as he’d known it.
Fame had turned Williams into a “public Somebody” overnight, a crisis that ultimately landed him in the hospital, “mainly because of the excuses it gave me to withdraw from the world behind a gauze mask.”
Four days before the 1947 Broadway opening of A Streetcar Named Desire, the New York Times published an essay by Tennessee Williams on the depression he’d experienced after the success of The Glass Menagerie summarily ended life as he’d known it.
Fame had turned Williams into a “public Somebody” overnight, a crisis that ultimately landed him in the hospital, “mainly because of the excuses it gave me to withdraw from the world behind a gauze mask.”
Four days before the 1947 Broadway opening of A Streetcar Named Desire, the New York Times published an essay by Tennessee Williams on the depression he’d experienced after the success of The Glass Menagerie summarily ended life as he’d known it.
Fame had turned Williams into a “public Somebody” overnight, a crisis that ultimately landed him in the hospital, “mainly because of the excuses it gave me to withdraw from the world behind a gauze mask.”
La storia della rondinella Sofia, che non vuole volare al sud. Italiano-Inglese. / The story of the little swallow Olivia, who does not want to fly South. Italian-English.: Volume 5 del libri e audiolibri della serie "Bella la coccinella" / Number 5 from the books and radio plays series "Ladybird Marie"