Takarajima

   Samba Feeling (in 4)  = 120

     
Piccolo  


Flute 1          


Flute 2          


Oboe 1          

       
 

Bassoon

E♭ Clarinet        

       
B♭ Clarinet 1 
       
B♭ Clarinet 2 

       
B♭ Clarinet 3 

Alto Clarinet        

       

 
Bass Clarinet

Soprano Saxophone        

Alto Saxophone 1        

Alto Saxophone 2        

       
Tenor Saxophone 1 

       
Tenor Saxophone 2 

       
Baritone Saxophone

       
B♭ Trumpet 1  

       
B♭ Trumpet 2 
       
B♭ Trumpet 3 

       

 
B♭ Trumpet 4

F Horn 1 & 2        

       
 
 
F Horn 3 & 4

     
Trombone 1   

       
Trombone 2 

       
Trombone 3 

       
Bass Trombone 

       
Euphonium 

       
 
 
Bass in C

     
Electric Bass   

        
Electric Guitar
 

         

       

Piano

   
 
                              
                  
Drumset
  
       



Timpani

Samba Whistle        


Glockenspiel          

        
 
                    
Xylophone


                   
Agogo

                     
Cabasa


       
Triangle


Cymbal
  
        
                 
 
 
7
A

Picc.

                        

    


Fl. 1 

                            
     


Fl. 2

                            
     


           
 
Ob. 1

         
 



                        
Bsn.

   
6


E♭ Cl.

 
  
              


    
6
B♭ Cl. 1

 
  
              


    
6
B♭ Cl. 2

 
  
              


    
6
B♭ Cl. 3

  
 
              
   
   


A. Cl.
   
                       
          


           
       
B. Cl.

                
         

       


S. Sax.

 
        
              

  
 


A. Sax. 1

 
                        
        


A. Sax. 2

  
        
  
          

  
 


T. Sax. 1

               
         

       


         
T. Sax. 2

                      



                 
          
Bar. Sax.

          

        
   


B♭ Tpt. 1

   
        

           



 


B♭ Tpt. 2
     
   


   
 
              

 


  
B♭ Tpt. 3

    
    
 
               


    
 
B♭ Tpt. 4

           
        


   
6
F Hn. 1 2

      
               


   
6

        
F Hn. 3 4

 
               
 
  


          
 
Tbn. 1

       



          
 
Tbn. 2

       



Tbn. 3

           



       
           
 
B. Tbn.

         



Euph.

           
 
6


       
                 
         
Bass

                             
 


       
El. B.

   
                                           
 


El. Guit.
     

        


             
                    


                 
Pno.

   
      
                                      
         
           
D. Set

                         



   
Timp.

      


Whistle

      
Glock.         

       
 



                
Xyl.

                     

                           
Ago.


                       
Cabs.




          
Trgl.

Cym.


2
                    
                           
  
  

B

   
13

                         
                  
Picc.

 
     


          
                                    
Fl. 1

  
      

                              
Fl. 2

   
            



     
         
Ob. 1

                
 



                  
            
Bsn.

  
      


         
E♭ Cl.

            
    
  
  
    


   
      
    
B♭ Cl. 1

            
   
  
     


   
   
    
B♭ Cl. 2

            
       
  
  
    


    
B♭ Cl. 3


     
 
 
     
            


      

A. Cl.

                    
                 


          
     
B. Cl.

             
     
 
               
  
             
  


 
                                 
    
 
 
S. Sax.

  
   


 
                               
      
A. Sax. 1

   
             


 
          
           
A. Sax. 2


 

                    
     


             
T. Sax. 1

      

               
  
             
   



       
T. Sax. 2

                     
 
  


                 
                   
Bar. Sax.

         
  
               


 
       
B♭ Tpt. 1

 
      
 
 
   
 
 
         
  

      
    


  
    
B♭ Tpt. 2

 
      
          
 
                
   
      


   
   
B♭ Tpt. 3

           
          
  
        


              
          
B♭ Tpt. 4

          
              
   


     
          
F Hn. 1 2

            
                
       


 


     
          
   
F Hn. 3 4

                     
             
       



                  
    
Tbn. 1

       
  


                
      
Tbn. 2

        
  


   
    
Tbn. 3

              
   


          
     
            
B. Tbn.

          




Euph.

           
         


                
Bass

        
        A♭6 B♭m7        
                              


      
A♭6 D♭6 C7(♭13) Fm7 E♭m7 A♭7(♭9)

El. B.

           A♭7(♭9)
 


                                                                     
       
D♭6 C7(♭13) Fm7 E♭m7

 
El. Guit.

 A♭6 B♭m7   A♭6

     


          
D♭6 C7(♭13) Fm7 E♭m7 A♭7(♭9)


             
             
       


                 
Pno.

     
    
          
          

    


            
D. Set

                           
   

Timp.

Whistle        

  
              
      
Glock.

          
 

Xyl.

                       
          



Ago.

                            


                     
Cabs.




           
Trgl.

Cym.

3
                   
                         
    
 
19 1.

                  
                     
Picc.

 
        
                  
                     
Fl. 1

 
        

                  
Fl. 2

          


        


   
     
Ob. 1

                      
  
             
      
Bsn.

   
              

     
E♭ Cl.

                
      
   
            

     
B♭ Cl. 1

                
      
   
          
    
     
B♭ Cl. 2

                
B♭ Cl. 3       
   
              

    
       
         
A. Cl.

 
                    
  
 
B. Cl.

                        
      
   
         
 


                      
S. Sax.

                     
 



                      
A. Sax. 1

                    
A. Sax. 2  




                         
T. Sax. 1       
   
           

                      
      
   
          
    
    
T. Sax. 2

                    
  
                     
Bar. Sax.

            
       

                  
B♭ Tpt. 1

        
            


    
          
B♭ Tpt. 2

             
    
 

 
       


   
       
B♭ Tpt. 3

           
    
    
   
   
 

  


 
             
B♭ Tpt. 4

     
                             
           


 
                 
F Hn. 1 2

                  
                            
          
                 
F Hn. 3 4

                   
    
                 

               
Tbn. 1

   
                  


  
                   
Tbn. 2

             
       



               
Tbn. 3

                     
  


  
     
B. Tbn.

                     




Euph.

     
Bass
                                      
   
  
       
                      
      
D♭6 D♭6/E♭ A♭6 D♭6 C7(♭13) Fm7 E♭m7 A♭7(♭9) D♭6 D♭m6/E♭ A♭6 B♭m7 A♭6

          A♭6 B♭m7   A♭6

El. B.

                                                                                        

D♭6 D♭m6/E♭ A♭6 D♭6 C7(♭13) Fm7 E♭m7 A♭7(♭9) D♭6 D♭m6/E♭


    A♭6
El. Guit.


                  
D♭6 B♭m6/E♭ A♭6 D♭6 C7(♭13) Fm7 E♭m7 A♭6(♭9) D♭6 D♭m7/E♭ A♭6 B♭m7


     
                  
      
Pno.

           
   
           
 
 

D. Set

        
Timp. 

Whistle        


         
      
Glock.

          
Xyl.
 

    
        


    
Ago.

       
Cabs.

       
Trgl.

Cym.

4
   
   2.                        
C

   
25

  
                           
Picc.

  
        
      
                   
Fl. 1

    
          
 

      
Fl. 2


   
  
   

   
Ob. 1

                
      
            
 
         
Bsn.

       
        


 
E♭ Cl.

           
              
 

 
B♭ Cl. 1

           
              
 



 
B♭ Cl. 2

           
              
 



B♭ Cl. 3

       
  


        
A. Cl.

          
     


     
   
B. Cl.

          
              
 



                  
Solo End
S. Sax.

                   
   
Solo 

    
A. Sax. 1

          
    


A. Sax. 2

       
            



T. Sax. 1

     
             



    
T. Sax. 2

              
    



        
Bar. Sax.

     
  


      
B♭ Tpt. 1

     
  



   
B♭ Tpt. 2

        
  



  
B♭ Tpt. 3

          
    


       
B♭ Tpt. 4

                    
 


 
       
F Hn. 1 2

         
           
        
       
F Hn. 3 4

            
  
    

      
Tbn. 1

      
     
 


      
Tbn. 2

         
    


    
Tbn. 3

          
  
 

  
   
B. Tbn.

                
  
 


Euph.

    
          


          
Bass


    


    
   
      
    
D♭6 D♭6/E♭ A♭6 B♭m7 A♭6 Dm-5 D♭m6 A♭m/C F7 B♭m7 B♭m7-5/E♭ A♭M7 A♭6

El. B.

                                    
   



D♭6 D♭m6/E♭ A♭6 B♭m7 A♭6 Dm-5 D♭m6 A♭/C F7 B♭m7 B♭m7-5/E♭ A♭M7 A♭6


El. Guit.

 A♭6 B♭m7   A♭6

                 

D♭6 D♭m6/E♭ Dm7-5 D♭m6 A♭/C F7 B♭m7 B♭m7-5/E♭ A♭M7 A♭6


    
        


   
Pno.

       
     
                                    
          
 
D. Set

       



Timp.

Whistle       


                 
      
Glock.

                    
         


Xyl.

    
           
  

       
Ago.

      
Cabs.

      
Trgl.

Cym.

5
     
                   
 
 
D

     
31 

         
                         
Picc.

 
 
     


    
                             
Fl. 1

 

    


  
       
Fl. 2

       
     
    
            
 

Ob. 1
    

             
                
  

     
               
                  
Bsn.

          
     


            
E♭ Cl.

               
  
             
 

  


 
        
B♭ Cl. 1

                 
        
            
  

 

          
          
B♭ Cl. 2

    
                
   
  

   
      
B♭ Cl. 3

                     
   
  

  
A. Cl.

   
          
 

      
       
  
      
    
B. Cl.

      
         
                             
   


   
        
          
S. Sax.

         
  
  

                 
A. Sax. 1

                  



               
A. Sax. 2

                     

 

               
T. Sax. 1

      
            
 


T. Sax. 2

     

                   
 

         
          
Bar. Sax.

                           
    






    
B♭ Tpt. 1

                   
  

 
             
 


     
B♭ Tpt. 2

          
    
   
             
 

   
     
B♭ Tpt. 3

            
   
             
 

       
  
    
B♭ Tpt. 4

      
    
 
 
           


   
 
gliss.

 
gliss.
F Hn. 1 2

     
     
             
       
 


  
gliss.

  
gliss.
F Hn. 3 4

          
 
                        
  

    
     
Tbn. 1

                           
   
 

 
                   
Tbn. 2

              
  
 


      
Tbn. 3

 
          
        
  
 

    
           
B. Tbn.

                    
 
 


Euph.

      
              
 

                
Bass

  
        


 
         


    
          
Gm-5 C7 Fm7 Fm7/E♭ Dm-5 B♭7 Gm7 Am7 B♭m7 Gm7/C

El. B.

      Gm7 Am7 B♭m7 Gm7/C    F7  

                                                             
 


Gm-5 C7 Fm Fm7/E♭ Dm-5 B♭7 FM7 Am7 Dm7 Cm7 B♭M7 C7/9/B♭


El. Guit.

 Gm7 Am7 B♭m7 Gm7/C

                      
 
Gm7-5 C7 Fm Fm7/E♭ Dm7-5 B♭7 FM7 Am7 Dm7 Cm7 F7 B♭M7 C7(9)/B♭


 
        
          
 Gm7 Am7

  
Pno. B♭m7 Gm7/C

             
      
             

                              
               
 
D. Set

        
 

Timp.

       
    
                 
Whistle


             

    
     
Glock.

           
            
 

Xyl.
 

          


Ago.

                    


         
Cabs.




 
Trgl.

       

6 Cym.

            
    
       
38

 
Picc.

                            
       


              
          
Fl. 1

    

   
3
 

          
Fl. 2

         
       
3

 



Ob. 1

              
             
 



                   
Bsn.

  
             
 

           
E♭ Cl.

      

3

 
 

    
 
B♭ Cl. 1

              

 

       
 
B♭ Cl. 2

              
  
 

      
  
      
B♭ Cl. 3


                
            
 

A. Cl.

  
              
 

                
 
B. Cl.

     
      
                                   



3

          
S. Sax.

                    
     
 


          
A. Sax. 1

              
            
 


                       
A. Sax. 2

          
 
 

               
T. Sax. 1

                
     
 

T. Sax. 2

  
                  
 

        
   
Bar. Sax.

    
                              


         


   
3


B♭ Tpt. 1

            
                                 
 


3


B♭ Tpt. 2


                                             
 

 
3


B♭ Tpt. 3


                                             

 


3

 
B♭ Tpt. 4

 
  
               
    





           
   
gliss.

  
gliss.


F Hn. 1 2

    
                     
  


   


  

gliss.
gliss.
F Hn. 3 4

 
 
               
                


 


          
Tbn. 1

                 
 

          
Tbn. 2

                    

 

Tbn. 3



                  

 

 
   
B. Tbn.

    
                    
 

Euph.    
  
                       
 

            
    
Bass

                 
                      


      


El. B.

           F7
               
 


Am7 D7(♭9) Gm7(9) A7 Dm7 G7(9/13) Gm7(9) Gm7/C Am7/C Gm7/C FM7 Am7 Dm7 Cm7


El. Guit.

                 
 
Am7 D7(♭9) Gm7(9) A7 Dm7 G7(9,13) Gm7(9) Gm7/C Am7/C Gm7/C FM7 Am7 Dm7 Cm7 F7


  
         
          
 


Pno.

          
         
                           
D. Set     
       

 
Timp.

       
  
      
Whistle

       
 
       
Glock.

       

 

                
Xyl.






Ago.

                  
 

   
Cabs.


 

         
Trgl.
 
Cym. 7
    
                           
     
To Coda
45

  
        
Picc.

               
 

    


  
        
Fl. 1

         
       
     



Fl. 2

                   
              



                 
  
Ob. 1

          
     



                  
    
Bsn.

          
  
 


       
E♭ Cl.

     
              


     

       
B♭ Cl. 1

                    


        

B♭ Cl. 2

                           
 


       
  
  
B♭ Cl. 3

   
                     

 


A. Cl.

    
  
                    
B. Cl.

               
               






        
S. Sax.

  
    
       


     
A. Sax. 1

  
                


    
A. Sax. 2

      
             


 
    
T. Sax. 1

      
            


 
 
T. Sax. 2

    
                
 

      
    
Bar. Sax.

                       
   
 



B♭ Tpt. 1

          
                     


 

B♭ Tpt. 2

           
               


  
B♭ Tpt. 3

            
           


      
 
B♭ Tpt. 4

 
          
    


       
  
  
F Hn. 1 2

        
     


F Hn. 3 4
          

                          
 



 

              
Tbn. 1

     
      
  
                   
Tbn. 2

       
Tbn. 3   

       
        
  
B. Tbn.

              
Euph. 


         
       
 

                  
Bass

                   
                


El. B.

         
            



B♭M7
C/B♭ Am7 D7(♭9) Gm7(9) A7 Dm7 G7(9/13) Gm7 Gm7/C D♭ E♭ F6

El. Guit.

               

B♭M7 C/B♭ Am7 D7(♭9) Gm7(9) A7 Dm7 G7(9,13) Gm7 Gm7(C) D♭ E♭ F6


        
       


 
Pno.

                  
      
D. Set

           

       
 


Timp.

       

         
Whistle

                   
             
 
              
Glock.

               
   
 


        
Xyl.





    
Ago.


    
Cabs.


       
Trgl.

Cym.
8
   
E 
       
                          
                  
     
52

Picc.

                                                 

  
 

Fl. 1    

                                                         
    


Fl. 2 

                                                         
    



        
               
Ob. 1

                     
  


             
                                  
Bsn.



 

  
   

             
E♭ Cl.

           

      
 
  
             

      
 
 
     



B♭ Cl. 1

 
      
   
     
   
                                   
         


B♭ Cl. 2
     
 
      
 
      
 
 
                 
 
                   
   


B♭ Cl. 3
   

     
 
     
 
 
     
         
 
                  
   


A. Cl.
  
           
           


             
B. Cl.

                                 
           
     
                  

 
S. Sax.

         
 Solo (ad lib.)

            
A. Sax. 1

           
     
                     
             
       
A. Sax. 2



                             
  
  


        
T. Sax. 1

 
    
   
      
              
        
T. Sax. 2

            
              
             
Bar. Sax.


              
  
         
Harmon Mute


B♭ Tpt. 1

     
      
   
                 
     



Harmon Mute

B♭ Tpt. 2
 
     
      
 
 
                  
 
Harmon Mute 

B♭ Tpt. 3
 
        
            
           


 
Harmon Mute

 
 
B♭ Tpt. 4


         
     

                             
       
  


F Hn. 1 2
    
      
  


                                
F Hn. 3 4

           
           


              
Harmon Mute

         
Tbn. 1

                      




Harmon Mute

         
Tbn. 2

                      




Harmon Mute

    
Tbn. 3

      
 
   
 
   
 
       
 
Harmon Mute 

                  
B. Tbn.

 
                         



Euph.

                  
                     
 
                                     
Bass

          
                                  

               
El. B.

         
     
       
     
       
      
  
       
       
 


El. Guit.
         

          


       
  
 
 
 
 
 
 
 
  
 
 
 
 
 
 
 
  
 
 
 
 
 
 
 
     
 
      


             
Pno.

    
     


                       
          

                      
D. Set

  
                                        



   
Timp.

        


Whistle

   
Glock.    
                  

         
 


                      
Xyl.

         

        
Ago.



                          
Cabs.


                
Trgl.

Cym.


9
       
        
 
60
F

      
 
Picc.


        


      
 
Fl. 1


        


Fl. 2


        


 
Ob. 1

           
 
         
Bsn.

     
 


E♭ Cl.


           


B♭ Cl. 1


          


B♭ Cl. 2


     


     
B♭ Cl. 3

            

A. Cl.


          



 
B. Cl.

     



      A7       F7             F
 C7(♭9)    F6        F7 
S. Sax.

                                                
      
B♭6 Dm7 Cm7 B♭ B♭6 A7 Dm7 Cm7

A. Sax. 1

          

5 3

A. Sax. 2

          



T. Sax. 1

        
   


T. Sax. 2

          
 


      
Bar. Sax.

       
  
 Open

    
B♭ Tpt. 1

     
 
 


Open

    
B♭ Tpt. 2

     
 
 


 Open

    
B♭ Tpt. 3

       
   
 Open

 
B♭ Tpt. 4

      


F Hn. 1 2

      
 
          
F Hn. 3 4

     
  
Open

        
Tbn. 1

        

 Open

        
Tbn. 2

        

Open

Tbn. 3

       

Open 

 
B. Tbn.

           
Euph. 

 
                 


                
Bass

    
      
    
                


El. B.   

                                                                                                  




D♭6 C7 Fm7 E♭m7 A♭7 D♭M7 E♭7(♭9) A♭M7 A♭6 D♭6 C7 Fm7 E♭m7 A♭7

El. Guit.


   


            
D♭6 C7 Fm7 E♭m7 A♭7 D♭M7 E♭7(♭9) A♭M7 A♭6 D♭6 C7 Fm7 E♭m7 A♭7

 
                 
   
Pno.

              
  
                
D. Set     
       


Timp.

      


Whistle

   
       
  
 
  

Glock.

          
   

   


     
Xyl.

  


      
Ago.

      
Cabs.

      
Trgl.


Cym.

10
          
           
    

66

        
      
Picc.


         
         
      
Fl. 1

        

Fl. 2

   
Ob. 1               

             
 


     
           
Bsn.

E♭ Cl.         


B♭ Cl. 1            

B♭ Cl. 2          

         
  
B♭ Cl. 3

A. Cl.             


           
 
B. Cl.

      

                    Cm7               
    
S. Sax.

        
 B♭   A7       F7  

             
C7(♭9) C7(♭9)
F Dm7 B♭
B♭ F7 Cm7 F F6

A. Sax. 1

          

3

A. Sax. 2

         
T. Sax. 1 

         
T. Sax. 2    

         
  
                    
Bar. Sax.


               
   
                  
B♭ Tpt. 1


                        


 
             
B♭ Tpt. 2

   
            
       


   
           
B♭ Tpt. 3

    

        
          


    
 
B♭ Tpt. 4

          

 

F Hn. 1 2

    
      



F Hn. 3 4

       
  
     
      
          


         
     
                   
Tbn. 1

  
          
 


     
                
Tbn. 2

     
          





                 
    
Tbn. 3

                  
   




B. Tbn.

            



Euph.

 
Bass
                                  
   
  
    
                        

                                                                                                  
El. B.



D♭M7 E♭7(♭9) A♭6 E♭m7 A♭7 D♭6 C7 Fm7 E♭m7 A♭7 D♭M7 E♭7(♭9) A♭M7 A♭6

El. Guit.


                
D♭M7 E♭7(♭9) A♭6 E♭m7 A♭7 D♭6 C7 Fm7 E♭m7 A♭7 D♭M7 E♭7(♭9) A♭M7 A♭6

 
                 
      
Pno.

           

D. Set 

       
Timp. 

      

       
Whistle


             
    
       
Glock.

            
Xyl.
      


Ago.


Cabs.

      
Trgl.

Cym.

11
             
      
 
G

    

72

           
   
Picc.

 
        


           
     
Fl. 1


        


          
Fl. 2

             
     


Ob. 1

          
         
 


            
     
Bsn.

       

     
E♭ Cl.

 
         
  




     
B♭ Cl. 1

 
      
 
  




B♭ Cl. 2

 
      
        


  
      
B♭ Cl. 3

              
   


A. Cl.

   
               



 
B. Cl.

      


S. Sax.

                   
                      
A7

   
Dm7 Cm7 F7 B♭ C7(♭9) F Solo end

    



B♭6

       
A. Sax. 1

           
 

    
 
A. Sax. 2

          
 


       
T. Sax. 1

          
  


T. Sax. 2

        
        


   
                   
      
Bar. Sax.

 
   
  
  


                
B♭ Tpt. 1

         
      

 
 

  
  


        
B♭ Tpt. 2

         
         
     

 
 
   


 
 
B♭ Tpt. 3

               
                       


   
   
B♭ Tpt. 4

        




F Hn. 1 2

    
      



  
F Hn. 3 4

 
                             



    
                 
Tbn. 1

          
     



                    
Tbn. 2

               
   


        
            
Tbn. 3

                         
 


 
B. Tbn.

                
  


Euph.

  
                


               
Bass

  
              
                 


El. B. 

                                                    A♭M7 B♭m7 Cm7 Fm6 C7(♭9)/D♭ E♭7(♭9)

       
A♭6 


 

D♭6 C7 Fm7 E♭m7 A♭7 D♭M7 E♭7(♭9) A♭

El. Guit.

 A♭M7 B♭m7 Cm7 Fm6 C7(♭9)/D♭ E♭7(♭9) A♭6

            


       
D♭6 C7 Fm7 E♭m7 A♭7 D♭M7 E♭m7(♭9) A♭

   
  
           


      
Pno.

        
       
                           
D. Set         
       
Timp. 

      

          
Whistle

             
     
         
Glock.

            
   

   


   
Xyl.

  


 
Ago.

 
Cabs.

      
Trgl.

Cym.

12
              

78
H

Picc.


Fl. 1               


Fl. 2               


Ob. 1               

             
 

Bsn.

           
E♭ Cl. 
            
B♭ Cl. 1 

            
B♭ Cl. 2 
            
B♭ Cl. 3 

A. Cl.             

             

 
B. Cl.

S. Sax.             

A. Sax. 1             

A. Sax. 2             

            
T. Sax. 1 

            
T. Sax. 2 

            

                           
               
Bar. Sax.

                      
           
             
            
B♭ Tpt. 1

                           

                       
           
           
 3

 
            
B♭ Tpt. 2

                           

                       
          
           
 3

 
            
B♭ Tpt. 3

                           

                       
          
           
 3

 
 
B♭ Tpt. 4

            
 3

F Hn. 1 2

            
 
                           
                                    

F Hn. 3 4

 
                 

                                
Tbn. 1

                    

           

   
3

        


  
     

                                
Tbn. 2

                    

           

   
3

        


       
   

Tbn. 3

               

3


B. Tbn.

             



Euph.

             
 
 
Bass

           
El. B.  

             
El. Guit.
 

              

             

Pno.

 
                
    
Fill in

D. Set

             
Timp. 

                                  
Whistle


              


Glock.

             
 
    
Xyl.

  
   
Ago.

   
Cabs.

            
Trgl.

Cym.

13
           D.S. al Coda     
          
          
90

     
               
       
Picc.


       
6
6


    
             
 
Fl. 1

        
           
6
6


                
Fl. 2

      
  
 

    
6
6

gliss.

    
gliss. gliss.


Ob. 1

           
        
   


       
Bsn.

  
     
         
         


     
          

             

        

E♭ Cl.



     
6
 6
gliss.
gliss. gliss.

            
            

B♭ Cl. 1

  
        

      
6 6

gliss.
gliss. gliss.

       
B♭ Cl. 2

     
   
            

6 6

gliss.

   
gliss. gliss.

           
B♭ Cl. 3

                  
  


A. Cl.
  
      
                         
 



B. Cl.

                

   
     
     




gliss.
gliss. gliss.

                   
S. Sax.

        

     
                  
A. Sax. 1

        



 
   

        
A. Sax. 2

                         

     
  
 


   
gliss.


gliss.


T. Sax. 1

           
                   
   

gliss. gliss.
T. Sax. 2

     
 


       
                 
Bar. Sax.

       
   
        
     
         
       



gliss.
gliss. gliss.

   
              
B♭ Tpt. 1

               
     
  
3


gliss.
gliss. gliss.

      
B♭ Tpt. 2

         
  
             

3

    
gliss.
gliss. gliss.

     

B♭ Tpt. 3

          




          
       
3

  
          
gliss.

        
B♭ Tpt. 4

        
gliss. gliss.

 
             
3

      
F Hn. 1 2

                 


              
           


  
     
F Hn. 3 4

        
               
  



         
      



    
  
                              
Tbn. 1


      
3

    
  
                       
Tbn. 2

     
      
3

  
         
Tbn. 3

         
 
                   
 
3

         
    
       
B. Tbn.

          
       
  
3

Euph.
   
     
  


        
                    
Bass

  
    
 
                        
    


El. B.

Gm7/C
          B♭m7(9) E♭7(9) Am7/D Gm7(9)/C
               


 
Gm7/C B♭m7/E♭ Gm7/C


El. Guit.

Gm7/C
    B♭m7(9) E♭7(9) Am7/D Gm7(9)/C
              



Gm7/C B♭m7/E♭ Gm7/C


     
 


       
Pno.

                     
            
                      
             

D. Set

       
Timp.  

      

 
Whistle

   
      


  





   
          
       
Glock.

           
   
                 
Xyl.

    

6
6
 

                   
Ago.

                             
Cabs.

    
     
Trgl.

Cym.

14
     

   
96

 
Picc.

 


  

 
Fl. 1

 


  

  
Fl. 2


  


   
Ob. 1

      
  


 
    
Bsn.

  


 
E♭ Cl.

  



  

 
B♭ Cl. 1

  


  

  
B♭ Cl. 2

   



 
B♭ Cl. 3

       


 
A. Cl.

    
  


   
B. Cl.

  
 
  


 
S. Sax.

   
   


 
A. Sax. 1

 
     


  
A. Sax. 2

    
  



T. Sax. 1

     

 



T. Sax. 2

    



   
   
Bar. Sax.

 
  


  
B♭ Tpt. 1

   



  
B♭ Tpt. 2

   



    
B♭ Tpt. 3

  




     
B♭ Tpt. 4

  
    


  
 
F Hn. 1 2

    
  
    
   
 
 
F Hn. 3 4

    
      


    
Tbn. 1

      



  
Tbn. 2

      
 


  
Tbn. 3

       




 
B. Tbn.

        



Euph.

    
 


      
Bass

     
        
 



 
El. B.

                    

DM7(9) 

  

El. Guit.

      
DM7(9)

 
      
Pno.

   
  
    
 
                 
        
  
D. Set

   


       



Timp.

  
 

 
Whistle

    
  
Glock.

    

 
Xyl.

             



    
Ago.



                    
Cabs.

 
    
Trgl.


Cym.
15
Piccolo Takarajima

                
                    
A

       
 
Samba Feeling (in 4)  = 120

 

                                     



    
 
B
14

           
              
     


   
 
19


   1.                 2.            
C

     

23

                
  
          
         

28

               
      
       
 D


35

                    
   
                
 


    

42

  
                                    
 

   

To Coda
47
E

                                         



 
 
53

   
 
 
        
         


     
 
59
F


  
          
  
             
G

   

      

71



             

           
           
 
D.S. al Coda
84
H

6
6


     
  

96



2
Flute 1 Takarajima

                       
A

     
Samba Feeling (in 4)  = 120

  
                      
         
  

13

              
              
     

17
B

                             

   

21 1.

      
                 
  
 
C

  
25 2.

                                
      


   
30

                          
    
  
 


35
D

                                 
  
 
40

   
 
           
                        
3

 


  
To Coda
45

                                
      
   
52
E


  
               
   
    

  
   
57
F

       
       


    
         
     
67

 
  
      
           
G

        
75
H

6
6
 

      D.S. al Coda
         

 
        

91



2
 Flute 2 Takarajima

                                            

A

 
Samba Feeling (in 4)  = 120

       
              
                
 


 
B

   
15

                          
    
  




19

            2.           
      
  
C

    

23 1.

            
                   
          

28

                           

   
      
D 
33

                          
 


  
38

                             
3

   
 

  
43

     
      
   
                       


   
To Coda
48
E

                            
    


  

55
F
   
 
 
           
 
 
          
      
63

     


        
      


G

    

72
H



                

      
              
D.S. al Coda
90

6
6


  
  
97



2
Oboe 1 Takarajima

                                   

 
A

 
Samba Feeling (in 4)  = 120

                     B      
          
   


  
14

        1.    
                      
  


        
 
20 2.


       
            
  
C

                    
D


      
26

 
    
               
                   
  


36


           
   

              
 

      
 
   
44 To Coda

                                            

   

51
E

                 
           
  
 
       


 
F

   
58

        


         
          


   
G

  
D.S. al Coda
75
H


.
s . gliss s .
glis glis

  
  

 


  

95


Bassoon 1 Takarajima

                     
             

Samba Feeling (in 4)  = 120 A

             1.
                  
       

6



B


15

     
                          

 C

       
  
24 2.

          
D 

         

            
     
33

             


  
 

            
  

42 To Coda

      
                    E 
 

            

50

 
            F
                                 


 
56

  
                       
 
 
 
  



 
66
G

      
           

           

H

   
84 D.S. al Coda

   
    



97


E♭ Clarinet Takarajima

                                 
A

    
 
Samba Feeling (in 4)  = 120


 
                
   
   
  
     
     
            


   
14
B

       1.              
    
 C

         
 
2.


21


          

                       
       

28

                        
          
D

 



33

                                       
 
 





39


                                       
3


 

To Coda
44

                                
                       



51
E

    
 
    
     
              
          


 
58
F

  
 
  
 
 
       
  
           
       
 G

     

69


          

                  
          

H D.S. al Coda
77

6
 6

   
      
 

95



2
B♭ Clarinet 1 Takarajima


   
   
Samba Feeling (in 4)  = 120 A

   
     
  
    
          
6

                   


   
  
              
15
B


                            


 
       
20
1.

 
   
                              
C

  
25
2.

                     
 

       

D

 
33

   
              
  
            
      



37

      
   
 
       
 
       
 

 
44 To Coda

                              
              


  
50
E

                           


          
F


56


   


                  
65
     
       
       
       
G


H

 
75

6 6

  
 

     D.S. al Coda
  


                  
     
91 .
i ss. gliss i ss.
gl gl



2
 B♭ Clarinet 2 Takarajima


   
    
Samba Feeling (in 4)  = 120 A

   
     
  
    
          
6

        


                       
      
B

  
15


                            


 
        
20
1.

 
 2.              
                 
C

    

25

                  
 

           
    
D


33

    
      
                  
       
 


37

      
 
             
   
   
     
 

  
44 To Coda

           
    
                         
  


       
E

  
51

    
                                 



58
F

       
    


    
G


H

  
71


            

      
                 
     
D.S. al Coda
90 .
. gliss
gliss gliss.

6 6

 


      
   

95



2
 B♭ Clarinet 3 Takarajima


   
    
Samba Feeling (in 4)  = 120 A

   
     
  
    
          
6

     


                              
      
B

  
15


                      


       
       
20
1.

 2.               
                    
C

   
25

                  

            
D  



33

   
 
      
                
   
 

 
       
37

                 
  
 

   
      
44 To Coda

                      


              
          
E

 
50

       


                           
F

   
56


          


   
G

                     
65


   
 

          
               
D.S. al Coda
77
H
. gliss. .
gliss gliss

 

2
 Alto Clarinet Takarajima

      
A

                         
         
Samba Feeling (in 4)  = 120

       

  



                                
B

 
15
1.

                         
C

     
        
24
2.

       


     
 
 
D

          

             
 
32

           
  

           
             
40

  

   
                                    


     
E

    
48 To Coda

 


  

                     
         
F

    
55


    


                                 
65
G

 H             




                      
  
D.S. al Coda

   
77

 
     
 
 
97



2
 Bass Clarinet Takarajima

            
A

                
Samba Feeling (in 4)  = 120

                 
       B 
                       
           


               
13

     

                                   


      

18
1. 2.

 
D

  

  
C

           
           
27

 


                  
 

         
36

 

 

     
                         
43 To Coda

  
           
       


 
E

  
50

   
   

       


      
F

  
59

      
 H 

    


  
            
G

   

71 D.S. al Coda


  
 

         
     


  
92

 

Soprano Saxophone Takarajima

                         
                        
A

   
Samba Feeling (in 4)  = 120

                                     


      
B

  
15

                     


        
        
20
1.

   
 2.               
                
  
C

   
25

  
                     
                      
D  


33

            
                            
 

 

38 3

                             
 

            

44 To Coda

                          
                  
   



   
51
E

  H              

                       


  
F G D.S. al Coda

 
58 .
s . gliss
glis

      
      
 

94
gliss.


Alto Saxophone 1 Takarajima

                               
A

                

Samba Feeling (in 4)  = 120

                        
    
                  


  
B

 
15

                    
               
 


 

 
20
1.

           Solo
                       
C

   
  
2.
25

                        
        
 
 D

   
30 Solo End

  
                                  

 



39

          
          
 

  

46 To Coda E Solo (ad lib.)

       A7         F7  
            


 
60
F B♭6 Dm7 Cm7

           F      F6    
 
5

        
62 B♭ C7(♭9)

               
3

                    
64 B♭6 A7 Dm7 Cm7 F7
                      Cm7 F7
     
 
C7(♭9)


B♭ F
66

  
 B♭   A7           F7
    
          
Dm7 Cm7
68

                F  
                
A7


C7(♭9)

 



B♭
70 F6 B♭6

                   
G

       
      
Dm7 Cm7 F7 B♭ C7(♭9) F Solo end



73

           


 
            
    
D.S. al Coda
77
H

 
 
  
97



2
 Alto Saxophone 2 Takarajima

                           
A

                              
Samba Feeling (in 4)  = 120

                           

        
        


     
 
B

 
15

                    
               
 


 
 
20
1.

     
                
     
C
25
2.

                       


  
D 

              
34

     
                               
  

    
41

           
          
 

                     
E

    
48 To Coda

     
               
  
   


            
F

    
56

                   
   

65

                 


  
          
G H D.S. al Coda


75

  
      
   
      

   

94



2
 Tenor Saxophone 1 Takarajima

                  
                        
A

 
      
Samba Feeling (in 4)  = 120

                                    


 
      
15
B

                      


       
       
20
1.

 2.                               
C

  

25

         
                                 
D 

 
34

  
        
                         
     
  

 
41

 
 
     
                 


     


E

  
48 To Coda

                   


   
      
F

 
58

     G        
                          



  
H D.S. al Coda
70

              
           


 

  
  
92
gliss. s .
glis


 Tenor Saxophone 2 Takarajima

                         
                        
A

   
Samba Feeling (in 4)  = 120

                                     


     
B

  
15

                            


 
        
20
1.

 2.              
         
C

  

25

             
                      


     
D

   
34

         
                   
           
  

   
42 To Coda

 
  
 

 

               
         
50
E

 
                  
       

F


59

     G     

               


           
H

   
72
D.S. al Coda
.
gliss

      
        
            





 
 

93

gliss.


 Baritone Saxophone Takarajima

        
A

              

Samba Feeling (in 4)  = 120

                 
      
                


     
B

                  
13


        
                                


    

   
18 1. 2.

 
D

           
        

           
C

      
27


 




   
                               
37


 
   
    


            
             
 E

  
To Coda


45

   
 

              
      
F

    
55


          


   
G

          
65

  

  



H

             
D.S. al Coda

        
77

    
 


      

95


B♭ Trumpet 1 Takarajima

                        
                       
A

   
Samba Feeling (in 4)  = 120

 
                
                           


 

B

  
15

   
                 

 C

           
 
1. 2.

 
22

                   
                    
  

 

D

   
33

       
 
                               
 

 
39 3

             
       


                    

44 To Coda

                     
              


   
E Harmon Mute F


51

               

                    


       
Open


63


                       
     


    
 
      
 
71

           
                  
 
G H 
76

 3
 
                      
                   
     

86

    D.S. al Coda

          

 
                 
  
   

90 .
s. gliss s.
glis glis

3


2
 B♭ Trumpet 2 Takarajima

          
A


                                     
  
Samba Feeling (in 4)  = 120

  
  
            
             
                   



B

     
15


   1.      
                           
  

 C

    
   
21 2.

  

            
                               
D


 
33

        
                

 

             
39 3

  
                         


           
     
44 To Coda

   
      
                           
    

E Harmon Mute F

     
51

                

                 


         
Open

 
63

       
   
 
 
   
        
  
  
                



 G

   
71

            
                
 
H 
77

 3
 
                                          
     

86

      D.S. al Coda
  
                                        

 
  
90 .
. gliss
gliss gliss.

3


2
 B♭ Trumpet 3 Takarajima

        
A

                             
                    
Samba Feeling (in 4)  = 120

       
           


           
         
  
B

      
15

      1.        
                                   


      
20 2.

       

 

                            
D

       
C

      
 
27

     
            
  

    
               

39 3

        


  
                          
        
44 To Coda

    
              
     
    


             
E F

     
Harmon Mute


52

           

          


          


     
Open

 
64

 
          
     

              


  
G

    
72

H   
 
                          
            
      


  
84

 3
                                
   
    

87


                      

           

D.S. al Coda

 
91
. gliss. .
gliss gliss



2
 Bb Trumpet 4 Takarajima


 
A

       
                                
Samba Feeling (in 4)  = 120

     
                        

B

             
15

           
       



           
          
20
1. 2.

         
          
D

              
C 

         
26


                  
 




       
     
36 3

 
 


                                    

41

 

                   
 

   
      
E

        
Harmon Mute
47 To Coda

         
      
   


  
                
57
F Open

       
    


                   


             
   
68

 

                          
 G

  
73


         
                                      
 
H


84

 3

                                  

     

87

      


                          

D.S. al Coda

 
91

gliss.
gliss. gliss.



2
F Horn 1 & 2 Takarajima


          
               
Samba Feeling (in 4)  = 120 A

     
6

         


  
  
     
     
     
    
 
 



      

  



16
B

            
            
 


                               
1. 2.

                     
21

            

      
            
C

              
D

                          
26

       
.
ss
s s. gli
gli


    
 

          


    
                    
     
37

 
.
ss
ss. gli
gli


    
 

                  
                   

To Coda E

   
46

  


         
                    
         
54
F

  
 
                    
G H


68

 
    
     

      
  
                                  
D.S. al Coda

            
 
91

    

 

2
 F Horn 3 & 4 Takarajima


          
               
Samba Feeling (in 4)  = 120 A

     
6

      B      


     
             
                  
   
16

              
              2.  
      
  
 
                            
1.
21

             

            
 
C

        
         
D

     
    
                  
26


.

 
ss

    
ss. gli
gli

   
 




        
             
 

            
     
38 .
iss


ss. gl
gli

   


       


                   
E

           
46 To Coda





     
F

                          
55

 
        
                          
D.S. al Coda

 
68
G H

     

           
                   

   
      
92







2
Trombone 1 Takarajima

                             
A

              

Samba Feeling (in 4)  = 120



                    
        


             

14
B

                  


                

1. 2.
20

                       
C 

    

26

  
                                  

D 

     

34

     
                                 
 
 



41

                     E   
 

    
 
       
To Coda Harmon Mute
47

      
                      


        
 
58
F Open

            
                
 

          

68
                       
        
   
G


73

      


                

  
  
  
84
H

3


                
                         
 
86

                  

       
         
D.S. al Coda


89

      
     
 
      
      
93



2
 Trombone 2 Takarajima

                     

A

          
 
Samba Feeling (in 4)  = 120


                   1.
                     


  
17
B

                        
      
 C

  
24 2.

                                
  D

  
32

      
  
               
                
 

 
To Coda
39

                    
      
 
  
 
   
 
49
E Harmon Mute

 
                       
              


 
F Open


59

                            
            


    
69

        
     
                
 
H


G


74

 
               

        
               
 
 


85

3
                             


         
D.S. al Coda


88

    
 
     

          
   
93



2
 Trombone 3 Takarajima

                      

A

             

Samba Feeling (in 4)  = 120


 
                1.


                 
        
17
B

 
 

                  


  
C

    
   
24 2.

  

                             

D

  

33

    

                            
  

  

42 To Coda

                   
     


              
50
E Harmon Mute

    
 
            
            


     
 
F Open


59

       
                  
 

           
        

69

      
                   
       
H

 
G
74

 
                          
 
       
     
    
85

                          


       
  
D.S. al Coda
88

    
            
        
  
93



2
 Bass Trombone Takarajima


A

                 

Samba Feeling (in 4)  = 120


   
         


                             


         
B

  
16


     1.          
   


                        
C

    
22 2.

 
   
               
D

   
  

     

         
 
30

 
 
                       


 


     
39 To Coda

    
 


                 F
               
 
50
E Harmon Mute Open


                                 
     


   
67

                
 
              
            
 G


72

 
         
         

                     



H D.S. al Coda

  
84

    
3

 
 
       


   
    
94


 Euphonium Takarajima

                    

A

              

Samba Feeling (in 4)  = 120

   B     1.     
6


   
                                        
  
16

    
            


                  
C

    

2.


25


                       
             
 
 D
 
35

       
  


                  
             
44 To Coda E

      F
    
                                    
 

    
 
55


                                  



64
G

    
                  


          
      
77
H D.S. al Coda

   


    

97


 Tuba Takarajima


A

                 

Samba Feeling (in 4)  = 120


             
   
         


    
B

                     
16

       2.



      
                         
21
1.

      
       
C

         


         
26



 D 

                        


   
 
35

     
 
 

                     

 
41

          

        


         
E

                   
To Coda


47




          
                 
F

                       
55

 



          
                      
62

  
        
                          
68
  
   
      
G H

               
D.S. al Coda

      
74

 




   
          
     
                
92

  

2
 Electric Bass Takarajima

       
                 
A

                         
Samba Feeling (in 4)  = 120


       A♭6 B♭m7 
                    
         


            
A♭6
13

    
                   
       
D♭6 A♭6

 
Fm7 Fm7

   
17
B D♭6 C7(♭13) E♭m7 A♭7(♭9) D♭6/E♭ D♭6
E♭m7 A♭7(♭9) C7(♭13)

 C

 
                
1. 2.

 
A♭6

              

23 D♭6 D♭m6/E♭ B♭m7 A♭6 D♭6 D♭6/E♭ A♭6 B♭m7 A♭6 Dm-5 D♭m6




                 
A♭M7A♭6


Dm-5

    
   
28 A♭m/C F7 B♭m7 B♭m7-5/E♭ Gm-5 C7 Fm7 Fm7/E♭ B♭7 Gm7 Am7 B♭m7 Gm7/C

                 
                



 D
       

35

           
 

    
                       
 
   
42

       
                              
 




48 To Coda E

                   
                       
       



54
    
           
                       

59
F

   

          
 
           


      
65

    
                           
 
72
G H



                    
           


           
D.S. al Coda

  
91



   
 
   

97



2
 Electric Guitar Takarajima

      
 
A

           
                    
Samba Feeling (in 4)  = 120

     



        

             
12

        
                                     
15
B D♭6 C7(♭13)

                                  
  



18 Fm7 E♭m7 A♭7(♭9) D♭6 D♭m6/E♭

                                  

20 A♭6 D♭6 C7(♭13)

                                  
1.


22 Fm7 E♭m7 A♭7(♭9) D♭6 D♭m6/E♭

                                    
        
2.

 
A♭6 B♭m7 A♭6
D♭6 D♭m6/E♭ A♭6 B♭m7 A♭6

 
24

                                   
  

27
C Dm-5 D♭m6 A♭/C F7

                                  
  



B♭m7-5/E♭


29 B♭m7 A♭M7 A♭6

                                  
  

31 Gm-5 C7 Fm Fm7/E♭
   
                      
      
Dm-5 B♭7 Gm7 Am7 B♭m7 Gm7/C


33

   F7
 D FM7 

  
35 Am7 Dm7 Cm7

   


                              
37 B♭M7 C7/9/B♭ Am7 D7(♭9)

   
                              
39 Gm7(9) A7 Dm7 G7(9/13)

 


                           
Gm7(9) Gm7/C Am7/C Gm7/C


41

   


                              
43 FM7 Am7 Dm7 Cm7 F7

   
                              
45 B♭M7 C/B♭ Am7 D7(♭9)

    To Coda
  
47 Gm7(9)
A7 Dm7 G7(9/13)

   
               


   
E

 
Gm7 Gm7/C D♭ E♭ F6


49

     



      
      
       

53

       
               
                        
56

2
     
                                  
60
F D♭6 C7 Fm7 E♭m7 A♭7

                                  
  


 
62 D♭M7 E♭7(♭9) A♭M7 A♭6

    
  
64 D♭6 C7 Fm7 E♭m7 A♭7

    
                                  
66 D♭M7 E♭7(♭9) A♭6 E♭m7 A♭7

    
                                  
68 D♭6 C7 Fm7 E♭m7 A♭7

                                   
  

70 D♭M7 E♭7(♭9) A♭M7 A♭6

                                  

72 D♭6 C7 Fm7 E♭m7 A♭7

                    A♭M7 B♭m7 Cm7 Fm6  /D♭ E♭7(♭9)

       

74 D♭M7 E♭7(♭9) A♭ C7(♭9)



        

          

G A♭6 H Gm7/C Gm7/C


76 D.S. al Coda

   
                             



93 B♭m7/E♭ Gm7/C

B♭m7(9) E♭7(9) Am7/D Gm7(9)/C DM7(9)  

        

95

3
Piano Takarajima


 
A

  

Samba Feeling (in 4)  = 120

       
              



            


      
12

       
 
 

 

 

  
 
 

 


                  

                    
D♭6


A♭6 B♭m7 A♭6 B D♭6 C7(♭13) Fm7 E♭m7 A♭7(♭9) B♭m6/E♭


16

     
             


               

        
1.


20 A♭6 D♭6 C7(♭13) Fm7 E♭m7 A♭6(♭9) D♭m7/E♭
D♭6

 
             
           
C

    
             B♭m7  A♭6
          
2.

 
A♭6 B♭m7 A♭6 D♭6 D♭m6/E♭ A♭6 Dm7-5 D♭m6

 
24

       
      
       
       


 
 
              
A♭M7 Dm7-5
28 A♭/C F7 B♭m7 B♭m7-5/E♭ A♭6 Gm7-5 C7 Fm Fm7/E♭ B♭7

  
     
     

 Gm7 Am7 B♭m7 Gm7/C  FM7 Am7 Dm7

        
D

      
Cm7 F7 B♭M7 C7(9)/B♭


34

   
      
         
 Gm7 Am7

 
B♭m7 Gm7/C

            

                
Gm7(9)
Am7 D7(♭9) Gm7(9) A7 Dm7 G7(9,13) Gm7/C Am7/C Gm7/C


38

 
                  
 

          

           
43 FM7 Am7 Dm7 Cm7 F7 B♭M7 C/B♭ Am7 D7(♭9) Gm7(9) A7


             


                 

            
To Coda
48 Dm7 G7(9,13)Gm7 Gm7(C)D♭ E♭ F6 E

    
             
              


     

2
 
  
    
54

                                 

         


  

F

        
59 D♭6 C7 Fm7 E♭m7 A♭7 D♭M7 E♭7(♭9) A♭M7 A♭6

      
            
                  


              
64 D♭6 C7 Fm7 E♭m7 A♭7 D♭M7 E♭7(♭9) A♭6 E♭m7 A♭7 D♭6 C7

 
      
                      

              
69 Fm7 E♭m7 A♭7 D♭M7 E♭7(♭9) A♭M7 A♭6 D♭6 C7 Fm7 E♭m7 A♭7

 
                       
           

  A♭M7 B♭m7 Cm7 Fm6  /D♭ E♭7(♭9) A♭6  

G

           
A♭


74 D♭M7 E♭m7(♭9) C7(♭9) H

 
  

                 


     


            
  
Gm7/C Gm7/C B♭m7/E♭ Gm7/C


91 D.S. al Coda

     



                         
3
  
    
 
       
95 B♭m7(9) E♭7(9) Am7/D Gm7(9)/C DM7(9)

 
   
         
 


4
 Drumset Takarajima
   
Samba Feeling (in 4)  = 120 
       
                 


     
   


  
           
A

        
8


      

                     
   
15
B
1.


       
    
 C

                
2.

          
24

  
                  


              
30

 
     
                     
        
D



       
34

  
                       
 

      
42 To Coda

     
   
 
E

                        
                 
51

     
 


   
       
58
F

 
      G  
                     
        
68

 
               

H

   
77 Fill in

     

   
               
D.S. al Coda

                  
90

    

       
97

   


2
Glockenspiel Takarajima

  
          
A

    
   
Samba Feeling (in 4)  = 120 B 1.

         


    
C

             
  
2.
25

             
 

         
 

   
35
D

             
  

    

         

43

                                  
           
48 To Coda E



     
      
 
                
F

   
56

            
   
            
   
G


   
69




    


          
 
H D.S. al Coda

   
84
 Xylophone Takarajima

                
A

            
Samba Feeling (in 4)  = 120 B 1. 2.

      
 


                        
C

    
26

              
      
  

          
D


32

   
 
             


       

37

                
 

           
  
44
To Coda

    E          



  
            
F

   
51

        H 




            
            
G

  
    
71

     

         


        
                 
D.S. al Coda
90

 
6
 

   
97


 Agogo Takarajima


                     
      
Samba Feeling (in 4)  = 120
A


                           
     
     
10

       


              
17 B 1. 2.

 
                
C D

 
26




                 

42
To Coda

     
 


          
              
    

51 E

    F



              


59

         
72 G

         


           
H


84 D.S. al Coda

              
94


Cabasa Takarajima

 
                   
Samba Feeling (in 4)  = 120




    
A
9


                             
17 B 1. 2.

                 
   
D

 
C
26






                              
42
To Coda






   
E
 F

51

 
67 G

 
80 H

 

      
91 D.S. al Coda
 Triangle Takarajima

                  

Samba Feeling (in 4)  = 120 A

   


        
                        
C



12 B 1. 2.



                     
D


31

 

    

42
To Coda

 

                            

51 E



 
F
60

 
73 G

       


H
D.S. al Coda


84

                       

 

92
Cymbal Takarajima

        
                      
A C


D
Samba Feeling (in 4)  = 120
B 1. 2.

 

    
                   
E
36
To Coda F G



      

    
H


84
D.S. al Coda


 Timpani Takarajima

               
A

                                     

Samba Feeling (in 4)  = 120

     


            To Coda
 
                
D


C

  
15
B 1. 2.

 
                                      

E

   
52



   
              
H 

       

F G D.S. al Coda


59

 
Samba Whistle Takarajima

       To Coda
    
A B D

  
C
Samba Feeling (in 4)  = 120 E F G
1. 2.

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                         
H
D.S. al Coda
78