Signature and Name of Invigilator
(To be filled by the Candidate)
1. (Signature)
(Name)
2. (Signature)
(Name) PAPER - II Roll No.
J 1 6 1 5 HINDUSTANI MUSIC
Time : 1¼ hours] (VOCAL INSTRUMENTAL)
Number of Pages in this Booklet : 20
Instructions for the Candidates
1. Write your roll number in the space provided on the top of
this page.
2. This paper consists of fifty multiple-choice type of questions.
3. At the commencement of examination, the question booklet
will be given to you. In the first 5 minutes, you are requested
to open the booklet and compulsorily examine it as below :
(i) To have access to the Question Booklet, tear off the
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should be entered on the OMR Sheet and the OMR Sheet
Number should be entered on this Test Booklet.
4. Each item has four alternative responses marked (1), (2), (3)
and (4). You have to darken the circle as indicated below on
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Example : where (3) is the correct response.
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English version will be taken as final.
J-1615 !J-1615-PAPER-II!
OMR Sheet No. : ..........................................................
Roll No.
(In figures as per admission card)
(In words)
[Maximum Marks : 100
Number of Questions in this Booklet : 50
ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ
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×æÙæ Áæ°»æÐ
1 P.T.O.
 HINDUSTANI MUSIC (VOCAL/INSTRUMENTAL)
PAPER - II

Note : This paper contains fifty (50) objective type questions of two (2) marks each. All questions
are compulsory.

1. Who is the author of the Book ‘Sangeetajna Ki Sansmaran’ ?

(1) Prem lata Sharma (2) Omkarnath Thakur
(3) Lalmani Misra (4) Vilayat Hussain Khan

2. Chaturang consist of :
(1) Pada, Bol of Tabla, Bol of Tarana, Sargam
(2) Pada, Bol of Sitar, Bol of Mridanga, Name of Thata
(3) Pada, Name of Raga, Sargam, Description of Raga
(4) Pada, Name of Vadi Swara, Bol of Tarana, Name of composer

3. Who is the Bichitra Beena player of the following ?

(1) Sadiq Ali Khan (2) Mainuddin Khan Dagar
(3) Lalmani Misra (4) Radhikamohan Maitra

4. ‘Prem Rang’ is a pseudonym of :

(1) Faiaz Khan (2) Latafat Hussain Khan
(3) Thakur Jaidev Singh (4) Dhruva Tara Joshi

5. Dipali Nag was a representative of :

(1) Agra Gharana (2) Gwalior Gharana
(3) Patiala Gharana (4) Kirana Gharana

6. Who is not a sitar player of the following ?

(1) Hamid Hussain Khan (2) Yunus Hussain Khan
(3) Yusuf Ali Khan (4) Balaram Pathak

7. Which sharp notes are used in G major scale of the following ?

(1) G and D (2) F and C (3) E and F (4) A and E

8. Which one is the correct example of Anabhyas mulak Alpatwa of Rag Bihag ?
(1) Re in Ascending order (2) Dha in Ascending order
(3) Ga in Descending order (4) Re in Descending order

J-1615 !J-1615-PAPER-II! 2 Paper-II

 çã‹ÎéSÌæÙè â´»èÌ (»æØÙ ßæÎÙ)
ÂýàÙ˜æ - II

çÙÎðüàæ Ñ §â ÂýàÙ˜æ ×ð´ ¿æâ (50) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýˆØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð

1. Òâ´»èÌ™æ ·¤è â´S×ÚU‡æÓ ÂéSÌ·¤ ·ð¤ Üð¹·¤ ·¤æñÙ ãñ?

(1) Âýð× ÜÌæ àæ×æü (2) ¥æð×·¤æÚUÙæÍ ÆUæ·é¤ÚU
(3) ÜæÜׇæè çןææ (4) çßÜæØÌ ãéâñÙ ¹æÙ

2. ¿ÌéÚ´U» çÙç×üÌ ãæðÌæ ãñ Ñ

(1) ÂÎ, ÌÕÜæ ·ð¤ ÕæðÜ, ÌÚUæ‡ææ ·ð¤ ÕæðÜ, âÚU»×
(2) ÂÎU, çâÌæÚU ·ð¤ ÕæðÜ, ×ëδ» ·ð¤ ÕæðÜ, ÍæÅU ·ð¤ Ùæ×
(3) ÂÎ, ÚUæ» ·¤æ Ùæ×, âÚU»×, ÚUæ» ·¤æ ߇æüÙ
(4) ÂÎ, ßæÎè SßÚU ·¤æ Ùæ×, ÌÚUæ‡ææ ·ð¤ ÕæðÜ, â´»èÌ·¤æÚU ·ð¤ Ùæ×

3. çِÙçÜç¹Ì ×ð´ âð çß翘æ ßè‡ææ ßæη¤ ÕÁæÙð ßæÜæ ·¤æñÙ ãñ?

(1) âæÎè·¤ ¥Üè ¹æÙ (2) ×ñ‹ÙéÎèÙ ¹æÙ Îæ»ÚU
(3) ÜæÜׇæè çןææ (4) ÚUæçÏ·¤æ×æðãÙ çטææ

4. Âðý×Ú´U» ç·¤â·¤æ ©ÂÙæ× ãñ?

(1) Èñ¤Á ¹æÙ (2) ÜÌæÈ¤Ì ãéâñÙ ¹æÙ
(3) ÆUæ·é¤ÚU ÁØÎðß çâ´ã (4) Ïýéß ÌæÚUæ Áæðàæè

5. çÎÂæÜè Ùæ» ç·¤â·¤è ÂýçÌçÙçÏ Íè?

(1) ¥æ»ÚUæ ƒæÚUæÙæ (2) ‚ßæçÜØÚU ƒæÚUæÙæ
(3) ÂçÅUØæÜæ ƒæÚUæÙæ (4) ç·¤ÚUæ‡ææ ƒæÚUæÙæ

6. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙ çâÌæÚU ßæη¤ Ùãè´ ãñ?

(1) ãç×Î ãéâñÙ ¹æÙ (2) ØéÙêâ ãéâñÙ ¹æÙ
(3) ØéâêȤ ¥Üè ¹æÙ (4) ÕÜÚUæ× ÂæÆU·¤

7. çِÙçÜç¹Ì ×ð´ âð ç·¤â ÌèßýSßÚU ·¤æ ÂýØæð» G ×ðÁÚU S·ð¤Ü ×ð´ ç·¤Øæ ÁæÌæ ãñ?
(1) G ¥æñÚU D (2) F ¥æñÚU C (3) E ¥æñÚU F (4) A ¥æñÚU E

8. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙ ÚUæ» çÕãæ» ·ð¤ ¥‹Øæâ ×êÜ·¤ ¥ËÂˆß ·¤æ ©ÎæãÚU‡æ ãñ?
(1) ¥æÚUæðãè ·ý¤× ×ð´ ÚðU (2) ¥æÚUæðãè ·ý¤× ×ð´ Ïæ
(3) ¥ßÚUæðãè ·ý¤× ×ð´ »æ (4) ¥ßÚUæðãè ·ý¤× ×ð´ ÚðU

J-1615 !J-1615-PAPER-II! 3 Paper-II

9. Which one is the correct division of Shruti in Gandhar Grama ?
(1) 4, 3, 2, 4, 4, 3, 2 (2) 4, 3, 3, 2, 3, 4, 3
(3) 4, 3, 3, 3, 4, 3, 2 (4) 4, 3, 2, 4, 3, 4, 2

10. What is the meaning of the term ‘Dhari’ ?

(1) Type of Song (2) Type of Taal
(3) Term related to Tabla (4) Music Sampraday (Community)

11. The year of demise of Pt. Ravi Shankar is :

(1) 2012 (2) 2013 (3) 2010 (4) 2009

12. Which Taal starts with Khali ?

(1) Dhamar (2) Teora (3) Sultaal (4) Rupak

13. Who was the ‘Guru’ of the famous thumari singer Gauharjaan ?
(1) Moujuddin (2) Zamiruddin
(3) Bhaiya Ganapat Rao (4) Shymlal Kshetri

14. Who is the author of the book ‘Rag O Rup’ ?

(1) Swamy Abhedananda (2) Swamy Jagadiswarananda
(3) Swamy Prajnyanananda (4) Swamy Lokeswarananda

15. Name the Shruti on which Madhyam Swar is situated according to modern system :
(1) Dayabati (2) Raktika (3) Bajrika (4) Marjani

16. What is meant by the term of ‘Touryatrick’ ?

(1) Geeta, Badya, Abhinaya (2) Geeta, Nritya, Abhinaya
(3) Geeta, Badya, Nritya (4) Badya, Nritya, Abhinaya

17. Raga Hindol belongs to which Thata ?

(1) Purvi (2) Kalyan (3) Todi (4) Marwa

7
18. Laykari of is called :
4
(1) AaD (2) KuaaD (3) Biaad (4) Sawai

19. Which part of the day Purbanga badi Raga belongs to ?

(1) 12 noon to 12 (midnight) (2) 12 (midnight) to 12 noon
(3) 4 am to 4 pm (4) 4 pm to 4 am

J-1615 !J-1615-PAPER-II! 4 Paper-II

9. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙ »´ÏæÚU »ýæ× ×𴠟æéÌè ·¤æ âãè çßÖæÁÙ ãñ?
(1) 4, 3, 2, 4, 4, 3, 2 (2) 4, 3, 3, 2, 3, 4, 3
(3) 4, 3, 3, 3, 4, 3, 2 (4) 4, 3, 2, 4, 3, 4, 2

10. ÒÏæÚUèÓ ÂÎ ·¤æ âãè ¥Íü €Øæ ãñ?

(1) »æÙæ ·¤æ Âý·¤æÚU (2) ÌæÜ ·¤æ Âý·¤æÚU
(3) ÌÕÜæ âð â´ÕçÏÌ ÂÎ (4) â´»èÌ âÂýÎæØ (â×éÎæØ)

11. ´. ÚUçß àæ´·¤ÚU ·ð¤ çÙÏÙ ·¤æ ßáü ãñ Ñ

(1) 2012 (2) 2013 (3) 2010 (4) 2009

12. ·¤æñÙ âæ ÌæÜ ¹æÜè ·ð¤ âæÍ àæéL¤ ãæðÌæ ãñ?

(1) Ïæ×ÚU (2) ˆØæðÚUæ (3) âéÜÌæÜ (4) M¤Â·¤

13. ×àæãêÚU ÆéU ×ÚUè »æçØ·¤æ »æñãÚUæÁæÙ ·¤æ »éL¤ ·¤æñÙ Íæ?
(1) ×æñÁégèÙ (2) Á×èL¤gèÙ
(3) ÖñØæ »‡æÂÌ ÚUæß (4) àØæ×ÜæÜ ÿæð˜æè

14. ÒÚUæ» ¥æð M¤ÂÓ ÂéSÌ·¤ ·ð¤ Üð¹·¤ ·¤æñÙ ãñ?

(1) Sßæ×è ¥ÖðÎæÙ´Î (2) Sßæ×è Á»ÎèàßÚUæÙ´Î
(3) Sßæ×è Âý™ææÙæÙ´Î (4) Sßæ×è Üæð·ð¤àßÚUæÙ´Î

15. ©â àæýéÌè ·¤æ Ùæ× çܹð çÁâ ÂÚU ¥æÏéçÙ·¤ ÃØßSÍæ ·ð¤ ¥ÙéâæÚU ׊Ø×SßÚU çSÍÌ ãñ?
(1) ÎØæÕÌè (2) ÚUç€Ì·¤æ (3) ÕçÁý·¤æ (4) ×æÚUÁÙè

16. ÌæñÚUæç˜æ·¤ ÂÎ âð €Øæ â×ÛæÌð ãñ´?

(1) »èÌ, ßæÎ÷Ø, ¥çÖÙØ (2) »èÌ, ÙëˆØ, ¥çÖÙØ
(3) »èÌ, ßæÎ÷Ø, ÙëˆØ (4) ßæÎ÷Ø, ÙëˆØ, ¥çÖÙØ

17. çِÙçÜç¹Ì ×ð´ âð ÚUæ» çã‹ÇUæðÜ ç·¤ââð â´Õ´çÏÌ ãñ?

(1) Âêßèü (2) ·¤ËØæ‡æ (3) ÌæðÇUè (4) ×æÚUßæ

7
18.
4
·¤è ÜØ·¤æÚUè ·¤ãÜæÌè ãñ Ñ
(1) ¥æÇU (2) ·é¤¥æÇU (3) çÕ¥æÇU (4) âßæ§ü

19. çÎÙ ·ð¤ ç·¤â Öæ» âð ÂêÕæZ» ÕæÎè ÚUæ» â´Õ´çÏÌ ãñ?
(1) 12 ÕÁð ÎæðÂãÚU âð 12 ÕÁð (׊ØÚUæç˜æ) (2) 12 ÕÁð (׊ØÚUæç˜æ) âð 12 ÕÁð ÎæðÂãÚU
(3) 4 ÕÁð âéÕã âð 4 ÕÁð àææ× (4) 4 ÕÁð àææ× âð 4 ÕÁð âéÕã

J-1615 !J-1615-PAPER-II! 5 Paper-II

20. Saantara is the name of :
(1) Murchchana (2) Jati (3) Geeti (4) Vikrita swara

21. Which musical forms are sung with the meaningless words ?
(a) Totak
(b) Tumbru
(c) Tarana
(d) Tenak
Codes :
(1) (a) and (b) (2) (b) and (c) (3) (c) and (d) (4) (a) and (d)

22. Which are the names of Desi Taalas ?

(a) Singha vikram
(b) Harinaswa
(c) Gajaleel
(d) Viswakrita
Codes :
(1) (a) and (b) (2) (b) and (c) (3) (c) and (d) (4) (a) and (c)

23. The name of the Folk Songs are :

(a) Baramasya
(b) Bhatiyali
(c) Akhdai Gan
(d) Pakshir Gan
Codes :
(1) (a) and (b) (2) (b) and (c) (3) (c) and (d) (4) (a) and (d)

24. These are the names of ancient Anadhdha vadya :

(a) Turi
(b) Hudukka
(c) Kahal
(d) Panab
Codes :
(1) (a) and (b) (2) (c) and (d) (3) (a) and (d) (4) (b) and (d)

J-1615 !J-1615-PAPER-II! 6 Paper-II

20. â洘ææ 緤ⷤæ Ùæ× ãñ?
(1) ×éÀüUÙæ (2) ÁæçÌ (3) »èçÌ (4) çß·ë¤Ì SßÚU

21. ·¤æñÙ âæ â´»èçÌ·¤ ÂýæM¤Â çÕÙæ ¥Íü ·ð¤ àæŽÎæð´ ·ð¤ âæÍ »æØæ ÁæÌæ ãñ?
(a) ÅUæðÅU·¤
(b) Æé´UÕM¤
(c) ÌÚUæÙæ
(d) ÌèÙ·¤
·ê¤ÅU Ñ
(1) (a) ÌÍæ (b) (2) (b) ÌÍæ (c) (3) (c) ÌÍæ (d) (4) (a) ÌÍæ (d)

22. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙ âð Îðàæè ÌæÜ ãñ?

(a) çⴃææ çß·ý¤×
(b) ãÚUèÙàßæ
(c) »ÁÜèÜ
(d) çßàßæ·ë¤Ìæ
·ê¤ÅU Ñ
(1) (a) ¥æñÚU (b) (2) (b) ¥æñÚU (c) (3) (c) ¥æñÚU (d) (4) (a) ¥æñÚU (c)

23. çِÙçÜç¹Ì ×ð´ âð Üæð·¤ â´»èÌ ·¤æ Ùæ× ãñ Ñ

(a) ÕæÚUæ×æSØæ
(b) Ö^èØæÜè
(c) ¥¹ÎæØè »æÙ
(d) ÂÿæèÚU »æÙ
·ê¤ÅU Ñ
(1) (a) ¥æñÚU (b) (2) (b) ¥æñÚU (c) (3) (c) ¥æñÚU (d) (4) (a) ¥æñÚU (d)

24. Âýæ¿èÙ ¥óææÏ ßæÎ÷Ï ·¤æ Ùæ× ãñ Ñ

(a) ÌêÚUè
(b) ãéÎé·¤æ
(c) ·¤æãÜ
(d) ÂæÙÕ
·ê¤ÅU Ñ
(1) (a) ¥æñÚU (b) (2) (c) ¥æñÚU (d) (3) (a) ¥æñÚU (d) (4) (b) ¥æñÚU (d)

J-1615 !J-1615-PAPER-II! 7 Paper-II

25. Narad Muni was the author of :
(a) Sangeet Samaysar
(b) Panchamsar Sanhita
(c) Jaggyabalkiya Siksha
(d) Paniniya Siksha
Codes :
(1) (a) and (b) (2) (b) and (c) (3) (c) and (d) (4) (b) and (d)

26. Pt. Dhruva Tara Joshi was a disciple of :

(a) Ustad Bade Gulam Ali Khan
(b) Ustad Faiaz Khan
(c) Ustad Allauddin Khan
(d) Ustad Enayat Khan
Codes :
(1) (a) and (b) are correct (2) (b) and (c) are correct
(3) (c) and (d) are correct (4) (b) and (d) are correct

27. Pandit Nikhil Banerjee was a desciple of :

(a) Ustad Mustaq Ali Khan
(b) Ustad Enayat Khan
(c) Ustad Allauddin Khan
(d) Ustad Halim Zafar Khan
Codes :
(1) (a) and (b) are correct (2) (a) and (c) are correct
(3) (a) and (d) are correct (4) (c) and (d) are correct

28. What is the name of the Guru of Radhika Mohan Maitra ?

(a) Dabir Khan
(b) Munir Khan
(c) Amir Khan
(d) Allauddin Khan
Codes :
(1) (a) and (b) are correct (2) (a) and (c) are correct
(3) (a) and (d) are correct (4) (b) and (d) are correct

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25. ÙæÚUÎ ×éçÙ ç·¤â·ð¤ Üð¹·¤ ãñ´?
(a) â´»èÌ â×ØâæÚU
(b) ´¿×âæÚU â´çãÌæ
(c) Øæ™æßË€Ø çàæÿææ
(d) Âæç‡æÙèØ çàæÿææ
·ê¤ÅU Ñ
(1) (a) ¥æñÚU (b) (2) (b) ¥æñÚU (c) (3) (c) ¥æñÚU (d) (4) (b) ¥æñÚU (d)

26. ´. Ïéýß ÌæÚUæ Áæðàæè çِÙçÜç¹Ì ×ð´ âð ç·¤â·ð¤ çàæcØ Íð?
(a) ©SÌæÎ ÕǸð »éÜæ× ¥Üè ¹æÙ
(b) ©SÌæÎ Èñ¤ØÁ ¹æÙ
(c) ©SÌæÎ ¥ËÜæ©ÎèÙ ¹æÙ
(d) ©SÌæÎ §üÙæØÌ ¹æÙ
·ê¤ÅU Ñ
(1) (a) ÌÍæ (b) âãè ãñÐ (2) (b) ÌÍæ (c) âãè ãñÐ
(3) (c) ÌÍæ (d) âãè ãñÐ (4) (b) ÌÍæ (d) âãè ãñÐ

27. ´çÇUÌ çÙç¹Ü ÕòÙÁèü ç·¤â·ð¤ çàæcØ Íð?

(a) ©SÌæÎ ×éSÌæ·¤ ¥Üè ¹æÙ
(b) ©SÌæÎ §üÙæØÌ ¹æÙ
(c) ©SÌæÎ ¥ËÜæ©ÎèÙ ¹æÙ
(d) ©SÌæÎ ãÜè× ÁȤÚU ¹æÙ
·ê¤ÅU Ñ
(1) (a) ÌÍæ (b) âãè ãñÐ (2) (a) ÌÍæ (c) âãè ãñÐ
(3) (a) ÌÍæ (d) âãè ãñÐ (4) (c) ÌÍæ (d) âãè ãñÐ

28. ÚUæçÏ·¤æ ×æðãÙ çטææ ·ð¤ »éL¤ ·¤æ €Øæ Ùæ× ãñ?
(a) ÎÕèÚU ¹æÙ
(b) ×éÙèÚU ¹æÙ
(c) ¥×èÚU ¹æÙ
(d) ¥ËÜæ©gèÙ ¹æÙ
·ê¤ÅU Ñ
(1) (a) ÌÍæ (b) âãè ãñÐ (2) (a) ÌÍæ (c) âãè ãñÐ
(3) (a) ÌÍæ (d) âãè ãñÐ (4) (b) ÌÍæ (d) âãè ãñÐ

J-1615 !J-1615-PAPER-II! 9 Paper-II

29. Assertion (A) : Rabindranath Tagore learnt Hindustani Vocal Music from Jadu Bhatta.
Reason (R) : Jadu Bhatta a great exponent of vishnupur Gharana was attached with
Tagors family.
Codes :
(1) Both (A) and (R) are false
(2) (A) is true and (R) is false
(3) (A) is false and (R) is true
(4) Both (A) and (R) are true

30. Assertion (A) : Prabandha denotes a composition.

Reason (R) : A composition consists of Swara, Kal, Alankar, Tan.
Codes :
(1) (A) is correct but (R) is incorrect
(2) (A) and (R) both are correct
(3) (A) is incorrect but (R) is correct
(4) Both (A) and (R) are incorrect

31. Assertion (A) : Vasant and Paraj these two ragas are uttaranga Pradhan.
Reason (R) : Vadi Swar of these ragas are Dha.
Codes :
(1) Both (A) and (R) are false
(2) Both (A) and (R) are true
(3) (A) is true but (R) is false
(4) (A) is false but (R) is true

32. Assertion (A) : Tappa belongs to Punjab.

Reason (R) : The camel rider used to sing Tappa.
Codes :
(1) (A) is false but (R) is true
(2) Both (A) and (R) are false
(3) Both (A) and (R) are true
(4) (A) is true but (R) is false

J-1615 !J-1615-PAPER-II! 10 Paper-II

29. ¥çÖ·¤ÍÙ (A) : ÚUçՋÎýÙæÍ ÅñU»æðÚU Ùð çã‹ÎéSÌæÙè ·´¤ÆUU â´»èÌ ÁæÎê Ö^ âð âè¹æÐ
·¤æÚU‡æ (R) : çßc‡æéÂéÚU ƒæÚUæÙæ ·ð¤ ×ãæÙ ÖæcØ·¤æÚU (Âý߀Ìæ) ÁæÎê Ö^ ÅñU»æðÚU ÂçÚUßæÚU âð ÁéǸð ÍðÐ
·ê¤ÅU Ñ
(1) (A) ÌÍæ (R) ÎæðÙæð´ »ÜÌ ãñ´Ð
(2) (A) âãè ãñ ÌÍæ (R) »ÜÌ ãñÐ
(3) (A) »ÜÌ ãñ ÌÍæ (R) âãè ãñÐ
(4) (A) ÌÍæ (R) ÎæðÙæð´ âãè ãñÐ

30. ¥çÖ·¤ÍÙ (A) : ÂýÕ´Ï âéÃØßçSÍÌ SßÚU ÚU¿Ùæ ·¤æð ÂýçÌçÕçÕÌ ·¤ÚUÌæ ãñÐ
·¤æÚU‡æ (R) : SßÚU ÚU¿Ùæ, SßÚU, ·¤æÜ, ¥Ü´·¤æÚU, ÌæÙ ·¤æ ⴃæÅUÙ ãñÐ
·ê¤ÅU Ñ
(1) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ
(2) (A) ÌÍæ (R) ÎæðÙæð´ âãè ãñÐ
(3) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ
(4) (A) ÌÍæ (R) ÎæðÙæð´ »ÜÌ ãñÐ

31. ¥çÖ·¤ÍÙ (A) : ßâ´Ì ÌÍæ ÂýæÁ Øð Îæð ÚUæ» ©žæÚUÚ´U» ÂýÏæÙ ãñÐ
·¤æÚU‡æ (R) : Ïæ §Ù ÚUæ»æð´ ·¤æ ßæÎè SßÚU ãñÐ
·ê¤ÅU Ñ
(1) (A) ÌÍæ (R) ÎæðÙæð´ »ÜÌ ãñ´Ð
(2) (A) ÌÍæ (R) ÎæðÙæð´ âãè ãñ´Ð
(3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ
(4) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ

32. ¥çÖ·¤ÍÙ (A) : ÅUŒÂæ ´ÁæÕ âð â´Õ´çÏÌ ãñÐ

·¤æÚU‡æ (R) : ª¡¤ÅU âßæÚU ¥çÏ·¤æ´àæÌÑ ÅUŒÂæ »æÌð ãñ´Ð
·ê¤ÅU Ñ
(1) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ
(2) (A) ¥æñÚU (R) ÎæðÙæð´ »ÜÌ ãñ´Ð
(3) (A) ¥æñÚU (R) ÎæðÙæð´ âãè ãñ´Ð
(4) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ

J-1615 !J-1615-PAPER-II! 11 Paper-II

33. Assertion (A) : The use of Kaku in music plays a Vital role in creating the feeling of rasa
through the application of Swara which affects emotions according to the
meaning of the poerty.
Reason (R) : Kaku has the quality to express the feelings and emotions.
Codes :
(1) Both (A) and (R) are true
(2) (A) is true and (R) is false
(3) (A) is false and (R) is true
(4) Both (A) and (R) are false

34. Faiaz Khan received Aftab-e-Mousiqui title from the court of :

(1) Rampur (2) Mysore (3) Hyderabad (4) Lucknow

35. ‘Tiut’ is the name of :

(1) Kirtanangiya Taal (2) Name of Folk Song
(3) Dhrupad with two stanza (4) Name of a Raga

36. The original name of Makkhan Khan :

(1) Naththan Peer Baksh (2) Ghagge Khuda Baksh
(3) Quadir Baksh (4) Peer Baksh

37. Amir Khusroo was the court musician of :

(1) Alauddin Khilji (2) Akbar
(3) Mahammad Shah (4) None of the above

38. The Raga created by Kazi Nazrul Islam :

(1) Bangal Bhairav (2) Ahir Bhairav
(3) Bairagi Bhairav (4) Rudra Bhairav

39. 4th Bhakti (stanza) of Sam Gana :

(1) upeja (2) upapatti (3) upadrava (4) upaveda

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33. ¥çÖ·¤ÍÙ (A) : â´»èÌ ×ð´ ·¤æ·ê¤¤ ·¤æ ÂýØæð» ÚUâ ·¤è ¥ÙéÖêçÌ ©ˆÂ‹Ù ·¤ÚUÙð ×ð´ ×ãˆßÂê‡æü Öêç×·¤æ ¥Îæ ·¤ÚUÌè ãñ, Áæð
SßÚU ·ð¤ ©ÂØæð» ·ð¤ mæÚUæ ·¤çßÌæ ·ð¤ ¥Íü ·ð¤ ¥ÙéâæÚU ÖæßÙæ ·¤æð ÂýÖæçßÌ ·¤ÚUÌè ãñÐ
·¤æÚU‡æ (R) : ·¤æ·ê¤ ×ð´ ÖæßÙæ ÌÍæ ¥ÙéÖêçÌ ·¤æð ÃØ€Ì ·¤ÚUÙð ·¤æ »é‡æ ãñÐ
·ê¤ÅU Ñ
(1) (A) ÌÍæ (R) ÎæðÙæð´ âãè ãñÐ
(2) (A) âãè ãñ, Üðç·¤Ù (R) »ÜÌ ãñÐ
(3) (A) »ÜÌ ãñ, Üðç·¤Ù (R) âãè ãñÐ
(4) (A) ÌÍæ (R) ÎæðÙæð´ »ÜÌ ãñ´Ð

34. Èñ¤Øæâ ¹æ¡ Ùð ¥æȤÌæÕ-°-×æñçâ·¤è ·¤è ©ÂæçÏ ç·¤â ÎÚUÕæÚU âð ÂýæŒÌ ·¤è Íè?
(1) ÚUæ×ÂéÚU (2) ×ñâêÚU (3) ãñÎÚUæÕæÎ (4) ܹ٪¤

35. çÅKêÅU 緤ⷤæ Ùæ× ãñ?

(1) ·¤èÌüÙÙæ炾¤Ø ÌæÜ (2) Üæð·¤ â´»èÌ ·¤æ Ùæ×
(3) Îæð ´ç€ÌØæð´ ·¤æ ÏýéÂÎ (4) ÚUæ» ·¤æ Ùæ×

36. ׁ¹Ù ¹æ¡ ·¤æ ßæSÌçß·¤ Ùæ× €Øæ ãñ?

(1) ÙÍÙ ÂèÚU Ձàæ (2) ƒæ‚»ð ¹éÎæ Ձàæ
(3) ·¤æçÎÚU Ձàæ (4) ÂèÚU Ձàæ

37. ¥×èÚU ¹éâÚUæð ç·¤â·ð¤ ÎÚUÕæÚUè ·¤çß Íð?

(1) ¥ËÜ©gèÙ ç¹ÜÁè (2) ¥·¤ÕÚU
(3) ×æðã×Î âæã (4) ©ÂÚUæð€Ì ×ð´ âð ·¤æð§ü Ùãè´Ð

38. ·¤æÁè Ù$ÁL¤Ü §SÜæ× mæÚUæ çÙç×üÌ ÚUæ» ·¤æñÙâæ ãñ?

(1) Õ´»æÜ ÖñÚUß (2) ¥ãèÚU ÖñÚUß
(3) ÕñÚUæ»è ÖñÚUß (4) M¤Îý ÖñÚUß

39. â×»æÙ ·ð¤ ¿æñÍè Öç€Ì À´UÎ ·¤æ €Øæ Ùæ× ãñ?
(1) ©ÂðÁæ (2) ©ÂæÂçÌ (3) ©ÂÎýß (4) ©ÂßðÎ

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40. Which one of the following pairs is correctly matched ?
List-I List-II
(a) Tansen (i) Laxmi Prasad Mishra
(b) Ramkumar Mishra (ii) Ata Hussian
(c) Mehbub Khan (iii) Kishori Amonkar
(d) Moghubai (iv) Saraswati
Codes :
(a) (b) (c) (d)
(1) (iv) (i) (ii) (iii)
(2) (i) (ii) (iii) (iv)
(3) (iv) (iii) (ii) (i)
(4) (iv) (i) (iii) (ii)

41. Match the name from List-I with List-II :

List-I List-II
(Name of Musician) (Instrument)
(a) Bhajan Sopari (i) Sursringer
(b) Soukat Ali (ii) Sitar
(c) Nikhil Banerjee (iii) Sarengi
(d) Ramesh Mishra (iv) Santoor
Codes :
(a) (b) (c) (d)
(1) (i) (iii) (ii) (iv)
(2) (iv) (iii) (i) (ii)
(3) (iv) (i) (ii) (iii)
(4) (ii) (iii) (iv) (i)

42. Which one is not an Indian Taala ?

(1) Matta (2) Posto (3) Chanchar (4) Dhamar

43. Which ragas are used both in Hindustani and Karnatak music ?
(a) Hamsadhwani
(b) Saraswati
(c) Bihag
(d) Bachaspati
Codes :
(1) (a) and (d) are correct (2) (a), (b) and (d) are correct
(3) (a), (b) and (c) are correct (4) (c) and (d) are correct

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40. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙ âæ Øé‚× âãè M¤Â âð âé×ðçÜÌ ãñ?
âê¿è-I âê¿è-II
(a) ÌæÙâðÙ (i) Üÿ×è ÂýâæÎ çןææ
(b) ÚUæ×·é¤×æÚU çןææ (ii) ¥Ìæ ãéâñÙ
(c) ×ãÕêÕ ¹æÙ (iii) ç·¤àææðÚUè ¥×æÙ·¤ÚU
(d) ×æðƒæéÕæ§ü (iv) âÚUSßÌè
·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (iv) (i) (ii) (iii)
(2) (i) (ii) (iii) (iv)
(3) (iv) (iii) (ii) (i)
(4) (iv) (i) (iii) (ii)

41. âê¿è-I ·¤æð âê¿è-II ·ð¤ âæÍ âé×ðçÜÌ ·¤ÚðU Ñ

âê¿è-I âê¿è-II
(â´»èÌ·¤æÚU ·¤æ Ùæ×) (â´Ø˜æ)
(a) ÖÁÙ âæðÂæÚUè (i) âéÚUoë´»ÚU
(b) âæñ·¤Ì ¥Üè (ii) çâÌæÚU
(c) çÙç¹Ü ÕÙÁèü (iii) âæÚ´U»è
(d) ÚU×ðàæ çןææ (iv) â´ÌêÚU
·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (i) (iii) (ii) (iv)
(2) (iv) (iii) (i) (ii)
(3) (iv) (i) (ii) (iii)
(4) (ii) (iii) (iv) (i)

42. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙâæ ÖæÚUÌèØ ÌæÜ Ùãè´ ãñ?

(1) מæ (2) ÂæðSÌæð (3) ¿æ´¿æÚU (4) Ï×æÚU

43. ç·¤â ÚUæ» ·¤æ çã‹ÎéSÌæÙè ÌÍæ ·¤ÙæüÅU·¤ â´»èÌ ÎæðÙæð´ ×ð´ ÂýØæð» ãæðÌæ ãñ?
(a) ãâŠßçÙ
(b) âÚUSßÌè
(c) çÕãæ»
(d) ßæ¿SÂçÌ
·ê¤ÅU Ñ
(1) (a) ÌÍæ (d) âãè ãñÐ (2) (a), (b) ÌÍæ (d) âãè ãñÐ
(3) (a), (b) ÌÍæ (c) âãè ãñÐ (4) (c) ÌÍæ (d) âãè ãñÐ

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44. Choose the right sign of SAM from there notation system :
List-I List-II
(a) Akarmatrik (i) 1
(b) Bhatkhande (ii) 1'
(c) Dandamatrik (iii) 3
(d) V.D. Paluskar (iv) 1
Codes :
(a) (b) (c) (d)
(1) (ii) (iv) (i) (iii)
(2) (i) (iv) (iii) (ii)
(3) (iv) (i) (ii) (iii)
(4) (ii) (iii) (iv) (i)

45. Match the following :

List-I List-II
(a) Thapia (i) Bol of Tabla
(b) Neda Geda (ii) Bol of Pakhwaz
(c) Kredhin (iii) Bol of Kathak Dance
(d) Tatkar (iv) Bol of Srikhol
Codes :
(a) (b) (c) (d)
(1) (ii) (iv) (i) (iii)
(2) (iii) (i) (ii) (iv)
(3) (iv) (ii) (i) (iii)
(4) (iv) (iii) (ii) (i)

46. Which of the following are central university ?

(a) Delhi University
(b) Indira Kala Sangit Viswavidyalay
(c) Visva-Bharati University
(d) Rabindra Bharati University
Codes :
(1) (a) and (c) are correct (2) (a) and (b) are correct
(3) (b) and (c) are correct (4) (c) and (d) are correct

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44. §Ù ÂçÚUßÌüÙ Âýç·ý¤Øæ ×ð´ SAM ·ð¤ âãè 翋㠷¤æð ¿éÙð Ñ
âê¿è-I âê¿è-II
(a) ¥æ·¤æÚU×æç˜æ·¤ (i) 1
(b) ÖæÌU¹´ÇðU (ii) 1'
(c) δÇU×æç˜æ·¤ (iii) 3
(d) ßè.ÇUè. ÂæÜéS·¤ÚU (iv) 1
·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (ii) (iv) (i) (iii)
(2) (i) (iv) (iii) (ii)
(3) (iv) (i) (ii) (iii)
(4) (ii) (iii) (iv) (i)

45. çِÙçÜç¹Ì ÕæðÜ ·¤æð âé×ðçÜÌ ·¤ÚðU Ñ

âê¿è-I âê¿è-II
(a) ÍçÂØæ (i) ÌÕÜæ ·ð¤ ÕæðÜ
(b) ÙðÇUæ »ðǸæ (ii) ¹æßÁ ·ð¤ ÕæðÜ
(c) ·ë¤çÏÙ (iii) ·¤Í·¤ ÇUæ´â ·ð¤ ÕæðÜ
(d) ÌÅU·¤æÚU (iv) Ÿæè¹æðÜ ·ð¤ ÕæðÜ
·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (ii) (iv) (i) (iii)
(2) (iii) (i) (ii) (iv)
(3) (iv) (ii) (i) (iii)
(4) (iv) (iii) (ii) (i)

46. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙâæ ·ð¤‹ÎýèØ çßàßçlæÜØ ãñ?

(a) çÎËÜè çßàßçßlæÜØ
(b) §ç‹ÎÚUæ ·¤Üæ â´»èÌ çßàßçßlæÜØ
(c) çßàß-ÖæÚUÌè çßàßçßlæÜØ
(d) ÚUçՋÎý ÖæÚUÌè çßàßçßlæÜØ
·ê¤ÅU Ñ
(1) (a) ÌÍæ (c) âãè ãñÐ (2) (a) ÌÍæ (b) âãè ãñÐ
(3) (b) ÌÍæ (c) âãè ãñÐ (4) (c) ÌÍæ (d) âãè ãñÐ

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47. Match the name with the pseudonym :
List-I List-II
(a) Bhatkhande (i) Prem Piya
(b) Bhaiya Ganpat Rao (ii) Sughar Piya
(c) Faiaz Khan (iii) Sanad Piya
(d) Vindadin (iv) Chatur Pandit
Codes :
(a) (b) (c) (d)
(1) (iii) (ii) (iv) (i)
(2) (i) (iii) (ii) (iv)
(3) (ii) (iv) (iii) (i)
(4) (iv) (ii) (i) (iii)

48. Choose odd one of the following :

(1) Komal Gandhar (2) Antar Gandhar
(3) Sadharan Gandhar (4) Suddha Gandhar

49. Choose odd one of the following :

(1) Pallavi (2) Jabali (3) Swarabali (4) Kajri

50. Narad selected these colours for the swaras in his siksha :
List-I List-II
(a) Sadja (i) Light yellow like Parrot
(b) Rishav (ii) Light Green
(c) Gandhar (iii) Golden
(d) Madhyam (iv) White
Codes :
(a) (b) (c) (d)
(1) (ii) (i) (iii) (iv)
(2) (i) (ii) (iv) (iii)
(3) (iv) (iii) (i) (ii)
(4) (i) (iii) (ii) (iv)

-o0o-

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47. Ùæ× ·¤æð ÀUlÙæ× âð âé×ðçÜÌ ·¤ÚðU Ñ
âê¿è-I âê¿è-II
(a) ÖæU̹‡ÇðU (i) Âýð× çÂØæ
(b) ÖñØæ »‡æÂÌ ÚUæß (ii) âéƒæÚ çÂØæU
(c) Èñ¤Á ¹æ¡ (iii) âÙÎ çÂØæ
(d) ßè´ÎæÎèÙ (iv) ¿ÌéÚU ´çÇUÌ
·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (iii) (ii) (iv) (i)
(2) (i) (iii) (ii) (iv)
(3) (ii) (iv) (iii) (i)
(4) (iv) (ii) (i) (iii)

48. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙ çßá× ãñ?

(1) ·¤æð×Ü »´ÏæÚU (2) ¥´ÌÚU »´ÏæÚU
(3) âæÏæÚU‡æ »´ÏæÚU (4) âéÎ÷Ï »´ÏæÚU

49. çِÙçÜç¹Ì ×ð´ âð çßá× ·¤æð ¿éÙð Ñ

(1) ÂËÜßè (2) ÁæÕÜè (3) SßÚUæÕÜè (4) ·¤ÁÚUè

50. ÙæÚUÎ Ùð ¥ÂÙè çàæÿææ ×ð´ SßÚUæð´ ·ð¤ çÜ° §Ù Ú´U»æð´ ·¤æ ¿ØÙ ç·¤Øæ Ñ
âê¿è-I âê¿è-II
(a) áÇUÁ (i) ÌæðÌð Áñâæ ãË·¤æ ÂèÜæ
(b) çÚUáß (ii) ãË·¤æ ãÚUæ
(c) »´ÏæÚU (iii) âéÙãÚUæ
(d) ׊Ø× (iv) âÈð¤Î
·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (ii) (i) (iii) (iv)
(2) (i) (ii) (iv) (iii)
(3) (iv) (iii) (i) (ii)
(4) (i) (iii) (ii) (iv)

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