This document discusses the origins and evolution of drama. It begins in ancient Egypt with ritual performances honoring gods like Osiris and Horus. Drama then originated as "wordless actions" through ritual dances and performances involving costumes and masks in ancient Greek festivals. Greek drama further developed in Athens through hymns called dithyrambs honoring Dionysus. English drama originated from religious rituals in churches commemorating Jesus and important biblical figures. It later evolved through morality plays and the works of playwrights like Shakespeare and Marlowe during the Elizabethan era. The University Wits from Oxford and Cambridge also contributed significantly to developing English drama.
This document discusses the origins and evolution of drama. It begins in ancient Egypt with ritual performances honoring gods like Osiris and Horus. Drama then originated as "wordless actions" through ritual dances and performances involving costumes and masks in ancient Greek festivals. Greek drama further developed in Athens through hymns called dithyrambs honoring Dionysus. English drama originated from religious rituals in churches commemorating Jesus and important biblical figures. It later evolved through morality plays and the works of playwrights like Shakespeare and Marlowe during the Elizabethan era. The University Wits from Oxford and Cambridge also contributed significantly to developing English drama.
This document discusses the origins and evolution of drama. It begins in ancient Egypt with ritual performances honoring gods like Osiris and Horus. Drama then originated as "wordless actions" through ritual dances and performances involving costumes and masks in ancient Greek festivals. Greek drama further developed in Athens through hymns called dithyrambs honoring Dionysus. English drama originated from religious rituals in churches commemorating Jesus and important biblical figures. It later evolved through morality plays and the works of playwrights like Shakespeare and Marlowe during the Elizabethan era. The University Wits from Oxford and Cambridge also contributed significantly to developing English drama.
Specific mode of fiction represented in performance.
The word "theater" comes from the Greek word theatron . The Greek "- tron " loosely translates as "an instrument for", while thea- " " means "viewing." Thus literally, theatron a is a place or instrument for viewing purposes—i.e., a theater. Term has come from Greek word ‘action’. Classical Greek drama derived from verb ‘to do’ or ‘to act’. Origin of drama rooted in the religious predisposition of mankind Origin of Drama Art of drama western form of literature Originated from Greeks It traces its origin in Egypt back into 3200 BC. Ritual dramas in Egypt performed at seasonal festivals in the honour of God- Osiris, Isis and Horus. Many scholars trace the origin of drama- ‘Wordless actions’. Ritual dramas- Egypt ‘ The Triumph of Horus’- performed during the festival of Victory of Edfou. GOD Osiris, isis and Horus Ceramic Anubis Mask Wordless actions as drama Ritual dances – a form of drama Performance by dancers, masks players, Performances during the traditional festivals and ceremonies Athens (city in Greece) –ancient hymns called dithyrambs’ were sung in honour of the God ‘Dionysus’.(God of wine, pleasure, fertility of Earth Participants dress up in costumes and masks Series of public festivals ‘City Dionysia’ Masks Greek Festivals The ancient Greek Theatre at Epidauros Evolution of English Drama The religious rituals commemorate the resurrection of Jesus Christ- English drama born in Churches. In order to make people familiar with the Bible- incidents from the life of Christ, the Bishops of the Church began to dramatize stories, episodes from Bible. Evolution of English Drama
13th ,14th centuries plays –describing Christ’s
life, Saints life called as Morality and Miracle plays. At the end of the 15th century morality play took birth sign of growth of drama in England. Plays were didactic and religious in nature.
The Somonyng of Everyman (1490)
Sackville and ThomasNorton’sGorboduc
(1561) first English tragedy Evolution of English Drama Nicholas Udall’sRalph Roister Doister (1566) first comedy. The Elizabethan drama reached its climax with the works of Shakespeare and Marlowe. William Shakespeare and Christopher Marlowe William Shakespeare Shakespeare Marlowe theory by critics Christopher Marlowe (also known as Kit Marlowe) both are same personality. Marlowe changed name as Shakespeare to save himself from punishment of murder Marlowe reappeared as Shakespeare William Shakespeare (1564-1616) Such personality understood the subconscious of the human mind Called as a psychologist Works are still contemporary- all characters still exists in the present world in our society. Drama of Elizabethan Age Establishment of ‘The Theatre’ (1576) increase of competition in the sphere of drama The need of ‘novelty’ arise. Managers of drama searching such people – old plays mix the new matter- making something more good, adorable Drama of Elizabethan Age Thomas Killigrew (7 February 1612 – 19 March 1683) was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II Of England. Removed tragedy part replacing with comedy to make people laugh Claracilla and The Prisoners ,(1636) The Parson’s Wedding (1637) University Wits Term was not used in their lifetime but later on coined by George Saintsbury (19th century journalist author) A group of Bohemian writers associated with the Oxford/Cambridge University Absorbed the renaissance spirit ,synthesized vigour of the native tradition and imbued the refined Classicism Known as ‘The Seven Stars of the Cosmos’. Made Elizabethan drama more popular with the Renaissance Humanism and pride of patriotism University Wits Wrote classical plays , courtly comedies, farces, chronicle plays and melodramas Imparted thrills, action, sensation, humour as well as lot of music. Paved the way for Shakespeare and other dramatists of coming ages. Were source for Shakespeare’s works. University Wits George Peele-25 July 1556 – buried 9 November 1596 Oxford Scholar first writer of History plays
Member of Lord Admiral’s Company
Plays lot of poetic beauty
The Battle of Alcazar,The Arranigment of Paris
–source for Shakespeare’s King John Edward I
The Old Wives Tale- satire on Romantic drama
The Hunting of Cupid
University Wits John Lyly - 1553 or 1554 – November 1606 Euphues /The Anatomy of Wit (1578) –derived from Greek –graceful witty’ Adopted from Roger Ascham’sThe Schoolmaster. well known for its euphuism style of English prose- employing a deliberate excess of literary devices such as Antithesis, Alliteration, Repetitions, Rhetorical Questions etc. University Wits John Lyly-Euphues and His England (1580) Allegorical play-Midas (comedy) (1592)
Allegorical pastoral comedy-Love’s
Metamorphosis (1601) Endymion (1591)
Woman in Moon (1595) only play blank verse
University Wits Thomas Lodge (1558-1625) The Wounds of Civil War (1594)
Rosalynde or, Euphues' Golden Legacie (1590)
prose romance source for Shakespeare’sAs You Like It (1599) A LookingGlass for London and England (1594) University Wits From Cambridge- Robert Greene (1558-1592) first Shakespeare critic He called Shakespeare as ‘an upstart crow beautified with our feathers’. The History of Orlando Furioso’ based on Ludovico Ariosto’sOrlando Furioso Virginia Woolf’s works are influenced by this play. A Maiden’s Dream- dedicated to Elizabeth Harten The Scottish History of James IV, Alphonsus Friar Bacon and Friar Bungay - considered as a document of Elizabethan life. University Wits Thomas Nash (1567-1601) Unfortunate Traveler/Life of Jack Milton
Protagonist Jack Milton- first picaresque hero
meets three historical persons Erasmus, Henry Howard and Thomas More University Wits Christopher Marlowe (1564-1593) Father of University Wits