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Abhijit Sadhale: We Should Feel Sorrow, But Not Sink Under Its Oppression
Abhijit Sadhale: We Should Feel Sorrow, But Not Sink Under Its Oppression
My review of
Khamosh Pani
The movie cast in shadow of dark period of partition, very effectively portray
struggle both in society and within individual.
The movie unfolds through story of young boy and girl in seemingly ‘quiet’
village in their fleeting romances which has nuance of happy times.
Interestingly, the setting for these moments is historical structure- ruins of
building and it does give one sense of hope that tomorrow will rise from
shadows of the past.
As the story develops, it moves beyond story of boy & girl and interplay of
shadow & light. What happens further is grim reminder that ‘Khamoshi’ has
devastating impact on both present & future.
As the plot thicken or let’s say darken-A man comes back searching for his long
lost sister, A Mother is trying to stifle her past in small closet yet hold on to it
very privately.A group trying to channelize society into ideological structure.
In between all these, a flashback of dark waters of well gives hint of horrors of
past and dark secrets it holds within. It is as if shadow of past has extended.
The dark water of well is well played metaphor. Not only has it hinted at
horrors of past but also at personal level of main character, her rejection of
death.
In her acceptance of that moment when she takes plunge, her life story ends.
Yet it is not her defeat for she shows how one can live fully life find purity,
meaning in new forced circumstances even while accepting inevitability and
finality of historical events.
The film ends by showing how both boy & girl accept changes in society each in
their own ways remaining ‘khamosh’ to tyranny of ideology.