4 . * . * .

OPERATIC ANTHOLOGY
i
SERIES FIVE I

GOYESCAS. s. (1916) E. Grannda

La Mala y el Rulsesor. The Msja and the
Nlghtbgale. Tenor. .................... .50
PAGtlADC1. (Cod'@
- ) R o t a u s : 91 pub?
9. c~pprarmffl~.~.
... R. h n c a m l l o
Baritone @nglirh lcxl
A. & St rolal, B d f o ~ e[Engl~llrhlcrl by
-. ..............
i
I
Serenade: 0 Columbina. Tenor. ..........
i
HERMES. 1. (1906)
Invoe~zlonea Venere. Invocation toVenus.
...
............s ,. .60
High. .............. .
HUBICKA. g. (1876) B. Smetann
Bohemian Cmdle-Song. Vendnlka's Cradle-
Song. Hlgh or Medium.. .............. 3
PREQOSA. g. L (1821) C. M. v. Weber
JEAN DE VIVELLE. f. (1880) L. Dellbe# Elnuam bin ich, &ht.nneine. M~ZZO-SO-
Tant que le four dure. Memo-Soprano.. .. .50 prmno .................................. .30
THE JEW&LS OF THE MADONNA. I. (1911) PRINCE IGOR. f (1889) A. Borodlne
E. Wolf-Fsrrari Lentement baissa le four. Slowly the day-
light departs. High. ................... -75
/
Aprlla, o bell.. Rafhele'sSerenade. Tenor,
Baritone.. ............................. .75 p$yc~Lf. (1857) A. Thomas
Bacio dI lama. Rafaele's Lme-Song .Tenor 0 tol, qu'on dit plus belle. Soprano. ..... .35
Baritone.. ............................. .75
Benedicimi tu. Gennaco'a Prayer. Tenor.. .SO -AMISTO. 1. (1720) G. F. Aandel
KHOVANSWHINA. f. (18851 M. Moursorgky
Chant de Marthe. Martha's Song. Me-
dium or Lon............................ .75
La Divination pari'eau. Divination by Water.
Low. ................ .
... .
..
.... ... .75
Arla dl Poliasena. Invocation. Soprano,
Me-Soprano
REGINELLA. I. (1871)
.........................
Belle del tuo arrrbo. Recltarivo nod Ro-
man=. Baritone.. ....................
G. Brng
.SO
am
LA REINE DE SAM. (1862) Ch. Gounod
MARIA DI ROHAN. i. (1843) G. Donlzettl She alone chacmeth my ~ d n e a s . Baritone,
Mma wave e can. Tenor. ................ .SO Bmw. ................................... .40
DAS NACAIWGER IN G W A D A . g. (1839) R O B ~ ' LE
T DIABLE. 1. (1831) G. Meyer
C Kreutzer "Va, VP, va!" dit elle. Sopmno.. ...........
Ein &hUtz' bin lch. Tenor. .............. .SO #by BLAS. I. (1869)
NATOMA. (1911) V. Herbert Ai miei rivnii cedere. Baritone. ........... -60
Beanre of the Hawk, my Baby. A n Indian
~ u l h b y . Soprano. ..................... .50 SI J'~TAIs ROI. 1. (1852) ..................
A. Adam
I Ust the trill in golden throat. SoprSno, J'ignore son nom. Low. .35
Me?m-Soprano. ............. .
.. ..... .75
I n my dreama. Tenor. Baritone. .......... .SO
SNI~OUROTCHKA. (18E2) N. Rlmaky-Kormkok
LlttIe Snowtl&a Arietta. High.. ......... -10
Serenade. When the Sunlight Dies. . Rari- Song of the ShepherdLeU. High or Medium .50
tone., ................................. .54 SOSARME. 1. (1732) G. F. Handel
OSTERIA. 1. (1840) G. Lillo Rendi'l aareno a1 cigllo. Sopmno, Alto.. .. .40
Domani, o me fellce. Mezzo-Soprano or TOLOMEO. 1. (1728) G. F. Aandel
h r l t o n e ............................... -50 Aria d'Eliaa. Soprano. .................... 50
O'ITONE. i. (1723) G. F- TRISTAN AND ISOLDA. g. (1865) R. Wagner
Aria di Gimonda. Mezzo-Sopmno. ....... A0 Inolda'a Love-Death. Soprano. ............ .7@
PAGLIACCI. 1. (1892) R. Leoncav*lla WILHELM VON ORAWN. g. (1846)
Vesti h glubba. Artoso. Tenor In E minor, - K. A. F. Ecker
Tenor in D minor. ...................... .H Wenn Ich mit Mensehen und mit Engela-
Quai fismma avea nel guardo! Ballatella. . zunpen redete. Soprano, Me--Soprano .5
Soprano. ................................ .75
All numben are published with English, In addition t o t h e original text. 1. g. f. 8. atnnd for itallan, G e r m ,
French, or Spanish text. The numersh In brackets indicate the year when the opern was firat performed.
( P c l e r w s w b trr U. 8. A.1

SCHIRMER, Inc. N E W YORK

.:
 Pagliacci
Drama i n Two Acts
English v e ~ s i o n 6y
Ifenry Gru,fton C h u p m a n
Words and Music by

I
!

Prlnted fnthe U.d. A.

 ..
1
Toni0 (uutting his head through the curtain)

(bowing fromthe footlights)

(advancine)
Largamente

Si - gno - re! ... Si - gno ri!... -

Scn
La - dies and -
Gen - tle men! And

T.
 the au -
-1 -
thorbring
& cyms.s. - - h e met-te I'au-
mask be -

I
r

to - - re; in par -tgei vuol ri - pren - de - re - le veo - chit,-

fore YOU; so part -ly to re - vive for you- the an - tique

di nuo - v a n - via - mi.

I san
us
- ze,
- age,
e j ~
he
vo - i
bids me once more ad - dress you!

<I I I cot canto II I

 R
Un po'meno presto che nell' Introdn?cJ.= so)
T.

I
But not to tell you, as of old,

,>Le la - cri
(1
- me che noi ver - siam son fa1 - se!
The tears we shall shed 'for vou here are false ones!

a
I,
r'
0

tJ
-
I I \
I r1
m
J
0
,I
I
- I
I
- I
I
- 1
non a1 - lar - ma - te - vi!<<
 I I I I
I I

,
I I
I
I
-.
-
1
I
I
4- -d- Rssn. d

in - ve - ce pin - ger - vi u - no squar-cio di vi - ta.

ra - ther to draw you a bit of life true to na - ture!

,fen.

L g i ~ per
a mas- ki - ma sol ohe l'ar - ti - sta,Bjn uom
'Tis his cou -.vie - tion, the ar - tist is first a man,

scri - ve - rcei de - ve.

iUS:t8
 bat - - te - - va - no!
I zi
bing
il
and
tern - po
sigh - ing
1
beat the time - for him.
I So then, you'll see love show11- as hu - man *-
..,
Vl. & Cl. Cor a n ~ l . --

- -
I s'a
bc-
ma - no gli.&seri,u
-ings do love
- ma -
each oth-
-A;
-eq
be
you'll
. d m -te de lb - dio i
see,'too, of hat - red the

- -
I tri - sti frut-ti.
dire - ful end-ing,
Del do - lor 1 spa - si -mi,
wit - nesswoe's sharp a - go-ny!,
ur li di rab - bi%u
Howl-ings of rage will

ri - s a - - -
I dre - te, e ci - -ni che! ..> . I
.
reach you, and.
scorn-ful
. .
laugh - . - - ter!
,
,
.
.
.
 " 7 r
t ba- -ne d'i - stri - o - - - 'ni, . le no -
I. tu -
I
-mer-y of ao-
\
- - -tors,
r I
ra - ther

let our hearts spea

10838
I poi - - chi siam uo - - - mi - ni di car - - ne e I

d'os - - - sa, e che di que - ,.

, [I '

blood. /Q/ too. and, like you your -.

'

I
-,a -

st'or
selves.
- fa
we
- no mon -
a r e breath -
do
in^
a1 pa -
the air
- ri di uoi spi - r i a - mo
of this world for- lorn and
.'
.
.
:;.d
:'

Piu lento qyasi recitato >

.,t
..'. ,,. -'; $I
I1 con-cet - to vi dis- si ...
I '
l'ae - re!
lone - ly! Now I've giv'n you the no-tion!
 ta - t& co - m'e- g1$ svol- to. An - diam. In - co - nlin - cia - - -
plot UII - fold- it~g be-fore you. Come on! Let us be - gin, A
 0 . 0 0 .

OPERATIC ANTHOLOGY
SERIES THREE
ORFEO. I. (1762) C. W. v. Oluck SAPPHO. f. (1851) Ch. Gounod
Che farb senzs Eurldice. Mezzo-Sopran?. . ,:.
Alto .................................... -75
0 m a lyre lmmortelle. Lioprano ........:...
.?5
LA SEMIRAMIDE. I. (1748) C. W. V. Cluck
ORFEO. I. (1607) C. Monleverde Vieni che pol sereno. Soprano.. ........... .25
Tu sewmorta. Memo-Soprano or Baritone .30
SEMIRAMIDE. i. (1823)
G. Verdl Be1 raggio luninghier. Soprano. ........... .50
SIMON BOCCANEGRA. i. (1857)
Il lacerato spirlto. Bsas or Baritone.. ...... .35
LES PRCHEURS DE PERLES. f. (1863) G. Bizet TANNHXUSER. 8. (184.5)
D e mon amie, Reur endormb. Alto.. ...... .35
Je crois cntendre encore. Tenor.. ......... .6(1
LA PERLE DU B R ~ S I L . f. (1851) F. David ~ i c Rtheure Halle. Soprano. .............. Y
Charmant oiseau. Soprano, Mezzo-Soprano .5g 0 d u mein holder Abendstern. Baritone,
nass. Tenor.. ...........:............... :.k
PHILEMON ET BAUCIS. 1. (1860) Ch. G o u n d
Au bruit des lourds marteaus. (Vulcan's LA TRAVIATA. 1. Q.953) G. Verdi
Song.) Baritone. Bass.. ................ .50 fora'e lui che l'anlma. Soprano.. ....... .a
~~~~.
Ah.
PIQUE-DAME. e. (1890) P. Techalkonsky Di Provenza il mar, il suol. Baritone.. ......
.50
s evening. Duet. Soprano and Alto. . . . .SO
DER TROMPETER VON SXKKINGEN. g. (1884)
1 EUCTE. f. (1878) Ch. C o u d V. Nessler
fi Vesta portez vos oflrandea. Soprano. Alto .35 Es h a t nicht wllen sein. Tenor or Soprano,
LE PROPHETE. f. I. (1849) G. Meyerbecr MezzcrSoprano, Baritone. Baa8 . . . . . . . . . .40
Ah! m a n dln. Arioso. Mezzo-Soprmo.. ... .50 IL TROVATORE. i. (18531 G. Verdi
LA REINE DE SABA. f. (1862) Ch. Gounod Ah! che la morte ognora. Tenor in Ab,
Inspirez-moi. Soprano, Mezzo-Soprano. Tenor T r a n l p d In F ................ .35
Alto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50 Si. la atanchezza m'opprlme. Duet. Alto
Plus grand dens son obecurite. Soprano. and Tenor.. ............................ -?
Mezzo-Soprano, ........................ .40 Stride la vampa! Mezzo-Soprano. ......... .35
RIGOLETTO. i. e. (1851) C. Verdi I VESPRI SICILIAXI. 1. (1855) G. Verdi
Caro-nome che il mio cor. Soprano.. ...... 110 Merce. dilette amlche. Soprano, Mezzo-
Ladonna & mobile. Tenor in B, Tenor in A, . Soprano. ............................... .60
Baritone in G.. .................. ... ... .W
'

DIE WALKURE. g. e. (1870) R. Wagner

RINALDO. i. (1711) 12.F. HBndel Siegmunds Liebealied. Tenor i n B5. . . . . . . . ,40
Lascla ch"io planga. Soprano. Alto.. ...... .30
ROBERT LE DIABLE. f. (1831) G. Me erbeer XERXES. 1. e. (1738) G. F. H%ndel
Robert. to1 que j'aime. f. I. Soprano. d o .SO Ombra mai fu. Soprano in G, Mezzo-So-
LE ROI DE LAHORE. f. 1. (1877) Y. Masaenet prano in E j . ............................ .35
P r o m e w de mon avenlr. Baritone.. . : ..... .35 DIE ZAUBERFL~TE. g. (1791) W. A. M e r t
LE ROI L'A DIT. f . (1873) ' L. ,Delibea Ach. ~ c filhl's.
h g. I. Soprano. . . . . -. ....... .S#
Dejh les hirondelles. Duet. Soprano . I n diesen heillgen Hallen. g. i. Bass.. . . . . . .30
and Mezzo-Soorano. ................... .40
0 Isls und Oslris. g. i. Bass.. .............. .25
ROMEO ET JULIEGE. I. (1867)
Ah! J e veux vlvre. f. I. Waltz Song. High So-
Ch. Gounod
ZEMIRE UND AZOR. 8. (1819) L. Spohr
prano, Soprano. Mezzo-Soprano.. ...... .SO Rose, wie blst d u m reizend. Tenor. Baii-
Que fain-tu, hlanche tourterelle. f. i. tone.. .................................. 3 0
Soorano. Mezzo-Soorano.. .............. - .a
SAMSON ET DALILA.
Amour! viena alder. Soprano, Mezzo-So-
i. (1877) 0. Saint-SaBns
prano.. ................................
Mon cocur s'ouvre 8. t a voix. Soprano.
Mezzo-Soprano, Alto.. ................... .TO
Printemoa - oui . commence. ~ ~ ----- .
Soorano. ~Mezzo- ~
Soprano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
~ ~ ~ .

ill numbernare published wlth En@iah.in addition t o the original text. 1. g. f. stand for Itallan. German, or
French text. The numerals in brackets indicate the year when the opera was .drat wrformed.
,, ,.r - --,:; :,?
SCHIRMER, Inc. IM- ~DPIY to U. S. A:$>. . i I . . .
,. . t. 1' N E W YOR