Scribd Logo
Upload

Welcome to Scribd!

  • 68 views

    Plus Nulz Regretz

    Uploaded by

    Rodrigo Venegas
    This document appears to be a musical score for a choral work composed by Josquin des Prez (ca. 1450/1521). It contains musical notation across five pages with parts for alto, tenor 1, tenor 2, and bass voices. The notation includes rhythmic symbols, pitches, and directives for singing or playing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content

    You might also like

    Plus Nulz Regretz

    Uploaded by

    Rodrigo Venegas
    68 views5 pages
    This document appears to be a musical score for a choral work composed by Josquin des Prez (ca. 1450/1521). It contains musical notation across five pages with parts for alto, tenor 1, tenor 2, and bass voices. The notation includes rhythmic symbols, pitches, and directives for singing or playing.

    Original Description:

    dhgchmgchgch hvcgmchc ghchgcc gcghc jccjc

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    This document appears to be a musical score for a choral work composed by Josquin des Prez (ca. 1450/1521). It contains musical notation across five pages with parts for alto, tenor 1, tenor 2, and bass voices. The notation includes rhythmic symbols, pitches, and directives for singing or playing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    68 views5 pages

    Plus Nulz Regretz

    Uploaded by

    Rodrigo Venegas
    This document appears to be a musical score for a choral work composed by Josquin des Prez (ca. 1450/1521). It contains musical notation across five pages with parts for alto, tenor 1, tenor 2, and bass voices. The notation includes rhythmic symbols, pitches, and directives for singing or playing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 5

    www.nestorzadoff.com.

    ar

    Plus nulz regretz


    ed. 1549

    Josquin des Pres


    Transcripción y edición: Néstor Zadoff (2018) (ca. 1450/55-1521)

    
     
    
    Alto      
          

              

    
    Ten. 1    

    Ten. 2             

                 
    Bar.

      
    A                 

                 
    T1  

    T2               

    B
                 
    2


                          
    A
     

             
    T1    


               
    T2

               
    B 

    A              

         
    T1        
     

                    
    T2 

                 
    B  

     
    A           
            

              
    T1        

     
    T2              

    B
                  
    3

     
               
    A
      

                
    T1

         
    T2        

                 
    B 

    A                

    T1                 

    T2               

    B
               


        
    A               

                 
    T1    
      
     

        
    T2         

            
    B    
    4


             
    A
          

    T1           
     
         
      

            
    T2
       

           
    B    

                  
    A

                 
    T1     

         
    T2        

            
    B    


    A                  

                     
    T1      

               
    T2

               
    B    
    5


                
         
    A

      
    T1     
                   

               
    T2
        

             
    B     


        
    A
      

    T1 

    T2       

    B
     

    You might also like