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    La Cumparsita

    Uploaded by

    Cristian Morales Elfenix Valdés
    This document is a musical score for the tango "La Cumparsita". It is written for piano and contains the notes, tempo, and other musical notation over 34 measures. The piece is in the key of C minor and has a tempo of 60 beats per minute.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    La Cumparsita

    Uploaded by

    Cristian Morales Elfenix Valdés
    223 views2 pages
    This document is a musical score for the tango "La Cumparsita". It is written for piano and contains the notes, tempo, and other musical notation over 34 measures. The piece is in the key of C minor and has a tempo of 60 beats per minute.

    Original Description:

    Tango

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    This document is a musical score for the tango "La Cumparsita". It is written for piano and contains the notes, tempo, and other musical notation over 34 measures. The piece is in the key of C minor and has a tempo of 60 beats per minute.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    223 views2 pages

    La Cumparsita

    Uploaded by

    Cristian Morales Elfenix Valdés
    This document is a musical score for the tango "La Cumparsita". It is written for piano and contains the notes, tempo, and other musical notation over 34 measures. The piece is in the key of C minor and has a tempo of 60 beats per minute.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    La

    Cumparsita

      
             
    Matos Rodríguez

         
            
     = 60

     

               
           

            
                  
    6

     
                  
        

            
       
             
    10
    3

     
                
         

              
             
    14


      
        
        
          

       
                   
    
    18


      
         
          
                   
      
      
    3
    22


     
         
               

          
         
            
    26

     

                     

                   
          
    3
    30


     
               
        
     
      
                    
          
    34



          
         
    2

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