Professional Documents
Culture Documents
Audio Video Engg
Audio Video Engg
Audio Video Engg
Suraj Irkhede
M-Tech (VLSI Design),Lecturer Electronics & Tele Engineering Department
2
PREFACE
As educators, we all have the same common goal “to guide our students” so that they
gain the maximum possible in a positive environment that promotes their success
and inculcates in them desire to learn. One of the best tools available to us in this
pursuit is PPT instruction that is systematic and self Learning. The goal of this PPT
is to help teachers in the use of eLearning that it is both
effective and efficient method for teaching our students. It has been developed for
purely academic and non-commercial purpose.
Our desire in preparing this PPT is to support the teachers, who have the very
demanding task of Teaching-Plan to deliver instruction on a lecture/period basis.
The PPT is therefore prepared lecture wise. Further at the end of each chapter
Questions have also been included for practice.
We begin in Chapter 1 with basic elements like Different types of Audio system & there
advantages. In Chapters 2 we learn in details the Architecture of CD Player. Chapter 3
we understand the concept of Black & White and Color Television. Chapter 4
concentrates on TV Transmitter & Receiver. In Chapter 5, we focus on Color TV
Receiver . Chapter 6 presents Understanding of MATV,CATV,CCTV.
With deep regards and humility, we thank both our Management of MGI for motivating
and our CEO for strong follow-ups to prepare PPTs under DTEL. We dedicate this
PPT to students and our shared profession.
S.U.Patinge
Suraj Irkhede
3
CONTENT: AUDIO VIDEO ENGINEERING
DTEL 4
GENERAL OBJECTIVE
The student will be able to:
DTEL 5
CHAPTER 1:- SYLLABUS
DTEL 6
CHAPTER-1 SPECIFIC OBJECTIVE / COURSE OUTCOME
DTEL 7
LECTURE 1.1 :- HI-FI Amplifier
Block diagram of mono amplifier system
DTEL 8
LECTURE 1.1 :- HI-FI Amplifier
Mono amplifier system (Figure -1.1)
DTEL 9
LECTURE 1:-LECTURE 1.1 :-
HI-FI AMPLIFIER HI-FI Amplifier
DTEL 10
LECTURE 1:-LECTURE
LECTURE1:- 1.1 :-
HI-FI AMPLIFIER HI-FI Amplifier
Stereophonic amplifier (Figure -1.2)
11
DTEL 11
LECTURE LECTURE
LECTURE 1:-
1:-
LECTURE1:-
HI-FI
BASICS OF 1.1 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
Advantages :
Disadvantages :
12
DTEL 12
LECTURE
LECTURE 2:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.2 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
13
DTEL 13
LECTURE
LECTURE 2:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.2
2.1 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
14
DTEL 14
LECTURE
LECTURE 2:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.2
2.1 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
Public address amplifier (Figure -1.3)
15
DTEL 15
LECTURE
LECTURE 2:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.2 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
Public address amplifier (Figure -1.3)
16
DTEL 16
LECTURE
LECTURE 2:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.2 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
Advantages :
• Minimum noise level
• Gain is constant.
Disadvantages :
• It has the effect of positive feedback which will oscillate
the amplifier & will reproduced the distortion.
17
DTEL 17
LECTURE
LECTURE 3:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.3 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
HI-FI Amplifier System (Figure 1.4)
Amplifier output is similar to original information called
HI-FI amplifier
• Directional sound.
• Flat frequency.
18
DTEL 18
LECTURE
LECTURE 3:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.3 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
Block Diagram of HI-FI Amplifier System
DTEL 19
LECTURE LECTURE
LECTURE 3:-
1:-
LECTURE1:-
HI-FI
BASICS OF1.3 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
HI-FI Amplifier System (Figure 1.4)
• Output from various input sources like disk player or mic are
connected to switches.
DTEL 20
LECTURE
LECTURE 3:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.3 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
• Output of equalizer fed to power amplifier to provide Av
=high & Ai=high & fed to crossover network through
impedance matching circuit.
DTEL 21
LECTURE
LECTURE 3:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.3 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
22
DTEL 22
LECTURE
LECTURE 3:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.3 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
Compare Stereo / PA Amplifier
Stereo Amplifier. PA Amplifier.
• Distance increases sound • They prefer for addressing
level decreases people for larger area.
• Noise is more • Minimum noise level
• Sensitivity is less • Sensitivity is more
• Echo effect is more • Echo effect is less
• Variation in gain with • It is high power
respect to temperature temperature compensated
so, variation in gain is
minimum
• Less costly • Cost is more
Table 2 : Comparison between Stereo & PA Amplifier 23
DTEL 23
LECTURE 4:-LECTURE
LECTURE1:- 1.4 :-
HI-FI AMPLIFIER HI-FI Amplifier
Compare Woofer/Midrange/Tweeter
Parameter Woofer Mid Range Tweeter
Frequency 16Hz to 500Hz 500Hz to 5Khz 5Khz to 20Khz
response
Size Large Medium Small
Cross over Used 2 & 3 Only 3 way Used 2 & 3
network way system system way system
Cost Large Medium Less
Uses in Mono / Stereo Hi-Fi system Stereo/Hi-Fi
amplifier. system
Frequency Low Medium High
Passed
24
Table 3 : Comparison between Woofer, Midrange & Tweeter
DTEL 24
LECTURE 4:-LECTURE
LECTURE1:- 1.4 :-
HI-FI AMPLIFIER HI-FI Amplifier
Controls of Hi-Fi System
• Microphone gain control.
• Tone control
1. Bass control
2. Treble control
25
DTEL 25
LECTURE 4:-LECTURE
LECTURE1:- 1.4 :-
HI-FI AMPLIFIER HI-FI Amplifier
Microphone Gain Control
DTEL 26
LECTURE
LECTURE 5:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.5 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
Tone Control
Bass Control:
DTEL 27
LECTURE 5:-LECTURE
LECTURE1:- 1.5 :-
HI-FI AMPLIFIER HI-FI Amplifier
Treble Control
• High resistance at potentiometer will develop maximum signal
across the load and goes on boosting treble.
DTEL 28
LECTURE
LECTURE 5:-
1:-LECTURE
LECTURE1:-
HI-FI
BASICS OF 1.5 :-
AMPLIFIER
ELECTRONIC COMM. HI-FI Amplifier
Graphic equalizer
• Special type of tone control where audio spectrum is divided
into various narrow spectrums.
DTEL 29
LECTURE 6:-LECTURE
LECTURE1:- 1.6 :-
HI-FI AMPLIFIER HI-FI Amplifier
30
DTEL 30
LECTURE 6:-LECTURE
LECTURE1:- 1.6 :-
HI-FI AMPLIFIER HI-FI Amplifier
Cross over network (2 way)
• Consists of low pass filter
connected across woofer and
high pass filter connected
across tweeter.
Response Curve
Circuit Diagram
31
Fig 1.8: Circuit diagram of 2 way cross over network
DTEL 31
LECTURE 7:-LECTURE
LECTURE1:- 1.7 :-
HI-FI AMPLIFIER HI-FI Amplifier
Cross over network (3 way)
Response Curve 32
DTEL 32
LECTURE
LECTURELECTURE1:-
7:- 1.7 :-
HI-FI AMPLIFIER HI-FI Amplifier
33
DTEL 33
LECTURE 7:-LECTURE
LECTURE1:- 1.7 :-
HI-FI AMPLIFIER HI-FI Amplifier
1) Dolby A systems.
2) Dolby B systems.
34
DTEL 34
LECTURE 7:-LECTURE
LECTURE 5:-1.7 :-
HI-FI AMPLIFIER HI-FI Amplifier
Chapter 1 Question Bank
• List important characteristics of hi-fi amplifier & draw its
block diagram.
DTEL 35
LECTURE 7:-LECTURE
LECTURE1:- 1.7 :-
HI-FI AMPLIFIER HI-FI Amplifier
Summary
• Tone control circuit is used to modify an audio signal before
it is fed to speaker.
36
DTEL 36
CHAPTER 2:- SYLLABUS
DTEL 37
CHAPTER-2 SPECIFIC OBJECTIVE / COURSE OUTCOME
DTEL 38
LECTURE 2.1:- CD Player
• The disc rotates at 500 rpm when the laser beam starts at
centre and slows to 200 rpm to the outer side of the disc.
DTEL 39
LECTURELECTURE 2.1:-
1:- CD PLAYER CD Player
40
DTEL 40
LECTURELECTURE 2.1:-
1:- CD PLAYER CD Player
Specification of CD
Specification
Full disc diameter 120 mm or 12 cm (4.75”)
Disc thickness 1.2 mm
Disc material Polycarbonate
Track width 0.5 micron approx
Sampling frequency 1.6 microns (nominal)
Frequency response 5 to 20000 hz + /- 3db
Harmonic distortion 0.008% at 1 khz
Signal to noise ratio Greater than 85 db
41
DTEL 41
LECTURELECTURE 2.1:-
1:- CD PLAYER CD Player
Features
• Programming is possible.
42
DTEL 42
LECTURELECTURE 2.1:-
1:- CD PLAYER CD Player
Block diagram of CD Player
For Digital
Output
BNC/RCA
Analog
Output
Servo Digital Filter Left
Output Stage
CD Control D.S.P & DAC
& Filter
Board Section Analog
Output
Right
7 Segment Display & Push
Button Remote Control
DTEL 43
LECTURELECTURE 2.1:-
1:- CD PLAYER CD Player
CD Player(Figure -2.1)
• The optical mirror and lens system reads the data from
the CD.
• Pickup assembly.
• Gear system.
• Drive motors.
• CD lens.
45
DTEL 45
LECTURELECTURE 2.2:-
2 :- CD PLAYER CD Player
CD Mechanism
track
CD
focus
detectors
diffraction
sled grating
laser
46
Fig 2.2 : CD Mechanism
DTEL 46
LECTURELECTURE 2.2:-
2 :- CD PLAYER CD Player
CD Mechanism (Figure -2.2)
• The laser beam is generated by small, low power
semiconductor diode made up of aluminum-gallium-
arsenide.
DTEL 47
LECTURELECTURE 2.2:-
2 :- CD PLAYER CD Player
CD Medium
Track pitch 1.6 microns
Diameter 120 mm
Pit length 0.8 -3 microns
Pit depth 0.11 microns
Pit width 0.5 microns
Laser wavelength 780 nm
48
DTEL 48
LECTURELECTURE 2.3:-
3 :- CD PLAYER CD Player
Interleaving
• The majority of errors that may occur during playback of
CD results from scratches, dust and dirt that may reflect the
laser beam.
DTEL 49
LECTURELECTURE 2.3:-
3 :- CD PLAYER CD Player
De-interleaving
• De-interleaving occurs in the CD player at the time of
playback.
50
DTEL 50
LECTURELECTURE 2.4:-
4 :- CD PLAYER CD Player
51
DTEL 51
LECTURELECTURE 2.4:-
4 :- CD PLAYER CD Player
Controls on front panel of CD player
52
DTEL 52
LECTURELECTURE 2.4:-
4 :- CD PLAYER CD Player
Controls on front panel of CD player
1. Standby Button
2. Disk Tray
3. Front panel Display
4. Remote Sensor
5. Open Close Button
6. Playback Dial
7. Pause Button
8. Stop Button
9. Surround Button
10. Picture Mode Button
53
DTEL 53
LECTURELECTURE 2.4:-
4 :- CD PLAYER CD Player
54
DTEL 54
LECTURELECTURE 2.4:-
4 :- CD PLAYER CD Player
Functions of Remote Control
• Power.
• Eject.
• Phase.
• Program.
• Repeat.
• Shuffle.
• On/Off Time.
• Preamplifier control.
• Volume up and down control.
• Mute function.
55
DTEL 55
LECTURELECTURE 2.4:-
4 :- CD PLAYER CD Player
Advantages of Florescent display used in CD Player
DTEL 56
LECTURELECTURE 2.5:-
5 :- CD PLAYER CD Player
Advantages of CD
• High density digital data storage.
• Smaller in size.
DTEL 57
LECTURELECTURE 2.5:-
5 :- CD PLAYER CD Player
Disadvantages of CD
58
DTEL 58
LECTURELECTURE 2.5:-
5 :- CD PLAYER CD Player
Application of CD
• RADIO and TV studios
• Data backups.
• Film achieves.
59
DTEL 59
LECTURELECTURE
7:-LECTURE
LECTURE1:- 2.5:-
1.7 :-
HI-FI AMPLIFIER CD Player
Summary
• The CD player system is basically similar to any other audio
player system such as cassette tape recorder with some
additional digital signal processing circuit.
DTEL 60
LECTURELECTURE
5LECTURE 2.5:-
:- CD PLAYER
5:- CD Player
Chapter 2 Question Bank
• State the advantages of CD.
DTEL 61
CHAPTER 3:- SYLLABUS
3 Colour theory.
DTEL 62
CHAPTER-3 SPECIFIC OBJECTIVE / COURSE OUTCOME
DTEL 63
LECTURE 3.1:- TV Fundamental
Aspect ratio
DTEL 64
LECTURE 1:-LECTURE 3.1:-
TV FUNDAMENTAL TV Fundamental
Image continuity
DTEL 65
LECTURE 1:-LECTURE 3.1:-
TV FUNDAMENTAL TV Fundamental
Scanning Technique
66
DTEL 66
LECTURE 1:-LECTURE 3.1:-
TV FUNDAMENTAL TV Fundamental
Scanning Technique
W
Start of
a line
End of a
line
Trace Retrace
Raster
DTEL 67
LECTURE 1:-LECTURE 3.1:-
TV FUNDAMENTAL TV Fundamental
Interlaced scanning
• In this there are two sequences of scanning for each
frame, scanning lines of one sequence occur in between
the line of the other sequence.
• The numbers in the figure 3.2 are for 625 lines per frame
and blanking period for each sequence is equal to 20 lines.
DTEL 68
LECTURE 1:-LECTURE 3.1:-
TV FUNDAMENTAL TV Fundamental
Interlaced scanning
Line 1 Line 314
Line 2
Line 315
Line 3
Line 316
Even Fields
Odd Fields
Retrace during line 313 at
the end of even field
Retrace at the end of line 625
beginning of line 1 at the end of
odd filed
DTEL 69
LECTURE 1:-LECTURE 3.1:-
TV FUNDAMENTAL TV Fundamental
Interlaced scanning
DTEL 70
LECTURE 2 LECTURE 3.2:-
:- TV FUNDAMENTAL TV Fundamental
DTEL 71
LECTURE 2 LECTURE 3.2:-
:- TV FUNDAMENTAL TV Fundamental
Vestigial sideband transmission
• In this video is modulated in AM & sound is modulated in FM.
DTEL 72
LECTURE 2 LECTURE 3.2:-
:- TV FUNDAMENTAL TV Fundamental
Advantages of Vestigial sideband
DTEL 73
LECTURE 3 LECTURE 3.3:-
:- TV FUNDAMENTAL TV Fundamental
Bandwidth for Color signal
• In the PAL color system is compatible with the CCIRB-625
line monochrome system.
DTEL 74
LECTURE 3 LECTURE 3.3:-
:- TV FUNDAMENTAL TV Fundamental
75
DTEL 75
LECTURE 4 LECTURE 3.4:-
:- TV FUNDAMENTAL TV Fundamental
Contrast
• Thus illumination of pixel will appear differently with
different brightness of the background. For example a
white pixel will appear very white in contrast with black
background, but will appear dual white in white
background.
76
DTEL 76
LECTURE 4 LECTURE 3.4:-
:- TV FUNDAMENTAL TV Fundamental
Viewing distance luminance
• It is the total amount light intensity/energy which is received
by human eye irrespective light is called as luminance.
DTEL 77
LECTURE 4 LECTURE 3.4:-
:- TV FUNDAMENTAL TV Fundamental
Grassman’s law
• When a color is produced by adding three primary colors, its
luminance is the sum of luminance of individual primary
colors.
78
DTEL 78
LECTURE 4 LECTURE 3.4:-
:- TV FUNDAMENTAL TV Fundamental
Hue or tint
• This is predominant spectral color in light.
79
DTEL 79
LECTURE 5 LECTURE 3.5:-
:- TV FUNDAMENTAL TV Fundamental
Saturation
• It shows the purity of color.
80
DTEL 80
LECTURE 5 LECTURE 3.5:-
:- TV FUNDAMENTAL TV Fundamental
Compatibility
• Color TV system produced a normal Black & White
picture on Black & White TV receiver without any
modification is known as compatibility.
81
DTEL 81
LECTURE 5 LECTURE 3.5:-
:- TV FUNDAMENTAL TV Fundamental
Color Theory
1) Primary color
2) Secondary color
82
DTEL 82
LECTURE 5 LECTURE 3.5:-
:- TV FUNDAMENTAL TV Fundamental
Primary color
• There are three primary colors red, green, blue. They are
called as primary because all other colors can obtained by
mixing of these three colors in appropriate proportion.
83
DTEL 83
LECTURE 6 LECTURE 3.6:-
:- TV FUNDAMENTAL TV Fundamental
Secondary / Complementary
• When any two primary colors of equal intensity are mixed, the
resultant color is called complementary color. They are also
known as secondary color.
DTEL 84
LECTURE 6 LECTURE 3.6:-
:- TV FUNDAMENTAL TV Fundamental
85
DTEL 85
LECTURE 7 LECTURE 3.7:-
:- TV FUNDAMENTAL TV Fundamental
86
DTEL 86
LECTURE 7 LECTURE 3.7:-
:- TV FUNDAMENTAL TV Fundamental
Compression between Additive & Subtractive Mixing
Additive mixing Subtractive mixing
• Addition of light from two or • Subtraction of parts is done
more colors is done in from white.
additive mixing.
• Here mixing of primaries • Mixing of subtractive
result is white primaries result is black.
• Additive primaries are, red, • Subtractive primaries are
blue & green. cyan, magenta, & yellow.
• Light from two or more • Reflecting properties of
colors from independent pigments are used in
sources obtained through subtractive mixing.
different filter.
87
DTEL 87
LECTURE 8 LECTURE 3.8:-
:- TV FUNDAMENTAL TV Fundamental
Composite Video Signal
• Picture information is not transmitted alone it is transmitted
with blanking pulses and sync pulses, and this complete
signal is called as Composite video signal.
DTEL 88
LECTURE 8 LECTURE 3.8:-
:- TV FUNDAMENTAL TV Fundamental
DTEL 89
LECTURE 9 LECTURE 3.9:-
:- TV FUNDAMENTAL TV Fundamental
Blanking Pulse
DTEL 90
LECTURE 9 LECTURE 3.9:-
:- TV FUNDAMENTAL TV Fundamental
Color Burst
• The subcarrier is suppressed in the modulated signal at
transmitter, it is necessary to generate in the receiver for
demodulation of the color signal. This signal generated
must be of exactly same frequency and phase as that of
the transmitter.
DTEL 91
5:-LECTURE
LECTURE 9 3.9:-
:- TV FUNDAMENTAL TV Fundamental
Chapter 3 Question Bank
• Explain additive color mixing. state grassmans law.
Summary
• Concept of Aspect Ratio, Compatibility, and other
characteristics.
• Concept of CVS (Composite video Signal)
• Concept of VSB (Vestigial Side band )
• Concept of color theory
93
DTEL 93
CHAPTER 4:- SYLLABUS
1 Introduction and Audio signal Transmission
5 Colour TV Transmitter
6 Colour TV Receiver.
DTEL 94
CHAPTER-4 SPECIFIC OBJECTIVE / COURSE OUTCOME
95
DTEL
LECTURE 1 TV transmitter and receiver
Introduction and Audio signal Transmission
.
Audio signal: The Signal Which carries only sound information
is called audio information. A TV sound signal occupies
somewhat less bandwidth in spectrum than in standard FM
broadcast station.
DTEL 96
LECTURE 1 TV transmitter and receiver
Introduction and Audio signal Transmission
DTEL 97
LECTURE 1 TV transmitter and receiver
Positive and
. Negative modulation
98
Fig 1. Positive modulation[2]
DTEL 98
LECTURE 1 TV transmitter and receiver
Positive and Negative modulation
.
Negative Modulation: When the polarity of modulating video
signal is so chosen that sync tips lie at the 100 percent level of
carrier amplitude and increasing brightness produces
decrease in the modulation envelope, it is called ‘negative
modulation.
Modulating signal
Carrier signal
99
Fig 2. negative modulation[2]
DTEL 99
LECTURE 1 TV transmitter and receiver
100
DTEL 100
LECTURE 1 TV transmitter and receiver
101
DTEL 101
LECTURE 2 TV transmitter and receiver
102
DTEL 102
LECTURE 2 TV transmitter and receiver
Television camera tube
.
Basic principle:
An electron tube use a light-sensitive material/receptor
that converts an optical image into an electrical television
video signal.
DTEL 103
LECTURE 2 TV transmitter and receiver
Television Camera tube
.
Photoelectric Effects
The two photoelectric effects used for converting variations
of light intensity into electrical variations are
(i) photoemission and (ii) photoconductivity.
Photoemission:
The number
. of electrons which can overcome the
potential barrier and get emitted ,depend on the light.
DTEL 105
LECTURE 3 TV transmitter and receiver
Photoconduction
.
In some metal , when light photon fall on it then its
conductivity / resistivity change.
Semiconductor metals like selenium, tellurium and lead
with their oxide have this property known as
photoconductivity.
The variation of resistance at each point across the
surface of the material is utilized to develop a varying
signal by scanning it uniformly with an electron beam.
DTEL 106
LECTURE 3 TV transmitter and receiver
.
Types of Camera Tubes
Vidicon
Plumbicon
107
DTEL 107
LECTURE 3 TV transmitter and receiver
108
DTEL 108
LECTURE 3 TV transmitter and receiver
Image orthicon
. tube
109
Fig 5. Image Orthicon tube
DTEL 109
LECTURE 3 TV transmitter and receiver
Image orthicon
. tube
Glass plate : coated with Silver-antimony serve as
photocathode.
Target plate : when electron emit from cathode ,it can not
store charge being a conductor .
110
DTEL 110
LECTURE 3 TV transmitter and receiver
.
Image orthicon tube
111
DTEL 111
LECTURE 3 TV transmitter and receiver
Image orthicon tube
.
To prevent this divergence effect an axial magnetic field
generated by focus is employed.
DTEL 112
LECTURE 4 TV transmitter and receiver
Scanning
. section
113
DTEL 113
LECTURE 4 TV transmitter and receiver
Electron
. gun assembly and multiplier
Electron gun
114
DTEL 114
LECTURE 4 TV transmitter and receiver
.
Vidicon
Principle : Photoconductive
It has three section:
- Target section
- Scanning section
- Electron gun
115
DTEL 115
LECTURE 4 TV transmitter and receiver
Vidicon .
DTEL 116
LECTURE 4 TV transmitter and receiver
Target.section
Glass plate
Lens assembly
117
Fig 7. Target section
DTEL 117
LECTURE 4 TV transmitter and receiver
Fine electron beam
Focus. ,alignment coil
Deflection coil
- Horizontal deflection
- Vertical deflection
DTEL 118
LECTURE 4 TV transmitter and receiver
Electron gun
. assembly
Electron gun
119
Fig 9.Electode and coil arrangement in vidicon and plumbicon
DTEL 119
LECTURE 4 TV transmitter and receiver
Principle of operation
.
120
Fig 10. Equivalent circuit of Target tube
DTEL 120
LECTURE 4 TV transmitter and receiver
Application
. of vidicon
Earlier type of vidicon were used only where there was no
fast movement , because of inherent lag.
These application involved:
- Slides
- Pictures
- Closed circuit TV etc.
The present day improved vidicon find wide application in
- Education
- Medicine
- industry
- Aerospace
- Scanography
121
DTEL 121
LECTURE 5 TV transmitter and receiver
Plumbicon
. Camera Tube
It has small size and light weight and has low power
operating characteristics .
DTEL 122
LECTURE 5 TV transmitter and receiver
Plumbicon Camera Tube
.
123
Fig 11.Electode and coil arrangement in vidicon and plumbicon
DTEL 123
LECTURE 5 TV transmitter and receiver
Intrinsic layer
DTEL 124
LECTURE 6 TV transmitter and receiver
Generation of the colour signal
.
DTEL 125
LECTURE 6 TV transmitter and receiver
DTEL 126
LECTURE 6 TV transmitter and receiver
These prisms are designed as diachroic mirrors.
.
A diachroic mirror passes one wavelength and rejects
other wavelengths (colours of light).
Thus red, green, and blue colour images are formed. The
rays from each of the light splitters also pass through
colour filters called trimming filters.
DTEL 127
LECTURE 6 TV transmitter and receiver
Solid State camera based on CCD
.
CCD (Charged coupled device) in conventional camera
tube scanning was done by deflection a beam of electrons
horizontally and vertically with the help of saw tooth
currents flowing through the respective deflection coil in a
cathode ray tube.
DTEL 128
LECTURE 6 TV transmitter and receiver
129
DTEL 129
LECTURE 6 TV transmitter and receiver
130
Fig14. Solid State camera based on CCD[2]
DTEL 130
LECTURE 7 TV transmitter and receiver
Colour television
. display tubes
131
DTEL 131
LECTURE 7 TV transmitter and receiver
Delta-gun colour picture tube
.
132
Fig15. Delta-gun colour picture tube[2]
DTEL 132
LECTURE 7 TV transmitter and receiver
The mask has one hole for every phosphor dot triad on the
screen.
133
DTEL 133
LECTURE 7 TV transmitter and receiver
134
DTEL 134
LECTURE 8 TV transmitter and receiver
Precision-in-line
. (p.I.L.) Colour picture tube
This tube as the name suggests has three guns which are
aligned precisely in a horizontal line.
Since all the three electron beams are on the same plane,
the beam in the centre (green) moves along the axis of the
tube.
135
DTEL 135
LECTURE 8 TV transmitter and receiver
Precision-in-line
. (P.I.L.) Colour picture tube
DTEL 136
LECTURE 8 TV transmitter and receiver
Precision-in-line (p.I.L.) Colour picture tube
.
However, because of inward tilt of the right and left guns
the blue and red beams travel at an angle and meet the
central beam at the aperture grille mask.
137
DTEL 137
LECTURE 8 TV transmitter and receiver
Trinitron Colour
. picture tube
DTEL 138
LECTURE 8 TV transmitter and receiver
Trinitron Colour picture tube
.
DTEL 139
LECTURE 8 TV transmitter and receiver
Trinitron Colour picture tube
.
A metal aperture grille like mask is provided very close to
the screen. It has one vertical slot for each phosphor
triad.
DTEL 140
LECTURE 9 TV transmitter and receiver
Colour TV receiver
.
141
Fig16. Colour TV receiver
DTEL 141
LECTURE 9 TV transmitter and receiver
Colour TV receiver
Tuner: The. purpose of the tuner is to amplify both sound and
picture signals Picked-up by the antenna and to convert the
signal frequencies into intermediate frequencies and their
sidebands.
143
.
DTEL 143
LECTURE 9 TV transmitter and receiver
Colour TV receiver
.
. Sync separator : Signal extracted from the video detector
goes to a sync separator stage. The H-sync and V-sync pulses
are further separated from each other by using differentiating
and integrating circuits.
144
DTEL 144
LECTURE 9 TV transmitter and receiver
Colour TV receiver
.
Horizontal sweep generator : H-sweep frequency is timed
and controlled by H-sync pulse through AFC circuit. AFC is
comparator circuit which compare the H-sync frequency with
the sweep generator frequency.
145
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LECTURE 9 TV transmitter and receiver
Colour TV receiver
.
FM detector : It consist of a limiter and phase shift
discriminator. It work on the principle of shift in phase when the
i/p frequency changes with respect to the resonant frequency
of a resonant circuit.
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LECTURE 9 TV transmitter and receiver
Colour TV transmitter
.
147
Fig17. Colour TV transmitter
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LECTURE 9 TV transmitter and receiver
Colour TV transmitter
.
VSB Filter
The modulator o/p is of double sideband type, which is
converted into VSB type by a sharp filter. The filter is design
so that it passes the carrier and the upper sideband i.e
carrier frequency +5 MHz full without attenuation.
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LECTURE 9 TV transmitter and receiver
Colour TV transmitter
.
FM modulator
Low level modulation is used before the final power
amplifier to save audio power requirement.
149
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LECTURE 9 Chapter 4 Question Bank
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LECTURE 9 TV transmitter and receiver
SUMMARY
Concept of Positive and Negative Modulation
Concept of Television Camera tube and its type
Concept of Colour picture tube and its type
Concept of Colour TV Transmitter and Colour TV Receiver
151
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CHAPTER 5:- SYLLABUS
1 Introduction & Pal-D Decoder
2 Yagi-Uda Antenna.
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CHAPTER 5:- SYLLABUS
7 EHT Generation
8 Introduction to HDTV.
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CHAPTER-5 SPECIFIC OBJECTIVE / COURSE OUTCOME
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LECTURE 1 Colour TV
Introduction
Television means ‘to see from a distance’.
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LECTURE 1 Colour TV
Pal-D Decoder
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LECTURE 1 Colour TV
PAL-D Decoder
157
Fig1: Block Diagram of Pal-D Decoder
157
LECTURE 1 Colour TV
Pal-D Decoder
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LECTURE 2 Colour TV
Yagi-Uda Antenna
The antenna is mounted on a suitable structure at a height
around 10 meters above the ground level.
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LECTURE 2 Colour TV
Yagi-Uda Antenna
The antenna widely used with television receivers for
locations within 40 to 60 km from the transmitter is the
folded dipole with one reflector and one director.
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LECTURE 3 Colour TV
Chroma signal Amplifier
Stage 1: Q1 gets input from its base via. Capacitor c1. gain of
this stage is decided by reactance of L1 and magnitude of
ACC controlling voltage fed at base of Q2 through R1 and R2.
C2 avoids undesirable feedback between Q1 and ACC
amplifier. Output signal at collector of Q1 is typically 0.5v
peak to peak. Output of stage 1 is given to stage 2 via. C6 and
to the burst preamplifier through C5.
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LECTURE 3 Colour TV
Chroma signal Amplifier
Color saturation control circuit: function of saturation
control circuit is to form variable attenuator to change
magnitude of chorma signal which is fed to U &V
demodulator.
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LECTURE 3 Colour TV
163
Fig3: Chroma Signal Amplifier Circuit
163
LECTURE 4 Colour TV
The pulse Drive Q1 into cut off during colour burst intervals
and thus prevent it from reaching the demodulator.
164
LECTURE 4 Colour TV
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LECTURE 5 Colour TV
167
Fig5: Colour Killer Control Circuit
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LECTURE 6 Colour TV
Separation of U and V Signals
Chroma signal is applied to Q1.
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LECTURE 7 Colour TV
ACC Amplifier
Burst pulse is fed to ACC amplifier diode D8 and R43, C21
and C22 forms half wave rectifier and filter circuit.
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LECTURE 8 Colour TV
Colour Signal Matrixing
172
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LECTURE 8 Colour TV
Color Signal Matrixing
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LECTURE 9 Colour TV
RGB Drive Amplifier
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LECTURE 9 Colour TV
RGB Drive Amplifier
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LECTURE 10 Colour TV
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LECTURE 9 Colour TV
Applications:
177
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LECTURE 10 EHT Generation
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LECTURE 10 Colour TV
EHT Generation
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LECTURE 11 : HDTV
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LECTURE 11 HDTV
HDTV broadcast systems are identified with three major
parameters:
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LECTURE 12 Colour TV
LCD
Advantages:
Very compact and light.
The first true all-LED flat panel television screen was possibly
developed, demonstrated and documented by James P.
Mitchell in 1977
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LECTURE 12 Colour TV
SUMMARY
189
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CHAPTER 6:- SYLLABUS
1 Introduction to Cable TV and cable signal sources
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CHAPTER-6 SPECIFIC OBJECTIVE / COURSE OUTCOME
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LECTURE 1 Cable TV
Introduction to cable TV
Basically cable TV system is classified as
1) MATV(master antenna TV)
2) CCTV(close circuit TV)
3) CATV(cable TV)
193
DTEL 193
LECTURE 1 Cable TV
.
Cable TV system component
Dish antenna:
DTEL 194
LECTURE 1 Cable TV
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LECTURE 1 Cable TV
.
Specification of Dish Antenna:
Size-8feet.
Gin-36db.
Band-c(3.7 to 4.2GHz downlink frequency)
Look angle-360 rotation in azimuth.
Offset angle-24.62limit
Focal length-90cm
Azimuth angle= 0 to 360
Aperture efficiency-75%
196
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LECTURE 2 Cable TV
LNBC
The main. function of LNBC is to convert the electrical
signal to a low frequency range to minimize losses in co
axial cable that carry dish antenna signal to control
room.
working principle: LNBC down convert the GHz
Frequency into MHZ Also to reject the noise and
increase the gain of the signal
197
Fig2: Block diagram of LNBC
DTEL 197
LECTURE 1 Cable TV
.
Specification of LNBC
Impeadance-75 ohm
198
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LECTURE 2 Cable TV
Multiplexer
.
Multiplexer means many input give only one output
simultaneously.
Multiplexer is a linear mixer and all the signal are simply
added together algebraically.
the resultant output signal is a composite of all the channel
carrier and their modulation product.
199
Fig3: Concept of signal multiplexing
DTEL 199
LECTURE 2 Cable TV
.
Multiplexer Specification
200
DTEL 200
LECTURE 2 Cable TV
Connectors
To make. the connection between cable or to amplifier
splitter and tap offs, it is necessary to use good quality
whether proof co-axial connector.
Such a loss of signal not only causes interference in
reception on TV sets in many way but also necessities
installation of more line amplifier.
201
Fig4: cable connector
DTEL 201
LECTURE 3 Cable TV
MATV
.
DTEL 202
LECTURE 3 Cable TV
MATV
.
Master antenna TV was the four runner of the present day
TV system
DTEL 203
LECTURE 3 Cable TV
MATV .
Each antenna is located in such a direction that all the
station are received simultaneously.
Antenna output is fed to 4 way hybrid. Rid is fed to Hybrid
is signal combing linear mixer which provide impedance
matching to avoided standing waves.
Thus the output from hybrid is fed to distribution amplifier
by preamplifier.
The output from distribution amplifier is fed to splitter
through co axial line.
Tap off are either transformer coupled or capacitivly
coupled.
There are TV receiver Which receive the signal from
branch line.
204
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LECTURE 3 Cable TV
MATV
.
Application
205
DTEL 205
LECTURE 4 Cable TV
CATV
.
It originally stood for community antenna television
DTEL 206
LECTURE 4 Cable TV
CATV .
207
Fig6: CATV
DTEL 207
LECTURE 4 Cable TV
CCTV .
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LECTURE 4 Cable TV
CCTV
.
209
Fig7: Four camera line powered CCTV system
DTEL 209
LECTURE 5 Cable TV
CCTV .
video monitor
DTEL 210
LECTURE 5 Cable TV
. of CCTV
Application
211
DTEL 211
LECTURE 5 Cable TV
DTH
.
Direct to home system(DTH)
DTH is defined the reception of satellite programming
with a personal dish in an individual home.
DTH does not need a local cable operator and put the
broadcast directly in touch with the consumer.
212
Fig9: DTH block diagram
DTEL 212
LECTURE 5 Cable TV
DTH
.
The encoder convert the audio video and data signal into
the digital format and the multiplexer mixes the signals.
At the user end there will be a small dish and set top box
to decode and view numerous channel.
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LECTURE 6 Cable TV
214
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LECTURE 6 Cable TV
DTH .
DTH superior than cable TV?
215
DTEL 215
LECTURE 6 Chapter 6 Question Bank
DTEL 216
LECTURE 6:
LECTURE1:-
SUMMARY
217
DTEL 217
References Books:
1. Telivision and Radio engineering, by A.M.Dhake Tata McGraw Hill
5. Basic Telivision and Video System , by Bernard Grob Tata McGraw Hill
DTEL 218
References Web:
1. http://en.wikipedia.org/wiki/compact_Disc_player.
2. http://www.howstuffworks.com
3. http://en.wikipedia.org/wiki/backlight.
4.http://en.wikipedia.org/wiki/high-defination_television
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THANK YOU
DTEL 220
Recommended Books:
5. Basic Television and Video System , by Bernard Grob Tata McGraw Hill
DTEL 221
References Books:
5. Basic Television and Video System , by Bernard Grob Tata McGraw Hill
DTEL 222
References Web:
1. http://en.wikipedia.org/wiki/compact_Disc_player
2. http://www.howstuffworks.com
3. http://en.wikipedia.org/wiki/backlight
4.http://en.wikipedia.org/wiki/high-defination_television
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