ANTONIO VIVALDI LUTE CONCERTO & 2 TRIOS for Guitar and Piano with CD: Guitar & Piano Sound / Piano Sound for Practice RV82 TRIO in C Major RV85 TRIO in G Minor RV93 CONCERTO in D Major Arranged by Katsuhito Inoue FI EET/ELS FIV Fs Ya bie bY Aa Devise (© 201 by Zon Oo a Cpa Zen-On Music Company Lidewe [EPREET CRE veer NR em) EM, HO EET A BUMDET D0 ro sr Mea Dt FEET REAR WICKER DMAOTR EWS IO She, S12 CRBORBOR A . LULMET/ ba P Ab ORDO Cor, Fey DI FE POERET I CRRZET IAM GICB EN, MORRIE UTEREIE ET EAR (oPORREBMOMALI 772 2 rRCAF—VeUE TA Peat s-YERAGHREC EE HORT HERE ERE FAL DOMRERDEATARO TEGO RUAN, COLI EAP ANS OAD KOR LORMAECIES (74 ore 7 4 OR [)a— NBR, bt] ERROFI— LET ORO AMIE LELOTAD, REET OMB ERTUBS LOTS PETS PRG LEC BLMER CRE, F197 BORE, FEE BOWES Law SHO4, 7- LUT aay CHAR ERT BEUEROTE, CREED INCENSE 22 CORES RME EE bint, MOAT. WORN RLSM ARAMA SHORMLNRUCENSRERSE BOELERDTAS CRM - BRE STRREMEZ IFLA, FOR, L977 S LORE ERA Be SPREE HHS PTMRTSMELOUTIL, SRERMHOIOD AVEEEH, HAVIMGLNT ET —FAE FEES ERBRDL TS ETJEADSROAMEBDTE HI, REORRIEBALN. LURE CHET A THO TRE, RRCES SERED EEEHLE, ARO CDRBRMAOMRATE HO 7 ERC, EE) RNOMERET I he DERE SRC b, RRR? CUT ORMOND LOIRE PREG, RLETMR ETAT Meee eeOmAN. ARS, SCOR ERET So CRIZEREEMOSER LET. 2015 aL mtForeword “The tide “A, Vina: for Guitar and Piano” might suggest rangement with piano substiang orchesea put or cembalo prt. Because piano i a highly ‘ect osrament, i ha reuny heen wes in pace of ache or certo ‘You mip say th pais ave been requ t slate cechestal effet when palorming, wing pio redaction not necenaly sid ini expen, 1o mia cenbalo, whic has ferent one gusty and feneen from those of iano. Jn this volume, efor was muds 0 bring cu plan's unique characteristics and bond range of sound rater thar its ait imitate chess or combalo. Tiss am inovaveatangemeat of Villls Lue Concerts axd 2 Tris for mae guar ‘nd piano. While maiming Violis igre ané mou aswell a he moveret of thovoughbas, gular snd pin exchange logue and py’ etntrpin each ter ater than merely play i wisn ori armen ang new tension and feement. Strictly the epee sacton in the Fst af ofthe mover rete asa tancion with cocuast oe rivalry. The later half wich ncades evelopment and reaps develope toa ret extent, Wit repeat 0 dhe movement. Thierens form leer Son, ‘Wete pita an piano pay in wisn. is up to performers nerprettion wheter both instrament sound with equal balance, or hve the piane announce the theme ‘sin jst ste orchestra does in concert. ied for apace which is fm to ay, teresting listen to, ané alive ray The anahed CD facades ecrsings of demo-sound for listening, swell piano-sound for guar patie. Tsincetly hope this arrangement will encourage he performance syle which nighlghs unig characteris of uta pan, a wl lp ring out now possible Lastly, my deepest gre to hus/guualst Misuhiko Hamada, whe provided smack valuable ster Novebes, 2001 atti oweCONTENTS ‘TRIO in C Major Rvaz L. Allegro non motto TL Larghetto MI. Allegro ‘TRIO in G Minor Rvss I. Andante molto ———— IL. Larghetto IIL Allegro CONCERTO in D Major Rv93 1. (Allgeo justo) — IL. Largo TIL. Allegro. 10 13 18 2a 27 30 — 37TRIO in C Major rvs2 (Gor Viki, Lute and Thoroughbass) ‘Aateno Viat Avr. by Basho Tnoue 1. Allegro non molto 2005 205 Mk CopyIs TRIO in G minor rvas {for Violin, Lute and Thoroughbass) Aatona Viel ‘Arr by Rushito Inaue I. Andante molto nib tmOn Nake Comp2sMI. AllegroCONCERTO in D Major rvos (for Viotin, Lute and Thoroughbass) 1 (Allegro giusto) (2 by On Campny Li Antonia Viet ‘by Kats Inve —TH. AllegroMasher di thet od ds ddd Sg