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Vol. 1076-1077

RICHARD HOFMANN
Op. 107

TECHNIC AND MELODY

*
FIFTY STUDIES

IN THE FIRST POSITION AND IN ALL KEYS

FOR THE

VIOLIN
A SUPPLEMENT TO THE AUTHOR'S "SIMPLE TECHNIC.” OP. 93, BOOK I

IN TWO BOOKS

Vol. 1076. BOOK I, Nos. 1-25

BOOK
II,

Vol. 1077. Nos. 26-50

G. SCHIRMER, INC., NEW YORK

Copyright, 1899 by G. Schirmer, Inc.
,

Printed in theU. S. A.
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Technic and Melody
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 SCHIRMER’S LIBRARY
MUSICAL CLASSICS
gf
COMPOSITIONS FOR VIOLIN
VOL. NO. VOL. NO. VOL. NO.
846 Vol. III. Shifting (changing the
VIOLIN SOLO HOHMANN, C. H. position)
560 Practical Method. A systemat¬ 847 Vol. IV. Exercises in double-
ically arranged course of exer¬ stops
Solos, Methods and Exercises cises for a thorough grounding 848 Op. 8. Shifting (changing the posi¬
in violin-playing (Mittell). Com¬ tion), and Preparatory Scale-
plete Flex, linen studies (Mittell)
ALARD, D. •561 The same. Vol. I. Exercises for 849 Op. 9. Preparatory Exercises in
Double-stopping in thirds, sixths,
the first position
48/49 Op. 10. 10melodious studies, with •562 Vol. II. Exercises in the keys octaves, and tenths (Mittell)
acc. of a second violin in score most used
(Lichtenberg). 2 vols. *563 Vol. III. Advanced exercises in
the keys most used.
SITT, H.
BACH, J. S.
*564
•565
Vol. IV.
positions
Exercises in the higher
Vol. V. Advanced exercisesin the
871
872
Op. 32. Etudes:
Vol. I. 20 Etudes (1st position)
Vol. II. 20Etudes (2d-5th position)
221 6 Sonatas. G m., B m., A m., higher positions 873 Vol. III. 20 Etudes (change of
D m., C, E. (E. Herrmann) position)
BERIOT, C. de„ HRIMALY, J. 1084 Scale Studies (Mittell)

Method. 2 vols. Vol. I 842 Scale-studies WIENIAWSKI, H.

Vol. II
•1086 M6todo par apprender el violin.
Ia parte (Lehmann). Spanish ed.
KAYSER, H. E. 184/185 Op. 18. 8 Etudes-caprices, with a
second violin in score (Lichten¬
750 Op. 20. 36 Elementary and Pro¬ berg). 2 vols.
gressive Studies. Introductory
BLUMENSTENGEL, A. to the celebrated studies by R. 1 WOHLFAHRT, F.
1032 Op. 33. 24 Studies Kreutzer. Complete
603 Scale- and Arpeggio-studies. Book 306/308 The same, in 3 vols. Op. 45. 60 Studies (Gaston Blay):
I. In the first position 513 Op. 44. 50 Short Exercises 838 Vol. I. First position
604 The same. Book II. In the first 867 Op. 67. The Study of the Positions. 839 Vol. II. Third position
three positions 34short piecesfor the study of the 926 Op. 54. 40 Elementary Exercises
second, third, fourth, fifth and 927/928 Op. 74. 50Easy Melodious Studies
seventh positions, and the half- in ProgressiveOrder. 2 vols. Part
BOHMER, C. positions I (first position); Part II (third
position).
744/745 Op. 54. 75 Studies in Intonation.
2 vols.
KOHLER, M.
CASORTI, A.
1078/79 Op. 51. 30 Little Studies for the
study of the second, third, fourth VIOLIN DUETS
and fifth positions._2 vols.
932 Op. 50. The Technics of Bowing ALARD, D.
KREUTZER, R. 48/49 Op. 10. 10 Melodious Studies,
DANCLA, C. 230 42 Studies or Caprices (Singer) with acc. of a second violin in
score (Lichtenberg). 2 vols.
986 Op. 52. Elementary and Progres¬
sive Method KROSS, E. BERIOT, C. de.
•987 The same. Vol. I Op. 40. £The Art of Bowing
988 The same. Vol. II 937 957 Op. 57. 3 Duos Concertants
602 Op. 68. 15 Studies, with acc. of a 946 Op. 87. 12 Short Easy Duos
second violin in score MAZAS, F.
626 Op. 73. 20Brilliant and Character¬
istic Etudes 487 Op. 36. 75 Melodious and Pro¬ DANCLA, C.
219 Op. 74. School of Mechanism. gressive Studies (F. Hermann.) 602 Op. 68. 15 Studies, with acc. of
50 daily exercises (Lehmann) Vol. I. 30 special studies second violin in score
488 Vol. II. 27 brilliant studies
Vol. III.
DONT, J.
489 artists' studies
DONT, J.
1179 Op. 35. 24 Etudes and Caprices RIES, H. 429 Op. 38. 20 Progressive Exercises,
with acc. of second violin in
328 Op. 37. 24 Exercises preparatory 449 Op. 28. 30 Elementary Studies In
to the studies of R. Kreutzer and score
P. Rode the first, second, and third posi¬
429 Op. 38. 20 Progressive Exercises, tions GEBAUER, M.
with acc. of a second violin in
score RODE, P. 956 Op. 10. Duos
231 24 Caprices (Studies), in the 24 KAYSER, H. E.
FIORILLO, F. major and minor scales (David)
868 Op. 67. The Study of the Positions.
228 36Studies or Caprices (Schradleck) ROYELLI, P. 34 short pieces for the study of
the second, third, fourth, fifth
759 Op. 3, 5, 12Caprices (Lichtenberg) and seventh positions and the
GAVINIES, P. half-position. With a second
929 24 Studies (Matinees) SCHOEN, M. violin ad. lib.
109/110 Op. 22. First Steps in Practical
Violin-playing.
MAZAS, F.
HERMANN, FR. Scales and les¬
sons in the first position. 2 vols 331/332 Op. 38. 12 Little Duets (Schra¬
952/953 Op. 20. 100Violin Studies. Part dleck). 2 vols.
I (for the beginning of tuition); 108 Op. 32.The A-B-C of Violin-playing 333/334 Op. 39. 6 Duets (Schradleck). 2
Part II (for the development of vols.
finger and bow technics) 446/447 Op. 70. 12 Little Duets (F. Her¬
742/743 Violin-school. 2 vols. Vol. I
SCHRADIECK, H. mann). 2 vols.
Vol. II 364 Scale-studies
515 The School of Violin-technics. PLEYEL, I.
HOFMANN, R. Vol. I. Exercises for promoting
dexterity in the various positions 297 Op. 8. 6 Little Duets
863 Op. 25. The First Studies in the 516 Vol. II. Exercises in double-stops 298 Op. 48. 6 Little Duets
First Position. Vol. I. The be¬ 517 Vol. III. Exercises in the different 448 Op. 59. 6 Little Duets
ginner modes of bowing
864 Vol. II. The progressive pupil
865 Vol. III. The more advanced stu¬
VIOTTI, G. B.
dent SCHUBERT, L. 520 Op. 9. 3 Duets (Bb, G m., E)
884/886 Op. 51. 24 Studies. Continuation 519 Op. 20. 6 Duets (Bb, C, G, D,
396/397 Op. 50. Violin-method. 2 vols. A m., D m.) (Lichtenberg)
of the preceding, introducing
various positions. 3 vols. 518 Op. 29. 3 Duets (D, A, C m.)
887/888 Op. 66. 22 Studies for the Use of (Lichtenberg)
Advanced Players, employing the SEVCIK, O.
second, third and fourth posi¬
tions. 2 vols.
844 Op. 1. School of Violin Technics.
Edited by Philipp Mittell. Vol. I.
WIENIAWSKI, H.
1076/77 Op. 107. Technic and Melody. 50 Exercises in the first position 184/185 Op. 18. 8 Etudes caprices, with
studies in the first position and 845 Vol. II. Exercises in the second second violin part in score
in all keys. 2 vols. to seventh positions (Lichtenberg). 2 vols.

Volumesmarked * are no longer

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A 573
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 SCHIRMER’S LIBRARY
gf MUSICAL CLASSICS
COMPOSITIONS FOR VIOLIN AND PIANO
VOL. NO. VOL. NO. „ VOL. NO.
ACCOLAY, J. B. LEONARD, H.
Op. 2. Souvenir de Haydn. Fan¬
SEITZ, F.
905 Concerto, No. 1, A m. 629 Pupil’s concertos:
tasy on the Austrian National 947 No. 1, D (3d position)
ALARD, D. Hymn (Lichtenberg) 945 No. 2, G (1st position). Op. 13
H14 Op. 37. II Trovatore. Fantasy 220 Op. 15. Grande fantasle mllitalre 948 No. 3, G m. (lst-3d position). Op.
(Th. Splering) (Schradieck) 12
1113 Op. 47. Faust. Concert Fantasia 1115 Op. 30. Souvenir de Bade (Spler¬ 949 No. 4, D (3d position). Op. 15
(Th. Splering) ing) 950 No. 5, D (1st position). Op. 22
BEAZLEY, J. C.
912 Op. 41. 6 Solos
MASTERPIECES FOR 1066
SINDING, C.
Romance, E m.
920 18 Original Melodies
BEETHOVEN, L. van. THE VIOLIN SITT, H.
233 Op. 61. Concerto, D (Schradieck) Edited and fingered by Henry 1074 Op. 31. Concertino, E m. (1st to
234 2 Romances (Op. 40, G; Op. 50, F) Schradieck: 3d position)
354 Vol. I. Ernst, E16gie;Raff, Cava¬
(Schradieck)
74 Sonata. Kreutzer, Op. 47 (Brodsky) tina; Vieuxtemps, Reverie SPOHR, L.
232 fSonatas (Brodsky) 366 Vol. II. Wieniawski. Op. 12, 2 363 Op. 2. Concerto, No. 2, D m.
Mazurkas (1, Sielanka; 2. Chan¬ (David)
BERIOT, C. de. son polonaise), and Op. 17, L6-
gende
388 Op. 38. Concerto, No. 7, E m.
Airs varies (Schradieck): (Schradieck)
408 No. 5, E, Op. 7 359 Vol. III. Spohr. 3 slow movements 389 Op. 47. Concerto, No. 8. Gesang-
from Concertos Nos. 6, 9, 11 scene, A (Schradieck)
409 No. 6, A, Op. 12 360 Op. 55. Concerto No. 9. D m.
410 No. 7, E, Op. 15 (Schradieck)
(Schradieck)
781
Concertos (Schradieck):
No. 1, D, Op. 16
MENDELSSOHN, F. 395 3 Slow Movements from Concertos
229 No. 2, B m.. Op. 32 235 Op. 64. Concerto, E m. (Schra¬ Nos. 6, 9, 11 (Schradieck)
215 No. 6, A, Op. 70 dieck) TARTINI, G.
216
782
No. 7, G, Op. 76
No. 9, A m., Op. 104 MITTELL’S POPULAR 922 The Art of Bowing. 50 variations
on a gavotteby Corelli (Violinpart)
353 12 Italian Melodies (Schradieck) GRADED COURSE. 923 The same, Piano Accompaniment
675 Sciine dieBallet, Op. 100 Selected pieces suitable for study 725 2 Sonatas, E m., G (Lichtenberg)
BRUCH, M. or performance. Revised and
edited by Philipp Mlttell. 2vols.:
522 Le Trllle du Diable (Lichtenborg-
217 Op. 26. Concerto, G m. (Schra¬ Volkmann)
1152 Vol. I. 29 pieces in 1st position
dieck) 1153 Vol. II. 21piecesIn 1stand 3d posi¬ VIEUXTEMPS, H.
BURGMULLER, F. tions 716 Op. 10.Grand Concerto, E (Schra¬
dieck)
767 3 Nocturnes MOLIQUE, B. 218 Op. 11. Fantasle-caprlce
CORELLI, A. 419 Op. 21. Concerto, No. 5, A m. 354 Op. 22, No. 3. R6verie. See
8 Sonata, D (cadenzaby J. Hellmes- (Schradieck) “Masterpieces for the Violin.”
Vol. I
9
berger) (Desoff-Franko)
Sonata, C (Ries-Franko) MOSZKOWSKI, M. 982 Op. 35. Fantasia appasslonata
525 Variations, La Folia. Accompani¬ 1089 Op. 12. Spanish Dances (Splering) 225 Op. 37. Concerto, No. 5, A m.
ment and cadenza by H. Leonard
(Lichtenberg)
MOZART, W. A. 356
(Schradieck)
Op. 38. Ballade et Polonaise de
890 tConcerto, No. 4, D Concert (Schradieck)
DANCLA, C. 836 Sonatas (Schradieck) 253 Op. 40, No. 3. Bohfimienne
785 Op. 89. 6 Petits Airs Varies sur NARDINI, P. (Schradieck)
des Thames Favoris de Pacini,
Rossini, Bellini, Donizetti, Welgl,
934 Concerto, E m. (Hauser-Franko) VIOTTI, G. B.
511 Sonata, D, arr. by Ferd. David Concertos:
Mercadante (Schradieck) 761 No. 17 (first movement). D m..
DAVID, F. 1088 OLD ENGLISH COM¬ with cadenza by H. Wieniawski
236 Op. 6. Introduction and Varia¬ (Lichtenberg)
tions on the Russian air “The POSERS 443 No. 22, A m. (David-Schradieck)
Red Sarafan” (Schradieck) for the Violin (Moffat) 762 No. 22 (first movement). A m.,
Op. 16. Andante and Scherzo with cadenza by H. Wieniawski
237
capriccioso (Schradieck) PAGANINI, N. (Lichtenberg)
723 Op. 8. Le Streghe. The witches' 444 No. 23, G (David-Schradieck)
ERNST, H. W. dance (Lichtenberg) VITALI, T.
1069 Op. 10. Elggie (Schradieck) 521 Op. 11. Moto perpetuo (Perpetual
The same. See "Masterpieces for motion) (Lichtenberg) 417 Ciaccona (David-Schradieck)
the Violin,” Vol. I. 724 Op. 13. I palpitl (Lichtenberg) WEISS, J.
411 Op. 11. Fantaisle brillante, on
the March and Romance from PLEYEL, I. 893 Op. 38. Harvest of Flowers
“Otello” by Rossini (Schradieck) 832 Op. 8. 6 Little Duets, for one or 894/897 The same, in 4 vols.
407 Hungarian Airs, with Variations two violins and piano (Hermann)
Op. 48. 6 Little Duets for one or
WIENIAWSKI, H.
(Schradieck) 833 Op. 3. Souvenir de Posen. Pre-
two violins and piano (Hermann) 606
FRANCK, C. mifire mazurka caractferistique
1235 Sonata (Lichtenberg) RAFF, J. Op. 85, No. 3. See 607
(Lichtenberg)
Op. 4. Polonaise brillante, D
354 Cavatina.
GADE, N. W. “Masterpieces for the Violin.” (Lichtenberg)
222 Op. 6. Sonata, A (Lichtenberg) 420 Op. 85. 6 pieces (Schradieck) 608 Op. 5. Adagio 616glaqu (Lichten¬
Op. 21.Sonata, Dm. (Lichtenberg) berg)
223 RIES, F. 609 Op. 6. Airs russes (2 romances de
GRIEG, E. 1065 Op. 27. Suite No. 2, F Warlamoff), transcrites et vari6ea
980 Op. 8. Sonata, No. 1, F (Lichten¬ 418 Op. 34. .Suite No. 3, G (Schra¬ (Lichtenberg)
berg) dieck) 610 Op. 7. Capricdo-valse (Llchten-
524 Op. 13. Sonata, No. 2, G (Lichten¬ berg)
berg) RODE, P. 611 Op. 9. Romance sans paroles et
981 Op. 45. Sonata, No. 3, C m. (Lich¬ 514 Op. 9. Concerto, No. 7, A m. Rondo 616gant(Lichtenberg)
tenberg) (David-Schradieck) 366 Op. 12. 2 mazurkas (No. 1. Sie-
924 Op. 46. 1st Peer Gynt Suite (Sitt) 523 Op. 10. Air varie (Lichtenberg) lanka;No.2. Chanson polonaise),
648 Op. 13. Concerto, No. 8, E m. and Op. 17,L6gende (Schradieck)
HANDEL, G. F. (Llchtenberg-Hermann) 612 Op. 15. Original theme with varia¬
Sonata, A. for violin with figured SAINT-SAENS, tions (Lichtenberg)
416
bass,arr. by F. David (Schradieck) C. 613 Op. 16. Scherzo-tarentelle (Lich¬
224 Op. 28. Introduction and Rondo tenberg)
HAUPTMANN, M. capriccioso (Schradieck) 1067 Op. 17. Lfigende (Schradieck)
512 Op. 10. 3 Easy Sonatinas (E. 860 Op. 61. 3d Concerto, Bm. (Sauret) 646 Op. 20. Fantasie brillante sur dea
Herrmann) SARASATE, P. de. motifs de l'op6ra “Faust” de
HAUSER, M. Gounod (Lichtenberg)
1064 Op. 20. Zigeunerwelsen 944 Op. 21. 2d Polonaise brllllante
1068 Op. 43. Ungarische rhapsodic Op. 22. 2d Concerto, D m.
(Hungarian rhapsody) SCHUBERT, F. 951
LALO, E. 921 Op. 137.3 Sonatinas
TWO VIOLINS AND PL^NO
SCHUMANN, R.
1236 Op. 21. Symphonic espagnole
(Lichtenberg) 412 Op. 73. 3 Fantasy-pieces (Violin or BACH, J.
Concerto, D m.
S.
LAUB, F. clarinet) (Schradieck) 899
660 Ballade, Op. 4, No. |2; and Polo¬
413 Op. 94. 3 Romances (Oboe or vio¬
lin or clarinet) (Schradieck) PLEYEL, I.
naise, Op. 8 (Schradieck) 414 Op. 102. 5 Pieces in Popular Mood 832 Op. 8. 6 Little Duet9 (for I or 9
LECLAIR, J. M. 415
(Violin or ’cello) (Schradieck)
Op. 113. Pictures from Fairyland 833
violins and piano) (Hermann)
Op. 48. 6 Little Duets (for 1 or 9
722 Sonata, No. 3 (Lichtenberg) (Viola or violin) (Schradieck) violins and piano) (Hermann )

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A 605 Published by G. SCHIRMER New York

%lbZ I

Hfc7t

OtSIONCOPTRIGHTED1901.BYa SCHIRMCR
Schirmer’s Library of Musical
Classics

w
Vol. 1076-1077

RICHARD HOFMANN
Op. 107

TECHNIC AND MELODY

FIFTY STUDIES

IN THE FIRST POSITION AND IN ALL KEYS

FOR THE

VIOLIN
A SUPPLEMENT TO THE AUTHOR’S "SIMPLE TECHNIC.” OP. 9i , BOOK I

IN TWO BOOKS

Vol. 1076. BOOK I, Nos. 1-25

Vol. 1077. BOOK II, Nos. 26-50

G. SCHIRMER, INC., NEW YORK

Copyright, 1899, by G. Schimer, Iue.

Printed in the U. S. A..

 <V7ru
,1-UH 3

Technic and Melody

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Fifty Easy Violin-Studies
in the First Position and in all keys

Richard Hofmann. Op. 107, Book II

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 CHIRMEKS SCHOLASTIC XERIES
Material for Vocal and Instrumental Study —“front the very easiest to the most difficult.

VOCAL Laoureux, Nicolas

A practical method. 4 Parts:
Buzzl-Peccia, A.
90 Part I. Elements of bowing and left-hand tech¬
78 Italian diction. A practical course
nique
Graveure, Louis and Trehame, Bryceson 91 Part 11. The five positions and their employment
53 Super-diction. High voice —practical study of the demanche
54 The same. Low voice 92 Part II. (Supplement) Twenty-eight progressive
studies preceded by preparatory exercises
Hein, Carl
93 Part III. School of bowing. Preparatory studies
62 31 Daily exercises for the voice
to the Kreutzer, Fiorello and Rode studies
Mabon, Charles B. 94 Part IV. Virtuosity of the left hand. Exercises
The art of recitative, as applied to oratorio an in the form of legato scales, arpeggio, double-
opera. A complete course, theoretical an stops, etc.
practical Levenson, Charles
56 Women’s voices. High
32 First exercises in bowing
57 Women’s voices. Low
58 Men’s voices. High Lichtenberg, Leopold
59 Men’s voices. Low 8 Scale studies
Marches!, Mathilde Schradieck, Henry
61 18 Nouvelles etudes de style for soprano or mezzc 77 The first position, An elementary instruction
soprano. Op. 36. Medium difficulty book
102 Six staccato studies.
Neidlinger, W. H.
23 25 Early vocalises for the medium voice Stoeving, Paul
24 30 Vocalises in 2 books. Book I. High The systematic development of the bow-arm. Pro¬
25 The same. Book II. High gressive studies for class-teaching or private
26 The same. Book I. Low use of violin students:
27 The same. Book II. Low 81 Book I. Elementary
82 Book II. Medium difficulty
Powell, Alma Webster
75 Advanced school of vocal art Strutt, Arturo, E.
First steps of the violinist. 4 books:
Vannlnl, Vincenzo
44 Book I
28 Vocalises. In chiave di sol. Translations by
Dr. Th. Baker
45 Book II
46 Book III
47 Book IV
White, Grace
ORGAN 88 Studies, scales and pieces in the first position
Buck, Dudley
Wilhelmj, August
11 Studies in pedal phrasing. Op. 28
Exercises in thirds
Koch, Caspar P. Witek, Anton
34 Book of scales
101 Fingered octaves
Nllson, L.
Zimbalist, Efrem
29 A system of technical studies in pedal-playing.
40 One hour’s daily exercises
Translated from the Swedish by J. E. Bark wort!
Pfitzner, Heinrich
21 The art of pedalling VIOLA
Svecenski, Louis
25 Technical exercises
GUITAR
Roch, Pascual VIOLONCELLO
85 Modem method. Vol. I. Otis, Edith
76 First book of study pieces
Schulz, Leo
VIOLIN 3 Technical studies. With 26 studies in the thumb
position by W. Fitzenhagen
Fyffe, Elizabeth
64 The Three R's. A music primer for the violin
student VIOLIN, PIANO AND ’CELLO
Hermann, Eduard Loth, L. Leslie
39 Etudes for the systematic study of double-stops. 33 5 Poetic sketches for trio study
In three books:
Book I
Book II HARP
Book III Salzedo, Carlos
Kneisel, Franz 55 L’Etude Moderne de la Harpe (Modem study
Advanced exercises. Part I of the harp)

PUBLISHED BY

3 East 43d St. G. SCHIRMER New York

 SCHIRMER’S LIBRARY
of MUSICAL CLASSICS
COMPOSITIONS FOR VIOLIN AND PIANO
VOL. NO. VOL. NO. VOL. NO.
ACCOLAY, J. B. CORELLI, A. LALO, E.
905 Concerto, No. 1, A m. 8 Sonata, D (Cadenza by J. Hell- 1236 Op. 21. Symphonie Espagnole
mesberger) (Desoff-Franko) (Lichtenberg)
ALARD, D. 9 Sonata, C (Ries-Franko)
525 Variations, La Folia. Accom¬ LAUB, F.
1114 Op. 37. IlTrovatore. Fantasy Ballade, Op. 4, No. 12; and
paniment and Cadenza by 660
(Th. Spiering) H. Leonard (Lichtenberg) Polonaise, Op. 8 (Schradieck)
1113 Op. 47. Faust. Concert Fan¬
tasia (Th. Spiering)
DANCLA, C. LECLAIR, J. M.
Sonata, No. 3 (Lichtenberg)
BACH, J. S. 785 Op. 89. 6 Petits Airs Varies
sur des Themes Favoris de
722

1401 Concerto, A m. (Herrmann) Pacini, Rossini, Bellini, Don¬ LEONARD, H.

1111 Concerto, E (Herrmann) izetti, Weigl, Mercadante 629 Op. 2. Souvenir de Haydn.
1400 Op. 77. 3 Concert Solos (Sve- Fantasy on the Austrian
BAZZINI, A. censki) National Hymn (Lichten¬
1431 Op. 118. 6 Airs Varies (Sve- berg)
1445 Op. 15. Allegro de Concert
(Auer) censki) 220 Op. 15. Grande fantasie mili-
1432 La rondo des Lutins (Auer) taire (Schradieck)
DAVID, F. 1115 Op. 30. Souvenir de Bade
(Spiering)
BEAZLEY, J. C. 236 Op. 6. Introduction and Vari¬
ations on the Russian air 912 Op. 41. 6 Solos
920 18 Original Melodies “The Red Sarafan” (Schra¬
dieck) LOCATELLI, P.
BEETHOVEN, L. van 237 Op. 16. Andante and Scherzo 1069 Sonata, F m. (Powell)
233 Op. 61. Concerto, D (Schra- capriccioso (Schradieck)
dieck)
MASTERPIECES FOR THE
234 2 Romances (Op. 40, G; Op. 50,
ERNST, H. W. VIOLIN
F) (Schradieck) 1069 Op. 10. Elegie (Schradieck) Edited and fingered by Henry
74 Op. 47. Sonata Kreutzer The same. See “Masterpieces Schradieck:
(Brodsky) for the Violin.” Vol. I 354 Vol. I. Ernst, Elegie; Raff, Ca¬
411 Op. 11. Fantasie Brillante, on vatina; Vieuxtemps, Reverie
232 fSonatas (Brodsky) (Complete) the March and Romance
468 Op. 24. Sonata (Brodsky) 366 Vol. II. Wieniawski. Op. 12,
from “Otello” by Rossini 2 Mazurkas (1, Sielanka; 2,
467 Op. 30-2. Sonata (Brodsky) (Schradieck) Chanson polonaise), and Op.
407 Hungarian Airs, with Varia¬ 17, Legende
BERIOT, C. de tions (Schradieck) 395 Vol. III. Spohr. 3 slow move¬
Airs varies (Schradieck): 1406 Op. 12. Concertino (Auer) ments from Concertos Nos.
408 No. 5, E, Op. 7 1464 Op. 20. Rondo Papageno (Auer) 6, 9, 11 (Schradieck)
409 No. 6, A, Op. 12
FRANCK, C. MENDELSSOHN, F.
410 No. 7, E, Op. 15
Concertos (Schradieck): 1235 Sonata (Lichtenberg) 235 Op. 64. Concerto, E m. (Schra¬
dieck)
781 No. 1, D, Op. 16 GADE, N. W.
229 No. 2, B m., Op. 32
222 Op. 6. Sonata, A (Lichtenberg) MITTELL’S POPULAR
215 No. 6, A, Op. 70 223 Op. 21. Sonata, Dm. (Lichten¬ GRADED COURSE
216 No. 7, G, Op. 76 berg) Selected pieces suitable for
782 No. 9, A m., Op. 104 study or performance. Re¬
353 12 Italian Melodies (Schra¬ GRIEG, E. vised and edited by Philipp
Mittell. 2 Vols.:
dieck) 980 Op. 8. Sonata, No. 1, F (Lich¬
675 Op. 100. Scene de Ballet tenberg) 1152 Vol. I. 29 pieces in 1st position
524 Op. 13. Sonata, No. 2, G 1153 Vol. II. 21 pieces in 1st and 3d
positions
BRAHMS, J. 981
(Lichtenberg)
Op. 45. Sonata, No. 3, C m. 1319-23 Violin Classics (5 Vols.)
1395 Op.77. Concerto D (Zimbalist)
(Lichtenberg)
1301 Op.78. Sonata, G
924 Op. 46. 1st Peer Gynt Suite MOLIQUE, B.
1302 Op.100. Sonata, A (Sitt) 419 Op. 21. Concerto, No. 5, A m.
1303 Op.108. Sonata, D m. (Schradieck)
1452-3 Hungarian Dances (2 Vols.) HANDEL, G. F.
(Auer) 416 Sonata, A, for violin with MOSZKOWSKI, M.
figured bass, arr. by F. David 1089 Op. 12. Spanish Dance (Spier¬
(Schradieck) ing)
BRUCH, M.
217 Op. 26. Concerto, G m. (Schra¬ HAUPTMANN, M. MOZART, W. A.
dieck) 512 Op. 10. 3 Easy Sonatinas (E. 890 fConcerto, No. 4, D
1398 Op. 46. Scotch Fantasy (Zim¬ Herrmann) 836 Sonatas (complete) (Schra¬
balist) dieck)
HAUSER, M. 1391 Concerto, Eb (Auer)
BURGMULLER, F. 1068 Op. 43.Ungarische Rhapsodie 1276 Concerto, No. 5, E (Mozart-
767 3 Nocturnes (Hungarian Rhapsody) Franko)

Inordering please mention Schirmer’s Library and give numbers

Complete Catalog of Schirmer’s Library mailed free upon request

Published by G. SCHIRMER, INC., NEW YORK

 SCHIRMER’S LIBRARY
of MUSICAL CLASSICS
COMPOSITIONS FOR VIOLIN AND PIANO

VOL. NO. VOL. NO. VOL. NO.

NARDINI, P. SEITZ, F. VIOTTI, G. B.
934 Concerto, E m. (Hauser- Pupil’s concertos: Concertos:
Franko) 947 No. 1, D (3d position) 761 No. 17 (first movement). D m.,
511 Sonata, D, arr. by Ferd. David 945 No. 2, G (1st position), Op. 13 with Cadenza by H. Wieni-
awski (Lichtenberg)
(Schradieck) 948 No. 3, G m. (1st to 3d position),
Op. 12 443 No. 22, A m. (David-Schra-
1088 OLD ENGLISH COM¬ dieck)
949 No. 4, D (3d position), Op. 15
POSERS 950 No. 5, D (1st position), Op. 22
762 No. 22 (first movement). A m.,
For the violin (Moffat) with Cadenza by H. Wieni-
awski (Lichtenberg)
PAGANINI, N. SINDING, C. 444 No. 23, G (David-Schradieck)
723 Op. 8. Le Streghe. The Romance, E m.
witches’ dance (Lichtenberg)
1066
VITALI, T.
1446 Op. 10. Suite, A m. (Svecenski)
521 Op. 11. Moto perpetuo (Per¬ 417 Ciaccona (David-Schradieck)
petual motion) (Lichten-
berg) SITT, H. WEISS, J.
724 Op. 13. I palpiti (Lichtenberg) 1074 Op. 31. Concertino, Em. (1st 893 Op. 38. Harvest of Flowers
1460 Concerto, No. 1, D to 3d position) 894-897 The same, in 4 Vols.

PLEYEL, I. SPOHR, L. WIENIAWSKI, H.

Op. 8. 6 Little Duets, for one or 606 Op. 3. Souvenir de Posen. Pre¬
832 363 Op. 2. Concerto, No. 2, D m. miere mazurka caracteris-
two violins and piano (Her¬ (David) tique (Lichtenberg)
mann) 388 Op. 38. Concerto, No. 7, E m.
833 Op. 48. 6 Little Duets for one 607 Op. 4. Polonaise brillante, D
(Schradieck) (Lichtenberg)
or two violins and piano Op. 47. Concerto, No. 8. Ge-
389 608 Op. 5. Adagio elegiaque (Lich¬
(Hermann) sangscene, A (Schradieck) tenberg)
RAFF, J. 360 Op. 55. Concerto, No. 9, D m. 609 Op. 6. Airs russes (2 romances
354 Cavatina. Op. 85, No. 3. See (Schradieck) de Warlamoff), transcrites et
“Masterpieces for the Vio¬ 395 3 Slow Movements from Con¬ variees (Lichtenberg)
lin” certos, Nos. 6, 9, 11 (Schra¬
610 Op. 7. Capriccio-valse (Lich¬
420 Op. 85. 6 pieces (Schradieck) dieck) tenberg)
1481 Op. 70. Concerto, No. 11 611 Op. 9. Romance sans paroles et
RIES, F. Rondo elegant (Lichtenberg)
1065 Op. 27. Suite, No. 2, F TARTINI, G. 366 Op. 12. 2 mazurkas (No. 1.
418 Op. 34. Suite, No. 3, G (Schra¬ 922 The Art of Bowing. 50 Varia¬ Sielanka; No. 2. Chanson
dieck) tions on a Gavotte by Corelli polonaise), and Op. 17, Le-
(Violin-part) gende (Schradieck)
RODE, P. 612 Op. 15. Original theme with
923 The same, Piano Accompani¬
514 Op. 9. Concerto, No. 7, A m. ment variations (Lichtenberg)
(David-Schradieck) 613 Op. 16. Scherzo-tarentelle
725 2 Sonatas, E m., G (Lichten¬ (Lichtenberg)
523 Op. 10. Air varie (Lichtenberg)
berg)
648 Op. 13. Concerto, No. 8, E m. 1067 Op. 17. Legende (Schradieck)
(Lichtenberg-Hermann) 522 Le Trille du Diable (Lichten¬ 646 Op. 20. Fantasie brillante sur
berg-Volkmann) des motifs de l’opera
SAINT-SAENS, C. “Faust” de Gounod (Lich¬
224 Op. 28. Introduction and Ron¬ TSCHAIKOWSKI, P. tenberg)
do capliccioso (Schradieck) Concerto, D (Mittell) 944 Op. 21. 2d Polonaise brillante
1185 Op. 35.
860 Op. 61. 3d Concerto, B m. 951 Op. 22. 2d Concerto, D m.
(Sauret)
1299 TWENTY FAVORITE RE¬
SARASATE, P. de CITAL PIECES TWO VIOLINS AND PIANO
1064 Op. 20. Zigeunerweisen
BACH, J. S.
1485 Caprice basque (Zimbalist) VIEUXTEMPS, H. 899 Concerto, D m
SCHUBERT, Op. 10. Grand Concerto, E
F. 716
GODARD, B.
(Schradieck)
921 Op. 137. 3 Sonatinas
Op. 11. Fantasie-caprice
218 1272 Six Duets
SCHUMANN, R. 354 Op. 22, No. 3. Reverie. Sec
PLEYEL, I.
“Masterpieces for the Vio¬
412 Op. 73. 3 Fantasy Pieces (Vio¬ lin.” Vol. I
lin or clarinet) (Schradieck) 832 Op. 8. 6 Little Duets (for 1 or 2
982 Op. 35. Fantasia appassionata violins and piano) (Her¬
413 Op. 94. 3 Romances (Oboe or
1428 Op. 31. Concerto, D m. (Spier- mann)
violin or clarinet) (Schra¬
ing) 833 Op. 48. 6 Little Duets (for 1 or 2
dieck) violins and piano) (Her¬
414 Op. 102. 5 Pieces in Popular 225 Op. 37. Concerto, No. 5, A m.
mann)
Mood (Violin or ’cello) (Schradieck)
(Schradieck) 356 Op. 38. Ballade et Polonaise de
Concert (Schradieck)
WEISS, J.
415 Op. 113. Pictures from Fairy¬ 1309 Harvest of Flowers (Complete)
land (Viola or violin) (Schra¬ 253 Op. 40, No. 3. Bohemienne
(Schradieck) 1310-13 Harvest of Flowers (4 Vols.)
dieck)

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