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Macbeth Character Analysis
Macbeth Character Analysis
Main characters
Macbeth
Lady Macbeth
Secondary characters
Banquo
Macduff
The Witches
Minor characters
Duncan
Malcolm
Donalbain
Fleance
Seyton
Lady Macduff
The porter
Hecate
Macbeth
Macbeth is a complex character who changes throughout the course
of the play. He is clearly a brave warrior and leader at the start of the
drama but he falls victim to the Witches' predictions. It is unclear
whether they plant ideas in his mind or whether they simply highlight
thoughts that he has already had. In a series of soliloquies he
repeatedly questions himself about his motives for killing the King
but is eventually persuaded to continue by his forceful wife.
Having committed murder he finds himself caught in a spiral of evil
from which he can see no escape. His actions become less heroic and
more cowardly as he continues to murder and terrorise others in order
to hold on to his power. Towards the end of the play, when he realises
that he is doomed, he briefly returns to his old heroic self.
How is Macbeth like
Evidence Analysis
this?
Banquo's ghost
appears to Macbeth
alone, showing
(seeing the
Throughout the his overactive
GHOST) Avaunt, and
play, Macbeth is imagination triggered
quit my sight! Let the
tormented by by a guilty
earth hide thee! / Thy
thoughts of the evil conscience. Although
Guilty bones are marrowless,
things he has done. he is now a
conscience thy blood is cold; / Thou
However, he is king, Macbeth cannot
hast no speculation in
caught in a spiral of command his own
those eyes / Which thou
eviland does not seem emotions and feels
dost glare with.(Act 3
able to stop himself. irrevocably set on this
Scene 4)
course of action. The
court thinks he is going
mad.
Lady Macbeth
Lady Macbeth is even more ambitious and ruthless than her husband.
As soon as an opportunity to gain power presents itself, she has a plan
in mind. She uses her influence to persuade Macbeth that they are
taking the right course of action and even takes part in the crime
herself.
For a while she is able to suppress her actions but eventually she
becomes unable to deal with the guilt of what she has done. She
becomes unable to sleep, and mentally unstable, eventually dying in
tragic circumstances.
How is Lady
Evidence Analysis
Macbeth like this?
Banquo
Macduff
Macduff is actually a
man of few words
O, I could play the preferring to get on
Macduff wants to rid his
woman with mine eyes with things. He could
country of the tyrant
/ And braggart with my sit around crying about
Macbeth and vows to help
tongue! But gentle his loss ('I could play
Malcolm achieve this.
heavens, / Cut short the woman with mine
When he learns of the
all intermission. Front eyes') or making great
murder of his family he
Revengeful to front / Bring thou speeches about his
becomes even
this fiend of Scotland intentions ('braggart
more determined to take
and myself; / Within with my tongue').
revenge. He and Macbeth
my sword's length set Instead he cannot wait
come face-to-face on the
him; if he scape, / for the moment ('cut
battlefield and Macduff is
Heaven forgive him short all intermission')
victorious.
too. (Act 4 Scene 3) when he and Macbeth
come face-to-face and
he can be avenged.
The Witches
Although there is clearly more than one of them, the Witches
may be seen as seem as a single character; they are often
referred to as "The Weird Sisters".
Their predictions drive matters forward though they never
actually suggest direct action. Rather, they plant ideas in
Macbeth's mind and let his ambition do the rest. Many of their
predictions are ambiguous.
falls into their trap him. MACBETH: That will not fear anything
and believes that never be. (Act 4 Scene 1) ('take no care who
he is safer than he chafes, who frets, or
actually is. where conspirers
are') until a forest of
trees uproots itself
and moves. As this
seems to be a
physical impossibility
Macbeth instantly
dismisses it ever
happening ('That will
never be'). The
prediction will come
true - but not quite
in the way Macbeth
expects.
Duncan
The king of Scotland should be a figurehead of order and
orderliness, and Duncan is the epitome, or supreme example,
of this. His language is formal and his speeches full of grace
and graciousness, whether on the battlefield in Act I, Scene 2,
where his talk concerns matters of honor, or when greeting his
kind hostess Lady Macbeth in Act I, Scene 6. Duncan also
expresses humility (a feature that Macbeth lacks) when he
admits his failure in spotting the previous Thane of Cawdor's
treachery: "There's no art to find the mind's construction in the
face" (I: 4,11).
Most importantly, Duncan is the representative of God on
earth, ruling by divine right (ordained by God), a feature of
kingship strongly endorsed by King James I, for whom the
play was performed in 1606. This "divinity" of the king is
made clear on several occasions in the play, most notably
when Macbeth talks of the murdered Duncan as having "silver
skin lac'd with . . . golden blood" (Act II, Scene 3). The
importance of royal blood, that is, the inheritance of the divine
right to rule, is emphasized when, in the final scene, Duncan's
son Malcolm takes the title of king, with the words "by the
grace of Grace / We will perform."
https://www.cliffsnotes.com/literature/m/macbeth/character-
analysis
https://www.bbc.co.uk/bitesize/guides/z347v4j/revision/2