45/1145H ZV A Multicultural Journey Editor: Mary Lynn Lightfoot Compiled by Mi En ‘ing: Ke tte Dots . Cover Design: lanine Chambers Mary Lynn Lightfoot ISBN: 978-0-89328-603-3 © 2007 Heritage Music Press, a division of The Lorenz Corporation. All rights reserved, Reproduction of this publication without permission of the publisher is a criminal offense subject to prosecution. Printed in U. 8. A. HerrraGk CHorat SERIES Diane Chal Mas fo be Decniong Mai ce “A DIVSION OF Tht LOMENZ CORPORATION Sox 90 / Dayion, OF 4501-002Also Available: Accompaniment CD (Two-part treble choirs) 99/2132H Three-part Mixed choirs... . 45/1146, Accompaniment CD (Three-part Mixed choirs)... .. 99/2133H 4S/TMSH2Foreword Celebrate the diversity of musical styles and world cultures by programming these captivating settings of folk tunes from around the world! Included are pieces featuring the significant arrangers of today displaying their own creative versatility while immersing us in the musical idioms from countries as diverse as Uruguay, Korea, Africa, and Spain, to name just a few. In addition to this collection for Two-part treble choirs, there is also an edition for Three-part Mixed choirs (45/1146H). All optional instrumental parts are included within and each title is also available as a separate octavo. And don’t forget the Accompaniment CD (99/2132H for ‘Two-part treble choirs; 99/2133H for Three-part Mixed choirs)—a valuable tool for rehearsals as well as performances. Celebrate our diversity by singing the world around! —The Publisher Contents Uruguay Chiu, Chiu, Chiu . Small Percussion Greg Gilpin. .......... ingle, Claves, High Drum, Low Drum) par ‘The Philippines, Hawaii, Tahiti Three Pacific Island Lullabies . Linda Spevacek.... ee Opt. Flute (or Recorder), Bells, Wind Chimes, Rain Stick, and Finger Cymbals France Chumbeta eee Dave and Jean Perry .......-+.+. 22 Africa Farewell, My Friend............ Ruth Blaine Schram. as Optional Flute (or C Instrument) and Orff Instruments parts 40 Israel Zum Gali Gali ........-. oe Greg Gilpin. eee eee ee 42 Flute and Drum parts... cee 48 Japan Haru Ga Kita.........626- . Greg Gilpin . 50 Optional Glockenspiel/Bells and Wind Chimes parts oo... 00eeee0es 54 ng. «Brad Printz. 6.66... 56 2 Flutes/Recorders, and Percussion (Hand Drum, Temple Blocks, Wind Chimes, Finger Cymbals, Orff Instrument) parts... +... +++ ++ 66 Spain De Colores ......-.-. Mark Weston . ASSESChiu, Chiu, Chiu ‘Spanish Pronunciation Guide Canta, canta, pajarito, KAHN-tah KAHN«ah — pah-hal-REE-toh Canta, canta uw cancién. KAHN-tah KAHN-tah too kahn-see-YOHN Mira que la vida es triste MEE-rah kay lab VEE-dah chs TREE-stay y nu cantar me allegra ee too kahn-TAHR = may —ah-LAY-grah__ el koh-tah-SOHN Chiu CHEE-yoo Canta, canta, pajarito, KAHN-tah KAHN-tah —pah-hah-REE-toh Que tw cantar me allegra el corazén. Kay too kahn-TAHR = may —ah-LAY-grah el koh-tah-SOHN Con tus gorjeos, Kohn toose gor HAY-oce (soft “s") con uw trinar, kobn too tree-NAHR Despierta el alba, la noche ya se va, Des-pee-ER-tah el ALL-bah laNO-chay yah say VAH 45/114SH-4Chiu, Chiu, Chiu : ‘Two-part Chorus,* Piano and Small Percussion (Triangle, Claves, High Drum, Low Drum)** English translation and Uruguayan Folk Song pronunciation guide by Scott Apple Arranged by Greg Gilpin Ranges: Part Part IL Bright and festive! ta, canta, pa ja- oh, sing now, lit ite fa, canta, pa ja- Bright and festive oh, sing now, lit - ile nf Can fa, can - ta tu can ~cign, ‘Sing, oh, sing your lit-tle song. Can = ta, canta tu can - eign. Sing, oh, sing your lit-tle song. Duration: approx, 2:05 *Also available for Three-part Mixed (15/2147H). **Small percussion parts are on pages 12-14 ‘© 2006 Heritage Music Press, a division of The Lorenz Corporation. All rights reserved. Printed in U.S.A. inated vepiodton of this ubton a erimielffese bjt fo pesca, "THE COLI LICENSE DOES NOT GRANT PERMISSION TO PHOTOCOPY THIS MUSIC. 4S/1ASH-S ‘wwvelorenz.com ©mgg-le-gragl co-ra- ‘cam make my heart Mi = ra que la vides tris-te yt ca- tar See how Wife can be $0 sad,— but your sweet song 1 Mi - ta que la viedags tis-te y ty cantar meg-le-grael co = ra- See how life can be so sad,— but your sweet song can make my heart — u, chi-u, chi-u, chi-u, - uw, chi-u, chl-u, cht-u—___ ta, canta, pa-ja- oh, sing now, lit ite chi-u, chi-u, chi-u. ta, can -ta, pa-ja- oh, sing mow, little ASILLASHS18 1 a 1 45/1457 Que ty can - tar and your sweet song. ri-to. Que tu can - tar bir-die, and your sweet song. je - 08, con war-bles- mp Con tus gor - je - os, With your sweet war-bles al ~ ba, la noche morn-ing, wake up— no - che wake up. mp mog-le-gragl oo - 1a ~26n, Con ts gor ‘makes my heart glad. With your sweet mele gragl co - 14-260 ‘makes my heart— glad. tu ti - nar, Des -pier-tagl and with your trill, wake up the con and tu ti-nar, Des-pier-tagl with your will, wake up the ya se va Con tus gor = the— dawn, With your sweet ya se va the— — dawn.je - 0s con tu - ri ~ nar, Des- pier-tael war-bies,—— 50. mer-ri - by, wake up the tus gor - je - os, con tu tri-nar, Des-pier-ta el your sweet war-bles, so mer-ri- ly, wake up _the ————— ¥ al - ba, la no-che ya se va morn-ing and let the dark-ness flee! a of u al - ba, la no-che ya se va ‘morning, and let the dark-ness flee! SSS nf 28, nf ) canta, pas ja ito oh, sing now, lit-ile birdie. 1, can ~ ta, sing now, lit ile pa-ja - ri-to, birdie, 45/1458= ta, can = ta tu can -cign, = ra que Ia vi-dags Sing, ob, sing your lit-tle song, See how life canbe so ta, can = ta tu can cin = ra que la vi-dags ok, sing your lit-tle song. See how iife can be $0 os a y tu can- tar — meg-le-gragl co - m -26n. but your sweet song, cant make my heart— glad. y tw can- tar mep-le-gmel oo - ra- z6n but your sweet song can make my heart glad. Chiu chi-u, chi-u, chi-a.—_—_— § = uy, chi-u, chi-u, =u, chi-u, chi-w, chi-u, 45/1145H-910 40, ehi-u.—____ Can = ta, canta, parja- ri -to. Que tw can- oh, sing now, tit-tle bir-die, and your sweet chi-u, chicu, chi-u, Can - ta, can = ta pa-ja - ri to, Que tu can- Sing, oh, sing now, lit-tle bir-die, and your sweet mp tar mga-le- gral co -m -26n Con tus gor- je os, song__—makes my heartglad With your sweet war-bles mp con tu tri and with your u le-gragl co ~ ra-z6n. shes my heart — glad. Con tus gor - je - 08, With your sweet war-bles, 46, nar, Des-piertqel al- ba, fa no-he ya se va Con tus gor- snl, wake up the morning, wake up— the— dawn. With your sweet 1 con ty Wi-nar, Desypiertgel al-ba, la noche yas va and with your til wake up the morning, wake up the dawn 45/1145H-10i 49 crese. je~ 0s, con tu ti-nar, Despicrtagl al-ba, la no-che ya se ‘so mer-ri- ly, wake up the morning and fet the darkness eresc. Con tus gor - je - os, con tu tri-nar, Despientag! al-ba, la noche ya se With your sweet warbles, 80 merri-ly, wake up the morning andl let the dark-ness orese. @, 52, mp mf Des-pier-tagl al-ba, la noche ya se va Des-piertael flee! Wake up the morning and let the dark-ness flee! Wake, up the mp ———_—__= u Des-pier-tagl al-ba, la no-che ya se va, Des-piertag! fleel_ ___Wake up the morning and let the dark-ness flee! Wake up the ~~ —————— | _ af 55 —$— sf al - ba, no - che ya se va, mom ~ ing and let — the darkness flee. SS al - ba, no = che ya se va morn ~ ing and let the darkness flee ______ —_—_= == f 45/114SH-11 eee7 Chiu, Chiu, Chiu ‘Triangle Uruguayan Folk Song Bright and festive! dain Arranged by Greg Gilpin pe GLb GLb, Gal, bn, Fab, qe fE ee be eel be ee be “a 4551 ee 55-56 Cee ee pe, (©2006 Heritage Masic Pres, ii I rights reserved. Printod in U.S.A, so sujet to prea PHOTOCOPY THIS MUSIC 4S/1145H-12 _Claves Chiu, Chiu, Chiu B Bright and festive! J= 112 pe ee eal poll Gol OLL, LoL fae Gall 1 8 ine 4 Uruguayan Folk Song Arranged by Greg Gilpin FLL. 2S, ea eee 7 Fete bLL bi OL LL LLL GEL aa eee) Oecd lL $0 Io ELL TLL LE Pb ee Lp inde Dh Lge bl ay Tu DL 45/1145H-13,. Chiu, Chiu, Chiu High Drum Uruguayan Folk Song Low Drum Arranged by Greg Gilpin Bright and festive! J= 112 play 8 times off - COLL OLOALOL.OeCe oe, w yg4-_._bb, J J _ (eRe Polen geen) al b pb ad bby play 3 times POR, R Cre), AOC, Igal b al Nie Ae lay 8 times ff 0L.CE.CEOL,.CB.ORLCE.O2Cn.CRoe, ( bb | bb [ebb 44 45-50, Play 3 times CACAO. FL bly yl lb, ib Li eae Bel eo! ho ] P fry C+ Et 1, +L, Ee) { Fi rh L ie (oo FL .OCALCACECL.OACAL 4 i 45/1145H-141s About the Three Pacific Istand Lullabies... What is a lullaby? It is a love song sung to an audience of one. Its the first melody a child hears. It belongs to the parent and can be identified with the history of its people, Words are changed and new words added with each generation. The lullaby is beautiful in its simplicity. It needs no words, as the baby doesn’t understand them. ‘They have meaning to the parent. The soothing, gentle sounds are all the baby needs. Enjoy... LS, Ii, Ili, Tulog Anay (Sleep, Little One) “Go to sleep, little one, your mother is not here. She went to buy some bread. Go to sleep, little one.” This is a lullaby of the Illongo Visayans who live on the island of Panay and the sinaller islands nearby. The official language is Tagalog, and it belongs to the Malay-Polynesian family of languages. It is written in the Latin alphabet and has no accents. E Hii Lei E ([ Hold Thee, My Baby) “{ hold thee, my baby. I rock you toward land, I rock you toward sea My sweet child, rest.” Hawaii has a wide variety of national and cultural backgrounds which reflect in this gently, chant-like melody. In general, Hawaiin consonants are produced further back on the tongue and vowels are given pure sounds based on the Italian. Taota Bebe (Sleep, Baby) “Sleep, baby. Your mother is going for fish. Your father is going up the valley They are going for fish, for popoi for baby.” Many babies were rocked by servants and governesses. Therefore, the lullaby can also be considered a song of the peasants and working class, This one tells of the parents going for fei, a large cooking banana, When mixed with the native starch and cooked, the result is a pudding called popoi. ASMMASH-ISie Three Pacific Island Lullabies Unison/Two-part Chorus, Piano, and Optional Flute or Recorder, Bells, Wind Chimes, Rain Stick, and Finger Cymbals Trad, alt. Traditional melodies from the Philippines, Hawaii, and Tahiti Avranged by Linda Spevacek Ranges: Part Part IT I. Ili, Ili, Tulog Anay (Sleep, Little One) Gently Parts 1 and mp Teli, i- ti, ‘Wind Chimes = Duration: approx, 2:55, © 2000 Heritage Musie Press, a division of The Lorenz Corporation, All rights reserved, Printed in U.S.A. Unauthorized vprediction ofthis plication ia sxminalafense mje to proveation THE CCLI LICENSE DOES NOT GRANT PERIISSION TO PHOTOCOPY THIS MUSIC, 4S/LIASH-1G ww.lorenz.com »45/145H-17 Kad-to tien - da 4 a tempo rit. a tempo atempo bak-al_ pa ~ pay.8 Il. E Hii Lei E (I Hold Thee, My Baby) Hawaii Dreamily 4=56 + Flute (or Recorder) Parts Eand It 2 Dreamily J=56 Rain Stick 2 hi-ilei* 6, E hi-i lei ¢, Hi-na i u-ka ¢, *lay 45/1145H-18 0Hi-na i u-ka e. SS Ema - li-e, oo *hoy 4S/114SH-19 E ku-u ka-ma hoi" -¢, 19 (fade away as tong as desired)» III. Taoto Bebe (Sleep, Baby) Tahiti Tenderty d= 40 mp Parts I and It mp. Te-ra ma-ma tei te i’-a, Te-ra pa-pa tei te pe-ho, Te-hae-re tu-ra i - te fe-i, 45/1145H-20 2sustain pedal 45/1 145H-21 na. be - be. Ta - 0 - to, 21ce Chumbara ‘Two-part Chorus and Piano ‘Traditional French Folk Song Arranged by Dave and Jean Perry Ranges: Part] Part I ‘Chumbara = Choom-bah-rah Fydolee = Fi-doh-lee Chowberski = Chou-bear-ski The words, “Chumbara,” “Fydolee™ and “Chowberski> are nonsense syllables and have no ‘meaning whatsoever. An option to extend the song and make it your own, is to take any three- syllable word (school name, mascot name, special teacher or principal, etc.) and substitute it in place of one of the nonsense syllables. This can be done by repeating one of the sections of the song. @ 5 mf chum -ba - ra, chum-ba - ra, maf i Chum--ba - ra, chum-ba = ra, chum-ba-ra, chum-ba = 1a, Duration: approx. 2:20 (© 2000 Heritage Music Press, a division of The Lorenz Corporation. All rights reserved. Printed in U.S.A. “Uneuthoszed roptodueton of tis pubiaton is eximinal offense sibject to prosenton. 45/1145H-22 ‘THE CCL! LICENSE DOES NOT GRANT PERIMISSION TO PHOTOCOPY THIS MUSIC. ©cchum-ba - 1a, Chum--ba- ra, chum -ba - ra, 4s/1145H1-23 cchum-ba - ra, chum chum-ba = ra, chum-ba - ra, chum-ba = 1a, chum -ba - ra, chum-ba = ra, chum chum chum =ba = ra, chum chum 23 chum chum chim chum chum eum chum chur bara, chum chum chum chum chum chum chum chur. cchum-ba ~ ra, chum-ba = ra,24 Chum-ba - ra, mp Chum chum Chum-ba - ra, mf 4S/L145H-26 chum bara, chum=ba - ra, chum -ba - ra, chum, chum = chum = chum, chum-ba-ra, chum chum chum chum chum chum chum chum, chum chum chum, chum-ba-ra, chum-ba - ra, cchum - ba ~ ra, chum chum chum,33 @) chum -ba =, chum-ba-ra, chum chum chum, chum chum cham = chum chum chum chum chum, fy- do - lee, fy-do-lee, fy -do-lee, 2 mf fy, fy-do-lee, fy - do - lee. Fy-do - lee, ———-_ af fy fy fy fy fy. Fy-do-lee, fy -do-loe, 457114512526 a fy, fy-do-lee, fy, fy, 0 fy-do-lee, fy -do-lee, Spoken: 5 ‘mp (building (0 m. 69, as inan argument) Chum — chum — chum, chum-ba = ra, chum-ba ~ ra u 55 chum chum, chum=ba~ra, chum-ba ra Spoken: mp 1 Fy-do-leo, fy-do-lee, 451145126oe ‘Chum chum chum, Fy-does, fy-do-lee, fy. chum ba ~ ra, chum -ba - ra uf Fy-do-lee, fy -do-lee, 6 crese. Chum chum chum, chum-ba-ta, chum-ba-m. Chum chum chum, orese. a Fy-do-lee, fy-do-lee, —fY, Fy-do-lee, fy ~do-lee, 45/114stt27cchum-=ba=ra, chum-ba- ra, 2, af (back in conirol) Chow-ber- uf 0 Chow-ber - ski, chow-ber-ski,__ chow chow chow chow chow-ber-ski, chow-ber- ski, chow chow chow chow 45/1145H.2829 chow chow chow chow. Chow-er - ski, chow-ber ski, chow chow chow chow chow. Chow-ber- ski, 7 chow-ber-ski, chow chow chow! 1 chow-ber-ski, chow-ber-ski, chow-chow - chow! 2 legato Do Re Mi Fa Sol La Ti Do, legato u Chow-ber - ski, chow-ber=ski, chow-ber - ski, chow-ber - ski, 45/1145H-2930 Re Mi Fa Sol La, Sol La Ti Do, Do Ti La Sol Fa Mi Re. Chow-ber-ski, chow-ber-ski, chow-ber-ski, chow > ber - ski Do Ti chow -ber - ski, chow-ber - ski, chow-ber- ski, chow-ber - ski chow-ber-ski, chow chow chow! u La Soi Do Do Do! Chum chum Subito halt tempo J= 60 4s/114st3031 108 gradually accel. to the end chum chum chum chum chum chum. Chum-ba-ra,, gradually accel. to the end u chum chum — chum chum — chum chum, Chum chum = chum = chum gradually accel. fo the end Ghum-ba = ra, chum-ba = ra,——— chum -ba = ra, erese, chum chum chum = chum, chum chur, crese. 118 nf chum chum chum chum — chum chum chum chum, — Chum - ba = 1a, uf chum chum chum, — Chum wf A5/1145H3132 118 — chum-ba = ra, chum-ba - ra, chum-=ba = ra, ehum-ba - ra, chum chum = chum chum, chum chum 122 crese, —chum-ba~1a, choo choo choo choo choo choo choo choo, choo choo choo choo crese, chum chum, chum = chum 178 f choo choo choo choo chum, chum, ch? chum ft chum, chum, ch? chum 4511145832 zFarewell, My Friend 33 ‘Two-part Chorus and Piano with Optional Flute or C-Instrument and Orff Instruments (Alto and Bass Xylophones)* Ruth Elaine Schram Based upon an African Folk Song Ranges: Part I Part I With feeting d . mp Fare-well, my friend uw go with Re-mem - ber us, trav - cling far and near. Duration: approx. 2:20 “instrument parts are on pages 40-41 {© 2006 Heritage Masic Press, a division of The Lorenz Corporation All rights reserved, Printed in U.S.A Tathorzed repodcton of his baton fa cial fs subject fo proszon a5/114511-33 “THE CCLILICENSE DOES NOT GRANT PERIISSION TO PHOTOCOPY THIS MUSIC. 234 1“ crese: our smil - ing fac - 14 nf Jour - ney in mf n = Re-tum to us Jour - ney in mf round to where you start <7 ‘round to where you start = - ed AS/UASH.34forget that we will wait for-get that we will wait friend, — to where you start = = ney in 45/1 145H-35 for you. *round Fare-well, to where my you—— towhere you stat - ed. ‘round to where you start i we will wait for you. we will wait for you, — Fare-well, my friend, 45/1145H.3637 my Peace Re-mem A5/1145H-37our smil 4S/L105H-3855, 45/1145H.39 Fare-well, my my molto rit friend, molto rit. Fare-well, my molto rit. —— friend, oe. Farewell, My Friend Flute Ruth Elaine Schram Based upon an African Folk Song With feeling — 92-96 ge eel es ———— mp i. ee —~ rese. 2.50 as molto rit, =< SSS mp (© 2006 Heritage Music Press, a division of The Lorenz Corporation, 4S/1145H-40 ‘llrightsreserved. Printed in U.S.A. »Farewell, My Friend al Orff Instruments Ruth Elaine Schram (Alto and Bass Xylophone) Based upon an African Folk Song feeling 4-92-96 — 52 rt molto rit =—_ (© 2006 Heritage Music Press, a division of The Lorenz Corporation. mp AS/IL4SH-4L All rights reserved, Printed in U.S.A. 2.2 Zum Gali Gali Two-part Chorus with Drum and Flute* Israeli Folk Song ‘Trad., alt. Arranged by Greg Gilpin Ranges: Part I Part Il Accented and rhythmic J= ca. 76 Spoken 2 Zum, zum, am, zim, zum, zm, zum, zum, zum, zum, zum, zum, Zam ga-li ga-li ga-li, Zum ga-li ga - li, Zum ga-li ga-li ga-li, Zum ga-li ga - li, zum, zum, zum, zum, zum, zum, zum, zum, zum, zum, zum, zum, Duration: approx. 1:35 “Flute and drum parts are on page 48-49, (© 2008 Heritage Music Press, a division of The Loreny, Corporation, All rights reserved. Printed in U.S.A, “Unauthorized reprodcton of this publication i aerial offense sec Yo prosecution THE CCLILIGENSE DOES NOT GRANT PERMISSION TO PHOTOCOPY THIS MUSIC. AS14542 wwwlorenz.com o4B Zum ga-li ga - li, ev-"ry - one finds work to be {ill set - ting sun, dawn till set -ting— sun, ev-"ry - one finds mp 4S/L145H-43done. From the dawn till night does_ come, there's a done. From the dawn till night does come, there's a a —====_Spoten mf task for ev - ‘ly - one. Zum ga-li ga-li ga-li, ———_Soken af I task for ev - ‘ty - Zum ga-li ga - li, Zum ga-li ga-li ga-li, Zum ga-li_ go - li, A5/114SH4d45 ga-li ga-li ga-li, Zum ga-li ga- fi, Zum ga-li ga-li_ ga-li, zum, zum, zum, zum, zum, Ha sha - lom le maan ha a - min. Peace shall be forall ~— the _—_ world. mp zum, zum, Deion Zum ga-li ga-li ga-li, Zum. Ha sha - lom le maan ha a- Peace shall be for all the — Spoken min Je maan ha sha - lom. Zum, zum, zum, world shall be for— peace. A5/114SH-45,46 6 Spoken Zum ga-li ga-li ga-li, Zum —— 0 Ha a - min le maan ha sha - lom All the world shall be ~— for peace oo, mf Zum ga-li ga ga-li, Zum ga-li ga - fi. " Zam ga-li ga-li ga-li, Zum ga-li ga - ti, ———_______ Zum ga-li ga-li ge-li, Zum ga-li ga ~ i _____________. Zum ga-li ge-li ge-li, Zum ga-li ga - —___________ 45/1145H-4647 48, Spoken mp Zum ga-li ga-li ga-li, Spoken mp ee Zum, um, zum, zum, mum,zum, mum, zum, zum, a =—— ep Zum ga-li ga - fi, Zum =» Zum ga-li ga - li, Zum ga-li ga-li ga zm, 7m, zum, um, zum, zum, zum, zum, zum, Zum 2s = 7 5 Whisper Spoken rit, Whisper __ Spoken pp ga-li ga - li, Zum ga-li ga =i, Zum, Whisper Spoken rit Whisper___Spoken pp I ga-li ga- i, Zum ga-li ga - Ti Zum. rit 4S/I14SH-47 aS4 Zum Gali Gali Flute Israeli Folk Song Arranged by Greg Gilpin Accented and rhythmic J ca. 76 ‘© 2003 Heritage Music Press, a division of The Lorenz Corporation, All rights eserved. Printed in U.S.A. 45/1 MASH-A8,Drum 49 Zum Gali Gali Accented and rhythmic d= ea. 76 Israeli Folk Song Arranged by Greg Gilpin 8 8 ay P 2 te a te i ” tr Serororr | corto a TT ctor 53 oT ut BP ore (© 2003 Heritage Music Press, a division of The Lorenz Corporation, Allright reserved, Printed in U.S.A. 45/1145H-49- Haru Ga Kita (Spring Has Come) ‘Two-part Chorus, Piano, and Optional Glockenspiel/Bells and Wind Chimes* Japanese Folk Song Trad, alt Arranged by Greg Gilpin Ranges: Part] Part It Translation: Spring has come, Spring has come. ee. ‘Where has it come to? It has come to the North, to the village, and also to the fields. The bird sings. Where does it sing? It sings at the mountain and also sing in the fields, ae Ha- mu gaki-t, ha - ugaki- ta Do-ko ni P u Ha - mu gaki- ta, ha - mu gaki- ta Do-ko ni a Duration: approx. 1:50 *Glockenspiel/Bells and Wind Chimes parts are on p, 54-55. ©2001 Heritage Music Press, a division of The Lorenz Corporation, All rights reserved. Printed in U.S.A. ‘Unauthorized repxicton ofthis pblisation i aeriminal offense sbjeo to prosca. 45/1 1451-50 ‘THE COLI LICENSE DOES NOT GRANT PERMISSION TO PHOTOCOPY THIS MUSIC.51 Ya - mani ki- ta, sa - toni ki - ta Ya - mani ki- ta, sa - to ni ki - ta, No ni - mo No ni- mo 0 To - ri gana-ku, POP pas |P ewe d 7 45/1145H-51Bae 8 na - ku, Do-ko de na-ku? Ya - made na-ku, ul to - rigana-ku, Do-ko de na-ku? Ya- ma de a d sa - todena-ku, No de-mo 45/L145H-5220 1 r 33, 2 1 —— Ha - 1u ga ki - ta, F q Ha - m ga ki - ta— ee molto rit. a SS Ha - rugaki -t ‘molto rit. Ha - mu ga ki - ta oe ‘molto rit. A5/1145H-53Haru Ga Kita (Spring Has Come) Optional Glockenspiel/Bells Greg Gilpin Slowly Simply J= 88 PB ‘molto rit ©2001 Heritage Music Press, a division of The Lorenz Corporation, All rights reserved. Printed in U.S.A, ‘Unauthorized rprdaetion ofthis pbliestio i erminal offense abject to prosecution THE CCLILICENSE DOES NOT GRANT PERMISSION TO PHOTOCOPY THIS MUSIC. 4S/L145H-S455 Haru Ga Kita (Spring Has Come) Optional Wind Chimes Greg Gilpin Slowly Simply J= 88 i 1 4 eeereemeen] OC ceneemoae P (high to low) 6 ee Oe ae (© 2001 Heritage Music Press, a division of The Lorenz Corporation, All rights reserved. Printed in U.S.A. 1S/L14SH-55 ‘ineuthorized reproduction ofthis pubicaton i erminal offense subjoo to postion, "THE CCL LICENSE DOES NOT GRANT PERMISSION TO PHOTOCOPY THIS MUSIC.56 AS/1145H-56 About Ahrirang... ‘The history of the Korean people is reflected in their folk music, Their songs and dances are commonly subdued and sad, but sometimes ate quite lively and satirical. Korean folk music characteristically depicts toil and hardships, as well as a feeling of thanksgiving and hope. Korean culture has been heavily influenced by Chinese customs, but maintains an individuality of its own. The music of Korea is mainly based on the pentatonic scale and is usually in triple meter. Ahrirang is a well-known folk song from Korea that speaks of Abrirang Hill, outside of Seoul. It is said that Abrirang Hill is a symbol of personal contentment and triumph. This arrangement attempts to capture the style of Korean music, which is highly personal and tender, with sentiments of love and peace, It also seeks to illustrate the contrast between Korean and Western musical styles. The middle section with piano only is purposely arranged with common Western chords and harmonies. It should be sung as smoothly and harmonically full as possible to draw attention to the marked differentiation fom the stark and chordal nature of Korean music. Brad Pritz ‘Abirirang is pronounced Ah- (ee - (*jahing with the ‘r’ very sofily articulatedAhrirang 7 ‘Two of Three-part Chorus, Piano, and Two Flutes/Recorders, and Percussion (Hand Drum, Temple Blocks, Wind Chimes, Finger Cymbals, Orf)* Trad, alt Korean Folk Song Ranges; Parts 1, 1, Ul Arranged by Brad Printz 5 With dignity and simplicity de ca. 92-96 Flute/Recorder = er mp FluteReconderT mp Hand Drum ‘Temple Blocks art "Finger Cymbals| Wind Chimes (o4Bell Tree) | map» mp 7, PRI & (tacet tom. 20) (tacet to m. 65) FC Duration: approx. 3:00 * Instrumental parts are on pages 66-71 (© 2000 Heritage Music Press, a division of The Lorenz Corporation, AU rights reserved. Printed in U.S.A. authorized epodvstion of tha publiaton ia criminal ofense sujet oprosuation. 45/L145H-57 "THE GCL LICENSE DOES NOT GRANT PERWISSION TO PHOTOCOPY THIS MUSIC. ©58 2 mp > <_ = Ab - ri-rang, Ah = rierang— Ah - ri - rang ~ mp 0 ee Ah = sisrang, Aho - si-rang— Ah - ni = rang = 0 mp (optional) a — Ah = sisrang, Ah tierang— Ah - ti = rang = 92 Be ge Rly. cont. - Hap - pi-ness a-waits_you—on— Ah - ri-rang Hill Hap - pi-ness @-waits_youon— Ah - fi-rang Hill, m Hap - pi-ness a-waits_youon— Ah - Be SS 45/1145H-58.ward, on - ward we walk to our— des - ti-ny. mf, On ward, on = ward = we walk to——our— mf On ward, on - ward we — walk to—_our— 24 decresc. On = ward we walk up— to— Ah = risang Hill decresc. 1 des - tieny. On - wardwe — walk—up— to Ah - decrese. des - ti-ny. On - ward we — walk—up— to Ah ri-rang decresc. 2 eee *Play bracketed notes only in absence of flute 45/1145H-59legato, pitt mosso nf Rhy. os Ped harmonically ES mp legato, pitt mosso 00. nf legato, pitt mosso 0 ‘Ah - si-rang, Ah - fi-rang— Ah-ti - rang - 0, mp legato, pitt masso 1 Oo. 45/1145H-60Hap 4S/1145H-61 SS pi-ness a - waits— you on— Ah ward, on - ward ierang Hill 6162 #6 decrese PD walk up to - ri-rang decresc. On - ward we walk up—to— Ah - ri-rang decresc. tisrang, Ah - i-rang,— mp 5 => Ah - rivang, Abo - ri-rang.— Ah-ti - rang - mp simile 45/1145H-62+ orese. 56 Ahi - rang - pi-ness a - waits—you— on— 9 eres ee op - 1 Hap - pi-ness a-waits—you— on— Ah - ri-rang > cresc. ut ee, A Ah - ri-rang— Ah-rti - rang - 0, Hap pieness a- ge ge waits— you— on— Ah - ri-rang ge ASIM14SH-6364 oa 3 deorese — on- ward we walk to—our— des - ti-ny. On - ward we oo - fierang— Ah - ri - rang - 0, 88, mp walk upto Ah - ri-rng Hill, decrese. u Hap - pi-ness a-waits_you— on Ah - i-rang Hill, + decresc. m Hap - pieness a - waits_you—on— Ah - ri-rang a AS/ILASH-G465 n P decrese: Ab - fierang Hill PB decrese. Ah = ricrang Hill a p— decrese m™ will, —____ Ah - ri-rang 411 pecan 451114516566 Ahrirang Flute/Recorder I and IT Korean Folk Song, Arranged by Brad Printz th dignity and simplicity d= 92-96 Flute/Recorder I — mp Flute/Recorder II 3 o~ —— decrese. ‘© 2000 Loren Publishing Company, a division of The Lorenz Corporation. 45/1145H-66 Al rights reserved, Printed in U.S.A. ©45/1145H-67 decrese. ee decrese, —. Ahrirang Hand Drum, Temple Blocks Korean Folk Song Arranged by Brad Printz With dignity and simplicity 192-96 3 Hand Drum ‘Temple Blocks ler] | BP ee mp Poot arto +1 : Je ee - a (eres te 2 T tt 8 M4 a4 24 Fain hur na I U I O nf Peet eee tt a) dey | 2? ak a decrese, (© 2006 Lorenz Pablishing Company, a division of The Lorenz Corporation 4511451168 ‘All rights reserved. Printed in U.S.A. ra69 eo +4 2 2 tt eh | ea TT 7 ie age z 2 z ee Eels crese. ToT CUT t+ a Ue) Ve tite) donde et Leet tt tf te gs a) J 22 PE HH fejee ti: z nd oe 0 f a cre | P 2 clit Hie: A eet GhGl| 19 — ptt ee decrese. decrese. ch] 45/1145H-692 Ahrirang Finger Cymbals, Wind Chimes. Korean Folk Song Arranged by Brad Printz With dignity and simplicity d 92-96 Finger Cymbals | f i 2 Wind Chimes (or Bell Tree) ae # 5 | PPT 19 4A nt —f Seieneeeeee ener oan son 19 4A r ie P 1 | poet 4 ia TT 4 : ' i » tf ++ t 4293-8 2 4 AH fhe P fF he" 1 yd {© 2006 Lorenz Publishing Company, a division of The Lorenz Corporation. 4S/LL4SH-70 All rights reserved. Printed in U.S.A. 2Ahrirang 2 Pitched Metal Percussion or Orff, with soft mallet Korean Folk Song Arranged by Brad Printz With dignity and simplicity d= 92.96 crese, dlecrese. (© 2006 Lorenz. Publishing Company, a division of The Lorenz Corporation, 45/1145H-71 All rights reserved. Printed in U.S.A. ©a De Colores ‘Two-part Chorus and Piano Traditional ‘Traditional Spanish Folk Tune English text by Mark Weston ‘Arranged by Mark Weston Ranges: Part Port I Pronunciation Guide De colores Y¥ por eso los grandes amores Diy kOh-LOH-ays por Ess TohsGRAN-days &-MO-riys de muchos sme gustan ami. day MOO-chos maGOO-stin ah. Moderately 4: = 63-66 ae in bright in bright Poetic Translation: And that is why Ihave such a great love of many colors. Duration: approx. 2:00 (© 2007 Heritage Music Press, a divi ‘of The Lorenz Corporation, Al rights reserved. Printed in U.S.A. of this plication ia criminal offense subject to proscation 4s/1L4SH72 "THE GCLILIGENSE DOES NOT GRANT PERIISSION TO PHOTOCOPY THIS MUSIC, rsS/14SH-73 col - ors the fields dec - 0 - rat - ed are clothed now in col - ors the fields dec - 0 - rat - ed are clothed now in r Spring —___ ——_ o- lo- res, eet at Spring * the birds soon re - tum and their hap - py songs the birds soon re - tum and their hap - py songsin bright in bright col - ors a rain- bow of light spans the beau - ti - ful col - ors a —rain- bow of light spans the beau - ti - ful 45/1145H-74e - so los gran - des mu - chos lo - res me gus - tan Jo = res me gus - friends far and near come to be friends far and near come to be here and 4AS/L145H-7576 2» 0 $S/LASH-76 col = or our lives once a ~ gain col - or our lives once view the col-ors a-round when the De co = lo-res, the col-ors_a-round when the sun ~ light sunlight a - wak-ens the day.De view the colors in sight as mf De _ 0 - lo-res, view the col-ors in sight as sun shines its glo-ri- cus rays sun shines its glo - ti - ous rays ors it makes, as col - ors it makes, as 45/1145H-77dia-mond it lights up the dia-mond it lights up the e = so fos gran - des lo = res me gus - tan 45/1145H-784S/1145H-79 friends friends far far or or and near come to and near come to our lives once our lives once be be a» gain. a - gain us us here here and will and will© - so los gran - des = mor -es de mu-chos co - solos gran - des de mu -chos co - 5 —___—————— # Io - res me gus - tan mi == ¥ u F 45/1145H-80 =