Fashion: Sebastian Cameras

A little window to my world, where design is the principal tool used to developed the portrayal of the things that
sorround me.
A compilation of my work in pdf.
My
Portfolio
Fashion
Sebastian Cameras
Fashion Designer and Creative Director

PORTFOLIO Fall Winter 2019 COMMUNITY SERVICE
INDEX
2019 2
ONRUSHW23FH
MEN/ WOMEN 2019

ACCESORIES Fall Winter 2019 COMMUNITY SERVICE
DRYMAISON X Cliché
MEN/ WOMEN Accesories

Fall-Winter “Tartan pouch”
2019
2018
MEN/ WOMEN Fall-Winter 2018 “RAFIA”
MEN/ WOMEN Spring -Summer 2018 “BORDERS”

2019
ONRUSHW23FH
MEN/ WOMEN 2019

1 2 3 4 5 6 7 8
9 10 11 12 13 14 15 16
17 18
DRYMAISON X Cliché

2019
2018

A portrayal of a contemporary society moving towards ruin.
In which at the beginning everything is perfect, just
and calculated. We will not see anything like it again.
Season 0
Albert Sánchez Ortiz
Fall/Winter 19/20
Sebastian Cameras Alvarez

4
Community service
PORTFOLIO ACCESORIES Fall Winter 2019 COMMUNITY SERVICE
ONRUSHW23FH
SEED IMAGE
SEED IMAGE
SEED IMAGE
SEED IMAGE
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SEED IMAGE SEED IMAGE
SEED IMAGE
Design: Sebastian Cameras

Albert Sánchez
5
MANIFESTO “Decadence” , what pops into our A generation hiding behind a two-faced mor-
heads the moment we hear this word? al adulterated by technology’s rise and its ut-
It is often used to refer to a perceived decay in ter control of us going from the social net-
standards, morals, dignity, religious faith, or skill works to an occult deep web. A society that fits
at governing among the members of the elite of a flawlessly in ancient mythology, which tales
very large social structure. By extension, it may re- could perfectly refer to modern scenarios.
fer to a decline in art, literature, science, technolo-
gy, and work ethics, or to self-indulgent behaviour. We are creating an image in which at the begin-
It has existed for a long time now, implying moral ning everything is perfect, just, calculated, re-
cvensure, that such declines are objectively observ- hearsed and manual. We will not see anything like
able and that they inevitably precede the destruction it again. Taking you to a new level of understand-
of the society or person in question, to keep it simple : ing of our society and decadency throughout time
and the most important : in the contemporary.
“Is an individual or group moving towards ruin.” Willing to show this universe in which oil and wa-
ter are combined, thus merging the antagonistic.
We are taking you towards our own
21st century society ruin, something Two great artistic movements are brought back
of which we are all blind-witnesses. from the past in a renewed version of themselves
A group of individuals is presented to us, in public, for our collection. Futurism which was extreme,
throughout perfection as impecable, unblemished showing the same object from different points of
… but the flip side of the coin is a distorted reality view admiring speed, technology, youth, violence 6
in which each and every person conforming this and all that represented the technological triumph
circle is shown in the most vulnerable and trans- of humanity over nature; and the essence of Pop
parent possible way, showing their greatest inti- art which is elevating the aesthetics of every-
mate and corrupted selves. A parallel reality where day life and the consumer goods of nowadays to
classism is present but looses touch with real life. the level of art. As well as bringing together two
As you go through this text we want you great photographers of the last century: Dafydd
to realise that we could be talking about Jones whose “Exhibition in a box” outs the dec-
any era, and that is why it is so relatable. adency in the most luxurious parties from the
90’s in the US and the UK; and Gareth McCon-
nell whose work shows a frustrated meditation on
the nature of human movement and occurrence,
an embodiment of the power of mass commu-
nion in it’s many forms, and the delirious but bit-
tersweet pleasure of losing oneself to hedonism.
A portrayal of a contemporary society thought to be

constantly making headway. But is this accurate or
is it a double-edge sword hence leading us to decay?
INDIVIDUAL MOVING TOWARDS RUIN
ruin ruin ruin ruin ruin ruin ruin ruin rui

ruin ruin ruin ruin ruin ruin ruin ruin 7 rui
ruin ruin ruin ruin ruin ruin ruin ruin ruin ruin ruin ruin ruin ruin
ruin ruin ruin ruin ruin ruin ruin ruin ruin ruin ruin ruin
ruin ruin ruin ruin ruin ruin
COLOUR PALETTE
8
TECHICAL SKETCHES
COBRA
FC
45 WF
FC
45 COBRA MV
If or discoloration is shown on the closure tape, this bag has been tampered. If or discoloration is shown on the closure tape, this bag has been tampered.
DO NOT OPEN DO NOT OPEN DO NOT OPEN DO NOT OPEN DO NOT OPEN DO NOT OPEN DO NOT OPEN DO NOT OPEN DO NOT OPEN DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN
DO NOT OPEN UNTIL FINAL DESTINATION DO NOT OPEN UNTIL FINAL DESTINATION DO NOT OPEN UNTIL FINAL DESTINATION DO NOT OPEN UNTIL FINAL DESTINATION
Contents may be confiscated if bag is tampered with. Contents may be confiscated if bag is tampered with. Contents may be confiscated if bag is tampered with. Contents may be confiscated if bag is tampered with.
TECHICAL SKETCHES
10
TECHICAL SKETCHES
11
ACCESSORIES COLLECTION OFF AKSIS FALL/WINTER 2019 / 2020
COLLECTION: STYLE: Leather hand bag DESIGNER BASE PATTERN

GARMENT NAME: “d-bag” Albert Sánchez // Sebastian Cameras 1-1990
25 cm
6,5 cm
5,8 cm
23 cm
1 cm
5 cm
5 cm
12
3,5 cm
7,5 cm
4 cm
20 cm
3 cm
12,5 cm
9,5 cm
5 cm
PRINT 4 cm
6,5 cm
4 cm
MATERIAL
- Vaquetilla White
- Methacrylate black and white
- Nylon
DS
ACCESSORIES COLLECTION OFF AKSIS FALL/WINTER 2019 / 2020
COLLECTION: STYLE: Nylon back-pack DESIGNER BASE PATTERN

GARMENT NAME: Albert Sánchez // Sebastian C. 1- 2000
1,5 cm 1,5 cm
3 cm
17 cm
26 cm
26 cm 14 cm
14 cm
12 cm 1,5 cm
12 cm
9 cm
3,5 cm
9 cm
41 cm
15 cm
13
19 cm
9 cm
8 cm
22 cm
13 cm
5 cm
20 cm 11,5 cm
17 cm
29 cm
17 cm
PRINT
3 cm
15 cm
MATERIAL
- Nylon black, white and orange
DS
2019
ONRUSHW23FH
MEN/ WOMEN 2019

DRYMAISON x Cliché

2019
1 2 3 4 5 6 7
14
8 9 10
2018

From our second collaboration with D.R.Y. Maison comes out this Maxi clutch that has a positional serigraphy in the center that refers to the season of
the collection, the composition of the fabric, and finally the name of the fabric and the type of bag it is. The Tartán handbag is composed of a 100% wool
fabric base with a metal zipper incorporated as a closure.
15
2019
ONRUSHW23FH
MEN/ WOMEN 2019

DRYMAISON x Cliché

2019
2018
1 2 3 5 6 7
16
8 9 10

RAFIA
It is handmade in which each

filament is interwoven be-
tween them so that in the end
the drawings that characterize
the bags of the collection are
obtained, forming part of the
plot. And being so they become
unique pieces, which breathe a
fresh and summer air.
Inside each bag has a rigid lined
bottom that shapes the bag. Also
inside we find a magnet button
on a white leather tongue, which
gives the bag functionality and
gives it more quality. The label
on the outside is stamped with
the name of the two marks in
black. Each bag also has a white
plate with black letters personal-
izing the bag with the initials of
the client. 17
2019
ONRUSHW23FH
MEN/ WOMEN 2019

DRYMAISON x Cliché

2019
2018
MEN/ WOMEN Spring -Summer 2018 “BORDERS” 18
1 2 3 4 5 6 7 8
9 10 11 12 13 14
[*BAG COLLECTION ] DRY MAISON ANDREA DECARO
Mexico – United States / Haiti – Domin-

ican Republic / Belgium – The Netherlands /
Norway – Sweden / North Korea – South
Korea / Venezuela – Brazil / Brazil –
Guyana, Mount Roraima / Brazil – Argentina / Slo- 19
vakia – Austria / Austria – Hungary / Poland

– Ukraine / China – Nepal (Mount Everest) / Namib-
ia, Zambia, Zimbabwe and Botswana
– the world’s only quadripoint / Turkey – Armenia /
Former East - West Germany / India – Pakistan
MANIFESTO
“There is WORK here.

Even if it is
20
dangerous WORK.”
Emigration from Mexico began timidly about a century ago, but experienced a signif- Mexican immigration to the United States officially began in 1846 and has con-
icant increase since the 1960s. The emigration phenomenon, in the case of Mexico tinued into the present without any significant period of interruption, also mak-
is diverse and varied through the country. This is due to the economic situation that ing it quite distinct. The immigration histories of national groups that originated in
applies mainly to poorer people, who seek better job opportunities in other countries. Asia, Africa, and Europe are much more varied in trajectory and timing. They usu-
More than 11% of Mexico’s native population lives abroad, making it the country with ally began with massive movements, driven by famine, political strife or burgeon-
the most emigrants in the world. 98% of all Mexican emigrants reside in the United ing economic opportunities in the United States, and then slowed, tapered off, or
States, which are more than 12 million (documented and undocumented) migrants. ended abruptly, as was the case with Chinese immigration from 1850 to 2015.
COLOUR PALETTE
21
Pantone 19-0303 TPX Pantone 11-0601 TPX Pantone 17-4402 TPX

Jet Black Bright White Neutral Gray
TECHNICAL DRAWINGS
[for crossing border] [for crossing border] [for cross-

[HOMELESS BUT AT LEAT I HAVE A LEATHER BAG]
[ plastic bag]
[bag]
22
]
TER
WA
[
TECHNICAL SHEET DRY MAISON ANDREA DECARO
COLLECTION: B STYLE: Denim Wear DESIGNER: Andrea Decaro DESIGN DATE: 17-04-2018
LABEL: D.R.Y
GARMENT NAME:
BASE PATTERN: Jeans SEASON: Fall/Winter ‘18/19
6cm 6cm
13cm 8cm 7cm 1cm 5cm 7cm 8cm 13cm
25cm 25cm
5cm
5cm
3cm
12cm
12cm
15cm
15cm
4cm
4cm
5cm
5cm
13cm
R
30cm
13cm
E
13cm
13cm
T
WA
30cm
[ 23
15cm
15cm
10cm
10cm
3cm
10cm 12cm 12cm 10cm

TECHNICAL SHEET DRY MAISON ANDREA DECARO
COLLECTION: B STYLE: Denim Wear DESIGNER: Andrea Decaro DESIGN DATE: 17-04-2018
LABEL: D.R.Y
GARMENT NAME:
BASE PATTERN: Jeans SEASON: Fall/Winter ‘18/19
26cm
10cm 8cm 22cm 8cm 22cm8 cm 10cm
8cm 8cm
6,5cm
7cm
8cm
6cm
10cm
12cm
6cm
7cm
8cm
25cm
28 cm
24
10cm
1,2cm
3cm
45cm
30cm
1cm
4cm
4,2cm

Fashion: Sebastian Cameras

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Fashion: Sebastian Cameras

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A little window to my world, where design is the principal tool used to developed the portrayal of the things that

Fashion Designer and Creative Director

MEN/ WOMEN 2019

MEN/ WOMEN Accesories

MEN/ WOMEN Spring -Summer 2018 “BORDERS”

MEN/ WOMEN 2019

MEN/ WOMEN Accesories

MEN/ WOMEN Spring -Summer 2018 “BORDERS”

Sebastian Cameras Alvarez

Design: Sebastian Cameras

A portrayal of a contemporary society thought to be

ruin ruin ruin ruin ruin ruin ruin ruin rui

COLLECTION: STYLE: Leather hand bag DESIGNER BASE PATTERN

COLLECTION: STYLE: Nylon back-pack DESIGNER BASE PATTERN

MEN/ WOMEN 2019

MEN/ WOMEN Accesories

MEN/ WOMEN Spring -Summer 2018 “BORDERS”

MEN/ WOMEN 2019

MEN/ WOMEN Accesories

MEN/ WOMEN Spring -Summer 2018 “BORDERS”

It is handmade in which each

MEN/ WOMEN 2019

MEN/ WOMEN Accesories

MEN/ WOMEN Spring -Summer 2018 “BORDERS” 18

Mexico – United States / Haiti – Domin-

vakia – Austria / Austria – Hungary / Poland

“There is WORK here.

Pantone 19-0303 TPX Pantone 11-0601 TPX Pantone 17-4402 TPX

[for crossing border] [for crossing border] [for cross-

10cm 12cm 12cm 10cm

10cm 8cm 22cm 8cm 22cm8 cm 10cm

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